Tag: Sanam Teri Kasam

Indian box office flexes its muscles in Feb 2025 as Chhaava conquers all

MUMBAI: The Indian cinema landscape is witnessing a box office bonanza in early 2025, with February continuing the strong momentum established in January. The domestic box office is flourishing, with projections indicating a cumulative haul of Rs 2,264 crore for 2025 releases thus far—a whopping 39 per cent increase compared to the same period last year, according to the Ormax Media The India Box Office Report for February 2025.
The Hindi epic Chhaava has emerged as the undisputed champion of February, single-handedly contributing a staggering 53 per cent of the month’s total collections. The film has muscled its way into the record books with earnings exceeding Rs 650 crore, cementing its position among the highest-grossing Hindi films of all time.

Only the Hindi language collections have been tallied in this report, as the Telugu version didn’t swagger into theatres until March 2025. The only other film to smash through the Rs 100 crore barrier in February was the Tamil action-thriller Dragon, which has proven to be a surprise package.

The film has outperformed expectations, even eclipsing the collections of the big-budget Tamil spectacle Vidaamuyarchi—proof that audiences still prefer substance over style when parting with their hard-earned cash.

The re-release trend shows no signs of abating, with nostalgic favourite Sanam Teri Kasam and Christopher Nolan’s mind-bender Interstellar both featuring in the top 10 grossers of the month. It seems cinema-goers are just as keen to revisit classics as they are to embrace new narratives.

With Thandel joining the party in February, Telugu cinema now boasts four entries in the list of highest-grossing films of 2025 so far. Hindi and Tamil industries are tied with three films each, suggesting a healthy competitive balance in the Indian film ecosystem.

Thanks largely to Chhaava’s earth-shattering performance, Hindi language films have increased their market share to 45 per cent for January-February 2025, up from 40 per cent for the entire 2024 calendar year.

March 16, 2025
Television industry faces renewed threat as Covid2019 cases begin to surge

MUMBAI: Just as the television industry began limping back to normal after braving the toughest lockdown in the country’s history, a resurgence of fresh Coronavirus cases nationally – and more so with Maharashtra leading the infections – have set it on high alert once again. In the past few weeks, some production houses have been forced to halt shooting or work with lesser staff and crew amid the new surging wave of Covid2019 infections in the general population. This, despite strict standard operating procedures (SOPs) being followed at every shoot location.

There have been instances of cast and crew members contracting the novel Coronavirus. Bollywood actor Kartik Aaryan, Ranbir Kapoor, director Sanjay Leela Bhansali, Sanam Teri Kasam director and writer Vinay Sapru, Taarak Mehta Ka Ooltah Chashmah actor Mayur Vakani and an artist from TV show Mehndi Hai Rachne Wali and Gum Hai Kissi Ke Pyaar Mein tested positive recently.

According to the Indian Film & TV Producers Council (IFTPC) member and TV producer Nitin Vaidya, the TV production community has done well so far as far as Covid2019 is concerned, especially considering the pace they have to produce at. Safety protocols with adequate arrangements for checking temperature of staff members and timely sanitisation and fumigation on the sets are being followed.

IFTPC has asked producers to personally visit the sets and share pictures if Covid-2019 protocols are being followed.

“We have been through the lockdown once, and we do not want to face that situation again. So, we are trying our best to ensure that adequate protocols are followed on sets. Each of us have to be careful and we are trying to ensure that producers do not become complacent and keep shooting programmes in a safe manner,” said Vaidya.

Last week, the IFTPC wrote a letter to producers and cautioned them about a potential situation akin to "September 2020" developing again. The association urged them to avoid outdoor shoots with immediate effect. It also requested them to personally visit their sets and ensure that SOPs are implemented even more meticulously. “Fatigue and carelessness have crept into our system rather exponentially which needs to be rectified immediately," IFTPC warned.

General entertainment broadcasters were also alerted about the sudden resurgence of cases and urged to cooperate with the production houses and not make requests for extravagant scenes. “We asked the broadcasters to depute Covid inspectors on the sets and request their creative teams not to insist on any outdoor shoots at this point or even shooting in places where there can be a crowd,” IFTPC chairman (TV division) JD Majethia told Indiantelevision.com. “We have fought hard for the entire year and we will continue to do the same.”

