Tag: Scooby-Doo

  • Turner to license Warner consumer products in India, Bangladesh, Pakistan & Sri Lanka

    Turner to license Warner consumer products in India, Bangladesh, Pakistan & Sri Lanka

    MUMBAI: Turner Broadcasting System Asia Pacific’s Cartoon Network Enterprises (CNE) will now be the consumer products licensing representative for Warner Bros. Consumer Products (WBCP) in India, Bangladesh, Pakistan and Sri Lanka, with the licensing agent for Bangladesh being Enroute International Limited.

     

    WBCP’s portfolio in these markets will be represented by CNE, consisting of films, television series, animated programs, and more. This includes iconic brands such as DC Comics Super Heroes BatmanSuperman and The Flash, as well as Looney TunesTom & JerryScooby-Doo, Harry Potter and The Hobbit trilogy amongst others.

     

    “Turner has always been our close partner as we support their broadcasting and marketing of animation programs in the region. This extension of our relationship will now include representation of our consumer products licensing business in the region, which is a strategic collaboration that will be mutually beneficial,” said Warner Bros. Consumer Products Greater China, Southeast Asia and India managing director Bianca Lee.

     

    The wide spectrum of WBCP’s licensing categories includes apparel, accessories, publishing, stationery, toys, gifts, novelties, as well as branded foods, personal care products and licensed advertising promotions as key categories in the region.

     

    Turner Asia Pacific president Ricky Ow said, “This association embodies the spirit of collaboration within Time Warner and leverages our combined organisation’s strengths. We already operate some of the most loved leading brands in South Asia and this collaboration will benefit from our proven success and the future investments we will make in the region. We are delighted to add WBCP to our portfolio and are very bullish on its growth opportunities.”

     

    CNE’s licensing portfolio in South Asia comprises 76 partners across India, Pakistan, Bangladesh and Sri Lanka across traditional retail, modern trade and e-commerce platforms.

  • Turner Broadcasting & Warner Bros. sign global multi-series deal for Boomerang

    Turner Broadcasting & Warner Bros. sign global multi-series deal for Boomerang

    MUMBAI: Turner Broadcasting and Warner Bros. the two Time Warner companies have decided to deepen their ongoing partnership with a global agreement that will build on the company’s two-network strategy by strengthening the pipeline of original content being developed for the recently rebranded Boomerang.

     

    The agreement, which represents the first-ever original content being developed exclusively for Boomerang, includes nearly 450 half-hours of programming from Warner Bros. Animation. The content will premiere on all Boomerang channels worldwide and on some Cartoon Network channels internationally, along with potential crossover with Turner Broadcasting’s Pogo and Toonami in Asia, and Boing and Cartoon Network in other territories.

     

    The partnership also extends Boomerang’s access to the classic animation portfolio from the Hanna-Barbera, MGM and Warner Bros. Animation collection, a total of 3,500 titles. Drawing upon the vast resources of the world’s largest animation library which includes contemporary classics from Cartoon Network Studios, Boomerang’s on-air schedule will continue to feature timeless favorites like Tom and Jerry, Looney Tunes and Scooby-Doo!, programming that has multi-generational appeal and great co-viewership.

     

    “Turner Broadcasting has a very strong kids and family business around the world and our exciting new partnership with Warner Bros. presents a number of new opportunities that will help strategically grow the Boomerang brand,” said Cartoon Network president and general manager, Boomerang adult swim Christina Miller. 

     

    “Through this expanded relationship with our corporate partners, we will create new content that will engage fans across a variety of screens and platforms and further grow these timeless franchises that we’ll leverage not only across Boomerang but also our global kids and family portfolio of businesses,” added Miller.

     

     Warner Bros. Animation and Warner Digital Series president Sam Register said, “With the television landscape becoming more and more crowded, we are extremely fortunate to have one of the largest animation libraries, with some of the world’s most iconic and revered characters, and to be embarking on this important new partnership with Turner and Boomerang. This deal presents an exciting creative opportunity to explore this vast collection, to develop new and compelling programming based on these beloved characters, and to introduce them to new generations of families.”

