Tag: Sanjay Jaju

  • Kevin Vaz urges lighter regulation as India’s media story hits new high

    Kevin Vaz urges lighter regulation as India’s media story hits new high

    MUMBAI: When the lights came up at Ficci Frames’ silver jubilee edition, JioStar Entertainment CEO and president of the Indian Digital Media Industry Foundation Kevin Vaz, took the stage with a rallying cry: “Rise Together.” The theme Reimagine, Innovate, Strengthen, Empower set the tone for a morning that was equal parts reflection and call to action.

    Marking 25 years of one of India’s most influential media and entertainment (M&E) gatherings, Vaz reminded the audience how far the industry has travelled since 2001, when Ficci Frames coincided with the government formally granting industry status to M&E. “It opened the doors to institutional finance, enabling capital flows, investments, and risk-taking in content and technology,” he noted, a turning point that defined India’s creative economy.

    Vaz saluted industry stalwarts like Yash Chopra, Karan Johar, and Uday Shankar for steering FRAMES through the years, while welcoming dignitaries including Maharashtra’s Cultural Affairs minister Ashish Shelar, MIB Secretary Sanjay Jaju, and actor Ayushmann Khurrana. “A quarter century of dialogue, discovery, and doing,” he said, “and yet the best is still ahead.”

    From satellite TV to OTT, from animation and VFX to gaming, the sector has evolved at lightning speed. India’s “AND” market, Vaz said, stands out globally for how television and digital coexist each expanding the other. “Unlike Western markets, India’s consumers haven’t chosen between TV and digital. They’ve embraced both,” he quipped, adding that the combined strength of PayTV, FreeTV, and Connected TV continues to grow the overall M&E pie.

    Sports, too, has emerged as India’s cultural engine. “Cricket may rule, but football, kabaddi and esports are fast catching up,” Vaz observed, calling for ease-of-doing-business reforms to boost live broadcasting from India.

    On cinema, he celebrated how regional and independent voices have made global waves from RRR and The Elephant Whisperers at the Oscars to Indian films shining at Cannes and Berlin. “Our stories aren’t just travelling,” Vaz declared, “they’re leading.”

    He spotlighted the rise of the AVGC sector, now moving from outsourcing to creating original IP, with 500 plus million gamers and the National Centre of Excellence in Mumbai giving India global creative heft. With MeitY’s support, gaming startups are scaling worldwide proof that technology and storytelling are increasingly entwined.

    But amid the applause, Vaz urged urgency. “The pace of change is accelerating,” he warned, “and this calls for stronger collaboration between business and policy-makers.” His sharpest message was reserved for regulators: “The heavy-handed regulation of linear broadcasting has stifled innovation. We need forbearance, a light-touch regime that allows creativity and competition to flourish.”

    Broadcasting, contributing nearly 40 per cent of the Indian M&E industry, he emphasised, remains central to the prime minister’s vision of making India the world’s content hub. “We’re in a golden era,” he said, “but to truly lead, quality must match ambition and innovation must be inclusive.”

    As Frames 25 concluded its opening key notes Vaz’s address resonated as both celebration and manifesto, a reminder that India’s creative economy, employing millions and inspiring billions, is ready for its next act.

    “Together,” he said, “we will Rise reimagining the next 25 years of storytelling, policy, and purpose.”

  • Government to launch centralised digital music licensing registry within two months

    Government to launch centralised digital music licensing registry within two months

    NEW DELHI:  India’s information and broadcasting ministry will roll out a centralised digital music licensing registry by October 2025, in partnership with rights societies, as part of a wider push to unlock the country’s live entertainment sector.

    The decision was sealed at the inaugural meeting of the joint working group (JWG) on promoting live events, chaired on 26 August at the National Media Centre by Sanjay Jaju, secretary in the information and broadcasting ministry.

    Officials from the ministries of culture, youth affairs and sports, skill development, finance and DPIIT joined, alongside the Sports Authority of India and state governments from Maharashtra, Delhi, Uttar Pradesh, Telangana and Karnataka. Industry bodies Ficci, CII, Eema and Ilea sat across the table from companies including BookMyShow, Wizcraft, Saregama, District by Zomato and Touchwood Entertainment. Rights societies IPRS, PPL, RMPL and IMI Trust were also present.

