Tag: Satya Raghavan

  • Agencies must connect, not just communicate, say industry leaders at Goafest 2025

    Agencies must connect, not just communicate, say industry leaders at Goafest 2025

    MUMBAI: Goafest 2025’s marquee session, ‘Ignite The Shift’, powered by Hindustan Times and Amar Ujala, staged a spirited conversation on marketing’s evolving ecosystem. The panel, titled “Merging Boundaries: From Placement to Partnership”, brought together five sharp minds—Google India director – marketing partners Satya Raghavan, Starcom India CEO Rathi Gangappa, JioStar head of revenue, entertainment & international Ajit Varghese, Tata Commercial Vehicles CMO Shubhranshu Singh, and moderator Omnicom Media Group India group CEO Kartik Sharma—for a high-voltage discussion on what defines partnership, performance, and brand-building in 2025.

    Opening the session with nostalgic candour, Sharma remarked, “Media was once a business of placement; now it’s a business of partnership”. He added that today’s agencies juggle multiple hats—from storytellers and influencers to data miners and tech integrators.

    Gangappa drove the point home: “It’s no longer innovate or die—it’s connect or die”. She called on agencies to shift from delivering solutions to forging seamless partnerships. “Partnerships today are about connecting the dots—storytelling, media, commerce, influence, even loyalty—and doing it all with intelligence and empathy”.

    Varghese reinforced that clients today demand more, “Agencies now invest in first-party data and tech stacks, stitching solutions across OTT, mobile, and CTV”. From integration to insight, agencies, he said, must become navigators across a complex media map. “Clients expect segmentation, measurement, and execution to be interlinked. When they demand precision, we bend backwards”.

    Raghavan added flair with an Avengers analogy. “The agency is literally the CMO’s superpower”, he joked. “In today’s marketing universe, consumers flit between universes—Youtube, search, Shorts, and shopping. Pinpointing them with the right message at the right moment is the challenge—and technology is the bridge”.

    Singh brought it back to brand belief, “Separating performance from brand-building is a disservice”. He warned against the trap of short-termism. “If everything is dictated by last-click logic, brands lose soul. Media must also create scale and salience”.

    The panel echoed a shared frustration with how measurement obsession has stifled creativity. Singh recalled, “We’ve become a business of attribution. But not everything valuable is measurable”. Raghavan nodded, saying that AI should empower creativity, not constrain it. “We’re now designing better razors, not just machines that shave you”.

    As the session closed, Sharma fired a rapid question: “What are you doing today that would’ve sounded crazy five years ago?”

    Raghavan shared that Google India had built an internal martech platform just for partner enablement. Varghese said he uses AI to ideate around obscure marketing days like “World Menstrual Hygiene Day”. Singh, meanwhile, said it’s time to rename the agency itself. “The term ‘media agency’ no longer fits. We’re something more”.

  • Industry leaders provide valuable insights on content creation at The Content Hub 2020

    Industry leaders provide valuable insights on content creation at The Content Hub 2020

    MUMBAI: The fourth edition of The Content Hub 2020, presented by Indiantelevision.com, saw a gala turnout with scores of people eager to hear industry leaders speak about content and the way forward. While the first part of the day saw discussions on digital content and the second half went into understanding storytelling, research and OTT format, the last part saw a mix of audio content, movies and digital transformation.

    Before we venture into day two, here’s a wrap of what happened yesterday.

    The audio content business

    Rainshine Entertainment co-founder and COO Anuraag Srivastava in a fireside chat with Monisha Singh Katial explored the opportunity of the podcast business. The audio and podcast side is a new venture for the company where it dedicatedly has two verticals looking after AVOD and SVOD services.

    Srivastava believes the potential gap between the audience belonging to rural and urban space is increasing because the content on television is not heard on the radio anymore. So, podcast is a way by which small towns can plug in through radios. "One of the things that we see here, unlike the US, is that India entirely skipped the satellite radio market where we went from short wave to FM. There was never a serious radio or anything equivalent of radio where you paid to hear good content" he mentioned.

    A new wave is taking over big screens

    Rather than relying on big B-Town stars, new-age directors, writers, scriptwriters are focusing on delivering messages through stories. At the panel ‘The role of writers and directors in developing the magic script’ at The Content Hub 2020, the panellists agreed that the audience wants new stories in a familiar way.

    Screenwriter, script consultant and advisor Anjum Rajabalia, film director, writer and producer Hansal Mehta, screenwriter and director Hitesh Kewalya, film director, writer and producer Om Raut, dialogue writer and director Sumit Arora participated in the panel.

    The panellists opined that not only we have opened up to social issues but the crucial thing is that it is being led by good writing. He also added that people have begun realising the importance of a good script. The panellists also agreed that storytelling needs to be relooked at and constantly evolve. According to them, if the most politically, socially relevant and taboo topics can be told in a manner that can touch hearts, then stories will travel far. 

    Decoding new-age content

    The last couple of years have seen a huge evolution of content with the shifting paradigm. At The Content Hub 2020, the creators who are at the forefront of the change discussed the way forward and what are the new initiatives they are taking.

