Tag: Showtime

  • Jiostar strikes gold at Gema India with 32 wins across categories

    Jiostar strikes gold at Gema India with 32 wins across categories

    MUMBAI: Jiostar didn’t just shine at this year’s Gema India Awards, it glittered. The entertainment marketing giant bagged an impressive 32 metals, including 15 golds and 17 silvers, making it one of the night’s biggest winners.

    The victories cut across every corner of the creative spectrum, from promos and video campaigns to craft, design, social media and branded partnerships. Whether it was MTV Beats’ cheeky Jassi and Rinku promo, the stylish Diwali Diya animations, or the thought-provoking One for Change series, Jiostar proved it could deliver work that entertains, inspires, and breaks the clutter.

    Formerly known as Promax, the global entertainment marketing academy of arts & sciences (Gema) has been celebrating cutting-edge TV and streaming marketing for 60 years. Winning at Gema is regarded as one of the highest accolades in entertainment marketing, and Jiostar’s haul cements its reputation as a creative powerhouse.

    “These awards underscore the firepower of our teams and JioStar’s leadership in entertainment marketing,” said a Jiostar spokesperson. “It is a strong testament to our ability to set new benchmarks and shape the future of entertainment storytelling.”

    From scripting (Showtime: kjo’s biopic) and sound design (Thunder thighs film festival) to bold key visuals (Lootere) and heartfelt social good campaigns, JioStar walked away with recognition across the board.

     

  • Media mogul Sumner Redstone passes away at 97

    Media mogul Sumner Redstone passes away at 97

    Mumbai: Sumner Redstone, the influential US media mogul who owned CBS and Viacom, passed away at the age of 97, as confirmed by his family on Tuesday. Redstone had been a central figure in the entertainment industry for decades, serving as chairman of the board of directors for both CBS and Viacom until stepping down in 2016 due to declining health. His resignation followed internal family disputes over the companies’ control, with his family maintaining a majority stake.

    In late 2019, CBS and Viacom were merged into one entity, managing some of the most well-known television networks and film studios in the world, including CBS, MTV, Comedy Central, Nickelodeon, Showtime, and Paramount Pictures. This consolidation placed the company in the same league as other major U.S. media corporations such as Disney, Time Warner, and 21st Century Fox.

    Born Sumner Murray Rothstein in Boston in 1923, Redstone changed his surname in 1940 to Redstone. He graduated from Harvard University and served in U.S. military intelligence during World War II. In 1954, he joined his father’s business, which he later transformed into National Amusements, one of the largest cinema operators in the United States.

    Redstone survived a near-fatal fire in 1979 and went on to play a pivotal role in shaping the media landscape throughout the 1980s and 1990s. He fought fiercely to gain control of Paramount Pictures and later took over Viacom, which owned MTV and CBS. Viacom and CBS merged in 2000 but split again in 2006.

    Redstone’s remarkable career left an indelible mark on the entertainment industry and his legacy continues through the companies he built and reshaped.Sumner Redstone

  • Keshet International replaces outgoing CEO Alon Shtruzman with Keren Shahar

    Keshet International replaces outgoing CEO Alon Shtruzman with Keren Shahar

    Mumbai: With over 20 years of experience in the international entertainment industry, 18 of which have been spent working at Keshet. Keren Shahar has been confirmed as the CEO of Israeli media company Keshet International (KI). Shahar will commence her new role on 1 January 2023, replacing Alon Shtruzman, who leaves as the global content producer and distributor at the end of this year, having led the company for a decade. 

    Widely regarded as one of the leading pioneers of the Israeli format sales market and named one of the 25 most powerful women in global television by The Hollywood Reporter, Shahar first joined Keshet Media Group in 2004. She was named Keshet’s formats manager in 2006, where she oversaw global market sales. Two years later, in 2008, she took on responsibility for Keshet broadcasting’s acquisitions department, licencing formats such as The Money Drop, Make Me A Baby, and MasterChef—which has just finished its 10th successful season on Keshet 12—for adaptation locally in Israel.

