Tag: Santosh Padhi

  • Can corporate executives be good brand ambassadors?

    Can corporate executives be good brand ambassadors?

    MUMBAI: An old man with a moustache and a turban advertises a popular spice brand. A chain of resorts has a familiar character giving it a thumbs-up. A recent advertisement features executives from other companies talk about their experience flying with a national airline.

     

    Save for these examples, a majority of ads use celebrities to endorse products and services. Making one wonder why most brands prefer not to let their functional executives do the talking.

     

    Apparently, using executives might lend a lot more credibility. However, it may not really appeal to the masses as there is no known face involved.

     

    Brand consultant Harish Bijoor believes Indian brands don’t resort to using their executives as much as the West because Indian CEOs are rather shy and prefer to work behind the scenes rather than in front.

     

    Martha Stewart recently appeared in a cough syrup ad. How many of our CEOs sell a product?

     

    He points out that there are exceptions. “Vijay Mallya’s each and every move promoted his brand – Kingfisher. In the past, Mahindra used Pawan Goenka as well. So, it’s not always celebrities ruling the roost.”

     

    Overall, Bijoor is of the view that people may debate the overuse of celebrities but there is no immediate need to get executives to screens. “There are already a few doing the needful and I don’t think we need more executives to promote the brands. There is a healthy mix, so why clutter it?” he argues.

     

    Business head of Raising ibrows Ganapathy Visawanathan feels that in a country like ours where Bollywood and cricket is like religion, it is safer to use celebrities. “The brands normally use their executive to fight some crisis situation to build credibility, otherwise there will be a big disconnect between the brand and the masses,” he elaborates.

     

    Taproot India co-founder & chief creative officer Santosh Padhi believes product category plays an important role in choosing a brand ambassador. “For an FMCG product, it would be senseless to use an unknown face. Celebs – be it actors or sportsmen – are more relatable to for a common man and hence, it is better to use them. However, for a category like airlines, it is fine to use executives,” he says. The choice between a celebrity, model and executive is also determined by the brand’s strategy, according to him.

     

    Bang in the Middle MD and chief creative officer Prathap Suthan feels it’s a bad idea to use executives. “They shouldn’t get into advertising for their own brands. Essentially, brands need to have their own individual and original character. From the language, persona, tone, colors, design, advertising etc. All of this works together to create and craft a timeless personality for a brand – independent of everything else,” he says. “More importantly, a brand, if it is built on the shoulders of a CEO, what happens when the CEO quits and moves to another company, or cannot speak properly, or is not too presentable, or falls down and hurts himself, or gets into a controversy, or dies? All terrible situations if you build brands around publicly unknown CEOs,” he adds.

     

     Business director GroupM ESP Ameya Sule has a different take on the matter. “For me, the idea is a little conditional. There is no black or white to it. For instance, if a CMO or a senior executive of an apparel brand goes on to promote the brand, then it is more easy to connect it. There has to be a connect and authenticity attached to it, no matter who promotes the brand. It will be good to use an executive as it shows more credibility,” he signs off.

  • Taproot is Creative Agency of the Year at Adfest 2013

    MUMBAI: Taproot has become the first agency of Indian origin to win the ‘Creative Agency of the Year‘ title at Adfest. It took home a total of 11 metals including a Grand Prix for the agency’s ‘I am Mumbai’ campaign for Mumbai Mirror (in the Lotus Roots Category) and a gold for the same campaign in the Film category.

    Taproot, which was taken over by Japan‘s communication conglomerate Dentsu last year, has also won a Lotus Roots for its entry Abused Goddess (1-3 series) Save Our Sisters.

    The success of Taproot at Adfest 2013 signals the arrival of Indian agencies on the global map. “Nothing can be better than this for us at AdFest. Hope we continue our momentum and live up to our clients and industry expectation in the coming years as well,” says an elated Santosh Padhi, Co-Founder and Chief Creative Officer of Taproot India.

