Tag: Satyamev Jayate

  • Good writers are hard to find, says the television industry

    Good writers are hard to find, says the television industry

    MUMBAI: The heartbeat of any television programme lies in its story and content. Developing good content through various ideas and imagination is a significant priority for television channels and producers. Story-telling, as they say, is an art and the small screen is constantly looking for compelling scripts that tell stories which entertain, engage and enrich the audience. Over the past few years, the Indian television industry has been exploring new formats and series of programmes in order to give the viewers an excellent TV viewing experience.

    Television director and creator of the unique chat show Satyamev Jayate, Satyajit Bhatkal says, “To be honest, we did not have any preconceived model for content creation or the kind of show we hoped to do. We made 6-7 documentaries on real life people and we realised that there was so much happening in the country. The common man faces so many problems and we needed to address these serious issues and give a 360 degree look to the matter.”

    However, except for a few who are willing to take up the challenge of creating something new, many are still stuck with the tried and tested.  According to Bhatkal, television, today, is way too cautious.  He elaborates, “It is a challenge that we have to cater to people of various education levels and social backgrounds. However, I feel we are not willing to move to a different level of aesthetics.”

    Director of many popular television series like Amanat, Kyunki Saans bhi kabhi bahu thi, and the current hit show Jodha Akbar, Santram Verma believes that there is a division amongst the audiences today as while some of the viewers want to watch fresh content, the older generation wants to stick to the same stories that were showcased years back. As a result, he feels that it is hard for the industry to evolve.

     

    He says, “Everybody is sticking to the safe formula of ‘saas-bahu’. Good writers are hard to find these days. Writers lack the fire in them to come up with fresh concepts. TV is not experimenting with novel ideas.”

    Speaking on the quality of writers, producer of the very popular show, Taarak Mehta Ka Ooltah Chashmah, Asit Kumar Modi says, “There is a lack of good writers. Generally speaking, channels go with writers that they have previously worked with. If we want to encourage new content, channels should have better adaptability for new writers and then, we can produce better content.”

    When asked whether broadcasters give the makers enough support and freedom, Modi informs that Sab played a good role in encouraging fresh content and promoting comedy shows like his on the channel.

     

    Bhatkal expresses that Star has been an extraordinary and participative partner for his show, “Star allowed us to feature the show on a Sunday morning instead of an evening prime time slot as we wanted the whole family to watch. Since it did not have a Telugu channel, the network gave the broadcast rights to its Telugu competitor as we wanted the programme to air in every Indian language. Star even permitted SMJ to be aired simultaneously on Doordarshan on the same day and at the same time, at the expense of its own traffic. What more could I ask for?”

    Talking about the concept of seasonal shows, Verma says, “Seasonal shows are the best. If implemented fully on Indian television, it will have a better emotional connect with the audience.”

    According to Modi, it is a good idea to have seasonal shows as after a point even the audience gets bored. However he is quick to point out that channels should also be convinced of the format.

    Channels need to have more confidence in seasonal formats and help in the distribution of the same. Modi emphasises that irrespective of ratings, losses and profits, one needs to constantly experiment on Indian television.

    To discuss more about the content on television, Indiantelevision.com is organising the ‘Content Hub’ that brings together writers, creators, producers, artistes and broadcast executives, both for TV and digital, all under one roof. This initiative is meant for all professionals, newbies and anyone who is keen to know about writing, producing and creating content for television and the digital space.

     

  • Will ‘Everest’ be able to climb the peak?

    Will ‘Everest’ be able to climb the peak?

    MUMBAI: It all began nearly two years ago, when the numero uno channel Star Plus started brainstorming to develop a content which can break the clutter and should help in taking television to the next level.

    To do so, it joined hands with one of the finest filmmakers – Ashutosh Gowariker to produce a series set against an extraordinary background of the magnificent Mount Everest.

    Produced under Ashutosh Gowariker Productions Private Limited (AGPPL) banner, the show – ‘Everest’ is in line with the GEC’s strategy of offering innovative and differentiated content. It has been conceptualised, shot and presented on a scale never seen before on TV.

    The channel re-defined television when it brought a talk show that spoke about social issues in Satyamev Jayate (SMJ) in 2012, and 2013 saw its mythological series Mahabharat. According to Star Plus general manager Gaurav Banerjee, ‘Everest’ is the next step.