    Actor and creator Mallika Dua said she is looking at long-format content as well. She has been more into short format content. She also added that spending quality time online should be the focus rather than random scrolling. Pocket Aces founder Anirudh Pandita, who in a lighter note said that their mission is to solve boredom in India, mentioned that he is looking at two new segments.

    OML Entertainment chief executive officer Gunjan Arya said that working with creators and growing platforms have opened up more opportunities. OML is looking at making Comicstaan in Tamil. It is also working with OTT platforms to get content outside India.

    YouTube partnerships director Satya Raghavan said that while there is the platform’s traditional advertising-driven business, now it is also looking at subscription business including YouTube Premium, YouTube Music, etc. He also added that some partners can sell their own inventory on the platform which is another revenue stream. TVF content and business global head Rahul Sarangi spoke about the creator’s new focus in vernacular languages and output deals with major OTT platforms.

    Fireworks India CEO Sunil Nair said that it would not depend on influencers-based content. He also added that it’s not necessary for short-format apps to do cringy content.

    Digital content, self-censorship and more 

    Applause Entertainment CEO Sameer Nair took the stage with House of Cheer founder Raj Nayak to discuss the realm of TV and OTT content. Nair said that this trend of pushing everything to digital-first will not allow enough revenue to come through. Instead, we must follow the US approach of first releasing movies in the theatre and then giving them out on DVD or digital.

    When it comes to series-based content, Nair said that digital benefits in giving the user the power to decide rather than the broadcaster deciding for them. That's why international content is being consumed with subtitles. TV, though it was successful, it was a one-way street.

    Nayak posed a question on the need for self-censorship and whether it will kill creativity. To that Nair responded that self-regulation is a tricky area and people are finding innovative ways to tackle that. He also added that people realise that if they don't self-censor, they will face repercussions.

    Movies and their success

    The success of a film is never planned, it happens. This was the unanimous response of the panel moderated by Talkietive Content Creators co-founder Priyanka Sinha Jha, with panellists Reliance Entertainment group chief executive officer Shibasish Sarkar, Azure Entertainment chief executive officer Sunir Kheterpal and Zee Studios chief executive officer Shariq Patel.

    The panellists were of the view that the emotions embodied in the story of the film resonate with the audience then it definitely creates a market for itself. And, this is the biggest reason why Dangal and Bahubali both part one and two received huge success in the foreign markets like China.

    Moreover, the panellists also echoed the same view that the cost of talent is never sustainable. However, there is also value related to the face and that eventually ends up generating more revenue.

    There’s a market for everything and the business of films and content is here to stay no matter what platform it is released on.

    Stay tuned with us for more updates from day 2 of The Content Hub 2020.

    Day 1 Highlights

    The Content Hub 2020: An enriching and engaging first day

    The Content Hub 2020: Creators emphasise on importance of content quality over formats

    Check out the gallery from Day 1 of The Content Hub 2020

  • YouTube’s Satya Raghavan tells brands how to optimise their branded content

    YouTube’s Satya Raghavan tells brands how to optimise their branded content

    MUMBAI: Brands are aggressively producing branded video content and are willing to perform better in the dynamic environment, shared YouTube India director content partnerships Satya Raghavan during a fireside chat with Indiantelevision.com founder, CEO, and editor-in-chief Anil Wanvari at the recently concluded BrandVid 2019 conference.

    Even YouTube has seen a rise in the number of branded content briefs. Raghavan said, “Last year, my team used to get, probably, one brief a week, but now they are getting three briefs a day. It is purely because the number of advertisers has increased and so has the frequency at which brands want to do engaging content.”

    YouTube being a driver of the digital video content space is definitely benefitting from this increase in brands’ interest to connect with the audience in a more relatable and entertaining way. Raghavan shared that 2018 saw the platform reach amazing strengths. “The past two years before 2018 were literally a boom for anyone in the content space because of the reach they got through platforms like Jio and other telcos coming together. For us, it was really important because we saw it coming and started investing in content a little ahead of the curve. By the time that the initial tsunami settled down in 2018, we saw that our content was at an amazingly scalable place. Today, our platform has an active monthly reach of about 265 million people, who come here not just for entertainment but also for information and education.”

    Raghavan went on to add that an extraordinarily large part of these active monthly users is composed of daily active users.

    On being asked by Wanvari how the brands are leveraging this thriving ecosystem in terms of creativity, Raghavan mentioned that brands have become mature and are sensitive and smart to the needs of the people. They do not want to do the obvious or over the top brand integrations. They want the message to seamlessly fit into the content.

    Raghavan mentioned that FMCG category was the most active on YouTube, going beyond advertising. He cited the example of Colgate that sponsored YouTube’s original series Arrived, “When I walked into the first meeting with them, I was a little nervous about whether they would ask me to have one of the contestants hold the pack and say ‘this is Colgate’. But remarkably, the kind of brief that I got was actually evolved. It was not over the top integration but about sublime integration.”

    The other category that is creating a buzz on YouTube with its branded content is the category of brands that are digital-only. These brands focus on video advertising as their primary marketing tactic. He also added that most brands tend to add humour but they need to be smart about it.