     

    Premiering this autumn will be the first of Boomerang’s new original series from Warner Bros. Animation. Bunnicula is an all-new animated comedy series based on the bestselling children’s book of the same name. The series follows the paranormal comedy adventures of Bunnicula the vampire rabbit, who – instead of drinking blood – drains the juice of carrots and other vegetables to boost his supernatural abilities. Be Cool Scooby-Doo! is an all-new 22-minute animated comedy series featuring the Scooby gang, back with a modern comedic twist on the beloved classic. This time, the gang is working as hard to solve their own personal problems as they are to solve the endless, mind-bending mysteries that await them. In Wabbit – A Looney Tunes Production, Bugs Bunny is starring in all-new shorts that find the iconic carrot-loving rabbit matching wits against – and getting the best of – classic characters like Yosemite Sam and Wile E. Coyote, along with brand new foes.

  • Cartoon Network ‘Move It Movement’ puts a fun twist to exercising

    Cartoon Network ‘Move It Movement’ puts a fun twist to exercising

    MUMBAI: It was a day full of energy, gusto and lots of fun as Kris from Roll No. 21 and his friends at Cartoon Network organized a fun run event in Mumbai as a part of their ‘Move It Movement’ campaign. The Cartoon Network Go Active Fun Run held at MMRDA grounds, Bandra-Kurla Complex, witnessed participation from over 6000 enthusiastic kids and their parents.

     

    The Fun Run was organized around the premise of kids and parents joining Kris and Cartoon Network’s superheroes as they overcame fun obstacles like storm fans, smoke machines, and bubble machines laid in their path by the evil principal Kanishk (from Roll No. 21) and other notorious villains. For the event, Cartoon Network pulled out its entire entourage of popular toons such as Ben 10, Kris, Kanishk, Scooby Doo, Johnny Bravo, The Powerpuff Girls, Tom and Jerry, Oggy and the Cockroaches who not only put up spellbinding performances but also involved kids in fun workout routines before the run. Kids also had the chance to play several games and win Cartoon Network goodie bags.

     

    In addition to this, Cartoon Network also organized a 5-city School Contact Program (SCP) across Delhi, Mumbai, Chennai, Kolkata and Bangalore targeting 150,000 students. The SCP was themed on its global ‘Move It Movement’ campaign, with the games and activities aimed at encouraging students to be fit and active in a fun and exciting way.

     

    The Cartoon Network Go Active Move it Movement initiative in India stems from an extremely popular international franchise called Cartoon Network Move It Movement Tour, launched in United States. The initiative is an exciting interactive event that motivates, energizes, and educates kids and families about living an active lifestyle.

     

  • Warner Bros plans a Scooby Doo reboot film

    Warner Bros plans a Scooby Doo reboot film

    MUMBAI: Deadline Hollywood reports that Warner Bros is in the early stages of launching a new Scooby-Doo film. Warner Bros. studio made a live-action comedy Scooby Doo in 2002 directed by Raja Gosnell based on the classic Hanna-Barbera cartoon series. The film starred Freddie Prinze Jr, Sarah Michelle Gellar, Matthew Lillard, Linda Cardellini and Isla Fisher as the young sleuths. The plot revolves around Mystery Incorporated, a five member group who solves mysteries. After a two-year disbandment, the group reunites to investigate a mystery on a popular horror resort.

     

    The film grossed $268 million worldwide, and Warner Bros and Gosnell made a sequel two years later Scooby Doo 2: Monsters Unleashed in 2004 which starred Jackson Rathbone, Seth Greene and Alicia Silverstone in addition to the original cast members.

     

    No further details have been released so far about the planned reboot, except Charles Roven will return to being producer , just like he was for the two aforementioned films.

  • ‘India is among our top 10 markets’ : Discovery Networks International president, CEO Mark Hollinger

    ‘India is among our top 10 markets’ : Discovery Networks International president, CEO Mark Hollinger

    India is one of Discovery‘s key priority markets along with Latin America where there is tremendous scope for pay-TV growth.