    Key outcomes included integrating live-event approvals into the India Cine Hub portal to cut red tape, drafting a model policy for multi-use of stadiums and public spaces, and embedding live-entertainment skills in the national skills framework. Financial incentives—from GST rebates and blended finance to subsidies and MSME recognition—were also discussed.

    Prime minister Narendra Modi has recently described live entertainment as an engine for jobs, tourism and cultural influence. The sector was worth Rs 20,861 crore in 2024 and is growing at 15 per cent annually, buoyed by demand in tier-one and tier-two cities and a rising appetite for music tourism.

    Jaju said the government’s target is to place India among the world’s top five live-entertainment destinations by 2030, with potential to create 15–20m jobs. “The JWG will work to harness the concert economy as a driver of infrastructure growth, employment, tourism and soft power,” he said.

    The JWG was formed in July on the orders of union I&B minister Ashwini Vaishnaw. It will meet regularly to review progress and feed policy recommendations, building on the white paper India’s Live Events Economy: A Strategic Growth Imperative unveiled at the Waves 2025 summit.

  • NFDC signs landmark film tie-ups with Australia for global collaborations

    NFDC signs landmark film tie-ups with Australia for global collaborations

    MUMBAI: Lights, camera, collaboration! India and Australia are ready for a cinematic crossover as the National Film Development Corporation of India (NFDC) has inked two landmark Letters of Intent (LOIs) with Screen Producers Australia (SPA) and the National Film and Sound Archive of Australia (NFSA). Together, they’re rolling out a red carpet for co-productions, preservation and partnerships.

    With Screen Producers Australia, the spotlight is on India Connect, a marquee initiative that will see a delegation of Indian producers fly to the Gold Coast in 2026 for Screen Forever, the country’s biggest screen conference. Think project-matching forums, structured networking, and fresh avenues for cultural exchange, a power-packed script designed to spark creative and commercial collaborations across borders.

    The second LOI with NFSA is all about safeguarding cinema’s soul. The partnership will focus on film restoration, digitisation, and archival expertise, ensuring that the legacies of both nations remain intact for future generations of cinephiles. Knowledge-sharing and joint preservation practices will form the spine of this alliance, giving old reels a new lease of life.

    The curtain rises on these collaborations in late 2025, with timelines rolling into Screen Forever 2026 and beyond. The partnerships will also extend to Waves Bazaar, NFDC’s flagship content and co-production market, hosted alongside IFFI in November. With Australian participation bolstering the line-up, Waves Bazaar promises to be a buzzing hub where stories, ideas and partnerships take centre stage.

    As I&B Secretary Sanjay Jaju put it, the moves “reaffirm NFDC’s commitment to building global bridges for Indian cinema.” From the Gold Coast to Goa, the script is set for a blockbuster partnership that brings filmmakers, audiences, and archives together in one global reel.
     

  • From Panels to Portfolios Comic Con and IICT Team Up for Creator Power

    From Panels to Portfolios Comic Con and IICT Team Up for Creator Power

    MUMBAI: When cosplay meets classroom and panels turn into portfolios, you know India’s creative industry is getting its origin story right. In a move straight out of a well-scripted crossover, Comic Con India and the Indian Institute of Creative Technologies (IICT) have inked an MoU to jointly supercharge India’s animation, gaming, comics, and extended reality (AVGC-XR) ecosystem.

    The partnership, announced during the launch of the IICT-NFDC campus in Mumbai and the unveiling of the WAVES Outcome Report, was signed by Ashish Kulkarni, Board Member, IICT, and Shefali Johnson, CEO, Comic Con India. The high-powered event also saw the presence of government heavyweights like Devendra Fadnavis, deputy chief minister of Maharashtra, Ashwini Vaishnaw, union minister for I&B, Railways and IT, and Sanjay Jaju, secretary, ministry of information & broadcasting, a clear signal that India’s creative economy is getting serious state backing.

    Comic Con India, now part of Nodwin Gaming, has long been the country’s pop culture mothership, attracting fans, creators, and cosplayers in droves. On the other side, IICT, a newly announced National Centre of Excellence for AVGC-XR aims to be the IIT of the creative world, with a mission to train top talent, foster original IP, and bridge academia with the industry.

