Tag: SET

  • ‘Porus’ will alter the economics of the ecosystem, says SET’s Danish Khan

    ‘Porus’ will alter the economics of the ecosystem, says SET’s Danish Khan

    MUMBAI: Gone are the days when high budget would only indicate stellar Bollywood movies. Today, even the Indian television industry is not leaving any stone unturned to give its audience the same feel and quality.

    Letting viewers time travel to a centuries-old story, Sony Entertainment Television (SET) is all set to launch its latest mythological show Porus. Starting from 27 November, the show is produced, written and directed by Swastik Production’s Siddharth Kumar Tewary. With the intellectual property (IP) rights in the hands of Swastik, rumours are that it is one the most expensive TV shows at a production value of nearly Rs 400-500 crore.

    Speaking to Indiantelevision.com, SET EVP and business head Danish Khan says, “Sony is a big company and we could have bought the IP but big shows are not just made because you have big money. We underrated a large part of the money. The idea of giving the IP was to get Siddharth’s skin involved. It’s his show as much as it’s ours.”

    Shot in multiple global locations with an enormous set spread over acres of land in Umargaon, Porus will offer viewers a complete visual extravagance by recreating the different worlds of ancient India and Macedonia, in addition to water transport routes of the yore. Six months ago, shooting was on in Thailand and in the pipeline are Greece and Turkey.

    Porus was initiated two years ago with payments being doled out to actors and the production team even before the show was officially announced. “Considering the show’s ambition, we had to redefine certain things such as the structure and process. The show required creative investment two years prior to the launch. Unless you get the economics right you won’t get creativity,” he shares.

    Khan believes that this business model will be the future of television industry. He explained that in the US, a big production gets 40 per cent of revenue from the domestic market and the rest from global/ digital market. India also has to move in that direction to tell compelling stories while raking in profits.

    Four sponsors have bet their money on the show till now – Pantanjali Dantkanti as presenting sponsor, Raymond and Macho as co- powered by sponsors and PCJ as the jewellery partner. “There is huge amount of curiosity among advertisers. The response has been fantastic and we signed these sponsors long back. They are convinced with the product and wanted to be associated with us,” says Khan.

    A senior media planner says that the channel is likely to close more names just before launch but others will wait for initial viewership numbers. A 10-second slot for Porus is being pegged between Rs 1.5-2 lac per episode.

    The marketing strategy of before was to create show awareness but with the ascent of the digital platform, a new thing called ‘fear of missing out’ has crept in. “Our marketing presence is not just to be present in the media but focus on having conversations. Our digital push is very strong and we are pushing out content, character and the vision very strongly,” he shares. TV, print and radio ads are also included.

    The 30-minute show will be aired at 8.30 pm from Monday to Friday. It will depict the untold story of the greatest conqueror of the world, Alexander and the most spirited defender of India, Porus. Set in 350 BC, the story will trace its roots to a time when India was at its glorious best and Porus resisted the first attack on Indian soil by the Macedonian legend. The chronological narrative will trace the journey from birth to the epic battle between these two warriors born on the same day but raised with completely different upbringings.

    The star cast includes Laksh Lawani, Rohit Pareek, Rati Pandey, Aditya Redij, Suhani Dhanki, Praneet Bhatt, Vishal Patni, Amandeep Singh, Chirag Jani to name a few. National award winner Chinni Prakash has choreographed an intriguing dance sequence with 400 dancers, a first on Indian TV screens.  Renowned action director, Tinu Verma will not only train but also design the action sequences. International action director of Bang Bang and Ready movie fame, Nung will oversee action sequences shot abroad. Dialogues have been penned by Vinod Sharma while Kabir Lal is the director of production.

    “We spent a lot of time on pre-production such as diction, training and recreating the golden era. A lot is riding on us given that we own the IP entirely, a first in the history of Indian television,” says Swastik Production’s Tewary. Shooting commenced in May and a bank of 15 episodes is done.

    Recently, the production house also participated in the global market for entertainment content – MIPCOM 2017 where Tewary says the response was good.

