Tag: Shahrukh Khan

  • Marketing coup: SRK, Aamir unveil Salman’s ‘Bajrangi Bhaijaan’ poster on Twitter

    Marketing coup: SRK, Aamir unveil Salman’s ‘Bajrangi Bhaijaan’ poster on Twitter

    MUMBAI: In a marketing and promotional coup of sorts, Salman Khan managed to pull off an unparalleled feat. The ‘Being Human’ star has managed to get his contemporaries Shah Rukh Khan and Aamir Khan to tweet the first look of his upcoming film Bajrangi Bhaijaan to their followers on Twitter.

     

    “I believe Being a brother is bigger than being a Hero. ‘Bhaijaan’ coming Eid 2015. How do u like the first look?” tweeted Shah Rukh Khan, the once arch nemesis of Salman.

     

    A few minutes later, Aamir Khan also took to the popular micro-blogging site Twitter to post the poster of Salman’s film with the caption ‘Coming soon…”

     

    While SRK has 13.2 million followers on Twitter, Aamir is close behind with 12.8 million followers. On the other hand, amongst the trio, Salman lags slightly behind with 12 million followers on Twitter. Between them, the Khan trinity has the capability to reach out to a fan base of a whopping 38 million followers. No doubt, this is a sure shot recipe for unmatched ‘low cost – maximum impact’ publicity. Now that’s called marketing!

  • Fall in love 1000 times over with DDLJ on Max2

    Fall in love 1000 times over with DDLJ on Max2

     MUMBAI:  Max 2, India’s iconic Hindi movie channel brings back Indian cinema’s most iconic love story ‘Dilwale Dulhaniya Le Jayenge’ on Friday, 12th December at 8pm with a simulcast on Max. The blockbuster hit of the 90’s is synonymous to channel’s positioning of ‘Kuch filmon ka jaadu kabhi kam nahin hota’. Whilst taking its viewers on a nostalgic trip it also is giving the viewers a chance to relive the moments of the movie by initiating a contest where lucky winners can stand to win memorabilia signed by the stars of the film.

    The trans-continental romance which helped popularize locales like Switzerland was declared an all-time blockbuster and remains the longest-running film in the history of Indian cinema, completing 1000 weeks at the Maratha Mandir theatre in Mumbai. Produced by Yash Chopra and written and directed by his son Aditya, the film stars Shahrukh Khan and Kajol in lead roles.

    Commenting on the movie Max & Max 2 Sr. EVP & business head Neeraj Vyas says, “It is a timeless classic which has charmed Indian audiences through the decades and is the reason why it is longest-running film in the history of Indian cinema. We would like to bring this magic alive for our viewers and what better way to do this than have a simulcast of this iconic film on both our channels.”

    Participate in the 1000 weeks celebrations by tuning-in to ‘Dilwale Dulhaniya Le Jayenge’ on 12 December, Friday at 8pm on Max 2 and Max.

     

  • Fame Adlabs announces ‘Veer-Zaara’ contest; the big prize tickets for premiere

    Fame Adlabs announces ‘Veer-Zaara’ contest; the big prize tickets for premiere

    MUMBAI: Fame Adlabs Andheri and Fame Malad has announced Get lucky and watch ‘Veer-Zaara’ – First Day First Show! contest for its patrons.

    Both the multiplexes have introduced a unique contest around latest Yash Chopra banner movie Veer-Zaara. On purchase of a large combo (Large Popcorn + Large Pepsi), patrons will get an opportunity to participate in a lucky draw contest. Every day, two winners will receive tickets to catch the blockbuster first day first show, says a company release.

    The contest will be running till 10 November and promises a total of 52 winners, who will be the lucky ones to watch the fate of Veer-Zaara’s love story.

    Fame multiplexes have been the first one that have attempted to make the ‘glamorous’ preview concept accessible to the masses with its ticketed preview. This is yet another opportunity that the multiplexes are offering to their patrons to watch their favorite movie along with a few other privileged ones.
    Starring some of Bollywood big names Shahrukh Khan, Preity Zinta and Rani Mukherjee, Veer-Zaara marks Chopra’s return to direction. Also, its music was composed by the late genius Madan Mohan and songs have been rendered by Lata Mangeshkar, informs the release.

  • Movies use social media to gain traction

    Movies use social media to gain traction

    NEW DELHI: At a time when feature films are lucky if they last one week at the theatres, the social media has made it possible for them to reach more people through mediums like YouTube, Twitter, Facebook and just plain e-mail.

