Tag: Sapangeet Rajwant

  • Colors celebrates Diwali with brand film – ‘Zindagi Ke Rang, Apno Ke Sang’

    Colors celebrates Diwali with brand film – ‘Zindagi Ke Rang, Apno Ke Sang’

    Mumbai: As we prepare to celebrate Diwali for the first time since the pandemic, the countdown has started. However, due to people’s busy lives, celebrations have since been reduced to calls, forwards, GIFs, and posts. Families are splintering, and the fundamental principles of Indian households appear to have been forgotten in the age of technology.

    In order to rekindle the feeling of community, Colors has created a brand film called “Zindagi Ke Rang, Apno Ke Sang” that emphasises the importance of community. The country’s top GEC develops a brand campaign to emphasise that celebrating Diwali is incomplete without spending time with your loved ones. In a cultural fabric that is constantly changing, it is our traditions, festivals, and families that keep us grounded.

    The brand film, created by Leo Burnett, depicts members of a joint family bringing in the celebrations in separate houses and sharing them on a group chat window. As the conversation progresses, a stream of selfies, pictures, emojis, and Diwali greetings appears on the chat thread, demonstrating how accustomed we are to minimising our happiness for the sake of convenience.

    In the movie, a family is shown celebrating Diwali digitally, but the youngest member is disappointed because the holiday is meant to be shared in person, not over the phone. Based on the idea of sharing our joys, the movie suggests that it’s time we quit wishing people well via chat and instead celebrate to our hearts’ content with get-togethers.

    Viacom18 Hindi Mass Entertainment marketing and digital head Sapangeet Rajwant said, “We, at Colors, believe in bringing families together and in all our endeavours we strongly support our country’s cultural ethos. We’re a nation that loves to celebrate the smallest joys and the biggest festivals together with our near and dear ones. Carrying this tradition forward, our latest brand film urges viewers to break the norm of celebrating festivals over the phone. It is a heartfelt reminder to everyone to enjoy this Diwali by getting together with family and friends.”

  • Colors adopts metaverse, launches 360-degree campaign for ‘Dance Deewane Juniors’

    Colors adopts metaverse, launches 360-degree campaign for ‘Dance Deewane Juniors’

    Mumbai: As the world goes digital, brands across domains follow the trend! Tapping into the trend Colors has developed a specially curated immersive, multichannel, and multiplatform digital and marketing campaign for its new kids’ dance reality show “Dance Deewane Juniors.” The show is set to premiere on 23 April at 9 p.m and will feature Neetu Kapoor, Nora Fatehi, and Marzi Pestonji as judges while Karan Kundrra will be the host.

    With this campaign, the channel, for the first time, will adopt metaverse technology for the show’s promotions. The plan will span across TV, print, OOH, radio, events, outdoor activations, digital and social media. Reinstating the show’s promise of ‘Deewangi More, Dance Hardcore,’ the channel has taken various steps to extend the deewangi for dance to its viewers and conduct activities in various markets backed by high-end technology.

    Colors aims to optimise the show’s reach by allowing viewers to interact with the judges and host through augmented reality, virtual integrations, and on-ground activations ahead of the launch. Further strengthening its digital realm, the channel has become the first general entertainment channel to enter the metaverse for the show’s promotions, said the statement.

    While for traditional mediums, a robust promotional outreach has been planned across platforms like TV, print, outdoor, radio, digital and social media, Colors has also leveraged different ways to expand its reach.

    Metaverse

    “Dance Deewane Juniors” is the first non-fiction show in India to have its metaverse. By clicking on the link https://ddj.v-verse.space/ the audience can take a virtual tour by entering the grand Metaverse Pathway. Before entering the metaverse, users can choose their avatar and indulge and experience various activities whilst in the chosen avatar. They can also experience the magnitude of the stage in a virtual format and participate in various activities like a photo booth, game zone, dance masterclass and watch shows’ behind-the-scenes within the metaverse.