    The production house is in the talks with some international broadcasters for Porus. An announcement is expected in the coming days. It is likely that there will be a battle to grab the digital rights for Porus too.

    Both the channel and the production house have gambled big amounts on this epic narrative and it is just a matter of days before we see the product and whether it manages to blow away the minds of Indian audiences.

  • Zee Anmol tops Hindi GECs across genres as Star Bharat climbs

    Zee Anmol tops Hindi GECs across genres as Star Bharat climbs

    BENGALURU: Zee Entertainment Enterprises Limited or Zeel’s FTA Hindi GEC channel – Zee Anmol, at the second place in Broadcast Audience Research Council of India (BARC) weekly list for top 10 channels across genre, topped the Hindi GEC channels in that list.

    Zee Anmol garnered 821.210 million weekly impressions in week 36 of 2017 (Saturday, 2 September 2017 to Friday, 8 September 2017) in BARC’s list of top 10 Channels Across Genre: All India (U+R): 2+ Individuals. Zee Anmol had obtained 778.876 million impressions in BARC’s weekly list across genres for week 35 of 2017 (the previous week) and hence gained in viewership in week 36.

    Star India’s newly-renamed FTA GEC — Star Bharat — climbed up to third spot in the weekly list of top 10 channels across genres with 678.781 million weekly impressions. Star Bharat was relaunched on 28 August 2017 and in its very first week under the renamed avatar, (and BARC week 35 of 2017), Star Bharat attained rank eight in BARC’s top 10 channels across genre list with 531.083 million impressions.

    The pole position in BARC’s across genres top 10 channels list was yet again held by the Sun TV Network’s Tamil flagship GEC Sun TV, however with lower weekly impressions of 968.3564 million in week 36 as compared to the 1,009.285 million weekly impressions in week 35. Because of the fall in Sun TV’s weekly impressions in week 36, the gap between the top 2 channels in the across genres list –Sun TV and Zee Anmol has narrowed considerably.

    Three channels from Star India, two channels from The Sun TV Network, Zeel and Sony Pictures Network India (SPN) and one channel from Network 18 (or Viacom 18) made it to the top 10 channels across genre list in week 36 of 2017. From the market’s perspective, seven Hindi GECs’, two Telugu GECs’ and one Tamil GEC made it to the weekly top 10 channels across genre list for week 36 of 2017.

    Zeel’s flagship Hindi GEC Zee TV was placed fourth 667.948 million impressions in week 36 – the channel had been ranked fourth in week 35 with lower weekly impressions of 642.612 million. Star India’s flagship Hindi GEC Star Plus was ranked fifth in week 36 and 35 with 628.518 million weekly impressions and 626.212 million weekly impressions respectively.

    Viacom 18’s flagship Hindi GEC Colors was ranked sixth in week 36 of 2017 with 588.154 million weekly impressions, followed by the Sun Network’s flagship Telugu GEC Gemini TV with 532.878 million weekly impressions at seventh place.

    SPN’s flagship Hindi GEC Sony Entertainment Television was eighth in week 36 of 2017 with 522.701 million weekly impressions followed by the same network’s women focused Hindi GEC Sony Pal with 500.173 million weekly impressions at ninth place.

    Star India’s flagship Telugu GEC was tenth the top 10 channels across genre in week 36 of 2017 with 492.482 million weekly impressions.

  • KBC returns SET to top 10 channels across genre list

    KBC returns SET to top 10 channels across genre list

    BENGALURU: The ninth season of the Indian spin-off of the very popular Who Will Become a Millionaire under the Indian moniker Kaun Banega Crorepati or KBC commenced on Monday, 28 August 2017.

    According to sources, this season has broken registration records of all previous seasons by registering 19.8 million citizens on the show. And,the viewership of the game show’s episodes over five days until Friday, 1 September 2017 was good enough to bring Sony Pictures Network’s flagship Hindi GEC Sony Entertainment Television (SET) into the top 10 channels across genre list for week 35 of 2017.