     

    Two forthcoming movies have already broken records as far the popularity of their trailers on social media goes: Viacom18 Motion Pictures and Sanjay Leela Bhansali’s Mary Kom, and Red Chillies Entertainments and Farah Khan directed Happy New Year.  

    The trailer of Mary Kom has had a current viewership of over 4.3 million. The trailer of the biopic based on the life of the five-time World Championship and Olympic medalist is one of the most successful trailers of all time.

     

    Overwhelmed with the response, Omung Kumar who makes his directorial debut with the film said, “First we were overwhelmed with the response to the first look of the film. The trailer touched people and many people called to tell me that they cried after seeing it. The most touching response for me was from a lady from the north east, who had somehow found out my mobile number and called to say how seeing the trailer, she felt so proud and felt grateful for what it was attempting to do for women, sports and most importantly, people from the region.” 

    Priyanka Chopra who has enacted the title role said, “I was in shock after the response to the first look of the poster itself! I remember we were shooting in Turkey and I tweeted it and went back to shooting. By the time I came back, my phone was flooded with SMSs and over 3,500 Twitter messages loving it. I thought my phone would explode. The nicest response I got post the trailer was when Mary called me and said, `My kids saw you and thought it is me.’ For me, if I could convince a mother’s children despite not looking like her, it made me proud.” The biggest compliment that came the actress’ way however was from Farhan Akhtar when he said, `Mary ko Milkha ka salaam.”

    Producer Sanjay Leela Bhansali said, “Mary Kom’s story is an inspiring one that touched my heart. Not many films are based on biopics of living people, so this is a rare experiment. I am extremely proud of it.”

     
    Produced by Viacom18 Motion Pictures and Sanjay Leela Bhansali, Mary Kom stars Priyanka Chopra and Darshan Kumar in the lead. The movie will be released on 5 September.

     

    Red Chillies Entertainments claimed that the views of the trailer of its Happy New Year from all platforms crossed a record breaking number of four million in 24 hours.

     

    The first trailer to be launched on Facebook, became the most viewed movie trailer on Facebook Native Player across the globe with 1.5 million trailer views, 2.8 million post interaction and over 18 million FB users reached, and over 360,000 likes for the trailer which is the highest ever.

     

    On Twitter, it had 1.5 billion impressions only on 14 August and five hashtags trending of Happy New Year.

     

    It had over two million views across various YouTube partner channels. It became the first film to send a trailer via WhatsApp.

     

    The trailer on the DTH platform Tata Sky reached over 13 million subscribers and each one had to watch the channel 100 when they switched on their TV sets before they could go to any other channel of their choice.

     

    Airtel WAP had over 15 million visitors every day while over 300,000 fans received it via SMS service (missed call facility). Over 25,000 fans received the trailer via email.

    While most of the films opt for the conventional YouTube platform, the trailer of Happy New Year slated to release around Diwali was first launched on Facebook’s native video player using an application wherein the trailer was not only launched on the Facebook page of the film but also the timelines of all the users who subscribed to the app. 

     

    “In keeping with the tradition of innovation established by Red Chillies, we were delighted to launch the trailer of HNY for the first time across multiple platforms. This was also done to meet the demands of fans who are consuming talent in ways that suit them. This has given the trailer an unprecedented footprint and delighted the fans,” said RCE CEO Venky Mysore.

     

    The trailer was launched on the native video player of Twitter with personalised messages from the cast of the film. “Red Chillies and the cast of Happy New Year understand the value of developing live, personal and interactive connections with their audience, which is only possible on Twitter. From the entire cast and crew sharing every moment of film production on Twitter via their personal handles to their launching personalised trailers and posters on Twitter, Happy New Year has set a new national and global standard in the movie business,” said Twitter India market director Rishi Jaitley.

     

    The trailer was also launched on the conventional platform of YouTube on all channels of the partners (Music distributors T-Series and film distributors Yash Raj Films) of the film along with Red Chillies’ official channel.

  • SAP Analytics drives KKR to lift Pepsi IPL 2014 trophy

    SAP Analytics drives KKR to lift Pepsi IPL 2014 trophy

    KOLKATA:  The Kolkata Knight Riders (KKR) claimed the seventh edition of the Pepsi Indian Premier League (IPL) monetising SAP Technology, said SAP Labs India.