    In fact, it has been a healthy run for India at the Adfest. Says Scarecrow Communications founder director Manish Bhatt, “I think Taproot’s performance has been mind blowing. In fact, the country as a whole has put up a stellar show this year. I feel apart from the quality and quantity of work at these awards, what has tipped the scales in our favour is that we have more representation at the jury level. This way, the context of our work and the relevanace to our audience can be better explained and understood on the global stage.”

    The winning list includes McCann Worldgroup India which took home six metals and Leo Burnett India which bagged three metals. Grey Worldwide India, DDB Mudra Group, BBDO India and Contract Advertising India won two metals each, while Scarecrow India got one metal at the creative award festival.

    The winning entries are enlisted below:

    Sr.no Category Campaing Agency Mental
    1
    Press Lotus Visual Classified Times Classified Taproot India Mumbai Silver
    2
    Press Lotus Hands can‘t be trusted – House Wife / Hands can‘t be trusted – Scientist Videocon Mobile McCann Worldgroup India Mumbai Bronze
    3
    Press Lotus 7 Abused Goddess 1-3 Save Our Sisters Taproot India Mumbai Bronze
    4
    Press Lotus Horn/Bell/Duck Volkswagen Passat DDB Mudra Group Mumbai Bronze
             
    5
    Interactive Lotus
    Harmonium Love Mohan Music Palace
    Webchutney New Delhi
    Bronze
             
    6
    Design Lotus
    Green Fold Killer Jeans
    Grey Worldwide India Mumbai
    Silver
    7
    Design Lotus
    Strip the Summer Killer Jeans
    Grey Worldwide India Mumbai
    Silver
    8
    Design Lotus
    Donate More Red Cross
    Taproot India Mumbai
    Bronze
             
    9
    Print Craft Lotus
    God ATSS
    McCann Worldgroup India Mumbai
    Silver
    10
    Print Craft Lotus
    Country side Bar/Fish Market/Toilet Nima Bartan
    Taproot India Mumbai
    Bronze
    11
    Print Craft Lotus
    Camouflage Toilet/Camouflage Kitchen Bajaj Exhaust Fans
    Leo Burnett India Mumbai
    Bronze
    12
    Print Craft Lotus
    Face 1/Face 2/Face 3 Prayas Bharti Trust
    Taproot India Mumbai
    Bronze
    13
    Print Craft Lotus
    Abused Goddess 1-3 Save Our Sisters
    Taproot India Mumbai
    Silver
             
    14
    Film Craft Lotus
    IPL- Carnival BCCI
    Bang Bang Films Mumbai
    Silver
    15
    Film Craft Lotus
    Giving is Magic
    ICICI Bank Corcoise Films Mumbai
    Silver
    16
    Film Craft Lotus
    Morphy Richards – Corruption Morphy Richards Juicers
    Contract Advertising Mumbai
    Silver
             
    17
    Direct Lotus
    The Pissing Letter Diastix
    BBDO Mumbai
    Silver
             
    18
    Film Lotus
    I Am Mumbai, Mumbai Mirror
    Taproot India Mumbai
    Gold
    19
    Film Lotus
    Bindi/Aarti Yatra.com
    McCann Worldgroup India Mumbai
    Silver
    20
    Film Lotus
    Morphy Richards
    Contract Advertising Mumbai
    Silver
    21
    Film Lotus
    Mrs. Pinto Panasonic SmooSpeak Video Door Phone
    Scarecrow Communications Mumbai
    Bronze
    22
    Film Lotus
    Girl Child Kaun Banega Crorepati (Who Wants to be a Millionaire)
    Leo Burnett India Mumbai
    Bronze
    23
    Film Lotus
    Fox Movies Subtitles Fox Movies
    Taproot India Mumbai
    Bronze
    24
    Film Lotus
    IPL – Carnival BCCI
    Bang Bang Films Mumbai
    Bronze
             