    With the first episode telecast on 3 November, indiantelevision.com spoke to people from the industry to know their views on the concept of the show and whether it will re-define television the way shows like SMJ and Mahabharat did in their respective genres.

    According to Havas Media managing director Mohit Joshi believes that Star has taken the right step by going youth with shows like Airlines and now Everest. For Joshi everyone wants to cater to the youth today and traditional housewives’ viewership is not going to be something on which it can sustain for coming years.

    “With the new age viewers being the way they are, I think it is very important to engage with them in multiple test parts and that is what Star is doing through the show. Audiences today are looking for content, doesn’t matter if Star is delivering it or MTV.  With mobile phones in their hands, it only takes a minute for them to switch between devices. So if you give them promising content to watch, you are the king.”

    Agreeing with Joshi, Maxus managing partner north and east region Navin Khemka believes that right from the production quality to the look and the feel, the show seems extremely well done. He further goes on to say that as more and more such programmes launch, the ratings increase, acceptability increases and the channels will be left with no choice but to increase the production quality level and engagement level with the viewers.

    Penned for about 110 episodes, almost 90 per cent of the shoot was canned before the telecast of the show in locations like Mount Everest, Jodhpur, NIM and Mumbai. It has also used a lot of heavy technical equipments like GoPro cameras, 4K technology and a lot more.

    Joshi feels the concept is enterprising and coming from the AG portfolio with big names, it will be able to garner decent amount of visibility. However, he further reasons that overall the viewership has gone for a toss. “The overall fragmentation has led to a lot of drop as far as viewership is concerned which is why all the shows are not performing at the level they used to perform a couple of years ago,” he says.

    He cites an example of SMJ and says that nowadays numbers are not important, but content and the traction from social media buzz plays a major role. “Like for SMJ, more than the numbers it was social media buzz that showed that the program was a hit.” Joshi feels the way SMJ is activating all the social media platforms on television, the channel has done for Everest as well. At present, on Facebook, SMJ has six million likes and Everest has more than 2,000 likes.

    Khemka states that Star has always been a leader in terms of content they provide to the viewers. He presents the example of shows which airs on sister English GEC Star World such as Homeland which is at par with any Hollywood movie. “A similar transition will happen in India. And as more and more channels started investing in content which is of the standard of Everest and as viewers gradually start accepting it, channels will have no option but to change their programming content,” he narrates.

    The series is presented by Fair and Lovely and co-powered by Godrej Ezee while Vinod Cookware has signed up as an associate sponsor. Joshi is confident that the channel should be able to get good mileage from the advertisers’ side too.

    Talking about the ad-rate per 10-second slot, Madhok earlier revealed that the cost of the show is significantly more expensive than anything else on the channel. “As sponsors have demonstrated, this is top quality television produced by an iconic filmmaker so people are happy to be associated and pay the premium required,” he said.

     

  • SET: The only loser in week 42

    SET: The only loser in week 42

    MUMBAI: It was a no different week for the Hindi general entertainment channels (GECs), according to the week 42 of TAM TV ratings, as all the channels maintained their ranking order. 

     

    On the viewership front, except for Sony Entertainment Television (SET), rest all the channels have observed a rise.

     

    Star Plus continues to lead the chart with 600,523 GVTs, up from 598,185 GVTs. The channel’s talk show, which deals with social issues and hosted by Aamir Khan, Satyamev Jayate, lost few numbers and registered 2,444 TVTs, down from 4,916 TVTs.

     

    Its fiction offerings have done well. The chart leader series Diya Aur Baati Hum seems to earn new numbers every week as it scored 9,075 TVTS, up from 8,455 TVTs, Saathiya Saath scored 8,105 TVTs, up from 7,879 TVTs and Ye Hai Mohabatein recorded 7,498 TVTs, up from 7,353 TVTs.
     

    At number two stood Colors with 436,422 GVTs, up from 432,481 GVTs. Sasural Simar Ka continues to be number one in the fiction space with 6,375 GVTs, up from 5,771 TVTs. At number two is Udaan which saw a hike in the viewership as it reported 6,006 TVTs, up from 5,480 TVTs and Balika Vadhu ranks third with 4,809 TVTs, up from 4,412 TVTs.
     

    Zee at number three garnered 418,103 GVTs, up from 412,888 GVTs. Jodha Akbar continues to be the number one show for the channel as it scored 8,075 TVTS, up from 7,732 TVTs. Kumkum Bhagya seems to attract good amount of eyeballs as it reported 7,351 TVTs, up from 6,953 TVTs and Jamai Raja stood at 6,553 TVTs, up from 6,232 TVTs.
     