    The MoU packs in more than just fanfare. IICT students will get a dedicated showcase zone at Comic Con India events, along with masterclasses from top creators in gaming, comics, animation, and XR. The partnership also includes hackathons, design jams, behind-the-scenes internships, and initiatives to promote youth-led fan art and indie content creation.

    The collaboration comes at a time when India’s AVGC-XR sector is levelling up. As per the FX & Beyond: Shaping India’s AVGC Landscape report, the sector accounted for 20 per cent of the broader M&E industry in 2023, with revenues of 3.9 billion dollars. That figure is projected to rise to 6.8 billion dollars by 2026. Perhaps more crucially, AVGC-XR is expected to generate 160,000 new jobs annually with a roadmap to reach over 2 million direct jobs by 2030.

    “We are proud to collaborate with IICT as part of the broader AVGC-XR vision for India,” said Shefali Johnson. “Through Comic Con, students can gain mentorship, connect with pop culture communities, and better understand the commercial dynamics of their craft.”

    Ashish Kulkarni added, “This partnership aligns perfectly with the government’s vision of making India a global creative content hub. We aim to carve pathways for Indigenous IP using a transmedia ecosystem and build a vibrant pipeline of cultural ambassadors from India.”

    For fans, creators, and students alike, this crossover has franchise potential. With India looking to go from content consumer to content powerhouse, the IICT-Comic Con alliance might just be the origin story the AVGC-XR sector needs.

    Get your pens and pixels ready.

  • India’s creative future gets a cinematic campus

    India’s creative future gets a cinematic campus

    MUMBAI: Mumbai just got its own Hogwarts for creative tech. Union I&B minister Ashwini Vaishnaw and Maharashtra chief minister Devendra Fadnavis rolled out the red carpet today for the Indian Institute of Creative Technologies (IICT), a new-age media and entertainment education hub set inside the iconic NFDC Films Division Complex on Pedder Road.

    Joined by Sanjay Jaju, secretary, Ministry of Information & Broadcasting, and Maharashtra’s cultural affairs minister Ashish Shelar, the top brass didn’t just cut a ribbon, they launched a vision. The duo unveiled IICT’s official logo and announced that the institute’s first academic batch will kick off from September 2025. Built with global standards in mind, the spanking new campus is loaded with future-forward infrastructure: think high-spec media labs, post-production suites, XR zones, and full-throttle animation and VFX bays.

    Speaking at the inauguration, Vaishnaw said, “In this creative world, technology has become an integral part and it is important that we empower people who want to be part of the creator economy. I am glad that in such a short span we have inaugurated the first NFDC IICT campus in Mumbai. I have personally gone through the architectural presentations in detail for the campus in Film city, Goregaon, and I assure you it is going to be one of the finest campuses.”

    The inaugural batch will admit 300 students, with the promise of a second campus already in the works at Filmcity, Goregaon — expected to open within the next two years.

    Shri Devendra Fadnavis added, “This is not just an event; it is a moment — a moment that is now transforming into a movement. As part of this movement and its legacy, the announcement of IICT was made, and the campus was inaugurated in a remarkably short time. In the coming years, under the excellent guidance of Ashwini Vaishnaw, IICT will emerge not only as an institution of world-class education but also as an architectural and cultural landmark that attracts people from across the globe. Just as WAVES revolutionised the entire creator economy, IICT stands as a testament to all that hard work.”

    India’s media-tech dreams have found their newest stage and the lights just came on.

    (If you are an Anime fan and love Anime like Demon Slayer, Spy X Family, Hunter X Hunter, Tokyo Revengers, Dan Da Dan and Slime, Buy your favourite Anime merchandise on AnimeOriginals.com.)

  • Game on India as govt eyes next level for digital entertainment

    Game on India as govt eyes next level for digital entertainment

    MUMBAI: India’s digital entertainment game is levelling up. quite literally. At Storyboard18’s Digital Entertainment Summit (DES) 2025, Sanjay Jaju, Secretary, Ministry of Information and Broadcasting, made it clear that gaming is no longer a side quest but a central pillar of India’s M&E economy.

    “Gaming now forms a very important pillar and part of the overall digital media and entertainment landscape,” said Jaju, underscoring how convergence between tech, youth energy, and content is reshaping India’s global creative ambitions.