    SET garnered ninth rank with 504.095 million weekly impressions Broadcast Audience Research Council of India (BARC) list for week 35 of 2017 (Saturday, 26 August 2017 to Friday, 1 September 2017) – Top 10 Channels Across Genre : All India (Urban+Rural or U+R) : 2+ Individuals. The channel had last appeared in the top 10 channels list across genres in week 11 of 2017 (Saturday, 11 May 2017 to Friday, 17 May 2017) at eighth place with 472.118 million weekly impressions.

    KBC was the second most watched primetime programme in the Hindi GEC (U) markets in week 35 of 2017 with 6.253 million impressions according to BARC data for the top 5 Hindi GEC programmes in the Hindi Speaking Market (HSM) Urban NCCS All : Primetime (1800 – 2330 hrs) : 2+ Individuals.

    Six Hindi GEC and two GEC channels each from the Tamil and Telugu markets made up the list of the top 10 channels across genres list in week 35 of 2017. A remarkable feature for week 35 of 2017 was the presence of four Star India channels in the top10 across genres list. Further, two channels each from the Sun TV Network and Zee Entertainment Enterprises Limited (Zeel) and one channel each from Network 18 (Viacom 18) and Sony Pictures Network India (SPN) made up the top 10 channels across genre list for week 35 of 2017.

    The Sun TV Network’s flagship Tamil GEC Sun TV retained its pole position in the top 10 channels across genres list for week 35 of 2017 with 1,009.285 million weekly impressions. All five programmes in the top 5 Tamil programmes list for the TN/ Puducherry (Urban+Rural): NCCS All : Primetime (1800 – 2330 hrs) : 2+ Individuals in week 35 of 2017 were from Sun TV.

    Sun TV was followed by Zeel’s FTA Hindi GEC Zee Anmol that also retained its week 34 position of second place in week 35 with 778.876 weekly impressions. The channel’s programmes Jamai Raja and Kaala Teeka were the ranked first and second respectively in the top 5 Hindi GEC programmes in the HSM (R) : NCCS All : Prime Time (1800 – 2330 hrs) : 2+ Individuals. Further Jamai Raja on Zee Anmol was also ranked third in week 35 during primetime in the HSM GEC (U+R) markets in week 35 of 2017.

    Network 18’s flagship Hindi GEC Colors moved up one place to third rank in week 35 with 645.973 million impressions on the back of strong support from the HSM (U+R) and the HSM (U) markets during primetime for the eighth season of its reality and stunt television show Fear Factor Khatron Ke Khiladi. Zeel’s flagship Hindi GEC moved down one place to fourth place with 642.612 million impressions. Three of its shows – Kumkum Bhagya and its spinoff Kumkum Kundali and reality singing show Sa re ga ma pa Little Champs were present in the top 5 programmes list during primetime for HSM (U+R) and Kumkum Bhagya was present in the top 5 programmes list during primetime for HSM (U) for week 35 of 2017.

    Star India’s flagship Hindi GEC Star Plus was placed fifth with 626.212 million weekly impressions followed by the Sun TV Networks flagship Telugu GEC Gemini with 538.077 million impressions. Star India’s flagship Telugu GEC Star Maa was ranked seventh with 531.41 million weekly impressions followed by Star India’s FTA Hindi GEC and newly christened Star Bharat with 531.083 million weekly impressions at eighth place.

    As mentioned above SET was ranked ninth followed by Star India’s flagship Tamil GEC Star Vijay at tenth place with 486.959 million impressions.

  • Sony Ent extends Kapil Sharma’s contract by a year

    MUMBAI: Speculation has been rife for several months now that Sony Pictures Networks India’s Sony Entertainment Television was going to dump the comedy man Kapil Sharma and his show. The reason: the viewership and following was consistently dropping, and the price that it was forking out for it was really high.

    But, the gossip has been put to rest now with SET announcing that it has renewed its partnership with Kapil and his team at K9 Productions. The extended contract between the two is valid for another year. The channel says it decided to go ahead with Kapil as his show continues to reinvent itself as the benchmark in comedy entertainment.

