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Tag: script writing

  • Eros Investments collaborates with IIT Bombay to develop AI-based script generating tool Kurosawa

    Eros Investments collaborates with IIT Bombay to develop AI-based script generating tool Kurosawa

    Mumbai: Global media, entertainment and technology portfolio of ventures Eros Investments has announced a strategic collaboration with IIT Bombay to design and develop an AI-based tool for automatic script generation.

    Named Kurosawa, after the celebrated Japanese film director Akira Kurosawa, the software will assist film makers in developing the plot and script of movies by generating a full-length feature film script. IIT Bombay will also create a whitepaper on Kurosawa for academic and research purposes.

    The teams from IIT Bombay and Eros have been collaborating on Kurosawa for over a year. Kurosawa will help identify the right genre, output logline, and synopsis and deliver a potentially hit script that can be customized further as required. In the current phase, Kurosawa can generate multiple engaging plots and scenes basis single input. For example, it can create genre-specific movie plots, basic genre(s) and a short 2-3 sentence prompt. It can also create scenes in a standard screenplay format basis a brief description.

    Automatic Movie Script Generation is a subfield of Natural Language Generation (NLG). The machine can learn plot and scene generation from the pre-existing data with minimum human intervention.

    Eros Investments director Swaneet Singh said, ” This association between Eros Investments and IIT Bombay is an excellent example of the amalgamation of the left and right brain. Kurosawa is a pioneering and cutting-edge technology that will revolutionize the entertainment sector. The tool will enable scriptwriters to focus on creativity and quality while doing the groundwork for them. This innovation marks a new milestone for Eros Investments that will be used as a case study in the future.”

    IIT Bombay dean of research and development Prof. Milind Atrey, added, “Kurosawa will be a huge opportunity to transform the art of storytelling with proficiency and improve efficiency for content creators. We welcome collaboration with Eros investments, led by Prof. Pushpak Bhattacharyya from IIT Bombay, to provide automation to the process of scripting in the entertainment industry. As the outcome of the research, IIT Bombay will also be jointly launching a white paper on Kurosawa that will be used for academic and research purposes, further supporting the upcoming generation looking to make a mark in the industry.”

    Kurosawa is based on the latest deep learning and natural language processing technologies. It is led by Prof. Pushpak Bhattacharyya, known for his artificial intelligence and machine learning expertise, and an internationally renowned research group. He is a professor in the computer science and engineering department at IIT Bombay and is a Fellow of the National Academy of Engineering (2015) and Abdul Kalam National Fellow (2020). Prof. Bhattacharyya is supported in this project by the students from IIT Bombay who are a part of the curriculum.

  • Pink: Neither strategy nor reviews helped

    Pink: Neither strategy nor reviews helped

    Pink, with Shoojit Sircar as the force behind the film, was much hyped. The film also enjoyed a great deal of media and critics support. However, all this hype did not help the film as the response on the opening day remained tepid with a business of about Rs 4.2 crore.

    It is the word of mouth which matters more in the days of high-priced admission rates and the film caters mainly to the multiplex audience. As the film managed to generate a debate on the social media, its collections took a jump on Saturday with figures of Rs 7 crore plus while Sunday went very well as the film collected Rs 20.6 crore for its first weekend.

    Raaz: Reboot opened a bit better benefitting on its brand as it followed three Raaz episodes. The film took a reasonable opening day collections of about Rs 5 crore but, once the word of mouth spread about its poor merits, it dropped on Saturday while the Sunday collections remained static for the film to collect Rs 14.8 crore for its opening weekend.

    Baar Baar Dekho proved to be a let-down on all counts. A farfetched story idea, to script writing to execution and casting, it looked amateur in all departments. The film earned almost total rejection. With an opening weekend of Rs 18.4 crore, the drop in the four days that followed was telling as it closed its first week with a total of Rs 26.1 crore.

    Freaky Ali, a lift from a Hollywood film, Happy Gilmore, tried to attempt a comedy around the sport of golf, an unfamiliar sport with the Hindi audience, backfired. Nawazuddin Siddiqui’s talent could not sell this dud.

    The film had a poor opening weekend of Rs 6.4 crore, and had little hope of sustaining through rest of the week as it collected Rs 10.7 crore for its first week.

    Akira continued with its poor run in second week. The film collected Rs 3.1 crore to take its two week tally to Rs 27.2 crore.

    A Flying Jatt collected Rs 10 lakh in its third week to take its three week total to Rs 35.6 crore.

    Rustom collected Rs 20 lakh in its fifth week to take its five week total to Rs 124.3 crore.

  • Pink: Neither strategy nor reviews helped

    Pink: Neither strategy nor reviews helped

    Pink, with Shoojit Sircar as the force behind the film, was much hyped. The film also enjoyed a great deal of media and critics support. However, all this hype did not help the film as the response on the opening day remained tepid with a business of about Rs 4.2 crore.

    It is the word of mouth which matters more in the days of high-priced admission rates and the film caters mainly to the multiplex audience. As the film managed to generate a debate on the social media, its collections took a jump on Saturday with figures of Rs 7 crore plus while Sunday went very well as the film collected Rs 20.6 crore for its first weekend.

    Raaz: Reboot opened a bit better benefitting on its brand as it followed three Raaz episodes. The film took a reasonable opening day collections of about Rs 5 crore but, once the word of mouth spread about its poor merits, it dropped on Saturday while the Sunday collections remained static for the film to collect Rs 14.8 crore for its opening weekend.

    Baar Baar Dekho proved to be a let-down on all counts. A farfetched story idea, to script writing to execution and casting, it looked amateur in all departments. The film earned almost total rejection. With an opening weekend of Rs 18.4 crore, the drop in the four days that followed was telling as it closed its first week with a total of Rs 26.1 crore.

    Freaky Ali, a lift from a Hollywood film, Happy Gilmore, tried to attempt a comedy around the sport of golf, an unfamiliar sport with the Hindi audience, backfired. Nawazuddin Siddiqui’s talent could not sell this dud.

    The film had a poor opening weekend of Rs 6.4 crore, and had little hope of sustaining through rest of the week as it collected Rs 10.7 crore for its first week.

    Akira continued with its poor run in second week. The film collected Rs 3.1 crore to take its two week tally to Rs 27.2 crore.

    A Flying Jatt collected Rs 10 lakh in its third week to take its three week total to Rs 35.6 crore.

    Rustom collected Rs 20 lakh in its fifth week to take its five week total to Rs 124.3 crore.