    AR Dance with ‘Nora Challenge’

    The viewers across the key markets got an opportunity to shake a leg with judge Nora Fatehi through augmented reality. Nora was seen teaching dance moves of her popular tracks including the DDJ title track to the participants, followed by a Dance battle between her and the participants. The participants also received short videos of the activity to share and promote on social media. In some markets, the viewers also got a sweet surprise with host Karan Kundrra interacting live virtually with the participants.

    On-ground #KidsTakeOver

    In keeping with the theme of the show, various kids took to the streets of Mumbai and showcased their deewangi for dance. Unsuspecting passers-by at Carter Road were enthralled to see a dance flash mob of kids who set the promenade on fire with their hardcore dancing skills on Dance Deewane Juniors’ title track. This mob of kids then moved to Infinity Malad for another eye-catching performance. They were also spotted at various radio stations showcasing their passion for dance.  The activity will be amplified on various platforms.

    #NachoHardcoreChallenge for COLORS Golden Petal Club members

    Colors also gave a platform to the kids of the Colors Golden Petal Club (CGPC) members in select cities to showcase their Deewangi for Dance and win prizes. A fun-filled evening with a dance competition for kids and engagement games for their parents were hosted in Kanpur, Lucknow, Agra, Varanasi and Dehradun. Host Karan Kundrra also visited one of these markets to add to the excitement.

    Digital and influencer outreach

    Top influencers Sonali Bhadauria, Melvin Louis, Aakriti Sharma, Vedika Agarwal joined the judges Nora Fatehi, Marzi Pestonji and host Karan Kundra to dance to the hook step of Dance Deewane Juniors. A digital paid plan has been implemented on Facebook and Hotstar with placing spots in IPL matches along with mid-rolls on Jio, YouTube and Voot. Apart from this, interesting content around the show will be posted on Colors social media using baby filter, urban dictionary, comic style and reels.

    https://instagram.com/mridul_sharmaa?igshid=YmMyMTA2M2Y=

    https://instagram.com/shirin_sewani?igshid=YmMyMTA2M2Y=  

    Commenting on the campaign, Viacom 18 head of marketing and digital, Hindi mass entertainment, Sapangeet Rajwant said, “The marketing space has seen a dynamic and unprecedented shift in the recent past with ‘digital- first’ becoming the new mantra.  The advancement in technology has enabled brands to connect and communicate with our viewers across the country in real-time thus enhancing their reach manifolds. At Colors, we have always been at the forefront of innovating and tapping into newer avenues to put across our message and with Dance Deewane Juniors, we intended to design to build an immersive ecosystem in both online and offline mediums. Along with several other innovations, we have for the first time set foot in the metaverse arena by creating various virtual and experience-led touchpoints. We have mounted our campaign to bring alive the joy and excitement amongst the audience.”

  • Sapangeet Rajwant and the art of building Bigg Boss 14

    Sapangeet Rajwant and the art of building Bigg Boss 14

    Bigg Boss is all set to return to the television with its season 14 starting 3 October 2020. The show commands a massive loyal audience that loves to watch the participants locked in the house. Every year, when it launches on the Hindi general entertainment channel, Colors, there is a lot of chatter around the show, its host – Salman Khan, the participants, politics, fun, fights and a lot of other things. There is no doubt that Bigg Boss  has been earning loyal sponsors and huge earned media year-on-year for the network. As a result, the teams at Viacom18 are putting their entire might to make it even more entertaining and exciting for the audiences. 

    Viacom18 Hindi mass entertainment brand solutions, marketing & digital head Sapangeet Rajwant says, “Bigg Boss is one show that over the years has brought the viewers together and been the most sought after entertainment reality show. But the pandemic has bought a change in consumer sentiment wherein they’ve made a seamless transition to digital mediums. Digital is the most growing medium, I think marketing, therefore, will be redefined.  We would now look at investing in the right places to ensure the mediums we choose hereon are more effective and collaborative.”

    Rajwant should know. She has been at the forefront of building the Bigg Boss brand over the years through effective promotions across media, right from print to on-ground to digital to television. Given that, the show is a tentpole high impact property for the Colors, no efforts are being spared to continue pushing and promoting just like in previous years. A major blitz with budgets at the same level as last year is planned.