     

    SAP HANA based platforms – SAP Auction Analytics, SAP Game Analytics and SAP Lumira enabled KKR to evaluate players during the auction, derive post-game analytics following each of the team’s games, and drive fan engagement respectively, during the Pepsi IPL 2014, it is learnt.

     

    During this year’s auction, KKR sought to gain a competitive advantage over other teams by picking the right players at the right price. To objectivize their selections, they applied SAP Auction Analytics. Developed using the principles of Design Thinking, SAP Auction Analytics leveraged the predictive analytics capabilities of SAP HANA through a live dashboard that enabled KKR to derive intelligence on players featured in the auction. With the help of SAP Auction Analytics, KKR put together the winning team of 19 players.

     

    “With SAP’s solutions, we gained a multi-dimensional analysis of every player and were able to devise a playing 11 that had the maximum chance of winning the tournament. During the game too, SAP’s solutions helped us strategize better and provide a great experience to our fans,” said KKR CEO and MD Venky Mysore, adding “Partnering with SAP was lucky for us.”

     

    A data visualisation software, SAP Lumira, provided fans with statistics to learn more about how KKR performed over the course of the 16-match campaign during the Pepsi IPL 2014.

     

    “The business of sports and entertainment is at an inflection point with new technologies driving significant changes to the business and creating vast amounts of qualitative and quantitative data,” concluded said SAP Labs India MD Anirban Dey. 

     

  • KKR and e-commerce sites win IPL 7

    KKR and e-commerce sites win IPL 7

    MUMBAI: As fans chanted Korbo Lorbo Jitbo (We will do, we will fight, we will win ), Manish Pandey’s 94 off 50 balls not only ensured Kolkata Knight Riders (KKR) putting up a brave fight, it saw them seize the IPL cup from Kings XI Punjab in a nail-biting finish.

     

    However, this IPL not only brought smiles to the Knight Riders but also to broadcasters Multi Screen Media-owned Sony Max and Sony Six that aired the tournament.

     

    Before the seventh edition started, naysayers said not many advertisers would be interested in the property since India was going through the mother of all elections. To make things worse, the first phase of IPL was held outside India. And when Sony Entertainment Television president Rohit Gupta said that the broadcaster would charge Rs 4.9-5 lakh for a 10-second slot, a 20 per cent jump from last year’s Rs 4.25 lakh, eyebrows were raised.

     

    However, the story went in the other direction. Despite the T20 tourney being played in the UAE and the ninth phase of the polls coinciding with the matches back home, the popularity of the tournament wasn’t affected and the broadcaster charged as much as Rs18-20 lakh for a 10 seconder for the final match. “Last year, we had charged around Rs 15 lakh for the final match. So, the ad revenue has only gone up. One must understand that IPL is a mature property and shouldn’t talk about not attracting advertisers,” says Gupta.

     

    He went on to say, “Take a look at the English Premier League (EPL); it has been on for more than 20 years and it still attracts audiences and advertisers. Wonder why in India, people don’t understand that IPL is a yearly phenomenon and is here to stay for a long period.”

     

    The television viewership too went up by five per cent for the first 54 matches, from 175 million during IPL-6 to 184 million this year.

     

    “There is no risk to any advertiser,” said Gupta, while highlighting the fact that a big chunk of broadcasters’ revenues would be contributed by e-commerce companies.

     

    Apart from the big advertisers – Vodafone, Karbonn, Havells, Perfetti and Marico – this year saw many e-commerce companies, especially Amazon, which launched its first TVC during IPL and others like Flipkart, Myntra, Quikr and Snapdeal piggybacked on the tournament.

     

    Says GroupM ESP national director – Entertainment, Sports & Live Events Vinit Karnik, “A lot of e-commerce sites associated themselves with various teams. Also, there were a lot of on ground and on air activations so it won’t be wrong to say that this time one product category did leverage the league.”

     

    The reason behind the phenomenon is the intense competition in the online retail segment. And as every player tries to pitch something different be it in terms of product line or delivery model, the mass media property – IPL – becomes the perfect battle ground.

     

    “The IPL has got the reach and so it has delivered eyeballs to the brands. And the result has been achieved. With sites fighting tooth and nail what will be a better platform than IPL to reach out to as many as people?” says MEC national planning director Zubin Tatna.

     

    Havas Media India MD Mohit Joshi agrees on the fact that with booming online retail sector competition is only going to increase. “IPL as a format doesn’t let one innovate much but the brands always get what they want from it, if used appropriately.”