Maharashtra currently accounts for roughly 70 per cent of the total caseload of the country. Last week, state health secretary Pradeep Vyas also warned that Maharashtra’s active Covid2019 cases may reach the three lakh mark by the first week of April if the current trend of rising cases continues.

IFTPC has asked producers to personally visit the sets and share pictures if Covid-2019 protocols are being followed.

The surge in cases could pose serious trouble for the beleaguered television industry, which has just begun to show signs of revival. In its latest report, television monitoring agency Broadcasting Audience Research Council (BARC) had highlighted that the TV ad volume had a promising start in January and February, with a higher ad-spend than last year.

Some production houses like Contiloe Pictures, Directors Cut, Banijay, Endemol Shine India, and StudioNext have Covid2019 compliance agencies which look after the sanitisation process, disinfection, and misting of the entire set including the main floor, vanity vans, and makeup rooms. Others like Swastik Productions have a separate residential facility in Umbergaon for the cast and crew members.

There are concerns that actors and staff members who commute daily to the sets are more likely to be exposed to the Coronavirus. In its letter, IFTPC has asked the producers to restrict the crew size to 33 per cent like last year and avoid shooting scenes that require large crowds.

Meanwhile, the Maharashtra government is mulling over an extended lockdown, but chief minister Uddhav Thackeray said he is counting on people to cooperate to prevent the situation from escalating. On Monday, the state witnessed a total surge of 24,645 cases in 24 hours and lost 54 lives. Roughly 3,200 of these cases were reported from Mumbai.

March 23, 2021
Eros Now gets 4-5 million subs from telcos & OEMs

MUMBAI: Folks at Eros are popping bottles of champagne! Eros International’s OTT platform Eros Now has achieved two million paid subscribers worldwide through significant deals in place with all major telecom players in India such as Reliance Jio, Airtel, IDEA Cellular Network and Vodafone.

Between the four platforms, there is a potential reach of 686 million subscribers which is almost 60 per cent of India’s total mobile user base of more than a billion. Jio has announced a user base of 52 million users in just a few months following their launch.

“Our strategy remains to distribute Eros Now, a world class OTT platform, to consumers across telecoms and OEMs with compelling content and product features. We view the recent demonetization move in India as a great opportunity for the OTT business as more consumers are signing up for online and mobile pay systems. I am really excited about the exponential growth in front of Eros Now and am confident we will continue to consolidate our leadership position and first mover advantage,” said Eros Digital CEO Rishika Lulla Singh.

These deals across 20 different telecom operators and OEMs alone provide visibility to a minimum of 4-5 million subscribers annually to Eros Now at an average annual ARPU of $4-5 in India and average annual ARPU of $35 internationally. Since these deals were agreed at various points in time in FY 2017, Eros Now will see the full year benefit of these deals flowing through in fiscal 2018. Most of these contracts are long term deals averaging five years.

With a movie library of over 5,000 films and a further library of 5,000 films being added to this list, Eros Now plans to offer the widest repertoire of Indian movie content across any OTT platform in the world.

In another development, Eros International’s Sanam Teri Kasam was one of the eight chosen films that were screened across 21 cities at the Bollywood Film Festival in Russia. The week-long event flagged off on 30 November.

The film debuts Harshvardhan Rane and Mawra Hocane and is directed by Radhika Rao and Vinay Sapru. Rane was also invited for the film’s screening and was overwhelmed with the love and appreciation the movie received.

December 9, 2016
Eros Now gets 4-5 million subs from telcos & OEMs

MUMBAI: Folks at Eros are popping bottles of champagne! Eros International’s OTT platform Eros Now has achieved two million paid subscribers worldwide through significant deals in place with all major telecom players in India such as Reliance Jio, Airtel, IDEA Cellular Network and Vodafone.

Between the four platforms, there is a potential reach of 686 million subscribers which is almost 60 per cent of India’s total mobile user base of more than a billion. Jio has announced a user base of 52 million users in just a few months following their launch.