    25
    Outdoor Lotus
    Franklin Gandhi/Queen Mao/Lincoln Fahd Western Union Money Transfer (Two Dimensional large/Highway Billboards)
    McCann Worldgroup India Mumbai
    Silver
    26
    Outdoor Lotus
    Franklin Gandhi/Queen Mao/Lincoln Fahd Western Union Money Transfer (Best of Financial)
    McCann Worldgroup India Mumbai
    Silver
    27
    Outdoor Lotus
    JFK/Elvis/Rosewell Paper Shredder
    DDB Mudra Group Mumbai
    Bronze
    28
    Outdoor Lotus
    ReCycled CD‘s Rolling Stone
    Taproot India Mumbai
    Bronze
             
    29
    Radio Lotus
    Toothpaste/Diaper Reliance Digital TV
    Leo Burnett India Mumbai
    Bronze
             
    30
    Lotus Roots
    I Am Mumbai, Mumbai Mirror
    Taproot India Mumbai
    Grand Lotus Roots
    31
    Lotus Roots
    Abused Goddess 1-3 Save Our Sisters
    Taproot India Mumbai
    Lotus Roots
    32
    Lotus Roots
    Bindi/Aarti Yatra.com
    McCann Worldgroup India Mumbai
    Lotus Roots
             
    33
    Effective Lotus
    You Shave, I Shave Gillette
    BBDO Mumbai
    Effective Lotus
             
    34
    Special Awards
    Agency of the Year
    Taproot India Mumbai
     

     

  • Curry Nation to consolidate creative biz in 2013

    MUMBAI: For Priti Nair and Naggesh Pannaswami, it wasn‘t the best of times to start their entrepreneurial journey. The Indian economic growth story was getting stained by a slowdown and harsh winds were blowing from Europe, the US and other parts of the world.

    A contrarian mood was, however, ruling the agency world. Media professionals were chucking their jobs and taking the plunge to become masters of their destinies. Agnello Dias and Santosh Padhi had started Taproot while Manish Bhatt, Raghu Bhat and Joy Sengupta had set up their own agency Scarecrow and Raj Kurup had flown solo with Creativeland Asia.

    The infection spread to Nair and Pannaswami and they founded Curry Nation in January 2011. “It is always scary when you start on your own. But we knew we had to do it,” Nair recalls as we settle for a chat in the conference room of the new office at Mahim.

    For the duo, there was no need to get the early frights. They had a founding client in Emami and they were clear that they could tap the small and medium-sized Indian clients.

    “Yes, we were fortunate in having Emami right from the start,” says Nair.

    Then the whole thing was about drawing in talented people. “Fortunately for us, we had a good bunch of people joining us in the first year itself. Even before we went into a formal proper office, we already had three people on board apart from Naggesh and I,” says Nair.

    Along the journey, Emami‘s other brands got added and so did other personal care brands. Today, Curry Nation lends its creative services to brands like Borosil, 18 Again, Emami (personal care brands) and Himani.

    Having completed two years, the homegrown advertising agency Curry Nation is where its wants to be – in the thick of things, doing the kind of work it always wanted to.

    The team at Curry Nation has also grown to 18 people working out of a new office in Mahim. Happy to talk about her team, Nair says “they are a bunch of happy people doing the kind of work they like and believe in”.

    Curry Nation ended 2012 with one of the most visible and controversial campaigns of 2012 – the ‘18 Again‘ project. The communication about 18 Again, a brand of vaginal tightening cream, attracted a lot of attention and the campaign was pulled out by ASCI following complaints regarding its social effect.

    Nair describes ‘18 Again‘ as one of the highlights and challenges of the year. “As a product, there was always going to be a challenge considering the client wanted to market a vaginal tightening cream as just that and not under the veil of anything else. As far as the communication goes, I am very proud of it. It is something that will stay in our show reel for long. I am proud that we did not succumb to clichés while charting out the communication and made the ads about celebration instead of showing the Indian woman as downtrodden and distressed till the product came along,” she explains.