     

    Bullish about digitisation in India, Discovery has plans to expand its portfolio of channels. The latest addition in the menu: Discovery Kids from the second quarter of this calendar year.

     

    In an interview with Indiantelevision.com‘s Ashwin Pinto, Discovery Networks International president, CEO Mark Hollinger talks about the company‘s growth markets and its expansion plans in India.

     

    Excerpts:

    How important is India as a growth market for Discovery?
    India is the biggest growth market for us. It is among the top 10 markets globally for us. The combination of the government being very open to international channels, the digitisation process and the great fit between the Discovery brand and the culture of India makes this country a high priority market for us.

    Discovery has launched in many genres. When are you launching the children’s channel?
    We will launch Discovery Kids in the second quarter of this calendar year. The content will be global. We are also looking at local content. As networks grow, we have tended to have locally produced content in the mix. Discovery Kids in Latin America produces some of its own content. In India too time there will be global as well as local content as we go along.

    Is the timing right given that the kids genre is struggling?
    We tend to be long term investors. When we launched a new channel in Spain, people thought that we were crazy as unemployment rate is as as 22 per cent in that country. But we saw that there was an opportunity for us and we went ahead and launched.

     

    So whether a market is up or down at any point of time doesn‘t matter; there is space for a more education-focussed network like ours. And India, moreover, highly values education. The digitisation process is beginning and is a good opportunity for us. We are not worried about the kids genre business at all.

    Will the education component be your differentiating element?
    Yes! The other kids channels are similar. We are not Scooby Doo. We are about how you do things, when do you do, why you do. It is inquisitive in nature. Education is an important part of society. But at the same time we are not naive to think that it is just going to be education that people will tune into; it has to be entertaining as well. This was the very genesis of Discovery when John Hendricks first started it.

     

    The channel will have a healthy dose of entertainment and also satisfy the curiosity of viewers in an entertaining way. The good news is that India is a young country. There are millions of kids below the age of 14 and so the market is big.

    ‘Flagship brands have a strong place in the market. We are in a better position to survive audience fragmentation than our rivals‘

    The challenge here is that niche channels have to rely excessively on ad revenue. By when do you see subscription starting to contribute in a serious manner?
    That is a big question in terms of the impact of digitisation on the affiliate revenue stream. If you look at the international portfolio, our channels are weighted towards affiliate. 70 per cent of revenue outside the US is affiliate.

     

    When we start in a market, there is a 100 per cent affiliate revenue and then we move towards advertising. India obviously is an ad sales market. But it is hard to sit here and say what the affiliate revenue stream is going to be. We can hope that digitisation will affect carriage fees and other things.

    For the digitisation process to succeed in terms of cut off dates being achieved, what needs to happen?
    For the cable operators, it is going to be a giant challenge. If you think just about the logistics it is going to be a huge task – acquiring enough set top boxes, distributing them, getting people to understand what is going on and creating the customer service capability.

     

    Forget about fancy things like DVRs. Just to get the infrastructure in place is an enormous challenge. Luckily for us, we can watch it from afar. But once it is in place, then there is an opportunity and sort of a challenge for programmers to take advantage of digitisation. We have done it successfully in other markets.

    Do you think that the 30 June deadline will be met for the metros?
    We met some MSOs recently and they are pretty much prepared for it. Moreover, a set top box is not such a novel thing now. There are 25-30 million STBs already in DTH homes. I don’t think that the deadline is a challenge. It will be managed.

    How will digitisation change OneAlliance’s relationship with MSOs?
    This relationship will become stronger. When change happens, there is bound to be some chaos. There will be disturbance and that is the time when if you are part of a strong bouquet, you can navigate through things.

     

    We have a great team on the ground and great brands. When The OneAlliance was started, there was no digitalisation in India, no DTH. Now that there is DTH, the OneAlliance has only become stronger.