    Raghavan added that brands are getting interested in telling slightly longer stories that resonate with their brand positioning. These brands avoid the staid route of placing their logos. “They want impact, salience and measurability. Content should be just laid and not dragged for a purpose,” he said. The one key point he highlighted for branded content is that they should think of the frequency or consistency of the uploads.

    Further, replying to Wanvari’s question around brands seeking paid visits to their content, Ragahavan noted that about 50-60 per cent of the views for an average content creator actually happens because of the YouTube algorithm in the form of ‘suggested videos’ or ‘up next’. “We tell brands that this is the place where you have to be; where the platform is working hard for you. So, you obviously will do advertising to reach out to a particular consumer but over time, any piece of content that a brand puts out should reach 70 per cent (organically).”

    He continued that while 30 per cent of the reach comes through marketing spends, it can decrease as creators optimise their content to be picked up by the algorithm.

  • Influencers, advertising, data and tech at the core of BrandVid 2019

    Influencers, advertising, data and tech at the core of BrandVid 2019

    MUMBAI: The second edition of the Indiantelevision.com’s marquee summit BrandVid 2019 concluded with some interesting and insightful discussions around the video content industry in Mumbai yesterday. The day-long conference saw some of the leading geniuses from the marketing industry talking about how to optimise video content as a brand communication tool and get better results in terms of consumer engagement as well as revenues.

    Indiantelevision.com founder, CEO and editor-in-chief Anil Wanvari opened the event. He mentioned, “Branded content has an emotional connect; it has a story to tell. The global content market is expected to grow to about $412 billion as per various reports out of which 10-20 per cent will be led by branded content.”

    The day was divided into five in-depth sessions and a fireside chats covering the various aspects related to the world of branded video content and was kickstarted by MullenLowe Lintas Group group CCO and chairman Amer Jaleel. He highlighted a key point that most brands seem to have forgotten today – that of not being very obvious to the consumer. “Brands today want to be obvious because of the insecurity of the clutter. Fuzziness is going and directness is returning. If brands want to be relevant today then the way forward is to be random, obscure and slanted,” he highlighted.

    Jaleel went on to make the point that it is impossible for creativity to catch up with the speed at which technology is moving. “Technology is synthetic and artificial and craft needs talking to people, which needs time,” he said.

    The events of the day continued with a panel discussion on ‘Branded Video Rewind’, which covered all the aspects of the evolution of branded video over the years and how the past fiscal was for the industry in terms of video spends, creative allocation, number and nature of brand films.

    Moderated by L&K Saatchi & Saatchi India CEO and Managing Partner Anil Nair, the panel had Sony Pictures Networks India Pvt Ltd head – content, partnerships, new initiatives – digital business Amogh Dusad, Shemaroo Entertainment Ltd COO Kranti Gada, GroupM South Asia president growth and transformation Tushar Vyas, Eros Now group CMO Manav Sethi, and Bajaj Consumer Care president Sandeep Verma sharing their views on the evolution of branded videos.Varma mentioned that today video content is no longer just for virality but is more holistic in the content marketing approach. However, the panellists agreed that there is no sure-shot way to guarantee that your content will hit the right note. Gada said, “Brands are not yet focusing on branded content as a core strategy. It is sporadic.” The panel also drove the point that in branded content, the creative thought should be the main driving force and the brand needs to ride on it not vice versa. The idea is to not force fit the content.

    The next item on the agenda was a fireside between YouTube India director Satya Raghavan and Indiantelevision.com founder, CEO, and editor-in-chief Anil Wanvari. Raghavan voice the opinion of many that today’s thumb-based apps have reduced the attention span to single digit numbers. In such a scenario, YouTube helps its content creators in getting reach. “YouTube’s algorithm helps the average content creator to get 50-60 per cent of its views. People are now optimising their content to get into the algorithm. So, content creators don’t have to worry about reaching the target audience,” he revealed.

    It was followed by a panel discussion on ‘GenZ: The New Video Sticklers’ between Burger King India CMO Srinivas Adapa, Leo Burnett Orchard COO Prashanth Challapalli, Onida CMO Pratyush Chinmoi     and MediaCom west head Priya Choudhary. It was moderated by Worldwide Media VP – Content Studio Vidyut Patra.

    The session covered how the brands are using video as a vehicle to achieve greater engagement and build personal connects with GenZ. Since Gen Z has a variety of apps to choose from and each with a different mode of working, brands need to pick the platform that is appropriate for its message. For instance, YouTube is for getting reach and long-form content, TikTok is for user-generated content while Instagram is for sharp targeting. “Not all brands have a content strategy. They all have a brand strategy. Therefore, they go after influencers. But, people are on Instagram because they are following their interest, not brands,” said Challapalli. To this point, Choudhary added, “Gen Z sees through influencers who are promoting brands so you have to smart in your strategy.” This is also the generation that is averse to seeing ads.

    The conference further continued with a panel discussion on ‘Moving the needle from exposure to engagement: Still the challenge?’. The session saw L'Oréal India head of media Neel Pandya, Colgate-Palmolive associate director and head – integrated marketing communication and e-commerce marketing Priyanka Gandhi, Syska CMO Amit Sethiya, Mondelez India Foods Pvt. Ltd. sr. category manager – equity and activation: chocolate marketing Sameer Yadav, and ITC Limited head – consumer health care Sanjay Srinivas in a deep discussion on how effective branded content offers advertisers a chance to engage with consumers in a rather intimate manner, incentivising brands to build ongoing relationships and how its vulnerability stands as a challenge to the marketers. The session was moderated by Tonic WorldWide CEO Chetan Asher.