    After stepping up to take on the role of COO, Shahar was announced to lead the KI’s (established in 2012) sales team, becoming Shtruzman’s second in command. During her 10-year tenure, she was involved in overseeing business and operational aspects across the company’s activities.

    Shahar has also been responsible for the distribution of many of Keshet’s scripted formats, such as Prisoners of War, which became Showtime’s multi-Emmy-winning Homeland, as well as False Flag and When Heroes Fly, which have recently been adapted as Suspicion and Echo 3 for Apple TV+ by Keshet UK and Keshet Studios, respectively.

    As KI’s CEO, Shahar will handle the company’s network of production and distribution hubs: KI in Tel Aviv, Keshet UK, Tresor and Keshet Tresor Fiction in Germany, Keshet Studios in the US, and a majority stake in Greenbird Media. She will be tasked with expanding KI’s international production output further while also boosting its curated catalogue of international dramas, factual entertainment shows, and formats with a view to also building the distribution side of KI’s business. As an influential player in the international content market, KI has seen a long list of its series and formats picked up by television networks such as HBO, NBC, and the BBC, as well as streaming platforms including Netflix, Apple TV, Disney+, and Amazon Prime, during its first decade in operation.

    Speaking on the appointment, Shahar said, “Having the privilege of leading a company like Keshet International is far beyond what I could have imagined when I first started at Keshet 18 years ago. I just wanted to be around the people who “made television.” I’d like to thank Shtruzman for his mentorship and friendship and for showing me what infinite optimism can achieve. Thank you also to the Keshet board and to Nir in particular, for all his support and multiple votes of confidence over the years. Last but not least, I want to thank the extremely talented group of people who “make television” at KI. I am looking forward to our next chapter together and seeing what we can achieve in our second decade!”

    “In just a few weeks from now, Apple TV will launch Echo 3, Keshet Studios’ US adaptation of Keshet’s When Heroes Fly, which is truly one of this year’s most ambitious television productions. Flashback to 2012 and Keshet International’s inception: standing centre frame is Keren Shahar, determined to bring Israeli TV to a world that didn’t know what it was and didn’t know it needed it. Returning to 2022 as we celebrate its 10th birthday, Keshet International is now an internationally recognised name—a global-scale content, production, and distribution company with a history of challenges, successes, and achievements—all with Keren as its deputy CEO. I’m happy to announce the promotion of Keren to Keshet International’s CEO. Keren will lead the international activity from the Tel Aviv office starting in January next year. Flash forward to the next decade, and I predict that, thanks to her experience, competence, and many skills, Keren has taken Keshet International and Israeli TV, along with the rest of the management team at KI and Keshet, to new horizons. Good luck from all of us at Keshet, Keren!”, added Keshet Media Group CEO Avi Nir.

  • Disney+ Hotstar announces three Indian shows for Disney fan event-D23 Expo

    Disney+ Hotstar announces three Indian shows for Disney fan event-D23 Expo

    Mumbai: Disney+ Hotstar today announced three Indian titles at the global Disney fan event D23 Expo. The new lineup includes the talk show Koffee with Karan (Season 8), along with Showtime and Mahabharata. On September 9-11, D23 Expo will be held at the Anaheim Convention Centre in Anaheim, California.

    This announcement further strengthens the platform’s collaboration with ace Bollywood producer, director, actor, and host Karan Johar (Koffee with Karan and Showtime), and mints a new association with maverick producer Madhu Mantena, Mythoversestudios, and Allu Entertainment (Mahabharata).

    Koffee with Karan (Season 8) is produced by Karan Johar, Apporva Mehta and Aneesha Baig, Dharmatic Entertainment Production and Showtime is produced by Karan Johar, Apporva Mehta and Somen Mishra, A Dharmatic Entertainment Production.

    Disney Star head – content, Disney+ Hotstar & HSM Entertainment Network Gaurav Banerjee joined a panel on international content along with The Walt Disney Company chairman-international content and operations Rebecca Campbell, LATAM SVP, media distribution & production Fernando Barbosa, APAC head of content & development Jessica Kam-Engle, and EMEA director of scripted content Lee Mason. The discussion focused on eclectic global content trends, particularly highlighting Disney+ Hotstar’s role in shaping content in India and beyond.