    Indiantelevision.com’s Shikha Singh got into a converation with the savvy marketer to get insights into what’s planned for this season. Excerpts from the conversation:

    Read more news on Bigg Boss

    What is the marketing strategy for Bigg Boss this year?

    Bigg Boss has a magnetic appeal for brands and marketers alike. Due to the huge fan following and the constant chatter that is there about the show, the brands look forward to associating with the show. The show because of its mass appeal is usually talked about on a daily basis. Hence from a marketing standpoint, the idea is to build the campaign and create conversations. This year though, we have tweaked our marketing strategy as owing to the pandemic there are a few mediums that have become redundant and therefore focus has been more on television and online. 

    We are relying specifically on television heavily as it is one medium that has stood the test of time throughout this lockdown and the viewership has only grown in the past few months. Fortunately for us, Viacom18’s network channels have great strength and it provides us conversions across genres. We will also be going outside the network and tapping different news, movie, and music channels to create awareness about the tune in time of the show. We aim to generate a lot of content in the online space on social media and have planned innovations that you will witness soon. We will also look at tier 1 and tier 2 cities for print advertising in editorial format.

    What was the thought behind the Bigg Boss campaign?

    Bigg Boss is a cult show that has a massive and loyal following. The show has grown year-on-year and the last season of Bigg Boss broke viewership records both on television and online. The year 2020 has been the most trying and difficult year for humanity in the recent past.  Hence, we had to come up with a theme that could give a befitting response to 2020 and announce the return of the show- ‘Ab scene paltega, kyunki Bigg Boss dega 2020 ko jawaab’. With everyone looking eagerly towards the first rays of a restart and television being a surreal medium that helps you find an escape, the viewers will get a chance to witness things that they deprived of this year- A theater, spa, mall etc in the Bigg Boss house. It will be a peek into what a ‘regular’ life looks like. A welcome change to the past year; it’s bound to change the scene in every household when it comes on their television sets.

    Due to the pandemic the on-ground activities are halted, so how are you planning to engage with the viewers?

    The lockdown has put restrictions on on-ground events and activations but on the other hand, we have also seen a surge in television viewership and digital platform consumption. We will be focusing our energies and investing in television and digital mediums for a greater ROI and measurability. A lot of programmatic buying happens on digital and on TV too and we will continue to do it.

    Most importantly, is the marketing budget for Bigg Boss similar, increased or reduced as compared to the previous year?

    We have not made budget cuts for our marketing but we are focusing on optimizing it. For the new season, we will be restricting the use of mediums but we will channelise our energies into planning creative engagement ideas. Rather than reaching out to five different mediums, we will probably stick to only one or two mediums but you will see heavier buzz and bigger innovation. We don’t want to compromise on the reach and frequency and that remains our focus.

    How are you going to promote the show on TV?

    When we look at the last few months, television is the only medium that has remained steady and it has been the biggest driver for all the broadcasters. It is the only medium that not only gives you the desired reach but also conversion and effectiveness for the campaign. Hence, television is going to be the primary medium in all the campaigns. As I have mentioned earlier,  Viacom18 has a huge network strength and it provides us with a large range of channels across genres and delivers higher conversions due to affinity. Having said that, we will also go to non-network channels to see where we get incremental audiences. We will be doing huge bursts of our promos across channels.

    Coming to digital, what is your individual plan for each platform like Youtube, Facebook, Instagram? For example, are you looking at buying a mast-head on YouTube, or how you have partnered with AliveNow to launch an immersive Instagram AR filter for Bigg Boss? Will you be using the same technology this year?