     

    “E commerce sites did dominate the advertisements this time as well as offline enough buzz was created. So, one shouldn’t be surprised if around 40 per cent of the revenue comes from this category,” he adds.

     

    However, Tatna feels otherwise. “You see a Quikr or an OLX ad on television anyhow so I wouldn’t agree with the fact e-commerce sites dominated only IPL.”

     

    The nerve-wrenching battle

     

    The tourney’s star cricketer this year, Glen Maxwell, along with his Punjab teammates David Miller, Virendar Sehwag and George Bailey managed to score a paltry nine runs between the four in an edge-of-the-seat finale. For KKR, it’s been smooth sailing with the final being their ninth win a row. This puts them in the league of Chennai Super Kings (whom they had defeated in the final two years ago) as multiple IPL winners.

     

    However, to their credit, Punjab were neck and neck with KKR so much so it could have been anyone’s match till the very end. Wriddihan Saha’s innings was a fitting precursor to the well fought finish. 

     

    Apart from Maxwell’s disappointing performance, this season’s highest run scorer Robin Utthappa too did not match expectations as Piyush Chawla was left to win the game for KKR. But Utthappa did win the Orange Cap. Man of the match Pandey said that winning the IPL was like the “icing on the cake” after winning the Ranji trophy, Irani trophy and Vijay Hazare trophy.

     

    KKR captain Gautam Gambhir said they never thought they would win this IPL. He also went on to add that winning at the Chinnaswamy Stadium was what the team fancied, considering the fact that it is a small ground. Incidentally, the stadium also hosted the very first IPL game in 2008. Gambhir told indiatoday.in, “This is a ground where it is very difficult to defend. We wanted to get it down to five overs, 50 or 60 to get. Manish played a fantastic innings.” Finally, Punjab’s late strikes could not dither KKR from taking the trophy home a second time with 200 runs.

     

    As for KKR, Kolkata Chief Minister Mamata Banerjee congratulated the team on Facebook. A post she put up on the social networking site said: “Congratulations…. KKR….Congratulations…Sharukh.” She also congratulated Saha for his “brilliant performance.”

     

    In 2012, the Banerjee government had come under sharp criticism for showering expensive gold chains and gold medals as part of the grand felicitation programme held in honour of KKR’s IPL win. But this time around, as Eden Gardens prepares for another such programme, it will be interesting to see what ‘Didi’ has to offer the boys in purple.

  • The Tata Motors IIFA Awards announce 2014 nominations

    The Tata Motors IIFA Awards announce 2014 nominations

    MUMBAI: Indian Cinema’s most spectacular awards outside of India, The Tata Motors International Indian Film Academy (IIFA) Awards have declared the list of nominations (Popular category) for its 15th edition. The Videocon D2H IIFA Weekend will be held in Tampa Bay, Florida from April 23-26.

     
    2013 was a fantastic year at the Box-office. Amongst the major films of the year, bagging a maximum number of nods is the inspiring biopic of Milkha Singh, ‘Bhaag Milkha Bhaag’ followed closely by the gun-fest, ‘Goliyon Ki Rasleela- Ramleela’ and the heart-wrenching ‘Aashiqui 2’ with 7 nominations each, while the Ranbir Kapoor starrer – Yeh Jawaani Hai Deewaani scored 6 nominations. Other notable films: Krrish 3, Chennai Express, Kai Po Che and The Lunchbox have been nominated across various award categories.

     
    It is a battle of superstars at the awards, as Shahrukh Khan (Chennai Express), Hrithik Roshan (Krrish 3), Ranbir Kapoor (Yeh Jawaani Hai Deewaani), Farhan Akhtar (Bhaag Milka Bhaag), Ranveer Singh (Goliyon Ki Rasleela-Ramleela) and newcomer Sushant Singh Rajput (Kai Po Che) get nominated for Performance in a Leading Role (Male) for exceptional work in their respective films.

     
    Stealing the limelight is the very beautiful Deepika Padukone with 3 nominations in Performance in a Leading Role (Female) category for her perfomance in last year’s smash hits Chennai Express, Goliyon Ki Rasleela- Ramleela and Yeh Jawaani Hai Deewaani. Equally impressive performers, Sonakshi Sinha (Lootera), Nimrat Kaur (The Lunchbox) and Shraddha Kapoor (Aashiqui 2) find themselves nominated in the category, as well.