    About the controversy that surrounds the ad, Nair believes that even a 10 second placement with the term ‘vaginal tightening cream’ would have evoked the same reaction. “We have been in the business long enough to know that you have to be sensitive with these kind of products. It’s a country that is still hidden under morals and notions like that and it is hypocritical at times. We have gone through the whole process of doing Balbeer Pasha and Liril. Increasingly now the case is that people jump to conclusions and start having issues with everything. If you see the kind of commercials that have been pulled up, even chocolates and sauces commercials are pulled up. All because somebody wakes up and objects because now they have the right to voice their opinion,” she points out.

    The year 2012 also saw Curry Nation start its own media division with their first client Weikfield. The agency also handled the media duties for ‘18 Again‘.

    Looking ahead at the year 2013, Nair and Pannaswami have their eyes set on two goals – consolidate the creative business and enhance and grow the media division.

    Explaining further, Pannaswani says, “It will be a phase of consolidation for us and for organic growth. Most of our growth has been organic. What has happened is that our existing clients have been giving us more business while we have added few clients. We do want to spread ourselves into other categories as well. But, again, there are only so many categories that are opening up in terms of ad spends. So this year, we would like to consolidate the brands that we have and focus on the media division which needs support and growth.”

    Looking at Curry Nation’s client roster, one observes two things – most of the clients are from the personal care/ health care category and all the clients are Indian companies.

    Nair explains that while neither has been a conscious occurrence, Curry Nation as a creative force lends itself well in both cases. “The DNA of Curry Nation is Indian-ness. We are very clear that we want to create communication that is relevant to contemporary India. India is a bit of a macro country and the people are very dimensional in their emotions. It is not like a single layer, there are multiple nuances to our culture. We always look for an Indian insight to employ in our communication and this is what makes us a good fit with Indian brands which is evident in our roster of clients.”

    On the acquisition front, Curry Nation is happy going solo as of now. “We are happy to be in a new and bigger office. It gives a feeling of growing. And it is satisfying. We are where we wanted to be as of now,” signs off Nair.

  • Taproot co-founder Padhi is jury prez at Adfest 2013

    MUMBAI: Taproot India chief creative officer and co-founder Santosh Padhi will be joining the annual Adfest event as jury president for the Design Lotus and Print Craft Lotus at the 2013 Lotus Awards.

    The event will take place from 17 March to 19 March in Pattaya, Thailand.

    “The Asian region has had a love affair with craft for years. We have witnessed some wonderful marriages of the modern and the ethnic. Asians have a sea of traditions to delve into, and this region does not shy away from fearless experiments when it comes to art, craft and design,” says Padhi.

    Adfest president Jimmy Lam said, “Paddy‘s credentials as an art director and designer are formidable. He has been involved in some of India‘s most celebrated print campaigns, which makes him our undisputed choice as Jury President of Design and Print Craft in 2013.”

    Padhi, or Paddy as he is known in the advertising circle, started his career 18 years ago. After a 10-year stint at Leo Burnet, he started Taproot India, which ranked amongst the Top 20 Independent Agencies in the world in the 2010 Cannes Survey, and was the Best Performing Agency from India at ADFEST 2010. Taproot has to its credit campaigns for Pepsi (the Cricket World Cup campaign), Airtel (Har Ek Friend Zaroori Hota Hai) and the Bombay Times campaign (Born Glamorous).

    Padhi also holds the record for the most number of Cannes Lions won by an individual Indian creative from India, and was also voted the 3rd Best Art Director in the World in a survey conducted by Campaign UK in 2009-2010.

    “ADFEST is one of the oldest, most reputed and celebrated award shows this region has. It values all things uniquely Asian – be it Asian culture, traditions, insights or behavior. Its delightful venue near the beaches of Pattaya just adds to its charm. To have one‘s work applauded in such a vibrant atmosphere is amazing indeed,” he says.

  • Pallavi Chakravarti joins Taproot as associate creative director

    MUMBAI: Taproot India has appointed Pallavi Chakravarti to the post of associate creative director. This is the first senior hiring in the creative department since Taproot India started. She will be based in Mumbai and will report to the co-founders and chief creative officers Agnello Dias and Santosh Padhi. Her previous stint was with Grey Worldwide.