    Will you now make a concerted effort at marketing yourself to Indian consumers so that they choose you?
    This is already happening. On DTH more and more people choose us and the digital ratings of our channels are high. We offer quality content that people globally pay for. In India there is sensational television on other channels that target eyeballs at any cost. But as we move towards a digital environment, we are better prepared with quality content.

    Discovery is in several languages in India. Could you talk about the importance of localisation?
    It is important from a content point of view, from a feed structure point of view and from a language point of view. Discovery is in five languages. We are evaluating other language launch possibilities. Some of the other players have possibly gone a little bit overboard, but we have found that local language results in higher viewership in that region.

    More players are entering the infotainment and lifestyle space in India. Will this cause fragmentation?
    There is fragmentation of viewership happening. We are, however, in a better position to survive audience fragmentation than the other companies.

    Discovery spends $1 billion towards programming. Are content investments going to be affected by the global downturn?
    No! The content that we invest in is evergreen. Moreover, we can ammortise investments across 210 markets due to the nature of our products. A show will have at least a four-year life. This allows for a longer timeline in terms of investing in shows.

    Which are the main focus areas for Discovery?
    India clearly is one focus market. Latin America is also a big priority market for us; there is pay television growth to be had from there. In Brazil pay television was hampered, but now ownership has changed and pay-TV penetration is growing substantially. Poland and Russia are also big growth markets for us.

    What is the big challenge you face this year?
    It differs from market to market. In the US pay TV has a 90 per cent penetration rate. The pay TV growth there will not happen in terms of penetration. So you will see the impact of OTT and if there is enough of an upside to counterbalance any cord cutting, that may happen. Again it is hard to know if Netflix and Amazon will continue to be successful the way they have been. This is not an issue in other markets.

     

    I would say that the big challenges are the impact generally of broadband or free platforms like DTT on pay television. Can pay TV penetration continue to grow? In some countries, there are regulatory issues. Some markets like Brazil have become more protectionist as of late in terms of local Brazilian content and local channels being required on packages. The availability of alternative platforms is both a big challenge and a big opportunity.

    There has been a certain amount of operational restructuring within Discovery like the removal of the COO position. Is the basic aim to be more cost effective?
    I would say that the changes were more on the US side of the business rather than on the international scene. The international business has remained largely intact in terms of its structure. The changes were made not due to cost reasons. We have an active CEO in David Zaslav. He likes to have as few layers as possible between people who run the US business and himself. The aim is to have a better handle on the business as opposed to saving money.

    Last year you split Europe into two business units. What prompted this move?
    We used to have what I think was a bit of an odd structure. The UK is an entirely separate business. Then all of Europe, Middle East and Africa are another kind of business. UK has a lot in common with the other western European markets – slow pay TV penetration and DTT kind of opportunities.

     

    Then you have Central, Eastern Europe and the Middle East and Africa which are much more growth markets. There is still expansion to be done. These are more entrepreneurial markets. So we split along the lines of Western Europe as one unit and then Central, Eastern Europe, Middle East and Africa as another unit. We did not add a region. The international business still has four regions. We just restructured Europe to grow Western Europe and put common markets together.

    Could you talk about Discovery‘s strategy to penetrate new markets like Colombia?
    What we tend to do with new markets is to go in first and establish distribution. So we opened new offices in Central and Eastern Europe. We opened a sizeable office in Moscow. We opened other offices in places like Kiev, Almaty and Sofia.

     

    There is an opportunity in Colombia and it is our fourth biggest market in Latin America. We earlier only used a local representative for ad sales. We opened an office there for the primary purpose of ad sales while offices in Europe were opened for affiliate purposes.

    In Spain you are free to air. Are you expanding your free to air portfolio?
    This expansion has been a Western European phenomenon. In Spain pay TV has been at 30 per cent penetration for the last decade. It hasn’t grown.

     

    So now in Germany, Spain and in the UK, we have launched free to air channels. They complement the pay business and are not intended to replace it. They have allowed us to grow at a time when the overall Western Europe pay TV business is not growing. This is harder to do in other markets as there is not a big enough digital terrestrial platform or there are ownership restrictions.