     
    Best Director nominees include a host of celebrated filmmakers like Sanjay Leela Bhansali, Rakesh Roshan, Rohit Shetty, Rakeysh Omprakash Mehra and Abhishek Kapoor. One of the most awaited awards, the Best Film category witnesses 2013’s runway success’s Dhoom 3, Yeh Jawaani Hai Deewani, Goliyon Ki Rasleela-Ramleela, Krrish 3, Kai Po Che, Chennai Express and Bhaag Milkha Bhaag, as they compete to win the much coveted title.

     
    The Videocon D2H IIFA Weekend is presented by Videocon D2H and the Tata Motors IIFA Awards is presented by Tata Motors. The IIFA Weekend &Awards will be broadcast globally on Star Plus, for the 10th year running.

  • Tag Heuer on the race track

    Tag Heuer on the race track

    MUMBAI: It is the market leader when it comes to watches and chronographs and TAG Heuer continues to celebrate its success. The brand as a part of the celebration of ‘50th Anniversary of Carrera’ launched the Carrera Calibre 1887, ‘Jack Heuer Special Edition’.

    Launched in the 1960s, the avant-garde Carrera series was created by Jack Heuer, great grandson of the brand’s founder, for race car drivers and motor racing enthusiasts and his passion for racing has seen this collection grow and evolve over the last 50 years.

    MAM-2 SRK sharing a light moment with Franck Dardenne, GM , TAG Heuer India

    TAG Heuer Brand Ambassadors Shah Rukh Khan and Karun Chandhok unveiled the TAG Heuer Carrera Calibre 1887 Chronograph – Jack Heuer Special Edition, a tribute to honorary chairman Jack Heuer.

    Since 2013 marks the end of Jack Heuer’s journey with TAG Heuer, he has helped create a special edition Carrera timepiece – the TAG Heuer Carrera Calibre 1887 – Jack Heuer Edition, for this special occasion.

  • Diya aur Baati hum: Two years on, the flame continues to burn bright

    Diya aur Baati hum: Two years on, the flame continues to burn bright

    MUMBAI: An educated girl with big aspirations is married off to an illiterate boy from an orthodox family is not something out-of-the box. We all have heard, read or seen such stories year after year. But what is it about Star’s primetime show – Diya aur Baati hum – that has caught everyone’s fancy?
     

    Prompt comes the reply from Star’s programming head (fiction) Danish Khan that there are various aspects which have led to the success of the show that completes two years on 29 August. “The most important thing about the show is that even though it is set in a small town, it has broken the stereotype that one cannot pursue his/her dreams after marriage.”

     

    Khan goes on to give the credit to the strong and evolving story and the actors for integrating well with all the elements, “The writers and producers have been able to keep the horse running for us. The story is so simple yet day-after-day it has been able to connect with its audience. Even the actors have portrayed the characters so well. They are reliving their lives as those characters.”

     

    Agreeing with Khan, Shashi Sumeet Productions (which is producing the show) founder director Sumeet Mittal adds, “As an inspirational story of a halwai (sweet shop owner) wanting to make sure his wife becomes an IPS officer, it was amazing how the audience accepted our show. Furthermore, the extremely relatable characters have helped give this show a sense of realism to which our audiences can connect.”

     

    And the numbers are proof enough of that. The drama series, which is based in Pushkar (Rajasthan), has been a consistent No 1 for nearly a year and a half for Star Plus. Its launch ratings of 1.9 TVRs (the metric used nowdays is TVTs) were not oo impressive. But it grew on its audience which took a fancy to it as reflected in the ratings climb to 6.7 TVR (week 34 of last year). A year later in 2013 in week 33, Diya aur Baati has reported TVTs of 11,166 TVT, which is way higher than any other primetime show on the competition. Rival Zee TV’s Pavitra Rishta which airs at the same time slot has a relatively leaner TVT of 4,959 TVTs for the same week, while ratings of shows on other channels don’t even merit a mention.
     

     

    Industry sources say that adverising commercial air time on Diya aur Baati comes at a high sticker price thanks to its continuing stellar performance and connect with its loyal viewers. “The premium attached to the show is almost 30-40 per cent more than the second ranking show, as per ratings,” says a source.

     

    Any other channel worth its salt would love to replicate the prime time series success. What is that makes Diya aur Baati tick? It’s all about staying true to your roots and understanding why you are making a show and for whom, feels Mittal.  “Having an audience connect doesn’t just mean making a show with good television ratings, but also creating a beautiful amalgamation of what we want and what the audience wants,” he elaborates.