    Sharing his views on the upcoming Indian lineup, Banerjee said, “Over the last several years, India has emerged as a content powerhouse, pushing the envelope with stories that transcend language and cultural boundaries. For a nation at the centre of the OTT revolution, Disney+ Hotstar’s pioneering stories have been dominating viewers’ preferred content library. We couldn’t have asked for a more profound curtain raiser on our upcoming lineup at a globally coveted platform such as D23 Expo 2022, where we have an opportunity to share a glimpse of soon to be launched shows Showtime, Mahabharata, and Koffee with Karan Season 8.”

    Producer, director, and host Karan Johar added, “I am excited to associate with Disney+ Hotstar for our new collaboration, announced at the prestigious D23 Expo. In addition to yet another exciting season of my beloved show, Koffee With Karan (Season 8), I am happy to announce an all-new Dharma Production series, Showtime, which will lift the curtain on India’s entertainment industry’s biggest trade secrets.”

    Producer Madhu Mantena said, “For centuries, Indian epics have captured the imagination of billions around the world. These epics are deeply woven into the very fabric of our nation. The Mahabharata is one of the oldest epics in India and, despite being as old as time, is still relevant today for the many lessons and words of wisdom hidden within its ancient verses. It is said that every known emotional conflict experienced by mankind finds form in the Mahabharata through its complex characters and storylines. We at Mythoverse are absolutely delighted to have this opportunity provided by Disney+ Hotstar to bring out a rendition of this great Indian epic, Mahabharata, and to announce this news on a prestigious global platform at the D23 Expo.”

  • Voot Select to stream original series ‘Halo’ from 24 March

    Voot Select to stream original series ‘Halo’ from 24 March

    Mumbai: OTT service platform Voot Select will be exclusively streaming Paramount+ original series “Halo” from 24 March.

    Based on the popular sci-fi video game series, “Halo” is set in a 26th-century universe dramatising a conflict between humanity and an alien threat known as ‘the covenant.’

    The upcoming nine episodic series features Pablo Schreiber of “Orange is the New Black” fame as the ‘Master Chief,’ alongside Natashca McElhone, Olive Gray, Yerin Ha, Bentley Kalu, Kate Kenndey, Charlie Murphy and Danny Sapani. Also joining the cast as original characters are Ryan McParland, Burn Gorman, and Fiona O’Shaughnessy. Veteran Bollywood actor Shabana Azmi will also appear in a crucial supporting role in the series.

    “Halo defined the beginning of gaming culture in India and has a cult following across the world,” said Viacom18 head – SVOD and international business Ferzad Palia. “With Shabana Azmi helming a key role in the series, the show is even more special for Indian audiences. Having a series based around this legendary title will be looked upon eagerly by not only gamers but also sci-fi fanatics as well. We are delighted to be streaming this series and am certain that the outstanding production scale and enthralling storyline will surpass expectations establishing Halo amongst the best series of 2022.”

    “Working on this project has been a dream come true,” said Shabana Azmi. “The show deals in artificial intelligence, which is a completely new genre for me, hence it gave me the opportunity to learn and evolve. I thoroughly enjoyed working on set with stellar actors such as Natascha McElhone, Pablo Schreiber and Jen Taylor. The visuals in the series are stunning and I cannot wait for the release to see how it will be received by audiences across the globe.”

    “Halo” is produced by Showtime in association with 343 Industries, along with Steven Spielberg’s Amblin Television. The series is executive produced by Steven Kane, alongside Steven Spielberg, Darryl Frank and Justin Falvey for Amblin Television in association with 343 Industries, director Otto Bathurst and Toby Leslie for One Big Picture, and Kyle Killen and Scott Pennington for Chapter Eleven. Kiki Wolfkill, Frank O’Connor and Bonnie Ross serve as executive producers for 343 Industries. 

    The series is distributed internationally by Paramount Global Content Distribution.