    Adds  SET EVP & head Danish Khan: “The Kapil Sharma Show bring smiles to millions of viewer every weekend nights across the globe. Kapil is an extraordinary talent and we are delighted to have further cemented our relationship with extension of this contract. We are confident that the show and its talented cast will continue to enthrall the audiences across the globe.”

    Sources indicate that the renewed contract has some caveats attached to it. For starters, they say, that its budget has been shaved by close to 25 per cent; in keeping with the shows downward trend in ratings.  The  cast of the show is also reportedly being pruned in keeping with the lower budget. Reports had suggested that the earlier contract was for Rs 110 crore.

    However, that was at  a time when Kapil was still ruling the ratings, and he  had parted ways with Colors. At that time, Kapil was being paid close to Rs 1.25 crore per episode, which catapulted him into the highest paid TV star list. Forbes had stated that his earnings totted up to Rs 30 crore in 2016.

    SET has expanded its weekend programming since by bringing in another comedy show called The Drama Company.

    ALSO READ :

    Most preferred Hindi GEC genres in weeks 1 to 10 of 2017

    Zee’s ‘Khwaabon Ke Darmiyaan’ emerges as top-ranking TV show in UAE

    Zee TV takes Silly Point’s ‘Relationship Agreement’ comedy to Singapore

  • ‘Vibrant’ Sony Entertainment refreshes with new shows; ESPN to localise global shows

    ‘Vibrant’ Sony Entertainment refreshes with new shows; ESPN to localise global shows

    MUMBAI: Sony Pictures (SPN)’s general entertainment channel Sony Entertainment (SET), celebrating 21st anniversary, has carved a new brand identity and is undertaking a fresh look at programming to bolster its viewership base and build continuous viewing.

    Now taking on new colours of purple, gold and orange, the new on-air display of SET is a plan to build a striking visual appeal for the Indian audience. The channel had a few years ago modified its packaging to convey content innovation and creative vision.Since 2015, however, SET has been trying hard to connect with viewers as it kept slipping on BARC reviews owing to the poor performance of its shows. SET was then highly dependent on Crime Patrol and CID, the Financial Express reported.

    Sony Entertainment Television recently peaked to number three in the Hindi GEC urban ratings chart on BARC India with Mahabali Hanuman, The Kapil Sharma Show, Super Dancer and Kuch Rang Pyar ke Aise Bhi doing quite well.

    The positioning SET plans to adopt is ‘When a relationship turns into partnership, life looks up and leaps forward’, and this is what it will reflect through its programming going ahead.

    Its primary focus area will be to bolster the weekday line-u. The new strategy is to expand the programming hours from the existing 8-11pm to 7pm-12 midnight by bringing in new shows such as Moh Moh ke Dhaage and Peshwa Bajirao, among other.

    In a bid to offer localised and differentiated content, ESPN, which operates in India as Sony ESPN, meantime is planning to customise its international shows such as SportsCenter’ and ‘Pardon the Interruption’ for the Indian market. ESPN at present offers the international version of ‘Pardon the Interruption’, a sports show compered by commentators Michael Wilbon and Tony Kornheiser on Sony ESPN.

    ESPN is also aiming to bring X Games to India, an annual sports event which focuses on action sports such as snowboarding and skateboarding. The US-based ESPN re-entered India in January 2016 and jointly launched new sports channels, a multi-sports website and a mobile app in partnership with Sony Pictures Networks.

    The Indian sports sector is undergoing a sea change with a hike in viewership, sponsorship and participation in sports other than cricket as per a a report titled ‘The Business of Sports’, from consulting firm KPMG and the Confederation of Indian Industry (CII). Sports sponsorship market in 2015 grew approximately 12% from a year ago to reach Rs 5,190 crore, the report stated.