    Citing Waves 2025 India’s flagship AV and entertainment summit, Jaju said the gaming pavilion, buzzing with emerging studios and new-age IPs, showed just how far the industry has come. From immersive platforms to evolving creator economies, Jaju spotlighted gaming, animation, audio streaming, and OTT as drivers of India’s new digital narrative.

    To boost this transformation, the Ministry is launching the Indian Institute of Creative Technology (IICT) in Mumbai, operational from September 2025. The institute aims to become a breeding ground for talent and incubation hub for creative startups. “It will be a great place for people to hone their skills and for smaller companies to get incubated,” he said.

    Jaju also called for:

    . Investment in low-cost cinema halls to bring films to India’s hinterlands

     Strategic focus on making India a global production hub, leveraging cost advantages and local talent

    Nurturing digital innovation through AI, XR, and VR-led platforms

    His three-part vision?

    Creative Excellence – Turning India into a storytelling powerhouse

    Digital Innovation – Leading in immersive tech

    Inclusive Growth – Tapping talent across every corner of India

    As he urged the industry to walk and think together, Jaju wrapped with a rousing call: “Our time has come, and the future is now.”

    With a booming gaming culture, homegrown creators, and government backing, India’s entertainment sector is set to not just entertain the world but lead it.

    (If you are an Anime fan and love Anime like Demon Slayer, Spy X Family, Hunter X Hunter, Tokyo Revengers, Dan Da Dan and Slime, Buy your favourite Anime merchandise on AnimeOriginals.com.)
     

  • Netflix bets big on Bharat: Ted Sarandos touts $2bn impact, calls India the next Korea

    Netflix bets big on Bharat: Ted Sarandos touts $2bn impact, calls India the next Korea

    MUMBAI:  “Don’t globalise it. Localise it, then watch it fly.” That was Netflix co-CEO Ted Sarandos’ mantra to Indian creators at the government of India’s Waves  Global Summit 2025, where he shared the stage with actor Saif Ali Khan in a high-wattage fireside chat titled Streaming the New India: Culture, Connectivity & Creative Capital.

    Sarandos came bearing stats—and swagger. Netflix’s investments in India from 2021 to 2024, he revealed, have generated over $2 billion in economic impact, filming across 23 states and 100+ cities, and collaborating with over 25,000 local cast and crew. “That’s not just entertainment—it’s employment, infrastructure, and skill-building,” he said.

    And the viewership numbers? Eye-watering. In 2024 alone, three billion+ hours of Indian content were streamed globally on Netflix—nearly 60 million hours a week. An Indian title made it to the global Top 10 non-English list every single week of the year.

    Saif Ali Khan, now a veteran of both big screens and binge-worthy epics, waxed lyrical about the creative freedoms offered by streaming. “It’s a gift,” he said. “Long-form storytelling lets you explore characters with nuance and intimacy. Streaming is a creative playground—with no school bell ringing at the end.”

    When asked how Indian creators can crack global markets, Sarandos dropped the algorithmic truth: “If you try to engineer something for the world, you end up making it for no one,” he warned. “The most successful global stories—Korea’s Squid Game, Spain’s Money Heist—were deeply local. India must do the same. If it’s not loved here, it won’t work out there.”

    He didn’t mince words. “Don’t water it down for the west. Audiences don’t want diluted. They want real.”

    According to Sarandos, India is teetering on the edge of a Squid Game-scale global breakout. “Korea had years of storytelling before its global moment,” he said. “India is now at that inflection point. The creative base is solid. The reach is already here.”

    Netflix is doubling down on that bet, with buzzy upcoming titles like The Royals and The B*****s of Bollywood joining global juggernauts like Squid Game S2, Stranger Things, and Wednesday.

    When asked if streaming would cannibalise cinemas, Sarandos played diplomat. “India is fan-first,” he said. “Theatres and streaming aren’t rivals—they’re tag-team partners.” Streaming, he added, simply meets audiences where they are. “In India, films move from theatre to streaming at record speed. That’s not disruption—that’s democratisation. India, in many ways, was ahead of the curve.”