  • ViacomCBS rebrands to Paramount; unveils global expansion plans for Paramount+

    ViacomCBS rebrands to Paramount; unveils global expansion plans for Paramount+

    Mumbai: ViacomCBS has announced that it will rebrand to become Paramount Global effective from 16 February.

    In addition to the name change, the media company has detailed plans to accelerate the global momentum behind Paramount+, unveiling new content, enhanced product offerings and continued international expansion at its investor event.

    “Paramount is an idea: A promise to be the best,” said the non-executive chair of the company’s board of directors Shari Redstone. “That promise has always been at the center of what we aspired to build as the steward of more than a century of cinematic excellence, and with businesses and brands that have defined and redefined entertainment for generation after generation. We have made enormous progress, and I have never been more excited about the future of this company.

     

     

    Paramount+ will make its debut in France as an exclusive bundle with CANAL+ Group giving subscribers immediate access through the country’s largest provider. Paramount+ will also be available on an a la carte and direct-to-consumer basis in the French market.

    With Paramount+ and SkyShowtime, the global media company will have streaming services available in more than 60 markets across the UK, Latin America, Canada, Australia, South Korea, the Caribbean and all major markets in Europe by the end of this year. In 2023, the company will look to Asia, Africa and the Middle East, building on Paramount+’s strong momentum to grow its presence in every region of the world.

    Additionally, Paramount+ subscribers in the US will be able to upgrade their subscription to a bundle that includes the Showtime service through two plans, starting in summer.

    The company added 9.4 million global streaming subscribers in the fourth quarter of 2021 led by Paramount+ to add up to 56 million total subscribers and 84 per cent growth in streaming subscription revenue. Its streaming revenues for the quarter stood at $1.3 billion a growth of 48 per cent year-on-year. Its streaming revenue for 12 months ended on 31 December 2021 stood at $4.19 billion.

    “Paramount’s iconic peak represents a rich history for our company as pioneers in the golden age of Hollywood. Today, as we embrace the Paramount name, we are pioneers of an exciting new future,” said president and chief executive officer Bob Bakish.

    “We see a huge global opportunity in streaming, a much larger potential market than can be captured by linear TV and film alone,” continued Bakish. “We’re excited about our ability to not just compete, but thrive, creating significant value for both consumers and shareholders. How? Because we’re broader in four key areas: our diverse content, streaming model, a mix of platforms and global reach. As we look forward, the size of the opportunity we see is matched only by our ambition to seize it.”

    “We are continuing to leverage our global footprint and long-standing relationships to expand Paramount+ into new markets with enormous potential quickly and economically,” commented president and CEO streaming Tom Ryan.

  • Competing with Google & FB on free side and with Netflix and Amazon on subscription — Hotstar CEO Ajit Mohan

    One of the early movers in the Indian over the top (OTT) space, Hotstar – – part of the Twenty First Century Fox-owned Star India – has been setting a scorching pace for itself. In a nation where high data costs made customers wary of consuming content when on the move, it displayed a voracious appetite for acquiring them. Today, its massive subscriber base equals or surpasses the total subs of all the VOD services in Asia and rivals that of the big boys in the US.

    It has also been aggressive in its content strategy – paying top dollar for movies and TV series from  top notch Hollywood studios as well as for sports telecast rights.

    21st Century’s Fox’s leaders – the Murdoch brothers Lachlan and James – along with the Star India management led by Uday Shankar and Sanjay Gupta – are quite bullish that the investments being poured into Hotstar are well worth it and should bear fruit, sooner than later. Estimates are that around $500 million has so far been pumped into the VOD service.

    The man in the hotseat at Hotstar has been the US returned executive Ajit Mohan who has been steering it right from day one three years ago. With single minded focus, he has been at his task of building a robust product and a team that helps it remain so.

    The publicity shy Mohan was one of the Indian VOD leaders who had a one on one with Indiantelevision.com founder, CEO and editor in chief Anil Wanvari at the highly successful  second VIDNET OTT conference in Mumbai two weeks ago.  Excerpts from the conversation:

    First of all, I would like to start by congratulating you on your CBS Showtime deal. Tell me little more about it?