    Life OK stays happy at number four with 301,763 GVTs, up from 292,327 GVTs. The channel’s crime property Savdhan India reported 2,380 TVTS, up from 2,247 TVTs. The much hyped Ekta Kapoor’s series with Sonali Bendre as the lead – Ajeeb Daastan Hai Ye observed a fall in the viewership and stood at 1,201 TVTs, down from 1,223 TVTs.
     

    At number five stands Sab with 276,437 GVTs, up 272,524 GVTs. The channel’s top leader Taarek Mehta Ka Ooltah Chashmah scored 6,047 TVTs, up from 5,753 TVTs and Chidiya Ghar lost numbers and registered 2,115 TVTs, down from 2,383 TVTs.

    SET shed numbers and noticed 228,235 GVTs, down from 244,573 GVTs. Its crime property CID continues to be the number one and witnessed 2,805 TVTs, up from 1,307 TVTs. Maharana Pratap ranks second with 2,698 TVTs, up from 2,642 TVTs. 
     

    Sony Pal, the second GEC from Multi Screen Media (MSM) plate, observed a marginal rise in the ratings and delivered 25,326 GVTs, up from 23,814 GVTs. On the other hand Zindagi too witnessed a hike in the ratings and reported 21,028 GVTs, up from 19,978 GVTs and Big Magic recorded 55 million GVTs, down from 57 million GVTs, it recorded in week 41 of TAM TV ratings.

  • MIPCOM 2014: Aamir Khan’s three conditions before starting ‘Satyamev Jayate’…

    MIPCOM 2014: Aamir Khan’s three conditions before starting ‘Satyamev Jayate’…

    CANNES: He is a man who can make his mark even on a distant land, far away from home. Yes! We are talking about Indian film actor Aamir Khan, who was in Cannes, giving the MIP Megasession keynote at the ongoing MIPCOM 2014 in a packed Grand Auditorium about his landmark show Satyamev Jayate (SMJ). Indiantelevision.com founder, CEO and editor in chief Anil Wanvari is the Indian representative for all MIP markets.

     

    So how did it all start? Said Khan, “It all started, becuase I was very inspired from my friend Satya (Satyajit Bhatkal, director of SMJ), who was my friend and class topper from school, was working in the social space. And I being an actor, was doing well in my career, but wasn’t doing much on this.”

     

    He further went on to say that as TV grew in India, this idea, of doing something on this front, grew bigger. “Star India CEO Uday (Shankar) offered me a game show, which I refused, he then asked me if I could do anything on TV. So I asked him if we could work on something that can bring some change. And he agreed,” he added.

     

    Khan and his small team comprising Satyajit worked together to create the show, which has gone down in the history of Indian television as one of the most popular shows. “Through the show, we try to understand the society. We try and put the issues to the people, be it child abuse, honour killing, rights and responsibilities etc,” he informed the audience which comprised of content creators from across the globe.  

     

    All that we see on television wasn’t created in a day. “We took a year to work on research. The reason we researched was to find out if we had a show,” he said. In order to be sure, the team researched with four topics “and once we were confident, it didn’t matter to us if Star would take the show or not. We knew we could go ahead with it and put it on YouTube or anywhere,” he said adding that it took just five minutes for Shankar to approve the concept of the show.

     

     

    But, it was not all that easy. Khan then put three conditions in front of Shankar before agreeing to go ahead with Satyamev Jayate.

     

    One, he wanted the programme to be in multiple languages, since he wanted to reach out to people in their language. “I just didn’t want the main Star channel, but wanted the whole network, which would air the show at the same day and time.”

     

    The second condition was that in the states, where Star didn’t have a presence, the show was to be given to its competitor and the third was to give it to the terrestrial network Doordarshan. “Many villages in India do not have satellite TV even now and we wanted to reach those homes through Doordarshan,” he announced.  

     

    But, Shankar, coming from a journalism background, understood where Khan was coming from. “I was talking of a show where I was not investing money but investing time. Star and my team is a part of the show which is made of love,” he said.

     

    Of the 1.2 billion population in India, 600 million people watch SMJ every week. “We didn’t know if people would be interested in a show like this. It was heartwarming to see how people connected emotionally. There is a huge vacuum of content on social issues and people want a show like SMJ,” he added.