  • Waves Bazaar: Indian govt’s optimistic attempt at content trading platform

    Waves Bazaar: Indian govt’s optimistic attempt at content trading platform

    MUMBAI: Here’s another effort to set up an online marketplace for content trading despite the hundreds of carcasses that line the road of those who tried and failed. And it’s coming in from the Indian government’s ministry of information and broadcasting as well as the electronics and information technology ministry. 

    Called Waves Bazaar, it was unveiled recently  at the National Media Centre in New Delhi, by MIB, railways and electronics &IT, Ashwini Vaishnaw, alongside minister of culture & tourism Gajendra Singh Shekhawat. The launch was attended by senior officials, including MIB secretary  Sanjay Jaju and  filmmaker Shekhar Kapur.

    The platform is being touted as a pioneering one which will transform the global media and entertainment 
    industry.  What it hopes to achieve is becoming a central hub for professionals across film, television, gaming, advertising, music, animation, and emerging technologies such as AR, VR, and XR. Designed to facilitate seamless collaboration. The optimistic view is that  the platform will enable industry players to expand their reach, secure investment, and form high-value partnerships.

    It will feature global networking opportunities, structured buyer-seller meets and transactions, and exclusive access to industry events. The platform is divided into verticals catering to specific sectors, including film production, live events, advertising, game development, music, and digital content.

    For sellers, Waves Bazaar is being positioned to provide a structured environment to showcase services, from VFX and sound design to publishing and advertising. Film producers can connect with distributors, animation studios can pitch to gaming companies, and marketing agencies can engage with brands seeking media solutions. Buyers—including OTT platforms, media agencies, and event organisers—gain access to a streamlined platform for discovering talent and securing content.

    Users register on wavesbazaar.com, create profiles, list services or project requirements, and engage with prospective collaborators. By eliminating geographical barriers and enhancing industry connectivity, Waves Bazaar aims to redefine how business is conducted in the creative sector.(Have we not heard this one before?)
    The launch of Waves  Bazaar coincides with preparations for the inaugural World Audio Visual & Entertainment Summit (Waves 2025), scheduled for 1-4 May in Mumbai. Organised by the Indian government, the summit will showcase India’s creative and technological prowess across broadcasting, film, animation, AI, social media, and digital content.

     

  • Nagarjuna launches season two of Krish, Trish and Baltiboy: Bharat Hain Hum, at IFFI Goa

    Nagarjuna launches season two of Krish, Trish and Baltiboy: Bharat Hain Hum, at IFFI Goa

    Mumbai— The Ministry of Information and Broadcasting launched the second season of the celebrated animated series Krish, Trish, and Baltiboy: Bharat Hain Hum at the ongoing International Film Festival of India (IFFI) Goa.

    Nagarjuna graced the event along with Information & Broadcasting secretary Sanjay Jaju; Prasar Bharati CEO Gaurav Dwiwedi; CBC, DG, Yogesh Baweja; Graphiti Studios creators Munjal Shroff and Tilak Shetty ; Prime Video, India director & head – SVOD, Shilangi Mukherji and Netflix India director of public policy Mahima Kaul.

    The groundbreaking animated series, which celebrates India’s lesser-known freedom fighters, made history with its season one debut across multiple platforms.

    Season two of the animation series, like season one, will premiere simultaneously across Doordarshan, Prime Video, and Netflix.

    The series will be available in 12 Indian languages—including Hindi, Tamil, Telugu, Kannada, Malayalam, Punjabi, Marathi, Gujarati, Bengali, Assamese, and Odia—and seven international languages – French, German, Spanish, Russian, Korean, Chinese and Arabic making it accessible to a global audience in 150 countries, further amplifying its reach.

    Season two continues the mission to highlight unsung heroes from all across the country, including Taji Dele and Ponge Dele from Arunachal Pradesh, Wazir Ram Singh Pathania from Himachal Pradesh, and Birsa Munda from Jharkhand, among others.

    These stories are meant to inspire pride in India’s history while celebrating the diversity and resilience of the country’s freedom fighters.

    The secretary highlighted the importance of such initiatives in nurturing national pride among India’s young generation.

    “The diversity of India’s freedom struggle needs to be communicated in ways that appeal to children. By using animation, we’re making these rich histories not only accessible but also engaging. Through these animated stories, we’re offering young minds a chance to learn about the unsung heroes who played pivotal roles in shaping India’s destiny,” Jaju said.