  • ‘Vibrant’ Sony Entertainment refreshes with new shows; ESPN to localise global shows

    ‘Vibrant’ Sony Entertainment refreshes with new shows; ESPN to localise global shows

    MUMBAI: Sony Pictures (SPN)’s general entertainment channel Sony Entertainment (SET), celebrating 21st anniversary, has carved a new brand identity and is undertaking a fresh look at programming to bolster its viewership base and build continuous viewing.

    Now taking on new colours of purple, gold and orange, the new on-air display of SET is a plan to build a striking visual appeal for the Indian audience. The channel had a few years ago modified its packaging to convey content innovation and creative vision.Since 2015, however, SET has been trying hard to connect with viewers as it kept slipping on BARC reviews owing to the poor performance of its shows. SET was then highly dependent on Crime Patrol and CID, the Financial Express reported.

    Sony Entertainment Television recently peaked to number three in the Hindi GEC urban ratings chart on BARC India with Mahabali Hanuman, The Kapil Sharma Show, Super Dancer and Kuch Rang Pyar ke Aise Bhi doing quite well.

    The positioning SET plans to adopt is ‘When a relationship turns into partnership, life looks up and leaps forward’, and this is what it will reflect through its programming going ahead.

    Its primary focus area will be to bolster the weekday line-u. The new strategy is to expand the programming hours from the existing 8-11pm to 7pm-12 midnight by bringing in new shows such as Moh Moh ke Dhaage and Peshwa Bajirao, among other.

    In a bid to offer localised and differentiated content, ESPN, which operates in India as Sony ESPN, meantime is planning to customise its international shows such as SportsCenter’ and ‘Pardon the Interruption’ for the Indian market. ESPN at present offers the international version of ‘Pardon the Interruption’, a sports show compered by commentators Michael Wilbon and Tony Kornheiser on Sony ESPN.

    ESPN is also aiming to bring X Games to India, an annual sports event which focuses on action sports such as snowboarding and skateboarding. The US-based ESPN re-entered India in January 2016 and jointly launched new sports channels, a multi-sports website and a mobile app in partnership with Sony Pictures Networks.

    The Indian sports sector is undergoing a sea change with a hike in viewership, sponsorship and participation in sports other than cricket as per a a report titled ‘The Business of Sports’, from consulting firm KPMG and the Confederation of Indian Industry (CII). Sports sponsorship market in 2015 grew approximately 12% from a year ago to reach Rs 5,190 crore, the report stated.

  • SPN India TV ad revenue & subscriber numbers rise: Sony Corp

    SPN India TV ad revenue & subscriber numbers rise: Sony Corp

    MUMBAI: Sony Pictures Networks (SPN) India – led by CEO NP Singh – is doing well, if one goes by the numbers its Japanese parent Sony Corp announced last weekend.

    For one the Sony Corp presentation around its financial results for the quarter ending 30 June 2016 clearly states that it has been seeing “higher advertising revenues in Latin America and India” which has helped boost its media networks business in the period.

    Then SPN India’s subscriber numbers too are on the up, according to Sony Corp.

    It states in its notes to the financials that the India channel cluster (consisting of SET, MAX, SAB, Pix, Aatth, Mix, Six, AXN, PAL, MAX2, Sony ESPN, Wah and Animax India) has increased its subscriber number from 650.4 million on 30 June 2015 to 690.4 million on 30 June 2016 – a growth of about 6 per cent.

    The channels which are distributed over India, North America, Europe, the Pacific, South east Asia, Australia, west Asia and Africa reported an increase in international subscribers from 2 million to 2.3 million an increase of 15 per cent in the same period.

    Sony Pictures worldwide media network business – which covers all its TV channels – did a revenue of $588.418 million in the same period as compared to $576.04 million in Q1-2015. It clearly shows that business is on upswing.

    Sony Corp’s Pictures segment (including media networks revenue and theatrical box office income) reported a revenue of 183.3 million Japanese Yen ($1.8 billion) and an operating loss of 10.6 billion Japanese Yen ($103.84 million) in the quarter to 30 June 2016. In terms of the Japanese currency that tots up to a 6.9 per cent increase in revenues (Q1 2015 – 171.5 billion Japanese yen), and a 1 billion Japanese Yen reduction in its operating loss (11.7 billion Japanese yen in Q1 2015).