“Our strategy remains to distribute Eros Now, a world class OTT platform, to consumers across telecoms and OEMs with compelling content and product features. We view the recent demonetization move in India as a great opportunity for the OTT business as more consumers are signing up for online and mobile pay systems. I am really excited about the exponential growth in front of Eros Now and am confident we will continue to consolidate our leadership position and first mover advantage,” said Eros Digital CEO Rishika Lulla Singh.

These deals across 20 different telecom operators and OEMs alone provide visibility to a minimum of 4-5 million subscribers annually to Eros Now at an average annual ARPU of $4-5 in India and average annual ARPU of $35 internationally. Since these deals were agreed at various points in time in FY 2017, Eros Now will see the full year benefit of these deals flowing through in fiscal 2018. Most of these contracts are long term deals averaging five years.

With a movie library of over 5,000 films and a further library of 5,000 films being added to this list, Eros Now plans to offer the widest repertoire of Indian movie content across any OTT platform in the world.

In another development, Eros International’s Sanam Teri Kasam was one of the eight chosen films that were screened across 21 cities at the Bollywood Film Festival in Russia. The week-long event flagged off on 30 November.

The film debuts Harshvardhan Rane and Mawra Hocane and is directed by Radhika Rao and Vinay Sapru. Rane was also invited for the film’s screening and was overwhelmed with the love and appreciation the movie received.

December 9, 2016
Box Office: ‘Neerja’ flies with Rs 21 crore in opening weekend

MUMBAI: Neerja started slow on its opening Friday but the film’s appreciation helped it catch momentum on the very first day during the later shows. Akin to Airlift, despite being a dry film, it managed to invoke patriotic and humane sentiments among viewers.

The film grew as the day progressed and grew by about 80 per cent on day two. And more than double its Friday figures on Sunday. That is a sort of miracle for a heroine oriented film, especially since the heroine in this case, Sonam Kapoor, enjoys limited draw. So, though almost 30 years old incident, people have identified with the story as they did with Airlift. The film has ended its first weekend with a total of Rs 21.2 crore.

Loveshuda is poor, registering a little over Rs 2 crore for the weekend.

The other two films, Instant Ishq and Ishq Forever, are very poor.

Sanam Re has managed to rake in Rs 24.6 crore in its first week, which does not seem enough for the distributor to recover, who needs much more to recoup.

Fitoor collects Rs 17.15 crore for its first week, which is way short of recovery.

Ghayal Once Again is beyond salvaging point. The film adds a meagre Rs 1.85 crore in its second week to take its two week total to Rs 34.95 crore.

Sanam Teri Kasam collects Rs 45 lakh in its second week to take its two week tally to Rs 7.7 crore.

Saala Khadoos collects Rs 30 lakh in its third week taking its three week total to Rs 10.4 crore.

February 22, 2016
Box Office: ‘Neerja’ flies with Rs 21 crore in opening weekend

MUMBAI: Neerja started slow on its opening Friday but the film’s appreciation helped it catch momentum on the very first day during the later shows. Akin to Airlift, despite being a dry film, it managed to invoke patriotic and humane sentiments among viewers.

The film grew as the day progressed and grew by about 80 per cent on day two. And more than double its Friday figures on Sunday. That is a sort of miracle for a heroine oriented film, especially since the heroine in this case, Sonam Kapoor, enjoys limited draw. So, though almost 30 years old incident, people have identified with the story as they did with Airlift. The film has ended its first weekend with a total of Rs 21.2 crore.

Loveshuda is poor, registering a little over Rs 2 crore for the weekend.

The other two films, Instant Ishq and Ishq Forever, are very poor.

Sanam Re has managed to rake in Rs 24.6 crore in its first week, which does not seem enough for the distributor to recover, who needs much more to recoup.

Fitoor collects Rs 17.15 crore for its first week, which is way short of recovery.

Ghayal Once Again is beyond salvaging point. The film adds a meagre Rs 1.85 crore in its second week to take its two week total to Rs 34.95 crore.

Sanam Teri Kasam collects Rs 45 lakh in its second week to take its two week tally to Rs 7.7 crore.

Saala Khadoos collects Rs 30 lakh in its third week taking its three week total to Rs 10.4 crore.