    “We are delighted to launch a new season of Krish, Trish and Baltiboy: Bharat Hain Hum on Prime Video starting 1st December. The series beautifully highlights the invaluable contribution of several heroes who played a significate part in India’s freedom struggle, giving viewers in India and around the world a chance to learn more about our rich history,” said Mukherji. “We would like to congratulate the Ministry of Information and Broadcasting (MIB), Central Bureau of Communication, and Graphiti Studios for producing this wonderful series. The series is a significant step in our efforts to foster the growth of India’s creative economy and give Indian stories a global showcase. We are confident that the new season will be as well-received by our viewers as the first season.”

    “I have grown up watching a lot of mythology, and stories of Shri Ram, Lakshman, Bharat, Arjun, but stories on our freedom fighters who sacrificed their lives for our country is equally important. With the new show Bharat Hai Hum, the children and the next generation will get to know about our heroes,” said Nagarjuna.

    Munjal Shroff and Tilak Shetty, the series’ creators, added, “The stories of India’s unsung heroes have often been overshadowed, but through this series, we aim to ensure that their contributions are remembered and celebrated by the younger generation. It’s not just a story of the past; it’s a lesson for today’s youth to understand the values of courage, resilience, and patriotism.”

    The creators employed nearly 1,000 professionals across India, including animators, voice artists, and production experts, in order to meet an ambitious timeline and deliver the series in record time.

    Krish, Trish, and Baltiboy: Bharat Hain Hum will also be available in an innovative format: a radio series and a podcast. The Krish, Trish and Baltiboy– Bharat Hain Hum Radio Series will premiere on 1 December on All India Radio (AIR), broadcasting in 12 languages across India. Each episode will be heard at 10:30 AM on Sundays, just 15 minutes before the animation series airs on Doordarshan at 11 AM. The radio show will promote the animated series, creating a seamless cross-platform transition that will help maximize the show’s audience. The unique scheduling strategy promises to offer a significant push for the animation series, ensuring that the young and diverse audience can transition from radio to television effortlessly.

    Additionally, a podcast will be available worldwide on Spotify in 180 countries. This podcast will feature episodes from the series, while also encouraging listeners to watch the animated show on Prime Video, Netflix, Waves and Doordarshan amplifying the reach of this cross-platform distribution strategy.

  • Government and Meta launch ‘Scam se Bacho’ campaign to fight cyber scams

    Government and Meta launch ‘Scam se Bacho’ campaign to fight cyber scams

    Mumbai: The ministry of information & broadcasting and Meta have joined forces to launch the ‘Scam se Bacho’ campaign, a national initiative focused on raising awareness about online scams and cyber frauds. The campaign, which was unveiled in New Delhi by information & broadcasting secretary, Sanjay Jaju aims to equip citizens with the skills needed to navigate the growing digital threats facing India.  

    In collaboration with key ministries including the ministry of electronics and information technology (MeitY), the ministry of home affairs (MHA), and the Indian cyber crime coordination centre (I4C), the campaign aligns with the government’s ongoing efforts to enhance cyber safety and digital literacy. As India witnesses extraordinary digital growth, with over 900 million internet users and leading the world in UPI transactions, there has been a parallel increase in cyber fraud, with 1.1 million cases reported in 2023.  

    Jaju emphasised the campaign’s significance, stating, “Scam se Bacho is more than just an awareness drive. This campaign can be a national movement that empowers Indian citizens with the tools and knowledge to protect themselves from these threats. By leveraging Meta’s global expertise, the campaign will ensure our digital progress is matched by robust digital security.”  

    The ‘Scam se Bacho’ initiative goes beyond traditional awareness efforts, focusing on fostering a culture of digital safety and vigilance. It aims to provide citizens with actionable insights to safeguard against online scams and equip them with the resources to stay ahead of evolving cyber threats. The campaign’s launch aligns with the prime minister’s call for stronger measures to combat cybersecurity challenges, advocating for an informed and resilient digital society.  

    The government and Meta’s joint efforts represent a comprehensive strategy to confront rising cyber risks, ensuring that as India continues to achieve significant milestones in its digital journey, the nation remains protected from threats.