    The primary aim is to be innovative and engage with the audience across platforms and hence we have customized strategies for each platform. For example, Facebook and Instagram are more viable and have a large user base. We are planning to leverage all its features like polls, reels, Q&A, stories, IGTV, etc. to dish out short bursts of snackable content in fun and creative ways that encourage two-way communication and engagement. On the other hand, we are also planning a pure video consumption-led YouTube feature for longer video pieces like mashups, contestant journeys, music videos etc. However, there are also times when we may use both together for a live stream simulcast as well. On Twitter, sparking debates, holding celebrity AMAs, asking people’s opinions and engaging with fan clubs using exclusive content works the best.  So it’s all about continuously trying different approaches and we will be using each of them.

    Read more news on Bigg Boss 

    Will you be collaborating with any influencers?

    A show like Bigg Boss has such mass appeal that in every household, there will be at least one individual rooting for the show. In this case, in every household, there is an influencer and they help us drive conversations about the show. Having said that the contestants of the Bigg Boss from the last season or the contestants from the current season act as brand endorsers. Moreover, the fan clubs and viewer base can be equated to an influencer and they automatically generate a lot of hashtag and short format videos that help us drive our campaign.

    Will you be using old Bigg Boss moments, winning spots or making of the show as a promotional strategy?

    Definitely. Bigg Boss is one of the most popular reality TV properties with massive amounts of conversations, debates, and points of view being put across by fans and celebrities regularly. So yes, leveraging past moments is always a strong pillar of our digital campaign strategy and one that has always worked terrifically for us. Simply put, the show is about real people – and people identify and relate with it – making them extremely passionate about the show. Probably this is why you will see the show trend on Twitter organically almost daily when on-air.

    IPL is doing heavy promotions across all platforms, whereas Bigg Boss has just started its marketing and promotional activity, how much do you think you will be able to make space for yourself in terms of creating buzz?

    Both IPL and Bigg Boss are huge and most anticipated properties. Last year we reached out to some 213 million audiences on the back of just the announcement of the show. This year, when people are deprived of entertainment, there will be more people flocking in to watch the show. We have started the conversation of Bigg Boss from August and both the properties have their own fan base. Having said that, there will be a very minimal clash between both the properties as  Bigg Boss on weekdays starts at 10:30 pm and IPL starts at 7:30 pm making the overlap of only 10 per cent.

  • COLORS sets new benchmarks with disruptive marketing for its latest offering “Ram Siye Ke Luv Kush”

    COLORS sets new benchmarks with disruptive marketing for its latest offering “Ram Siye Ke Luv Kush”

    MUMBAI: Starting today, COLORS is all set to present an epic saga that not only reflects India’s deep-rooted culture but blends history and entertainment in the most magnificent way. Ramayan, the eternally universal unifier, a holy scripture that depicts story of Ram-Sita is COLORSupcoming magnum opus show Ram Siya Ke Luv Kush powered byIndia Gate Basmati Rice. The show is an artistic redemption of Lord Ram and Sita’s journeythrough the lens of their warrior sons Luv-Kush. With a thought to bring alive the age-old epic on just on television but also on ground for its audience, COLORS launch a robust on- ground marketing initiative COLORS Bhakti ki Yatra. Flagged off in Lucknow with the lead actors from Ram Siya Ke Luv Kush on 1st Aug 2019, thisholy structure on wheels uses hologram technology to showcase Ramayan’s chapters and give ‘Sakshat Darshan’of Ram, Siya, Luv and Kush to the devotees.  

    Planned across 5 cities in Uttar Pradesh, this consumer drive has been further promoted by Big FM. The procession was led by devotional performance by highly talented set of dancers and larger than life structure of ‘Luv Kush controlling the Ashwamegh’, Bhakti Ki Yatra has proven to be a major attraction point and continues making the state witness the story-telling proficiency. Adding to the entire experience, a branded Ram Raksha Stotrabooklet were also handed over to everyone present as a memorabilia.  

    The entire marketing campaign was backed by strong print, outdoor, digital and television plan to create major impact. A 10-day long perception led campaign across key sites in Mumbai displayed the magnum opus imagery of the show along with nostalgic Ram-Siya aarti in metro and local trains. All network channels will have a five minutes roadblock on the launch day. As a part of the print campaign and to create anticipation before the launch, multiple insertions along with a combination of jackets and front-page impact ads across key publications were taken. As a part of on ground activation, COLORS’ popular Intectual Property, COLORS Golden Petal Clubalso hosted events across key cities in Uttar Pradesh to further engage with the viewers. 