    In Korea you did a partnership with CMB. Why?
    Korea is a difficult market to get into and almost impossible without a local partner. Tom (Discovery Asia Pacific MD) did an enormous amount of legwork. He spent a lot of time in Korea. It is a strong economy and very well penetrated from a pay television point of view and from a broadband point of view. So it has always been an important market for us to get into. We had to pick the right partner and have the right kind of structure in place.

    How did the JV with Oprah Winfrey for a channel come about?
    Everybody knew that Oprah would be ending her show and moving to a new business. People in the media industry wondered what that business would be. David Zaslav sold her the idea that her brand and the Discovery brand’s missions were very well suited for each other.

     

    That is how it happened. We have ambitions for the channel in terms of finding markets internationally for it. Tom is a proponent for markets in the Asia Pacific where he feels that the channel will fare well. Oprah created a lot of buzz when she came down to India. This has also been the case in Australia and in other markets around the region. But we first want it to be well established in the US.

    Discovery bought Betty in the UK, its first such acquisition of a production company. Are you looking at more such acquisitions?
    It is not yet part of Discovery‘s grand strategy to get into production. But we will see whether owning production is a strong addition to our business model or not. But I will not say that we are actively looking at other companies. We will wait and see how the Betty acquisition plays out.

  • Scooby Doo creator Iwao Takamoto passes away

    Scooby Doo creator Iwao Takamoto passes away

    MUMBAI: Cartoon artist Iwao Takamoto who created the mystery-solving Great Dane, Scooby-Doo passed away at the age of 81.

    Takamoto who suffeerd a heart attack was VP of special projects for Warner Bros. Animation until his death. Most recently, Takamoto storyboarded the 2005 Tom and Jerry animation short The Karateguard, and was instrumental in the design of many characters in the current Cartoon Network and Kids’ WB! animated series Krypto the Superdog in the US. He also served as a consultant on Warner Bros. Animation’s ongoing Scooby-Doo direct-to-video series, including the 2006 release Scooby-Doo! Pirates Ahoy! and the upcoming Chill Out, Scooby-Doo.

    Warner Bros. Animation president Sander Schwartz says, “Iwao Takamoto was not only a tremendously talented designer and artist, he was a beautiful human being. Iwao was always ready with a wide smile, a firm handshake and a warm welcome. Iwao’s designs will be his legacy for generations to come. Those of us who had the privilege of working closely with him will miss his mentoring presence, his good counsel and his unparalleled talent and spirit.”

    Disney hired him as an apprentice in-betweener in 1945 – just two months before the end of World War II.

    Takamoto trained under Disney’s legendary ‘nine old men’ including Ollie Johnston, Marc Davis, Milt Kahl, Ward Kimball, Frank Thomas and Eric Lawson. While at Disney, Takamoto worked on short animated cartoons as well as full-length films, including Cinderella, Peter Pan and Lady and the Tramp.

    In 1961, Takamoto moved to Hanna-Barbera Studios, where he helped reinvent cartoons for television. Virtually all the characters and cartoons released by Hanna-Barbera over the following four decades were touched by the design and artistry of Takamoto. As a character designer, it was his job to create the look and images of the characters based on an idea for a proposed cartoon show.

    Takamoto designed Scooby-Doo, Shaggy and the rest of the Mystery Machine crew. He named the Great Dane after the late crooner Frank Sinatra’s Strangers in the Night rendition where, at the end, Sinatra sings “Scooby Dooby Doo.” At a recent chat with Cartoon Network Studios personnel in Burbank, Takamoto offered some tidbits regarding his approach to creating the Scooby-Doo design.

    He said, “There was a lady at (Hanna-Barbera) that bred Great Danes. She showed me some pictures and talked about the important points of a Great Dane, like a straight back, straight legs, small chin and such. I decided to go the opposite and gave him a hump back, bowed legs, big chin and such. Even his color is wrong.”