    The panel made the point that content marketers need to decide what does engagement mean to them; whether that is the number of likes and shares or beyond that. “Brands need to know how to integrate with authenticity. Your brand should not stick out. For this, first, there needs to be a purpose and then relevance,” said Gandhi. Pandya also added that brands need to realise that not every avenue can drive sales. The purpose of branded content is generally not to get more sales but to get engagement and visibility.

    The events of the day progressed with a panel discussion on ‘Driving Social’, with TVF global head content and business Rahul Sarangi, ISOBAR COO Gopa Kumar, Mastercard director marketing Puneeth Bekal, GoZoop director strategy Amyn Ghadaili, and Lokmat Media Pvt Ltd senior EVP and head of digital business Hemant Jain. The session moderated by Nirvana Digital CEO Pinakin Thakkar covered all the important aspects of using social media and related technologies effectively for telling memorable brand stories.

    TVF’s Sarangi said, “Brands need to have a personality for people to engage with them.” On the current trend of using influencers to drive sales and visibility, he pointed out that they themselves are content creators. While everyone is thinking of digital as the upcoming big medium, Ghadaili said, “Digital is not a medium. It is a space that has many mediums.” The panel also made the point that in this space what is important is that the product has value and the influencers also believe in it.

    The final session on the agenda was a panel discussion on “Understanding the audience: Data & tech in content creation (Brandfilm breakthrough)” spanning insights into how data can be better used to understand audience and what role can technology play in compelling storytelling.

    Part of the panel were Prime Focus Technologies VP creative services Bhaskar Sitholey, Shemaroo head of marketing Rahul Mishra, Byju's App marketing head Atit Mehta, Logicserve Digital co-founder and CEO Prasad Shejale, JioGenNext VP advertising Mohit Kapoor, and VDO.ai co-founder Arjit Sachdeva. The session was moderated by Qyuki Digital Media co-founder and managing director Samir Bangara.

    Mishra highlighted that digital had shifted the content creation balance. “Nowadays, consumers are creating content on digital and they are the content creators now,” he said. On the usage of data, Mehta felt that data inspires marketers to take bold steps. “If someone is spending on the world cup, then he is also spending on digital,” he said. To this, Shejale added the way forward is both data-driven and data inspired content.

    The event concluded with a gala awards event night, the first Indiantelevision.com BrandVid Awards

  • YouTube to release first Indian original content soon

    YouTube to release first Indian original content soon

    MUMBAI: Streamers in India are about to get new delight. YouTube is bringing its first Indian original in the coming weeks called ARRived under an ad-supported model. The streaming giant has joined hands with music maestro AR Rahman for the show. Earlier also, YouTube global head original programming Susanne Daniels said that it is planning scripted series and original programming for international markets including India.

    “Affordable data costs are driving video consumption in India, data usage is about 8 GB a month per subscriber. This has pushed online video consumption as well, which is now about 75 per cent of all mobile traffic as per industry reports,” YouTube India entertainment head Satya Raghavan said.

    While in many countries YouTube offers its originals under the subscription model, in India it doesn’t have any premium model currently. According to some media reports, it will eventually come up with the premium service in India. YouTube’s international rivals Netflix and Amazon Prime have already released original shows in the country, some of which has been critically acclaimed too along with getting high popularity. The local OTT players are also eyeing the same pie in the growing video market. Players like ZEE5, Voot, ALTBalaji, Viu, Eros Now also have a pipeline of original shows to woo the audience. On the other hand, Hotstar has taken the top position among OTT players according to several reports.

    “Our DNA is built around partnerships, so a lot of competitors are our partners we work closely with, some of them are large advertisers of ours, some of them are large content partners. So for us, it is about growing the video pie not just for our own creators but for the entire online video industry for sure,” Raghavan commented.

    The company said it had run two sponsored shows as pilots, working closely with advertisers to test the market. It also claimed to have received a good response. Globally, YouTube Originals has released over 60 projects to date and plans to release more than 50 new shows next year.

  • #YouTubeRewind: Celebrating what India watched & shared

    #YouTubeRewind: Celebrating what India watched & shared

    MUMBAI: 2016 was the year when sidekick became the superhero – yes you guessed it right – Kabali ruled the charts to become top trending movie trailer. Kapil Sharma show featuring Salman Khan got company from our very own YouTube stars of The Viral Fever playing truth or dare with dad and All India Bakchod’s honest portrayal of bars and restaurants as the top trending video’s of the year. Entertainment aside, we were also most curious to know about the GPS chip in the new 2000 rupees note.

    As 2016 is coming to an end, and you know what that means….it’s time for #YouTubeRewind.

    This year, more than 200 YouTube stars from 18 countries accepted our Ultimate 2016 Rewind Challenge to pay homage to the biggest videos, memes, channels, songs, and pop culture moments of the year. Keep an eye out for some pretty epic surprise guests. Oh, and we got Major Lazer to help us out with an original mix too.