     

    So how does Satyamev Jayate impact the society? “Well, we empower people by selecting an organisation each week so that one can help financially. What we also do is have partners, who help us on issues.” So far the show has been able to raise $ 45 million for the NGOs connected with it.

     

    Khan also mentioned how the political and administrative class of the country had also shown interest in the show. “Our show hits out on political and administrative class most of the times and so we didn’t know how they would respond, but I can tell you that there have been 9-10 examples where these people have come ahead and supported us.”

     

    Explaining the reasons for the show doing so well, Khan said, “There was a need and desire for things to change. India is on a cusp of change so a show like this helps them understand the issue and move towards change,” he said.

     

    “Sometimes when we research, we feel angry about certain things. But we have to approach people with love. We can’t attack them, if we do that, we will close the door for ourselves,” he added.

     

    Khan feels that the audiences in India today are looking for content that is engaging. “Even serious content can be made engaging.”

     

    One of the things that they do to catch the attention of the audience is keep the topic of the show a secret. “No one knows the topic, till the episode is aired. This attracts them to the show.”

     

    Khan also believes that serious issues can be presented in a way that people can relate to. Giving an example he said, “So when I talk about female foeticide, I do not start with the fact that women are being forced into abortion. That drives away audience, what I do is, I start by asking them, their most favourite person and then go on talking about their mother, my mother and then tell them the reality,” he narrated.

     

    Khan and his team is taking journalism and combining it with drama and storytelling. “My job as a storyteller is to be engaging,” he concluded.  

  • Satyamev Jayate’s impact on digital

    Satyamev Jayate’s impact on digital

    MUMBAI: Amidst sporting resurgence, budding talent and encouraging medal hauls, India’s talk show `Satyamev Jayate’ (SMJ) returned for a third season on Star Plus, highlighting the need for holistic improvement in India’s sporting field – a call that won backing from none other than the Sports Minister.

     

    In an unprecedented show of support to SMJ, Minister of youth affairs and sports Sarbananda Sonowal live-tweeted three times during the screening of episode one of season 3, calling for more suggestions to improve the culture of sports in India. “I promise not to leave any stone unturned to make sports a way of life,” the minister had tweeted. 

     

    Sonowal’s tweets were among the more than 200 million impressions created in a single day on 5 October in an overwhelming show of positive sentiments to SMJ. More than 2 million people responded through missed calls to support the show’s initiative.

     

     Star, as part of the `Mumkin Hai’ (change is possible) initiative, separately organised a live dial-in with SMJ’s host Aamir Khan in Chandigarh on the d-day that saw Bharat Ratna Sachin Tendulkar dial-in to share about his initiative called ‘sports4all’ and how sports should be reinforced at the grassroot level.

     

    “Aamir’s @satyamevjayate episode was a déj? vu for me, sports4all will change country’s future #MumkinHai,” Tendulkar said via Twitter afterwards.

     

    Legendary cricketer Kapil Dev also joined the live show and expressing his views, he said, “It is extremely encouraging to see how people in our country today are taking much interest in sports and paying attention to it in so many ways – whether it is in the form of discussions or even making blockbuster movies!”

     

     Sonowal and Tendulkar were joined by the likes of politician Naveen Jindal, former top cop Kiran Bedi, former Delhi chief minister Arvind Kejriwal in praising the show.

     

    “Felt very good watching prog of @aamir_khan on #MumkinHai on sports! He has spread out for sports what @PMOIndia did for #SwachhBharat,” tweeted Bedi.

     

    “Are authorities at sports federations responsible for the deteriorating conditions of sports in India?”Arvind Kejriwal retweeted Satyamev Jayate’s tweet.

     

    Satyamev Jayate has done what it does best – initiate a debate and inspire people to aspire for the better,” said Star India co-creator and CEO Uday Shankar. “The overwhelming response shows the thirst for change and that change is possible.”

     

    Over the last three seasons, SMJ’s journey has been remarkable. Unlike shows that fade with time, SMJ has grown to become a positive change agent that continues to grip people from across the length and breadth of the country with issues that concern each and every Indian in the daily life. This can be validated by the immense viewer engagement that the show has received in the past and continues to, even in its third season.

     

    Cricketer Yuvraj Singh was part of the live dial-in held in Chandigarh. He wrote afterwards on Twitter: “Just finished a show with @aamir_khan 4 @satyamevjayate wth kapil Dev. Gr8 topic, Sports builds character n creates a healthy mind n body.”