    If you look at what we have built on Hotstar premium we feel pretty proud. I think we have built a fairly distinctive subscription service which in many ways I think compares to the best in the world.  I am not sure that there is any platform worldwide that brings together the best studios for American TV shows and movies. With Hotstar Premium we have HBO, Fox and Disney movies exclusively. And we thought that the only missing piece was Showtime. So we have done an exclusive partnership with  Showtime to both bring the Showtime brand and also the best of their marquee shows  to India on Hotstar.

    I think it really completes our offering. We have built a free service that has scaled up dramatically in the past two and half years or so. Now we are kind of applying some of the same rigor and aggression on P remium as well.  From the content proposition point of view I feel pretty good about how it  looks like.

    What will we get to watch? What kind of shows and will it be on same day and date?

    It is. One of the promises we have as pat of the English part of Premium is that all the TV shows will be aired at the same time as  the US. That’s true for HBO, Fox and it will be true for Showtime as well. Billions, one of their best shows will be on Hotstar and Twin Peaks too. Overall, I think it’s a pretty exciting roster.

    I think more than any individual shows what I am excited about is that both HBO and Showtime in the US have created these fabulous premium pay TV propositions on the back of really redefining what a high quality  American show looks like. I think  by bringing them together on the same platform, what we are essentially saying when it comes to English content there really is no need to look beyond Hotstar Premium. Not in terms of other services.  Or not in terms of torrents, which is still a meaningful source of competition for us.

    We will now start investing in educating the market where there is a substantial number of users who have an affinity to English who are spending a lot of time – especially the younger demographic – digging up for content on torrents. And very often they don’t get good quality versions. They don’t get it on time.Or they get It dubbed or subtitled in a language that is not familiar.

    Now the reality is that as a consumer in India you don’t need to have  to go through the pain. It may be difficult for them to understand the richness of the proposition that is  on offer today. Now when you compare it to consumers in any other part of the world today; the Indian consumer has probably the best deal.  Rs 199 per month only…I don’t think price is a  challenge anymore. So I think it’s more about creating  awareness.  And I think there is still a segment – especially in the younger demographic – who believes it’s cool to pirate. And I am sure that philosophy will be carried by a lot of people. For most people,  it is just creating awareness that there is a serious ease of getting almost every show that you want on Hotstar Premium at a price that is quite affordable. And that is what we are going to invest in on the back of the Showtime deal and what we already have on Premium. And taking it to a mass market in a way that’s not been done in this country before.

    So will you have Hindi sub titles? Or in any other languages?

    Currently, it’s English subtitles. I think the fundamental  point you are making is improving accessibility, can dramatically expand the audience for English TV shows or movies in India. Hollywood has shown that with dubbing. The direction we are moving is to make it accessible by subtitling in multiple languages which you will see over the next few months.

    How are you doing on the app download front?

    We have crossed 300 millions downloads and we are seeing downloads across all operators. Wifi.  Jio obviously has  had a tremendous impact on the ecosystem in terms of expanding access to mobile broadband and increasing affordability. Two things stand out over the last nine months when Jio has had this massive disruption. One is that video has  benefited disproportionately. For us what the last two years -and the last year in particular – has really established is the bet that we made if data was not a constraint,  people will gravitate towards  long-form content including on a mobile. That  what we saw in the early stages of the ecosystem , people consuming short form clips, user generated content  – that it did not represent the truth. It was not the end state; it was the beginning of the market.  That has really played out  And you see that in the data, the time spent time..the watch time on video  has grown disproportionately to social media.. And by multiple factors. And Hotstar has grown – disproportionately to any other video platform.

    300 million I don’t think somebody else has this kind of numbers in the world.

    I think Jio has been an enabler. But more and more you are seeing that for sieving out where consumers are going, both in terms of adoption and in terms of watch time. I think data is an enabler. My sense is that the more people have access to 4G, the cheaper data gets – a high quality propostion like Hotstar that has both the content proposition and is compelling as well  and we are seriously investing in technology to keep improving the consumer experience. I think that combination is quite powerful.