    We’re excited to announce the top trending videos, music videos and bollywood trailers from 2016, according to time spent watching, sharing, commenting, liking and more. From Kapil Sharma, TVF, AIB and behind the scene video of Shah Rukh Khan becoming the FAN, this year’s top trending videos represent the amazing variety of creativity shared on YouTube every day.

    Collectively, the top 10 videos have 70 million views and the channels who make them have more than 45 million subscribers who tune in regularly to  watch the funny, insightful, entertaining content they create/ upload, a blog posted by YouTube head of entertainment partnerships Satya Raghavan, stated.

    Top trending videos:

    The Kapil Sharma Show: Sultan

    The Voice India Kids: Ayat Shaikh

    Crime Patrol Dial 100: Andhkaar

    Complete truth of Rs 2000 notes with a chip embedded in it

    TVF: Truth or Dare with Dad

    TVF’s Permanent Roommates: The Parents

    AIB : Honest Bars & Restaurants

    Life Sahi Hai:  The Maid

    How Shah Rukh Khan Became The FAN – Gaurav

    AIB Diwas:  Zakir Khan

    In Music, 2016 seemed to be all about Kala Chashma with 45 million views, and ‘kar gayi chull’ and baby ‘ko base pasand hai’ taking the next slots. 

    Top music videos:

    Kala Chashma:  Baar Baar Dekho

    Kar Gayi Chull: Kapoor & Sons

    Baby Ko Bass Pasand Hai:  Sultan

    Bulleya: Ae Dil Hai Mushkil

    Cham Cham: Baaghi

    GF BF: T-Series

    Hua hain Aaj Pehli Baar: Sanam Re

    Ae Dil Hai Mushkil

    Jabra:Fan

    The Breakup Song: Ae Dil Hai Mushkil

    In movies, Rajinikanth as Kabali went viral with Aamir Khan’s Dangal and Salman Khan’s Sultan following closely behind. The biopic of MS Dhoni featuring Sushant Singh Rajput was also a huge hit.

    Top movie trailers:

    Kabali Tamil Movie

    Dangal

    Sultan

    M.S.Dhoni – The Untold Story

    Shivaay

    Befikre

    Ae Dil Hai Mushkil

    Fan

    Baaghi

    Dishoom

    From an ads perspective, it is quite evident from the YouTube Leaderboard 2016 that several brands chose to create long format ads for a primarily digital-first audience. In fact, seven out of top 10 most watched ads in 2016 were over 90 seconds long. And audiences too were willing to invest their time and attention on ads that are narrative-driven and take a storytelling approach. #Dettolsheronkepanje was the most viewed ads for 2016 with close to 13 million views, and #Ranveerchingreturns and Amazon’s#ApniDukaan taking the next spots.

    Most viewed ads:

    Dettol Sheron ke Panje – #MaaMaane Dettol Ka Dhula

    Ranveer Ching Returns

    Amazon #ApniDukaan

    Doublemint #StartSomethingFresh

    Ola Micro Stories

    Bajaj V – The Invincible

    Makemytrip #BefikarBookKar – Taxi

    #NothingDirty Anthem ft. Badshah

    Amazon#MomBeAGirlAgain

    Samsung Galaxy S7 and S7 Edge

  • #YouTubeRewind: Celebrating what India watched & shared

    #YouTubeRewind: Celebrating what India watched & shared

    MUMBAI: 2016 was the year when sidekick became the superhero – yes you guessed it right – Kabali ruled the charts to become top trending movie trailer. Kapil Sharma show featuring Salman Khan got company from our very own YouTube stars of The Viral Fever playing truth or dare with dad and All India Bakchod’s honest portrayal of bars and restaurants as the top trending video’s of the year. Entertainment aside, we were also most curious to know about the GPS chip in the new 2000 rupees note.

    As 2016 is coming to an end, and you know what that means….it’s time for #YouTubeRewind.

    This year, more than 200 YouTube stars from 18 countries accepted our Ultimate 2016 Rewind Challenge to pay homage to the biggest videos, memes, channels, songs, and pop culture moments of the year. Keep an eye out for some pretty epic surprise guests. Oh, and we got Major Lazer to help us out with an original mix too.

    We’re excited to announce the top trending videos, music videos and bollywood trailers from 2016, according to time spent watching, sharing, commenting, liking and more. From Kapil Sharma, TVF, AIB and behind the scene video of Shah Rukh Khan becoming the FAN, this year’s top trending videos represent the amazing variety of creativity shared on YouTube every day.

    Collectively, the top 10 videos have 70 million views and the channels who make them have more than 45 million subscribers who tune in regularly to  watch the funny, insightful, entertaining content they create/ upload, a blog posted by YouTube head of entertainment partnerships Satya Raghavan, stated.