     

    The show trended for 24 hours in India at No. 1, 2 and 3, and also trended worldwide at No. 1 on Twitter, demonstrating the mass support for the show’s message on sports. SMJ also received huge support from top celebrities on social media including from eminent personalities such as Harsha Bhogle and Virat Kohli.

     

     “Wonderful, moving episode of #satyamevjayate. Never know where champions are coming from, just need to empower more people,” wrote Bhogle on Twitter.

     

    Inspired by the show, Kohli tweeted, “Saw @satyamevjayate yesterday. Hope every school now starts to focus more on sport. Well said @aamir_khansport is education!”

  • “Jazba Hai To Mumkin Hai” on radio to complement Aamir Khan’s Satyamev Jayate on TV

    “Jazba Hai To Mumkin Hai” on radio to complement Aamir Khan’s Satyamev Jayate on TV

    NEW DELHI: All India Radio is to broadcast “Jazba Hai To Mumkin Hai”, a feedback interactive programme with Aamir Khan from 11 October based on the episodes of Satyamev Jayate.

     

    The programme will be broadcast on AIR’s FM Network, Vividh Bharati’s National Network and identified 94 primary channels/local radio stations from 11 October to 15 November on every Saturday. Thus there are six programmes that will be aired at different timings on various channels of All India Radio.

     

    FM Gold Network – 1000 Hrs to 1100 Hrs;FM Rainbow Network – 1800 Hrs to 1900 Hrs; Identified PC/LRS – 1100 Hrs to 1200 Hrs and Vividh Bharati National Network – 1530 Hrs to 1630 Hrs. The calls from the listeners of AIR will be received on Monday, Tuesday and Wednesday. Listeners can call up and share their experience from 11.00 am to 4.00 pm on these days.

     

    To encourage participation, a feedback interactive programme with Aamir Khan is broadcast every season.

     

    Earlier take on these radio programmes: “Dil Pe Lagi Aur Baat Bani” and “Awaaz Unki Jinhe Fiqr Hai Desh Ki” with Aamir Khan over All India Radio had proved immensely successful.

     

    Following the trend, this year’s programme “Jazba Hai to Mumkin Hai” will also complement Satyamev Jayate – III in taking forward Khan’s idea of India to the masses and the fact that everything is possible if we have a collective will to bring about change.

     

    An AIR official told indiantelevision.com, “In the last season, Aamir Khan was astonished when he realised that there were calls from the interiors of India to the far flung North East as well as Jammu and Kashmir and South India. The actor was full of appreciation for the responses received via All India Radio.”

     

    Satyamev Jayate – Season III featuring Aamir Khan went on air from yesterday on Star Plus with a simulcast by DD National for wider coverage of the programme which holds talks and discussions on various burning issues concerning Indian society at large.

     

    Star Plus also launched the programme ‘Mumkin hai‘, immediately after the telecast of Satyamev Jayate, where presenter Debang spoke live about the subject of the day – sportspersons and the need to inculcate sports from a young age – with Kapil Dev, Yuvraj Singh, and an invited audience from Chandigarh. It is learnt that this programme will travel to different cities every week and will be telecast live immediately after Satyamev Jayate.

     

    The show launched its earlier seasons with the basic idea to bring about change by creating awareness about socially relevant issues.

     

    After being widely appreciated as a TV show, AIR and Satyamev Jayate team decided to connect with millions of radio listeners through interactive feedback programmes. After each telecast, feedback is received from the listeners/viewers across the country through phone calls which are recorded and played back to Khan who in turn gives response to the listeners’ reactions.

     

    Thus these programmes conceived as talk shows for All India Radio are an extension of Satyamev Jayate. Aimed at stringing together real-life incidents touching a common chord across people of the country, these programmes could reach poorest of poor and remotest of remote parts of the country.

  • Aamir Khan to take centerstage at MipCom

    Aamir Khan to take centerstage at MipCom

    MUMBAI: MipCom has announced that Indian actor-director-producer Aamir Khan will take to the stage for the inaugural MIP MegaSession, entitled ‘The Future of Factual.’ 

     

    Organised by Reed MIDEM, the MipCom entertainment content tradeshow takes place in Cannes from 13 to 16 October.

     

    Scheduled for 14 October, the first ever MIP MegaSession will gather leading players driving the next generation of online and linear factual programming on the main stage of the Grand Auditorium to discuss where the genre is heading.