February 22, 2016
Box Office: ‘Ghayal Once Again’ opens to tepid response; ‘Airlift’ collects Rs 111.3 crore

MUMBAI: Sunny Deol’s home production and directorial venture Ghayal Once Again tries to cash in on his 1990’s success, Ghayal and has opened to a tepid response at the box office. The film failed to catch momentum on Saturday, showing only a slight improvement on Sunday. Ghayal Once Again ended its opening weekend with Rs 21.2 crore.

On the other hand, the Akshay Kumar starrer Airlift made the most of its perfect release period around 26 January, the Indian Republic Day, which helped its theme of patriotism. Despite being a dry theme with a documentary like feel through its first half, the film scored in its latter parts to pick up through the weekend and also thereafter. The film added a respectable Rs 28.5 crore in its second week to take its two week total to Rs 111.3 crore.

Sanam Teri Kasam, an old-fashioned mishmash of previous love stories with cancer as the theme, suffers on many counts including being slow, depressing, clichéd lack of face value and so on. The film did not even make it to the one crore mark on its opening day. It improved a bit on Saturday and Sunday, both on the lower side and not enough to salvage the enterprise. The film collected Rs 3.8 crore in its opening weekend.

Saala Khadoos pays the price for two reasons, being a sports film and being a very predictable one at that about an underdog, out of nowhere girl winning the boxing world championship. Except love stories, selling dreams is no more wise. Even Mary Kom, based on a real life champ, catered to a limited audience. The R Madhavan starrer Saala Khadoos managed to collect Rs 8.2 crore in its first week.

Mastizaade shows that senseless vulgarity in the name of sex comedy does not work. With dud performers, the film tried to attract audience only on the anatomy of Sunny Leone and this is not her first film! The film got a low weekend and failed to add much in the rest of the days, ending its first week with Rs 17.65 crore at the box office.

Kyaa Kool Hain Hum, a senseless sex comedy comes a cropper and fails badly. The film added about Rs 50 lakh in its second week to take its two week as well as lifetime business to a mere Rs 26.8 crore.

February 8, 2016
Box Office: ‘Ghayal Once Again’ opens to tepid response; ‘Airlift’ collects Rs 111.3 crore

MUMBAI: Sunny Deol’s home production and directorial venture Ghayal Once Again tries to cash in on his 1990’s success, Ghayal and has opened to a tepid response at the box office. The film failed to catch momentum on Saturday, showing only a slight improvement on Sunday. Ghayal Once Again ended its opening weekend with Rs 21.2 crore.

On the other hand, the Akshay Kumar starrer Airlift made the most of its perfect release period around 26 January, the Indian Republic Day, which helped its theme of patriotism. Despite being a dry theme with a documentary like feel through its first half, the film scored in its latter parts to pick up through the weekend and also thereafter. The film added a respectable Rs 28.5 crore in its second week to take its two week total to Rs 111.3 crore.

Sanam Teri Kasam, an old-fashioned mishmash of previous love stories with cancer as the theme, suffers on many counts including being slow, depressing, clichéd lack of face value and so on. The film did not even make it to the one crore mark on its opening day. It improved a bit on Saturday and Sunday, both on the lower side and not enough to salvage the enterprise. The film collected Rs 3.8 crore in its opening weekend.

Saala Khadoos pays the price for two reasons, being a sports film and being a very predictable one at that about an underdog, out of nowhere girl winning the boxing world championship. Except love stories, selling dreams is no more wise. Even Mary Kom, based on a real life champ, catered to a limited audience. The R Madhavan starrer Saala Khadoos managed to collect Rs 8.2 crore in its first week.

Mastizaade shows that senseless vulgarity in the name of sex comedy does not work. With dud performers, the film tried to attract audience only on the anatomy of Sunny Leone and this is not her first film! The film got a low weekend and failed to add much in the rest of the days, ending its first week with Rs 17.65 crore at the box office.

Kyaa Kool Hain Hum, a senseless sex comedy comes a cropper and fails badly. The film added about Rs 50 lakh in its second week to take its two week as well as lifetime business to a mere Rs 26.8 crore.

February 8, 2016