    Top trending videos:

    The Kapil Sharma Show: Sultan

    The Voice India Kids: Ayat Shaikh

    Crime Patrol Dial 100: Andhkaar

    Complete truth of Rs 2000 notes with a chip embedded in it

    TVF: Truth or Dare with Dad

    TVF’s Permanent Roommates: The Parents

    AIB : Honest Bars & Restaurants

    Life Sahi Hai:  The Maid

    How Shah Rukh Khan Became The FAN – Gaurav

    AIB Diwas:  Zakir Khan

    In Music, 2016 seemed to be all about Kala Chashma with 45 million views, and ‘kar gayi chull’ and baby ‘ko base pasand hai’ taking the next slots. 

    Top music videos:

    Kala Chashma:  Baar Baar Dekho

    Kar Gayi Chull: Kapoor & Sons

    Baby Ko Bass Pasand Hai:  Sultan

    Bulleya: Ae Dil Hai Mushkil

    Cham Cham: Baaghi

    GF BF: T-Series

    Hua hain Aaj Pehli Baar: Sanam Re

    Ae Dil Hai Mushkil

    Jabra:Fan

    The Breakup Song: Ae Dil Hai Mushkil

    In movies, Rajinikanth as Kabali went viral with Aamir Khan’s Dangal and Salman Khan’s Sultan following closely behind. The biopic of MS Dhoni featuring Sushant Singh Rajput was also a huge hit.

    Top movie trailers:

    Kabali Tamil Movie

    Dangal

    Sultan

    M.S.Dhoni – The Untold Story

    Shivaay

    Befikre

    Ae Dil Hai Mushkil

    Fan

    Baaghi

    Dishoom

    From an ads perspective, it is quite evident from the YouTube Leaderboard 2016 that several brands chose to create long format ads for a primarily digital-first audience. In fact, seven out of top 10 most watched ads in 2016 were over 90 seconds long. And audiences too were willing to invest their time and attention on ads that are narrative-driven and take a storytelling approach. #Dettolsheronkepanje was the most viewed ads for 2016 with close to 13 million views, and #Ranveerchingreturns and Amazon’s#ApniDukaan taking the next spots.

    Most viewed ads:

    Dettol Sheron ke Panje – #MaaMaane Dettol Ka Dhula

    Ranveer Ching Returns

    Amazon #ApniDukaan

    Doublemint #StartSomethingFresh

    Ola Micro Stories

    Bajaj V – The Invincible

    Makemytrip #BefikarBookKar – Taxi

    #NothingDirty Anthem ft. Badshah

    Amazon#MomBeAGirlAgain

    Samsung Galaxy S7 and S7 Edge

  • Piracy at YouTube under check, claims Raghavan

    Piracy at YouTube under check, claims Raghavan

    NEW DELHI: YouTube India head of content operations Satya Raghavan has claimed that it has succeeded in curbing piracy on its platform to a large extent. Veteran actress Shabana Azmi along with the young actor Tannishtha Chatterjee was the cynosure of all eyes as they conducted a session in Producers’ Lab at the ongoing Film Bazaar at IFFI Goa on ‘How to Pitch an Actor’.

    Speaking in the Building Communities and Icons section at the Bazaar, Raghavan said “When you upload a film on YouTube, a fingerprint of that film is created. If somebody else is uploading that film, there are a certain proofs by which you come to know about this. YouTube is perhaps the only platform where you can actually know that someone has put up your content but you need to put your content up first, because about 500 hours of content is being uploaded every minute. This is a great system that allows the content owner to understand if their content is being pirated.” He was conducting an engrossing session about the burgeoning digital space and the platform that Youtube has provided filmmakers.

    On monetisation of a Youtube channel, he said, “Once you turn on the section called monetisation in your backend control centre, only then will it serve you ads. You also have to think about whether you’re sending the right signals through your content, which is by giving good descriptions, that help to identify the content and helps us match it with viewers on the other side.”

    The Bazaar organized by the National Film Development Corporation concludes tomorrow. It is held to coincide with the International Film Festival of India which will conclude on 27 November.

    Azmi, who attended the Film Bazaar for the first time since it commenced a decade earlier, was also there to promote her upcoming film Idgah which is a part of the ‘Film Bazaar Recommends’ section. She said, “I learnt there is a formal way in which film business can be conducted. I think it’s important because I’m very interested in the work of first-time filmmakers.”

    “I think these tags of a film being ‘women-oriented’ and ‘heroine-oriented’ have to slowly go out at some point, to feel that we are reaching a point of gender equality, and recognising that cinema is essentially a medium of storytelling,” said Chatterjee.

    “It’s important to highlight the truths about women today, no matter how ugly they are,” said theatre artist/filmmaker/screenwriter Vani Tripathi Tikoo. “Once we address this, the change is cumulative, and only then will it be accepted widely as a part of our culture and society.”

    Producer Kiran Rao, who spent most of her time catching diverse south Asian films in the Viewing Room, said Aamir Khan Productions will attend the next edition of the NFDC Film Bazaar.

    “The Film Bazaar has changed the landscape of how films are made and distributed, and really brought the film community together. It’s a fantastic and much-needed annual event. Aamir Khan Productions will hope to look for projects, meet people and find talent here. The Viewing Room is a great resource that Deepti DCunha, programmer of WIP, has created,” Rao said.