    We are seeing that in the numbers which are substantive. One of the numbers that stands out for us is that just on the Google Playstore globally we crossed 100 million downloads a couple of months ago. From what we know, only Netflix has done that globally outside of Hotstar and may be in the entertainment space, Spotify. And it does feel like even being in one market in India, I think  the scale of what we are seeing clearly compares to the best in the world.

    I believe this should be a moment of pride for the country as well that in the mobile ecosystem that we are blazing the trail in terms of what can be done. And for us, we really think of ourselves as “we are not replicating models that have happened in other parts of the world. We are truly creating a template for what a mobile centric business could look like which would be relevant in any market.”

    How many of these are active?

    In the month of May and June 2017, we crossed more than 100 million active users

    How would you define these actives?

    Somebody coming and spending meaningful time at least once a month. The reality is almost everyone who comes to Hotstar comes multiple times a month. And very often multiple times a day. But a monthly active way is a good way to look at it as it a common measure for looking at adoption across the ecosystem. And all our 100 millions actives are unique.

    Some of the OTT players are distinguishing between monthly active users and uniques.  

    Digital is an interesting space where is there is no common measurement system in place and that equally applies to Facebook, Youtube or Hotstar. It makes sense to have a common measurement that is consistent. To the extent that  we know how to identify  unique users, their presence on devices, not everyone logs in. It’s not the same login across Hotstar, Facebook, Google  – all of those still remain. But We are seeing more than 100 million users coming to Hotstar.

    Are you still in the consumer acquisition mode or you have passed that. In what phase are you?

    I think we are going to be in a perennial growth mode for a long time because of two reasons: I think that’s the kind of company we want to build. The proposition is so exciting,  it’s relevant for more than 100 million users.

    Second, the context of India where as more people get access to  data… one of the things that we are convinced is the primary use case for getting people getting online can be video and Hotstar.

    The next 100 million or the first 500 million to go on digital in India.. we think mobile video and especially around the entertainment proposition that we have.. more than search, social media or ecommerce we can be the beach head. Because people love stories and it’s relevant for  a larger number of people. From that point of view I don’t think we are going to stay away from focusing on growth for a long time. I think we can be the primary use case for bringing people online in India.

    But your customer acquisition cost are going up or down?

    I think costs are going down. It’s a two and half year old platform now; there is a lot equity of the Hotstar as a brand. Once you reach a certain scale and have broken through I think the organic momentum starts kicking in. We are in the stage where it feels like growth is happening with far less effort than two years ago. Having said that it looks exciting to look for the next100 million users..and the next 100 million users after that.

    It’s not in an optimization mode, it’s in growth mode and in growth mode our focus is all three:  adoption of new users, it’s watch time and the third is revenue.

    I think for a uniquely consumer internet company we believe there is a virtuous cycle between consumer adoption, engagement and revenues.  We don’t see  it as competing, we see it as going together.  

    Varun (HotStar head of product and engineering EVP) said in some conference that he would like get some billion minutes. Correct me if am wrong?

    A year ago in APOSTech in Shanghai Varun had articulated this ambition of crossing a billion minutes a day in watch time. I don’t think we have said this publicly but we have crossed that  number a few times  in the past couple of months.  

    How has the playground has changed since you were here last year. What do you seeing? Your tech is keeping up or you have to spruce up your tech. You invested in Zapr to get some analytics in place. What has changed?

    Three things in my mind have changed.

    We have made significant movement in the past 12 months.  I think we have hired 60 engineers just in the last nine months. I think we are looking at doubling that number in the next six months.

    We have the clarity that we can build something unique in India and compete with some of the best global tech companies. It comes with building our own technology muscle.

    Second, if you look at the consumer internet space with lot of actions across e-commerce, fin-tech and our own media space, we have been quite thoughtful in building a deep bench in leadership. The past 12 months have been marked by a significant bulking up of our leadership capacity in Hotstar.