     

  • Tom And Jerry, Scooby Doo  creator Joseph Barbera passes away

    Tom And Jerry, Scooby Doo creator Joseph Barbera passes away

    MUMBAI: Animation icon Joseph Barbera who created popular characters like Tom And Jerry and Scooby Doo passed away at the age of 95.

    He was also part of the famous Hanna-Barbera team.

    Born in the Little Italy section of New York City, New York, on March 24, 1911, Barbera and his partner William Hanna (who passed away in March of 2001) created hundreds of beloved cartoon characters during their 60-plus-year partnership. They enjoyed one of the most enduring and successful relationships in entertainment history and together created some of the world’s most recognisable and beloved characters including Tom and Jerry, Huckleberry Hound, The Flintstones, The Jetsons, Scooby-Doo and Yogi Bear among many others.

    Barbera worked as a New York banker until the 1930’s when Collier’s Magazine published some of his hand drawn “comics.” After studying art at the Pratt Institute in Brooklyn, Barbera honed his animation skills at the Van Beuren animation studios in New York. It wasn’t until 1937 when Barbera was hired by MGM as as an animator and writer that he met William Hanna, whom MGM had also just hired as a director and story editor. Hanna’s precise comedic timing and ability to manage top creative talent were the ideal complement to Barbera’s strong animation skills and storytelling instincts.

    The pair’s first collaboration at MGM was entitled Puss Gets the Boot, which led to the creation of the immortal Tom and Jerry. The duo won tremendous acclaim in the 1940s when their cartoon cat and mouse danced alongside Gene Kelly in the motion pictures Anchors Aweigh and Invitation to Dance and alongside Esther Williams in Dangerous When Wet. Over the years, Tom and Jerry have been honored with seven Academy Awards.

    Concerned by the advent of television, MGM eliminated the studio’s animation department and, suddenly unemployed, Hanna and Barbera decided to make cartoons directly for the small screen. In 1957, twenty years after the birth of Tom and Jerry, Hanna-Barbera Studios opened its doors as one of the first independent animation studios to produce series television.

    The fledgling studio’s first production was Ruff and Reddy followed by The Huckleberry Hound Show in 1958. The lovable blue canine became an immediate hit and won Hanna-Barbera its first Emmy Award, marking the first time an animated television series had been honored with an Emmy. The studio’s next series Quick Draw McGraw premiered in 1959 and showcased the lanky, Stetson-wearing horse on two legs, ol’ Quick Draw McGraw himself. The series also introduced America to Jellystone Park’s most famous bears, Yogi and Boo Boo, and the mischievous mice, Pixie and Dixie.

    Breaking new ground became a tradition at the Hanna-Barbera Studios. In 1960, the team created television’s first animated family sitcom, The Flintstones, a series marked by a number of other firsts — the first animated series to air in primetime, the first animated series to go beyond the six or seven-minute cartoon format, and the first animated series to feature human characters. “The Flintstones” ran for six years and went on to become the top-ranking animated programme in syndication history, with all original 166 episodes currently seen in more than 80 countries worldwide.

    Fred, Wilma, and Pebbles Flintstone, along with Betty and Barney Rubble are some of Hanna-Barbera’s most celebrated classic characters and have spawned spin-off television series, specials and feature films. Hanna and Barbera served as executive producers of 1994’s The Flintstones feature film and even made a cameo appearance. The Flintstones soon paved the way for other primetime cartoons including The Jetsons, Top Cat and The Adventures of Jonny Quest.

    Another popular offering from Hanna-Barbera featured a cowardly Great Dane named Scooby-Doo, who eventually made his own place in television history. The popular series Scooby-Doo, Where Are You? remained in production for 17 years and maintains the title as television’s longest-running animated series. In 2002, the character returned with an all-new series aptly-titled What’s New Scooby-Doo? The popular snack-eating canine has inspired a pair of live-action feature films, and an ongoing series of direct-to-video movies that now numbers in double-digits. As further testament to the character’s everlasting appeal, the new series Shaggy & Scooby-Doo Get a Clue! currently airs on the block Kids’ WB! on US broadcaster The CW.