    Shaping an effective media campaign, Sapangeet Rajwant, Head, Marketing and Digital – Hindi Mass Entertainment , Viacom18 commented, “At COLORS our focus has always been to create immersive experience for our audience across all platforms. With Ram Siya Ke Luv Kush we wanted to go a step further to reflect the scale and impact of the show.Mythological shows appeal to audience across all age groups, and with all our initiatives the idea was to creatively bring them closer to the concept and blend modern day technology to the age-old tale.  Bringing this thought alive, we launched COLORS Bhakti ki Yatraalong with a robust digital plan to strike the right chord with the audience. While, Bhakti Ki Yatra gave viewers a unique storytelling experience through holograms, our digital association with Google helped us target a new set of audience.”

    In partnership with Google, COLORS will create a unique consumer experience on the digital front. It will enable users to engage in an interactive voice session with the lead actors of the show through Google Assistant, who can also share customised GIFs of the show on several platforms such as whatsapp, Instagram and many more.Additionally, first of its kind Twitter Setuwas also created as a digital replica to the famous Ram Setu with 1,523 usersreplying to a single tweet.  Providing Darshan on the go is the digital travelogue, Ram Dhaam Yatrawhere televisions favourite Aishwarya Sakhujatakes viewers to places of great significance to Ramayan. In partnership with UC Browser, COLORS will also offer a series of in-app activities for users, helping them to vote and comment on key aspects of the show. 

  • Colors’ ‘Jhalak Reloaded’ gets social with Facebook Van

    Colors’ ‘Jhalak Reloaded’ gets social with Facebook Van

    MUMBAI: Dance reality show Jhalak Dikhla Jaa Reloaded on Colors is making waves not just with the TV audience but with netizens as well. Powered by its star studded ensemble of judges such as Shahid Kapoor, Karan Johar, Ganesh Hegde and Lauren Gottlieb, and an equally strong line-up of celebrity contestants, the show is also upping its social media game with a first of its kind Facebook integration known as the Facebook van.

     

    Staying true to its ‘Reloaded’ concept, the show has already revamped its format by adding exciting and interactive components such as ‘Spotlight’ and ‘Insta-call.’ Adding to the 360 degree marketing campaign across multiple platforms to capitalize on its digital presence, Jhalak Reloaded recently teamed up with Facebook for a special interaction with the contestants.

     

    The Facebook Van, a mobile vehicle introduced to the show on Friday was customized with elements from this season of Jhalak Reloaded. This innovative Facebook Van gave fans a chance to interact with their favorite celebrity contestants through giant TV screen. The interaction included Rapid Fire questions, live Q&A, interviews and fun interactive videos.

     

    Colors Jhalak Dikhhla Jaa marketing head Sapangeet Rajwant said, “With Jhalak Dikhhla Jaa’s reloaded look, we wanted a fresher digital presence. The Facebook Van has been a great tool to garner the attention of the fans online. The van will play an active role in bridging the gap between the audiences and the contestants. This initiative will surely make the contestants more accessible to the audience.”

     

    With the Facebook Van, Jhalak Dikhhla Jaa Reloaded has paved a new way to build a strong footing in the digital world with the use of a unique on-ground medium.

  • Colors launches ‘Hauslon Ki Udann’ campaign to enhance consumer engagement

    Colors launches ‘Hauslon Ki Udann’ campaign to enhance consumer engagement

    MUMBAI: After registering number two position at the TAM TV ratings chart, Colors is leaving no stone unturned to further engage with its viewers and generate awareness with its initiative called ‘Hauslon Ki Udann’.

    Ever since its launch, Udann has created a stir across the nation with its issue of bonded labour prevalent in India even today.

    Reaching out to its viewers across various cities, with this interactive campaign, the channel aims to go beyond building social awareness and focus on inspiring young minds to understand the value of freedom by expressing their ideas through art. The campaign will culminate into a special Children’s Day episode of Udann which will air on 14 November.