    Third big change that has happened as a result of that there is starting to be  a bit of a separation in terms of services that are standing out from an adoption, engagement and scale point of view – and clearly that’s happening.

    The last 12- 15 months have seen the launch of whole bunch of new services in OTT and a lot of them have very interesting propositions. They are occupying interesting positions in the market …some fairly niche but if I step back and think about it what we are proud of at Hotstar is we are breaking away when it comes to  serious scale and engagement.

    And for me it looks like we are competing with Google and Facebook on the free side which is all about its large scale,  ad supported and big numbers. And on the other front its subscription, which is still nascent, much smaller audience at the moment, we are competing with Netflix and Amazon Prime. At Hotstar, we have two sorts of vertical, one is the free ad supported business and the subscription business where we are facing two different sets of competitors.

    But I believe the ad supported services, IPL got you good revenues from two partners Vivo and Maruti. Agencies have told me its Rs 20 crore per head.

    I think we did okay.

    But that is serving out well in the terms of revenue.

    One of things is clear to advertisers and that’s a big movement in the last 12-24 months especially at a time when there have been a lot of issues around  brand safety that came up in the UK. I think two things are showing up I think most advertisers started to recognizing that the Hotstar proposition is unique. In most parts of the world high quality on demand content on streaming is completely behind the paywall. Therefore it’s not available for brands to advertise on like you can’t advertise on Netflix in US.

    So Hotstar represents a unique opportunity on digital where for the longest time advertisers could only reach audience through user generated content or short clips whereas on HotStar you get premium content which is very different from most streaming business models.

    Second thing that the advertisers started recognizing the power of its engagement. I think it different when you reach an audience when they are scrolling and checking something on social media for 30 seconds or when watching a 40 second clip. It’s a very distracted audience. So even when you presumably get scale and you get metrics like video views what you are not getting is real engagement that comes with long form content. There is a reason why television helped build brands for 50-60 years. It was because people spent time deeply immersed into stories. And that’s the proposition we offer on Hotstar.

    Sports is driving you plus Hollywood. You kind of have tip toed away from originals unlike what Amazon Prime or Netflix are doing?

    I feel I keep answering this question but for whatever reason people don’t want to embrace the answer – especially my peers. Sports is big on Hotstar.  Sports is less than 15 per cent of our total watch time. It’s definitely played a meaningful role for us.

    But TV shows and movies are much larger on Hotstar. The proposition of Hotstar at least for consumers is  that they know that Hotstar is beyond cricket or sports. On originals, almost everything we have is exclusively on Hotstar on digital. Right from the early stages we believe in the power of exclusive content. Which is why Game of Thrones, a Star Plus show is all exclusively on Hotstar. The originals bandwagon was started by the people who did not have the enough content. I am not sure why Hotstar with the most compelling  content portfolio in the world would want to get on the same bandwagon.

    Why is Republic TV  there on your platform?

    …..For more of the interview click and watch the video  link below

  • Comedian Garry Shandling no more

    Comedian Garry Shandling no more

    MUMBAI: Garry Emmanuel Shandling, the famous American comedian, actor, writer, producer and director has died at the age of 66. Born in Chicago, the comedian was known for his neurotic observational humour, particularly about romantic relationships and his lancing of showbiz in his inventive TV shows.

    Los Angeles Police Department Officer Rosario Herrera has confirmed his death but the cause of death was not mentioned.

    Shandling is best known for his work in It’s Garry Shandling’s Show and The Larry Sanders Show. It’s Garry Shandling’s Show was created in 1986 and aired on premium cable satellite television network Showtime while The Larry Sanders Show was created in 1992 and aired on HBO. He was also a formidable host. Shandling hosted the Grammys in 1990, 1993 and 1994, and the Emmys in 2000 and 2004.

    Shandling has won the Primetime Emmy Award for outstanding writing for a comedy series in 1998. During his three-decade career, Shandling was nominated for 19 Primetime Emmy Awards and two Golden Globe Awards, along with many other awards and nominations.