    In addition to their animated series, Hanna-Barbera also produced animated feature films including the award-winning Charlotte’s Web and Heidi’s Song a full-length animated musical based on Johanna Spyri’s classic novel Heidi.

    After nearly 50 years of making animation magic, Barbera and his partner William Hanna were elected by their peers to the Academy of Television Arts and Sciences’ Hall of Fame in 1994. During his 80s and even in his 90s, Barbera continued to report to his office regularly, taking an active role in the creation of new Hanna-Barbera projects.

    In 2000, Cartoon Network in the US launched the Boomerang Network. This was created specifically as a showcase for the Hanna-Barbera library. The cable network airs animated programmes thus bringing the delights of the Hanna-Barbera legacy to new generations.

    Barbera wrote his autobiography My Life In Toons in 1994. He is survived by his wife Sheila, and his three children by a previous marriage — Jayne, Neal and Lynn.

  • THQ launches ‘Scooby-Doo! Who’s Watching Who?’ video game in US

    THQ launches ‘Scooby-Doo! Who’s Watching Who?’ video game in US

    MUMBAI: THQ Inc., worldwide developer and publisher of interactive entertainment software, has announced that Scooby-Doo! Who’s Watching Who?, licensed by Warner Bros. Interactive Entertainment, has shipped to retailers throughout North America for the first time on the PSP (PlayStation Portable) system, and is also available on the Nintendo DS. 

    Inspired by the classic Scooby-Doo cartoon, the game is rated “E” for everyone and is now available at the retail price of $19.99.

    “Scooby-Doo! Who’s Watching Who? captures the charm of one of the most popular characters of several generations and features authentic voiceover work from the Scooby-Doo voice actors,” said THQ director of global brand management John Ardell.

    “We are excited to release this new Scooby-Doo adventure on today’s most advanced handheld systems, allowing fans of all ages to interact with their favorite characters and drive the Mystery Machine for the very first time.”

  • Nat Geo Wild to launch on Singapore pay TV platform StarHub

    Nat Geo Wild to launch on Singapore pay TV platform StarHub

    MUMBAI: StarHub, which claims to be Singapore’s largest pay-TV operator, will launch five more channels on 2 October 2006. They are National Geographic Wild, Sky News, Channel [V] International, Fox Crime and Boomerang.

    They will be added to the Family Plus digital group at no extra cost.

    National Geographic Wild will air documentaries entirely focussed on the animal kingdom and the worlds they inhabit. From the most remote environments, the forbidding depths of our oceans, to the protected parks in our backyards.

    National Geographic Wild uses cinematography and spellbinding storytelling to take viewers on unforgettable journeys into the wild world and to experience the best, most intimate encounters with wildlife ever seen on television.

    Channel [V] International features music videos and singers, reality and infotainment shows. Viewers can catch VJs such as Sarah, Maya, Dominic and Joey on this channel. It has shows such as Remote Control, Popparazzi, Arcade and The Ticket.

    Fox Crime is dedicated to crime, investigation and mystery. It is the ultimate channel where viewers will find all shadows of crime and investigation stories.

    Sky News is a news channel from the UK. Boomerang features animated entertainment, drawing from content of Hanna-Barbera, Warner Brothers and MGM. Boomerang will not only provide another choice for kids content under the Cartoon Network banner, but also nostalgic moments for parents who wish to catch the legends of cartoon history such as Flintstones, Looney Tunes, Scooby Doo, Wacky Races, The Jetsons and Top Cat.

    StarHub VP, cable TV services Patrick Lim says, “StarHub is constantly working towards providing better products and services, and creating more value to our customers, and we are very excited with all that we have in store for our cable TV customers, in particular those on the digital platform.

    “We hope that this addition of five quality channels to Family Plus, coupled with other new offerings to be rolled out on 2 October, will encourage those who have yet to enjoy StarHub Digital Cable to sign up and join the fun, and also provide more incentive to our analogue customers to make the switch to the digital platform so that they too can enjoy these great benefits.”