     

    Star Plus vice president (marketing) Nikhil Madhok avers that effective marketing during the show’s high points and brand integrations are something that have worked well for it. “When Suraj went for the ‘Top Chef Competition,’ we got the entire nation to give their best wishes to him. If you look at the recent activation, we got Shahrukh Khan to the show in the ‘Master Quiz’ episode. We do such activities regularly to connect to people,” states Madhok.
     

     

    The producer of the show doesn’t think retaining stickiness is a cakewalk . “Today, people are spoilt for choice and one has to maintain the connect with audiences for them to keep coming back every day,” says Mittal.

     

    Fiction show audiences on GECs expect high drama. Some of the tools programming and creative folks in channels have been using to keep viewers hooked are generation leaps and unexpected twists and turns in the story plot. “The idea is to the audience guessing and looped-in otherwise there is always another show where they can find drama. Also, it helps the show to stay fresh, all the time,” says a media observer.

     

    To keep freshness going after 500-plus episodes isn’t a difficult task if the entire team is driven to make each episode work, believes Mittal. “We have to treat every episode as a whole and give it equal importance. Each department, from writing to direction to actors, to camera persons each and every member of the crew has to work with the same amount of passion and that’s what will translate into a beautiful episode on screen. I strongly believe that in a daily soap, where your interface with the audience happens every single day, the philosophy that small parts make a whole applies aptly here. We have to see that imagination and execution go hand in hand.”

     

    Lodestar UM’s general manager Hema Malik agrees but adds that it is impossible for a show to keep reigning forever; unless of course the team is able to continually come up with interesting and entertaining elements. “Overall, if a show has been getting good ratings, it means it has a strong storyline and characters which one can relate to. And if at a certain stage the storyline becomes boring or predictable, people will take even less time to get off it than they took to get hooked on to it. It is here that one needs to take up the challenge and bounce back.”

     

    Malik goes on to say that the show portrays the channel’s philosophy Rishta Wahi Soch Nayi perfectly. “Star’s values are very much in the storyline of the show. Hence, it’s a perfect match.”

  • Aashiqui 3 in the pipeline along with other sequels

    Aashiqui 3 in the pipeline along with other sequels

    MUMBAI: With the trend of sequels getting popular in Bollywood, producer Bhushan Kumar has expressed his desire to turn Aashiqui and Bhootnath into franchise.

    Kumar wants to take ahead three projects as a franchise, including Aashiqui, a romantic saga which recently had a hit sequel Aashiqui 2, ghost comedy Bhootnath and the yet to be released 3D horror movie Creature.

    Provided the audience is ready to accept it, Kumar plans to turn these three films into a brand and make their third and fourth installment. This pattern is followed in Hollywood.

    Kumar further reasons that he does not want to make sequel after sequel just for the sake of it, but if Bhootnath 2 and Creature receives good responses from the audiences, then he definitely has no plans to look behind.

    In 2008 Ravi Chopra produced film Bhootnath, where megastar Amitabh Bachchan played a friendly ghost. The sequel will be produced by BR Films and Bhushan Kumar of T-Series.

    The basic premise of the film will remain same, the ups and downs and the hilarious moments between Bachchan and the kid. The original film starred Bachchan, Juhi Chawla, Shahrukh Khan, Aman Siddiqui as Banku, Priyanshu Chatterjee and Rajpal Yadav.

    The second installment, to be directed by Chillar Party (2011) co-director Nitesh Tiwari, will again have Bachchan reprising his role. The addition will be Boman Irani and a new child, who is yet to be cast.

    The film will go on floors in October and will release in April next year. It is learnt that this time, the budget is going to be over Rs 30 crore. The first part was reportedly made on a budget of Rs 20 crore.

    Meanwhile, Aashiqui 2, directed by Mohit Suri and co-produced by Bhatts’ Vishesh Films and Bhushan Kumar, has reportedly earned over Rs 100 crore at the box office since its release on April 26.

    With the hit of Aashiqui 2, Kumar plans to take the brand ahead and make Aashiqui 3 after two-three years.

    Kumar also wants to take ahead Vikram Bhatt horror thriller Creature, starring Bipasha Basu in the lead. The film is said to be on the lines of Jurassic Park, the landmark Hollywood film on dinosaurs.

    Creature is set in a menacing forest that will house certain humongous and dangerous creatures. However, Kumar refused to divulge any further details about the project.