    Meanwhile, sales and operating revenue of the mother company Sony Corp decreased by 10.8 per cent compared to the same quarter of the previous fiscal year (year-on-year) to 1,613.2 billion yen ($15,662 million).

    This significant decrease was mainly due to the impact of foreign exchange rates, a decrease in Mobile Communications segment sales reflecting a significant decrease in smartphone unit sales, a decrease in revenues in the Financial Services segment due to the deterioration in investment performance in the separate account at Sony Life Insurance Co Ltd as well as decreases in sales in the Semiconductors and Imaging Products & Solutions segments due to the impact of the earthquakes in the Kumamoto region in 2016. This decrease was partially offset by an increase in Game & Network Services segment sales reflecting increases in PlayStation 4 software sales. On a constant currency basis, sales decreased 3 per cent year-on-year.

  • SPN India TV ad revenue & subscriber numbers rise: Sony Corp

    SPN India TV ad revenue & subscriber numbers rise: Sony Corp

    MUMBAI: Sony Pictures Networks (SPN) India – led by CEO NP Singh – is doing well, if one goes by the numbers its Japanese parent Sony Corp announced last weekend.

    For one the Sony Corp presentation around its financial results for the quarter ending 30 June 2016 clearly states that it has been seeing “higher advertising revenues in Latin America and India” which has helped boost its media networks business in the period.

    Then SPN India’s subscriber numbers too are on the up, according to Sony Corp.

    It states in its notes to the financials that the India channel cluster (consisting of SET, MAX, SAB, Pix, Aatth, Mix, Six, AXN, PAL, MAX2, Sony ESPN, Wah and Animax India) has increased its subscriber number from 650.4 million on 30 June 2015 to 690.4 million on 30 June 2016 – a growth of about 6 per cent.

    The channels which are distributed over India, North America, Europe, the Pacific, South east Asia, Australia, west Asia and Africa reported an increase in international subscribers from 2 million to 2.3 million an increase of 15 per cent in the same period.

    Sony Pictures worldwide media network business – which covers all its TV channels – did a revenue of $588.418 million in the same period as compared to $576.04 million in Q1-2015. It clearly shows that business is on upswing.

    Sony Corp’s Pictures segment (including media networks revenue and theatrical box office income) reported a revenue of 183.3 million Japanese Yen ($1.8 billion) and an operating loss of 10.6 billion Japanese Yen ($103.84 million) in the quarter to 30 June 2016. In terms of the Japanese currency that tots up to a 6.9 per cent increase in revenues (Q1 2015 – 171.5 billion Japanese yen), and a 1 billion Japanese Yen reduction in its operating loss (11.7 billion Japanese yen in Q1 2015).

    Meanwhile, sales and operating revenue of the mother company Sony Corp decreased by 10.8 per cent compared to the same quarter of the previous fiscal year (year-on-year) to 1,613.2 billion yen ($15,662 million).

    This significant decrease was mainly due to the impact of foreign exchange rates, a decrease in Mobile Communications segment sales reflecting a significant decrease in smartphone unit sales, a decrease in revenues in the Financial Services segment due to the deterioration in investment performance in the separate account at Sony Life Insurance Co Ltd as well as decreases in sales in the Semiconductors and Imaging Products & Solutions segments due to the impact of the earthquakes in the Kumamoto region in 2016. This decrease was partially offset by an increase in Game & Network Services segment sales reflecting increases in PlayStation 4 software sales. On a constant currency basis, sales decreased 3 per cent year-on-year.

  • Dish TV to introduce card-less set top boxes

    Dish TV to introduce card-less set top boxes

    MUMBAI: Dish TV India is looking at moving away from set top boxes requiring smart cards for subscribers to its satellite pay TV service. This is likely to take place over the next three or four months.