    The Knowledge Series started with the Investor Pitch of Film Bazaar Recommends (Part I) which screened documentary and film trailers followed by a short presentation by the filmmakers, highlighting the support that they needed to complete their process.
    Baradwaj Rangan moderated a discussion with filmmaker Prakash Jha, Chatterjee and Tikoo on “Women Protagonists in Indian Filmscape – Changing Dynamics.”

    In the discussion on Unique Distribution Models – Reaching Out With Independent Films moderator by filmmaker Rohan Sippy, panelists included filmmakers Sandeep Mohan, director of Love, Wrinkle-Free and Hola Venky!, and Sanal Kumar Sasidharan, who started ‘Cinema Cab’, a movement to screen films across the length and breadth of Kerala, and co-founder and CEO of Reelmonk Vivek Paul.

    Rohan Sippy explored the intricacies of the two filmmakers’ approaches, which both thrived on a non-monetary promotional approach and remarked, “It’s very interesting how you have managed to create unique models that work for you and your specific films and audiences. It takes a lot of conviction to follow through on such a vision of involving the audience, and taking the film to them.”

    In Storytelling & Narratives in 360 degrees section, Amsterdam Creative Industries Network Coordinator of Interaction and Games Lab Mirjam Vosmeer presented an illuminating presentation on Virtual Reality, and spoke at length about the various aspects of the uncharted territory that are being researched upon.

    Filmmaker and animator Gitanjali Rao who moderated the discussion and posed questions from the point of view of a filmmaker.“It is such a different way of telling stories. Besides, the fantasy and pleasure aspect of Virtual Reality, it is the empathy that it can induce in the viewer that really fascinates me,” she confessed. “To be able to involve an audience in such an immersive way has a lot of potential, especially for documentary filmmakers.”

    The panel discussion on Queen’s Journey & Filming In the Netherlands moderated by the media specialist and author Vanita Kohli-Khandekar included film commissioner, Nederlands Filmfonds, Bas Van der Reem, the producer Thomas Drijver and the producer of Queen Vivek Bajrang Agrawal. The panel discussion on VOD as the key distribution platforms for independent films included founder of The Film Collaborative, Orly Ravid, and Vista India CEO Suri Gopalan.

    ​Before the film bazaar commenced, the Film Facilitation Office had organised a one-day Workshop with Nodal Officers appointed by various State Governments and Central Government Ministries / Departments / Agencies to act as the one-point contact for easing the process of filming in their respective jurisdiction.

    The workshop included a case study presentation by Gujarat, which won the National Award for the Most Film Friendly State in 2016. It is envisaged that these discussions would motivate and mobilize the Nodal officers from State and Central Governments towards not only easier and timely facilitation of permissions for shooting films in their State, but also undertaking initiatives for a favorable filming environment.​

  • Piracy at YouTube under check, claims Raghavan

    Piracy at YouTube under check, claims Raghavan

    NEW DELHI: YouTube India head of content operations Satya Raghavan has claimed that it has succeeded in curbing piracy on its platform to a large extent. Veteran actress Shabana Azmi along with the young actor Tannishtha Chatterjee was the cynosure of all eyes as they conducted a session in Producers’ Lab at the ongoing Film Bazaar at IFFI Goa on ‘How to Pitch an Actor’.

    Speaking in the Building Communities and Icons section at the Bazaar, Raghavan said “When you upload a film on YouTube, a fingerprint of that film is created. If somebody else is uploading that film, there are a certain proofs by which you come to know about this. YouTube is perhaps the only platform where you can actually know that someone has put up your content but you need to put your content up first, because about 500 hours of content is being uploaded every minute. This is a great system that allows the content owner to understand if their content is being pirated.” He was conducting an engrossing session about the burgeoning digital space and the platform that Youtube has provided filmmakers.

    On monetisation of a Youtube channel, he said, “Once you turn on the section called monetisation in your backend control centre, only then will it serve you ads. You also have to think about whether you’re sending the right signals through your content, which is by giving good descriptions, that help to identify the content and helps us match it with viewers on the other side.”

    The Bazaar organized by the National Film Development Corporation concludes tomorrow. It is held to coincide with the International Film Festival of India which will conclude on 27 November.

    Azmi, who attended the Film Bazaar for the first time since it commenced a decade earlier, was also there to promote her upcoming film Idgah which is a part of the ‘Film Bazaar Recommends’ section. She said, “I learnt there is a formal way in which film business can be conducted. I think it’s important because I’m very interested in the work of first-time filmmakers.”

    “I think these tags of a film being ‘women-oriented’ and ‘heroine-oriented’ have to slowly go out at some point, to feel that we are reaching a point of gender equality, and recognising that cinema is essentially a medium of storytelling,” said Chatterjee.

    “It’s important to highlight the truths about women today, no matter how ugly they are,” said theatre artist/filmmaker/screenwriter Vani Tripathi Tikoo. “Once we address this, the change is cumulative, and only then will it be accepted widely as a part of our culture and society.”

    Producer Kiran Rao, who spent most of her time catching diverse south Asian films in the Viewing Room, said Aamir Khan Productions will attend the next edition of the NFDC Film Bazaar.

    “The Film Bazaar has changed the landscape of how films are made and distributed, and really brought the film community together. It’s a fantastic and much-needed annual event. Aamir Khan Productions will hope to look for projects, meet people and find talent here. The Viewing Room is a great resource that Deepti DCunha, programmer of WIP, has created,” Rao said.