    The campaign will be implemented over two phases. The first leg of the campaign will be flagged off through an on-air contest wherein children aged between 7 to 14 years will be invited to paint their understanding of freedom and send in their respective entries.

    The on-air campaign will be extended on-ground through a School Contact Program which will be spread across Uttar Pradesh, Maharashtra, Gujarat and Madhya Pradesh covering more than 29 cities including metros like New Delhi.

    During the course of the on-ground leg of the campaign, special vignettes from Udann depicting various aspects of Chakor’s (the lead character) journey will be showcased before children to be used as inspiration to paint and present their interpretation of freedom.

    ‘Hauslon Ki Udann’ will not only be targeted at young children, but also their parents in order to engage the entire Indian diaspora and urge them to take a stand against the issue. While a Certificate of Appreciation will be presented to all participating children, the best entries will get an opportunity to interact with Chakor and other pivotal artistes from the show and also be a part of a fun-filled episode integration whilst celebrating Children’s Day.

    Commenting on the initiative, Colors marketing head Sapangeet Rajwant said, “As a socially responsible broadcaster, this campaign is a step towards creating awareness and also engaging with our audiences on ground. While Chakor has captivated viewers with her innocence, we look forward to make Chakor an inspiration to many more kids by giving them a chance to let their imagination soar though this activity. With the help of both on-air as well as off-air mediums we’ll try and reach out to as many towns as possible to put a smile on the faces of little children and give them an opportunity to feature in this special episode of Udann.”

    The campaign will launch on the channel via a special creative starting 20 October till 25 October, while inviting active participation from viewers across the country. The best entries selected will be announced after every episode of Udann. One will also see the campaign pan out across print and broadcast mediums which will also be promoted on digital platforms across social media outlets.  

     

  • Colors gets marketing head in Sapangeet Rajwant

    Colors gets marketing head in Sapangeet Rajwant

    MUMBAI: Zee TV’s VP marketing Sapangeet Rajwant has decided to move on from the channel. She will be replacing Rajesh Iyer, who had quit as Colors’ marketing head in March, this year.

     

    According to a source, Rajwant’s last day at Zee was 11 July and she will take up the new role from 1 August.

     

    She was promoted to marketing head of Zee TV in April this year.

     

    With around 17 years of experience, she’s had a meaningful journey at Zeel which she joined in 2004 and has worked with various brands of the company since then. She had contributed to the networks’ second GEC – Zee Next, which shut shop after a year. She had also worked as the brand head of the Hindi movie channels of the network – Zee Cinema, Zee PAC and worked on the strategy of the channel and developing the strategic time table for the channel.

     

    Prior to joining Zeel, she had worked with CS Direkt Events as branch head and Hero Corporate Services as a manager. Rajwant holds a Post Graduate Diploma in Management; Sales and Marketing Information Technology from Amity Business School.

     

  • Sorbojeet Chatterjee joins Zeel as cluster head marketing – Hindi GECs

    Sorbojeet Chatterjee joins Zeel as cluster head marketing – Hindi GECs

    MUMBAI: ZEEL has appointed Sorbojeet Chatterjee as marketing senior vice president for the cluster of Hindi general entertainment channels including Zee TV, Zee Anmol, Smile, 9X and Zee TV HD channels.

     

    For his responsibilities, Chatterjee will report to Zeel executive vice president and marketing head – national channels Akash Chawla.

     

     Zeel also announced that Sapangeet Rajwant will now take over as Zee TV marketing head and she will report to Sorbojeet.

     

    Chatterjee brings with him 13 years of rich experience from both sides of the media business – the creative side as a copywriter and the business side in marketing and strategy. He moves from DNA where he was designated as senior VP – marketing. His earlier stints have been with Neo Sports Broadcast as vice president marketing, TV Today Network as head of marketing and special projects and Gslot.com as copywriter.

     

    He has extensive media marketing experience across television, print and radio brands.