    Chakravarti has eight years of experience in the field and has worked with Saatchi & Saatchi, JWT and Grey before joining Taproot India. She has worked on brands like Rin, Bajaj Allianz, Nutrine, Vimal, Diageo, Ariel, Head & Shoulders, Reliance Communications, Leela Group, IndianOil, Bharat Petroleum, cleartrip.com, AXN and SOTC.

    “Apart from both of us, there is a powerful team of 30 odd people who have played a huge role in what Taproot India is today, because we have been hand picking people personally as apart from great work we try and make sure the person is a great human being as well.” said Santosh Padhi “While hiring it was very important for us to make sure the person fits into the existing culture seamlessly,” said Dias.

  • Taproot launches new division TRIP

    MUMBAI: Taproot is launching a new division, Taproot India Plus (TRIP).

    TRIP, headed by Purushottam Joshi, will handle creative execution and services, specialising in non – mass media and production activities for the advertising, publicity and marketing industry.

    The new division will be based out of Mumbai but the agency’s multi city network tie ups will support national level requirements too.

    Joshi, a partner in TRIP, will be leading it as a director and will be the face of this unit with an experienced team under him.

    Joshi said, “There is a disconnect between what kind of state-of-the-art technology available in the market versus what’s being used or rather how it‘s being used to reach consumers. In fact he is positive that ventures like TRIP can bridge the divide between brands and consumer across non mass-media touch points in a more relevant and effective way”

    The division will not only talk about the standard BTL but every single experience point where a brand has a connect with its consumer, for example POS, brand signage, in-shop displays, merchandise, exhibitions and events.

    Taproot India co-founder Santosh Padhi said, “The industry spends on retail / on-ground/ merchandise are already steep but sadly, the quality needs to improve much more to honestly justify those spends. The industry has moved ahead quite a bit on film production in last five years with our television work looking far better than what it was a decade back. But we are yet to do the same in other areas”.

    Taproot India chief creative officer Agnello Dias added, “This sort of service does exist in international markets where once the big idea is arrived at, the creative services execution team, with their practical knowledge of on-ground and retail space takes the idea forward in a more engaging, entertaining and effective way. To the extent that at times most clients do brief these set of team independently like one does to a research or a digital agency”.

    Joshi has over 25 years of experience in the advertising and print industry. He has worked in agency networks such as JWT, Euro RSCG and Mudra.

  • Young Indian indies can bloom under consolidation wave

    Young Indian indies can bloom under consolidation wave

    MUMBAI: Young Indian advertising agencies will not be affected by the consolidation of the big daddies and they will still find room for growth, industry experts feel.

    The two recent mega acquisitions of creative hotspot BBH Worldwide by Publicis Groupe and Indian agency Mudra by US advertising giant Omnicom will, for instance, make the top agencies fight more fiercely for the larger clients as they aim at gaining market share in India. The consolidation will not stop the new crop of Indian entrepreneurs from winning comparatively smaller clients or getting project work to handle big brands.

    Traditionally, small independent shops have lived by working on projects till they attain critical mass. Says DraftFCB Ulka ED and CEO Mumbai Ambi M G Parameswaran, “The situation has not changed now. India has seen a sharp increase of indie shops during the last five years. This has injected more action in the ad scene. The BBH sale will have no impact on this trend in India. Let their tribe increase. And let them not be driven by the next buyout but by professional excellence and long term brand success.”

    The scope for growing retainer clients, in fact, stays unhindered. The smaller agencies can have more time and full-focused energy to care for the specific creative campaigns of a big brand that works with a larger agency for its integrated approach.

    According to Leo Burnett national creative director KV Sridhar, there will be many instances where bigger brands will prefer to work with a local agency for a specific creative. “The independent Indian agencies have the advantage of not getting married to any one brand. They can, thus, explore different brands and clients. They may have the disadvantage of not having the backing of a strong parent but they do not have the pressure of showing scale and have no rigid processing structure,” he says.