     

    Khan has starred in dozens of Hindi movies, including some of the highest-grossing Bollywood hits of all time. He is also a writer, director and producer, his credits including the colonial story ‘Lagaan’, which was nominated for a Best Foreign Language Film Oscar.

     

    Since May 2012, Khan has fronted the Hindi talk show ‘Satyamev Jayate’ (Truth Alone Prevails), broadcast on the Star channels and the Doordarshan network. The show has had a deep impact on Indian society and its ruling classes, highlighting sensitive social issues such as female foeticide, rape, child sexual abuse, dowry customs, honour killings, domestic violence and wider environmental issues.  ‘Satyamev Jayate’ has been watched by some 700 million people, and is also a major hit with online viewers and has a huge following on social media.

     

    The third season of the show will soon go on air taking forward the philosophy that anything is possible (‘Mumkin hai’).

     

    Khan will be in conversation with Oscar-nominated writer, director and producer Morgan Spurlock, when he will expand upon what drove him to produce the show under his banner, how it has struck such a resounding chord in India, and whether its format can be replicated in other countries.

     

    Khan’s session in France was coordinated by Indiantelevision.com group founder, CEO and editor in chief Anil Wanvari, who represents Reed Midem’s content markets Mipcom and MipTV in India, Sri Lanka, Pakistan and Bangladesh and music market Midem in India, and Reed Exhibitions Singapore based market Asia Television Forum in India.

     

    Other global media business and entertainment leaders who are slated to speak at this year’s MipCom include Simon Cowell, 21st Century Fox’s  James Murdoch, CBS’s Armando Nunez and David Stapf, and Chief Content Officer of Netflix, Ted Sarandos.

  • Star Plus to debut the promo for “Satyamev Jayate” exclusively on Twitter

    Star Plus to debut the promo for “Satyamev Jayate” exclusively on Twitter

    MUMBAI: The third season of the popular television show Satyamev Jayate with Aamir Khan on Star Plus will be exclusively promoted on Twitter.

    With the success of rise in online conversation around the show in the last two seasons, this season audience will be engaged in many unique ways on Twitter.

    Star Plus will give fans the power to unlock and enable the release of the promo of the new season of Satyamev Jayate exclusively on Twitter, before any online or offline platform.

    Star Plus will become the first broadcaster to use the “Flock to Unlock” card that will incentivise followers to drive engagement and awareness about the show and unlock exclusive content on Twitter.

    Fans are encouraged to Tweet with hashtag #MumkinHai to generate the required number of Tweets needed to unlock the video and be the first to view it.

    Below is the tweet from @SatyamevJayate:

    https://twitter.com/satyamevjayate/status/509746786873798657 

    Below is the tweet from @StarPlus:

    https://twitter.com/StarPlus/status/509745885396209667

    In the spirit of empowering audience, there have been various Twitter exclusive chats with experts in various social issues, such as Harish Iyer and Nikhil Dey, held by @SatyamevJayate.

    https://twitter.com/satyamevjayate/status/505002740225814528

    https://twitter.com/satyamevjayate/status/504900584336404480

    Follow @SatyamevJayate and @StarPlus for more and Tweet using #MumkinHai to join the conversation.

  • Star Plus’ Satyamev Jayate to see a few changes, this season

    Star Plus’ Satyamev Jayate to see a few changes, this season

    MUMBAI: It was in 2012 when TV audiences woke up to Sunday morning slot once again. Star Plus with Satyamev Jayate at 11 am, tried to bring about a change in our society by bringing the ills gripping our society to the forefront.

    The promos of the upcoming season have already gone live and each tells a story of a person who after watching a heart-wrenching episode has gone out to make a change in whatever manner he/she could. One of the promo tells a story of Nazia, who found a sexually-abused girl and went on to help her through Childline – a NGO working for kids. “Nazia is like one of us but through her one action she proved that it is we who can bring about a change,” says the host of the show Aamir Khan while highlighting that this time the focus on promos was not him but on heroes who made a difference. “It is all about possibilities.”

    He highlights that the research team never went out to hunt for people like Nazia but while doing their study they met or were told about people who after watching SMJ went out of their way to help others.

    In its third installment now, the show, which will go live on 21 September and consists of six episodes, will see a few new elements. The biggest change will be letting the common man talk to Khan. After the one and a half hour show, people can talk ‘live’ to Khan through social media – Facebook and Twitter -, phone or the show’s official website to share their issues on the topic discussed earlier.