  • Comedian Garry Shandling no more

    Comedian Garry Shandling no more

    MUMBAI: Garry Emmanuel Shandling, the famous American comedian, actor, writer, producer and director has died at the age of 66. Born in Chicago, the comedian was known for his neurotic observational humour, particularly about romantic relationships and his lancing of showbiz in his inventive TV shows.

    Los Angeles Police Department Officer Rosario Herrera has confirmed his death but the cause of death was not mentioned.

    Shandling is best known for his work in It’s Garry Shandling’s Show and The Larry Sanders Show. It’s Garry Shandling’s Show was created in 1986 and aired on premium cable satellite television network Showtime while The Larry Sanders Show was created in 1992 and aired on HBO. He was also a formidable host. Shandling hosted the Grammys in 1990, 1993 and 1994, and the Emmys in 2000 and 2004.

    Shandling has won the Primetime Emmy Award for outstanding writing for a comedy series in 1998. During his three-decade career, Shandling was nominated for 19 Primetime Emmy Awards and two Golden Globe Awards, along with many other awards and nominations.

  • Sky & CBS ink pan-European deal for Showtime programming portfolio

    Sky & CBS ink pan-European deal for Showtime programming portfolio

    MUMBAI: Sky and CBS Corporation have inked a long-term licensing agreement for Sky Atlantic to be the exclusive home to Showtime’s growing portfolio of programming across all its territories in the UK, Ireland, Germany, Austria and Italy. Previously, Sky has licensed select Showtime content from CBS on a programme by programme basis.

     

    The deal will span all new and future series including Billions, which premiered in the US with the best series debut performance ever for a Showtime original series. Other new series include the return of Twin Peaks and new seasons of hits such as Ray Donovan and The Affair. The agreement also means customers will have on-demand access to an acclaimed catalogue of premium Showtime programming including Californication, Dexter, Nurse Jackie, The Borgias and Brotherhood.

     

    Additionally, customers can watch these shows where they want using mobile TV service – Sky Go. Customers who use Sky’s streaming platforms, NOW TV and Sky Online also have access to this must-see channel live and on demand.

     

    The deal is the latest multi-territory agreement secured by Sky as it extends its market-leading offering across entertainment, sports, arts and movies. Alongside an expanding portfolio of the best shows from the US and around the world, Sky is also growing its investment in original production, which includes a successful partnership with Showtime to co-produce the gothic horror series, Penny Dreadful.

     

    For CBS Corporation, this is the largest and most expansive international deal to date for Showtime and the first time its content portfolio has been licensed to a single media company across multiple European territories. It also marks a significant next step in the company’s global expansion strategy to distribute Showtime’s prestigious brand and broad programming slate as a bundled offering.

     

    Last year, CBS and Bell Media announced a similar exclusive agreement for Showtime in Canada.

     

    Alongside scripted content, Sky will have an exclusive option to take all new Showtime distributed unscripted shows such as documentaries, late night and reality shows. Premiere dates for the programming may vary by country and current rights agreements with other platforms will remain unchanged.

     

    Sky managing director – content Gary Davey said, “This is one of the most important content deals Sky has ever agreed, cementing Sky’s position as the market-leader in Europe for world-class drama. We are enormously proud that Sky will be the exclusive home to new Showtime programmes for many years to come, building on a relationship that has grown over time including producing three successful seasons of Penny Dreadful together. The agreement means our customers can enjoy an incredible slate of upcoming new dramas like Billions, Twin Peaks and also explore hundreds of hours of amazing series such as Dexter, Californication, The Affair and House of Lies on demand from the back catalogue of one of the world’s most exciting pay TV networks.”

     

    CBS Global Distribution Group president and CEO Armando Nu?ez added, “This is the most significant international deal in the history of Showtime, and further signals the value and prestige of its content brand in the global marketplace. Showtime CEO David Nevins and his team have built an incredible roster of award-winning, critically acclaimed programming. This deal shows how robust and profitable Showtime has become as a stand-alone product and revenue stream. We look forward to working with our outstanding partners at Sky to present Showtime to its customers across Europe and on a wide range of their platforms.”