    Last weekend, India’s largest DTH provider announced that it had selected Rambus’ Cryptomedia security platform for use in its pay TV satellite system. The platform, which includes a hardware root-of-trust embedded in the set-top box chipset, ensures secure distribution of premium content for cable and satellite operators while eliminating the need for a smart card and enhancing usability of the set-top box.

    “As we look to grow our customer base from the current 13 million subscribers, the demand for cost-effective and robust content protection solutions becomes increasingly important for consumers seeking premium content,” said Dish TV India managing director Jawahar Goel. “By leveraging the embedded CryptoMedia core, we no longer need a smart card to provide secure access to premium content, significantly reducing the cost and improving the security of the set-top box.”

    The CryptoMedia Content Protection Core, developed by Rambus Cryptography Research, is one of several new security elements to be integrated in Dish TV India’s latest set-top boxes. Together with the CryptoMedia operator services, the solution provides a flexible security foundation that allows Dish TV India to easily update and reconfigure software and hardware security throughout the lifecycle of the set-top box. Dish TV India will launch the new platform in broad commercial operation later this year.

    “By using the CryptoMedia Content Protection Core, Dish TV India recognizes the value of enabling another level of protection in the set-top box chipset alongside security elements provided by CAS vendors,” said Martin Scott, senior vice president and general manager of the Security Division at Rambus. “Our CryptoMedia Security Platform provides Dish TV India with extra protection for the delivery of content, utilizing our expertise in both embedded security and ecosystem enablement.”

    Formerly part of the CryptoFirewall family, the CryptoMedia Content Protection Core is designed to provide strong security and superior system design flexibility for premium content distribution. The solution minimizes the risk of security failure and helps simplify product development. The core is available in a broad range of set-top box and smart TV chipsets and is compatible with the leading CAS and DRM systems to prevent unauthorized access to content and services, including features like pay-per-view and service-tier upgrades.

  • Dish TV to introduce card-less set top boxes

    Dish TV to introduce card-less set top boxes

    MUMBAI: Dish TV India is looking at moving away from set top boxes requiring smart cards for subscribers to its satellite pay TV service. This is likely to take place over the next three or four months.

    Last weekend, India’s largest DTH provider announced that it had selected Rambus’ Cryptomedia security platform for use in its pay TV satellite system. The platform, which includes a hardware root-of-trust embedded in the set-top box chipset, ensures secure distribution of premium content for cable and satellite operators while eliminating the need for a smart card and enhancing usability of the set-top box.

    “As we look to grow our customer base from the current 13 million subscribers, the demand for cost-effective and robust content protection solutions becomes increasingly important for consumers seeking premium content,” said Dish TV India managing director Jawahar Goel. “By leveraging the embedded CryptoMedia core, we no longer need a smart card to provide secure access to premium content, significantly reducing the cost and improving the security of the set-top box.”

    The CryptoMedia Content Protection Core, developed by Rambus Cryptography Research, is one of several new security elements to be integrated in Dish TV India’s latest set-top boxes. Together with the CryptoMedia operator services, the solution provides a flexible security foundation that allows Dish TV India to easily update and reconfigure software and hardware security throughout the lifecycle of the set-top box. Dish TV India will launch the new platform in broad commercial operation later this year.

    “By using the CryptoMedia Content Protection Core, Dish TV India recognizes the value of enabling another level of protection in the set-top box chipset alongside security elements provided by CAS vendors,” said Martin Scott, senior vice president and general manager of the Security Division at Rambus. “Our CryptoMedia Security Platform provides Dish TV India with extra protection for the delivery of content, utilizing our expertise in both embedded security and ecosystem enablement.”

    Formerly part of the CryptoFirewall family, the CryptoMedia Content Protection Core is designed to provide strong security and superior system design flexibility for premium content distribution. The solution minimizes the risk of security failure and helps simplify product development. The core is available in a broad range of set-top box and smart TV chipsets and is compatible with the leading CAS and DRM systems to prevent unauthorized access to content and services, including features like pay-per-view and service-tier upgrades.