    “SMJ is about people and we want people to tell their views and issues so that together as a society we can bring about a change,” says Khan who will be travelling across various cities to connect with the people.

    He believes that the show has changed him a lot. “I have become more patient and less judgmental,” he says while recalling that years ago when Star India CEO Uday Shankar had approached him for a game show he had made a correct decision by denying that and suggesting a show on social issues.

    This time around, for the first time, other actors too will be seen on the show. “It is not for publicity. But only the actors who have done something for a particular issue or feel for it will be on the talk show,” clarifies Khan.

    Believing that the change needs to be brought about from the grassroot level to revolutionise people’s mindset, Khan wants people, administrations and governments to make a note of the things. Stating the example of how after the female foeticide episode was aired, the sex ratio between girls and boys has risen, Khan says, “Earlier there were 890 girls per 1000 boys, but today it is 940 which is remarkable. A small step can make a huge difference.”

    On a personal level, Khan wants four basic fundamental benefits given to each and every citizen of the country, namely, public health services, education, a quick and fair justice system and security through a strict law and order.

    Click here to watch the video

     

  • Star Plus set to change Sunday viewing with ‘Airlines’

    Star Plus set to change Sunday viewing with ‘Airlines’

    NEW DELHI: With an aim to strengthen its Sunday prime time band, Star Plus is treading a different path yet again. After making Sunday morning’s special for viewers by bringing home uncomfortable realities with Satyamev Jayate, the Hindi general entertainment channel is now looking at filling its prime time slots as well, but with differential programming.  

    Initially, when weekends meant only dominance of reality shows, the channel wanted to explore more in that space. And now after exploring various genres including saas-bahu syndrome and mythology with Mahabharat, it is ready to take to the skies with Airlines – Har Udaan Ek Toofan but with variations.

    Come 24 August and every Sunday 9pm, viewers will witness a story of a woman who dares to join the airline industry as first officer initially and ultimately becoming a pilot. Produced by Miditech, the series is penned for 26 episodes as of now and could see an increase in the number of episodes depending on the response from the audience.

    The channel has roped in Fortune cooking oil as the title sponsor, Havell’s as co-title sponsor and Ariel, the co-sponsor for the show. The associate sponsors are askmebazaar.com, Colgate Visible White, Maybelline, Parachute Advanced and Sofy Bodyfit.

    According to Star Plus SVP – marketing Nikhil Madhok, the series with title sponsor in Fortune cooking oil for standard definition (SD) feed and Forest Essentials for the HD feed is already profitable as it has been pre-sold.

    The programme marks the TV debut of Tulip Joshi who plays Ananya and VJ turned actor Yudishthir aka Yudi who will be seen essaying the role of Captain Akash. It has been penned by Advaita Kala, who also authored the movie Kahaani.

    Kala said that the concept is based on her own experiences of the way the modern urban woman is changing. Through the story, she wanted to show how a woman who has already entered a male-dominated world copes with it.

    Set in Delhi, the show features the journey of first officer Ananya Rawat who navigates through a world of gender discrimination and regressive attitudes embedded in the modern and glamorous aviation industry. In her quest to establish her identity, Ananya realises that there is more to this industry than just battling male attitudes as she comes across many hindrances that eventually make her a stronger person.

    Madhok believes that after delivering hits like Satyamev Jayate and Mahabharat, the channel with the new programme will be breaking the saas-bahu mould, showcasing a clear shift from the normal programming aired on all channels. The focus for the channel was on the role of a female in a male-dominated profession.

    The series is the first to have received permission to shoot inside the Indira Gandhi International Airport’s Terminal-3. From roping real pilots for tutoring actors to shooting at existing terminals, the makers and channel has put in their best to retain authenticity of the situations and incidents covered in the show. Since most of the sequences required the setting to be inside an aircraft, a special set modeled on Boeing 370 has been created.

    Miditech has also collaborated with Pixion to help recreate the world in the skies with its unparalleled proficiency in computer graphics and visual effects.

    But why make it into a once-a-week show? Answers Madhok, “It is because of the huge work involved in creating each episode.” According to industry sources, while a normal Hindi daily soap production cost ranges anywhere between 6-8 lakh per episode, a series like this could cost around three times more than what a daily does.

    On the marketing front, the promos are already doing the rounds on 25 television channels. To attract the younger audiences, social media will be used in a big way to promote the property with integrations also with YouTube, Yahoo and MSN.