    Euro RSCG vice president Sheel Saket shares a similar view. “The creative independent agencies were formed because some creative professionals wanted to get out of the process bound environment and focus on great creative ideas that work for brands. Also, they want to do more of brand campaigns and are happy to work on assignment basis as long as they have the freedom to be creative and not be bothered by work that is mundane, compulsory or run of the mill,” he says.

    Taproot India co-founder Santosh Padhi believes the creative business runs on people and parental strength can‘t smother the growth of the independent agencies. “It is people with ideas who can move brands, there is nothing called a ‘group‘. A network holds nothing but people. Clients don‘t go to bigger agencies because they have 500 people working there; they will go to them if they think that there are five people who can make a difference to their brands,” he says.

    The younger Indian agencies are not prepared yet to handle the entire creative account of high-spending brands. They will need to gather more financial muscle and human resources before they can take the giant step. “These agencies do not have the bandwidth to carry out the creative duties for big brands,” avers Saket.

    Scarecrow Communications, which had a magic run last week by bagging four accounts, has followed the strategy of getting the consolidated creative duties of a group. It has got Religare‘s account barring its mutual fund biz which is being still handled by Ogilvy.

    The young Indian agencies will still have the running option of selling out at a time and value they think is appropriate. Percept/H chief executive officer Prabhakar Mundkur compares the process with that of parents “getting the bride ready for marriage”.

    Like any other marriage, both the partners have to find mutual value. And that is what independent agencies will have to create. Says Mundkur, “I worked in JWT when it was bought over in the late ‘80s and it was, perhaps, one of the first significant acquisitions in the agency business. If you create value, finding the right buyer is that much easier.”

    Taproot is open to the idea of diluting stake and has started weighing options. Says Padhi, “We are happy with our work and growth. But associating with a bigger group will help increase the momentum of growth. If collectively we can grow, we are ready to join hands with the bigger agencies.”

    Creativeland Asia is not ready yet to align with a bigger agency. “We are very young and we have a long way to go before we think of getting consolidated to any bigger group. Every young agency has its own working model. The market is large enough for everyone to grow,” says the agency‘s national creative director Raj Kurup.

  • Taproot creates new TVC for Fox Movies Premium

    MUMBAI: For an Indian ad agency, this can be a moment of pride. Taproot has created a new television campaign for Fox Movies Premium, the rebranded channel which is not available in India.

    The campaign aims at communicating that Fox Channel offers a wide range of foreign movies with regional languages.

    Fox Movies Premium is an Asian movie channel owned by Fox International Channels. On 1 January, Star Movies was rebranded as Fox Movies Premium and available in Hong Kong and selected Southeast Asian countries.

    In India, China, Vietnam, Middle East, Taiwan and the Philippines, the Star Movies brand will remain. It is available in Singapore, Hong Kong, Malaysia, Indonesia, Mongolia, Papua New Guinea, Philippines, Fiji and Thailand.

    Shot in Bangkok, the ad film is targeted at the Thai market.

    Taproot India chief creative officer and co-founder Santosh Padhi, “The brief was very simple to communicate that Fox Channel now offers subtitle free movies, so the product promise is generic, the challenge was how to say it in a way that one Fox Channel is on the top of the mind, we thought whatever we say it has to me entertaining in the first place, which is why one watches the movies, hence a humor approach, Since it’s targeted for Thai audience, so the second challenge was not just humor, but very distinctive humor as they are known for their mad humors, we decided to highlight the problem, the whole idea of the campaign or creative device is based on a simple behaviour of the a person who watches movies with subtitles

    Taproot India managing partner Manan Mehta added, “English language channels had struck a chord with the audience in non English speaking markets due to subtitling. Of course the next sphere of offering was the regional feed. This allowed the English channels to be relevant and come more closer to their audience. Thus, this campaign was conceptualised with the brief of making the audience aware that Fox Channel is available in South East Asia in regional language.”