    The Knowledge Series started with the Investor Pitch of Film Bazaar Recommends (Part I) which screened documentary and film trailers followed by a short presentation by the filmmakers, highlighting the support that they needed to complete their process.
    Baradwaj Rangan moderated a discussion with filmmaker Prakash Jha, Chatterjee and Tikoo on “Women Protagonists in Indian Filmscape – Changing Dynamics.”

    In the discussion on Unique Distribution Models – Reaching Out With Independent Films moderator by filmmaker Rohan Sippy, panelists included filmmakers Sandeep Mohan, director of Love, Wrinkle-Free and Hola Venky!, and Sanal Kumar Sasidharan, who started ‘Cinema Cab’, a movement to screen films across the length and breadth of Kerala, and co-founder and CEO of Reelmonk Vivek Paul.

    Rohan Sippy explored the intricacies of the two filmmakers’ approaches, which both thrived on a non-monetary promotional approach and remarked, “It’s very interesting how you have managed to create unique models that work for you and your specific films and audiences. It takes a lot of conviction to follow through on such a vision of involving the audience, and taking the film to them.”

    In Storytelling & Narratives in 360 degrees section, Amsterdam Creative Industries Network Coordinator of Interaction and Games Lab Mirjam Vosmeer presented an illuminating presentation on Virtual Reality, and spoke at length about the various aspects of the uncharted territory that are being researched upon.

    Filmmaker and animator Gitanjali Rao who moderated the discussion and posed questions from the point of view of a filmmaker.“It is such a different way of telling stories. Besides, the fantasy and pleasure aspect of Virtual Reality, it is the empathy that it can induce in the viewer that really fascinates me,” she confessed. “To be able to involve an audience in such an immersive way has a lot of potential, especially for documentary filmmakers.”

    The panel discussion on Queen’s Journey & Filming In the Netherlands moderated by the media specialist and author Vanita Kohli-Khandekar included film commissioner, Nederlands Filmfonds, Bas Van der Reem, the producer Thomas Drijver and the producer of Queen Vivek Bajrang Agrawal. The panel discussion on VOD as the key distribution platforms for independent films included founder of The Film Collaborative, Orly Ravid, and Vista India CEO Suri Gopalan.

    ​Before the film bazaar commenced, the Film Facilitation Office had organised a one-day Workshop with Nodal Officers appointed by various State Governments and Central Government Ministries / Departments / Agencies to act as the one-point contact for easing the process of filming in their respective jurisdiction.

    The workshop included a case study presentation by Gujarat, which won the National Award for the Most Film Friendly State in 2016. It is envisaged that these discussions would motivate and mobilize the Nodal officers from State and Central Governments towards not only easier and timely facilitation of permissions for shooting films in their State, but also undertaking initiatives for a favorable filming environment.​

  • Qyuki and A. R. Rahman launch Jammin on YouTube

    Qyuki and A. R. Rahman launch Jammin on YouTube

    MUMBAI: YouTube is a global platform for independent media artists and many have achieved star status driving millions of views everyday. In India, Qyuki a leading creator focussed multi-platform media company today unveiled Jammin’, a unique digital collaboration between YouTube’s leading music creators and bollywood’s iconic composers including Grammy and Academy Award Winner A. R. Rahman, Salim-Sulaiman, Clinton Cerejo and Mithoon.

    Jammin – presented by Airtel and Signature, will bring together YouTube’s top musical talent SANAM, Shraddha Sharma, Siddharth Slathia,Jonita Gandhi, Arjun Kanungo, Maati Baani, Sanah Moidutty, Raaga Trippin and Mumbai’s Finest collaborating with four of Bollywood’s most accomplished music composers to create ten original soundtracks and music videos.

    The first music video is scheduled to release on 19th August, with a new original music video releasing every week thereafter, culminating into a mega live concert at the NSCI Dome in Mumbai on 11th November. All the music video’s will be curated on the Jammin’ channel on YouTube.

    Speaking about Jammin’, Co-founder and MD of Qyuki, Samir Bangara, said, “Jammin’ represents Qyuki’s vision of empowering creators to challenge the status quo. We are super stoked to launch the first ever mega collaboration between the world of Bollywood and YouTube stars and are grateful for YouTube’s backing to make this one of the biggest musical properties to be launched in India”

    Speaking at the launch of Jammin’, co-founder of Qyuki and India’s music maestro, A. R. Rahman said, “YouTube has created an amazing platform for artists to reach their audiences, and independent creators need the backing of a partner to bring discoverability and scale to their talent. Through Jammin’ I am glad Qyuki is being able to be that true partner to creators and bring them on a level playing field with mainstream music.”

    Speaking about Jammin’, YouTube in India head of entertainment Satya Raghavan said, “There has never been a better time to be an Independent artist on YouTube. Some of these artists posted their first video from their bedrooms and today it’s really exciting to see Qyuki bring India’s most popular music composers to work together with these talented creators on a canvas as large as Jammin’. We hope this will inspire many more talented artists in the country to start their journey on YouTube and find success.”