Tag: Sameer Nair

  • Applause Entertainment and Kabir Khan Films announce two-film collaboration

    Applause Entertainment and Kabir Khan Films announce two-film collaboration

    MUMBAI: Sameer Nair is known for telling stories that are well told either for the big screen or for the streaming platforms. Applause Entertainment – the studio he heads – has been the force behind several  intense series and films which have broken the mould- the Scam series, City of Dreams, Swigato, Tanaav, and Rudra. Kabir Khan, on the other hand, is known for films that are replete with thrills, chases, action, and are larger than life – and  for sports biopics, two of which have got critical acclaim but have not done as well at the box office. 

    When the two get together wonder what we will end up getting?

    Well they have!  

    Applause Entertainment and Kabir Khan Films have announced a creative partnership for a two-film collaboration, bringing together two powerhouse storytellers from India’s entertainment industry.
    This collaboration marks a significant milestone, blending Applause Entertainment’s reputation for innovative storytelling with Kabir Khan Films’ expertise in crafting cinematic blockbusters. Known for acclaimed projects, both companies are set to deliver compelling narratives that promise to captivate audiences.

    Sameer Nair, CEO of Applause Entertainment, expressed enthusiasm about the partnership, stating: “We are thrilled to collaborate with Kabir Khan, a master storyteller, to create two distinctive films that reflect our shared vision for impactful cinema.”

    Kabir Khan, known for films like Chandu Champion, Ek Tha Tiger, Bajrangi Bhaijaan and 83, added: “This partnership with Applause is an exciting opportunity to explore fresh narratives and deliver cinematic experiences that resonate with audiences.”

    Further details about the films, including cast and release timelines, are expected to be announced soon. The partnership signals a dynamic phase for both production houses, promising engaging content for the evolving Indian film landscape.

  • Zindagi and Applause Entertainment present ‘The Pink Shirt’

    Zindagi and Applause Entertainment present ‘The Pink Shirt’

    Mumbai: In a recently announced strategic partnership between the two renowned content studios Applause Entertainment and Zee’s Zindagi, for creating South Asian content; Sameer Nair and Shailja Kejriwal have announced yet another project- The Pink Shirt. The eight-episode web series, starring Pakistani superstars Sajal Aly and Wahaj Ali, marks Applause Entertainment and Zindagi’s second project together. The content studios together promise to be a remarkable addition to the world of entertainment as the drama gears up for its world premiere at the South by Southwest Film Festival 2023 Sydney (SXSW) at Palace Central Cinema on 16th October. Moreover, The Pink Shirt is the only South Asian web series selected at the SXSW, Sydney this year.

    Following the announcement of Farar’s world premiere at the Chicago South Asian Film Festival earlier this month, The Pink Shirt adds a new feather to Zindagi and Applause Entertainment’s hat of achievements. To witness this global recognition at one of the largest annual festivals celebrating conglomeration of parallel cinema, interactive media, music, and much more; Pakistani superstars and lead actor Sajal Aly along with director Kashif Nisar, writer Bee Gul, and producer Shailja Kejriwal will be attending the grand festival in Australia.

    The Pink Shirt is a riveting take on modern-day relationships, their love, challenges, and struggles in a raw & real way. The drama revolves around the journey of Sophia cast as Sajal Aly and Umer as Wahaj Ali being stuck in their respective toxic relationships with their partners Sameer and Sara and how they then discover an alluring intensity and embark on a transformative journey towards love that mends them as people.

    The renowned SXSW festival marks its debut in Sydney this year, making its first foray outside Austin, Texas. The festival will have a diverse array of content, with an emphasis on the Asia-Pacific region.

    Expressing her excitement, lead actor Sajal Aly said, “The Pink Shirt challenged me in ways I never imagined, delving deep into the complexities of human connections. It’s a journey I’ve embraced with open arms, and as we prepare for its world premiere in Sydney, I can’t contain my excitement to share this emotional voyage with the world.’

    Sajal Aly’s co-actor and Pakistani heartthrob Wahaj Ali added, “Portraying the complexities of human relationships in The Pink Shirt has been a remarkable challenge and the script demanded an exploration of emotions and vulnerabilities that pushed me as an actor. My experience working with Sajal and Kashif has been an absolute delight. I can’t wait for the audiences to embark on this emotional rollercoaster with us.”

    Director Kashif Nisar said, “As the director of The Pink Shirt, I am humbled and thrilled by the opportunity to showcase our work at the prestigious SXSW Sydney as the only representative of the South Asian web series, hoping it will resonate with audiences worldwide and contribute to the rich tapestry of storytelling from our region. It was an absolute pleasure working with Shailja and Bee Gul on this project, and we couldn’t be happier for Zindagi and Applause Entertainment’s collaboration as this merger provides us with the ultimate platform this special project really needs.”

    Reflecting on this significant milestone, Zee Entertainment Enterprises Ltd chief creative officer (special projects) Shailja Kejriwal added, “I couldn’t be happier to announce our yet another collaboration with Applause Entertainment. It’s truly thrilling to see ‘The Pink Shirt’ selected as the only South Asian web series at the prestigious SXSW Film Festival Sydney. This achievement underscores our commitment to bringing diverse narratives to a global stage. I’m immensely proud of our team and excited to witness The Pink Shirt captivate audiences at SXSW Film Festival, Sydney”

    Writer Bee Gul added, “As the writer of ‘The Pink Shirt,’ my intention has consistently been to weave a tale of love, loss, and unwavering strength that deeply connects with audiences around the globe. The exhilarating debut of our show at the SXSW Film Festival in Sydney is the realization of a long-held dream, affording us a worldwide stage to share this emotionally resonant narrative. I’m profoundly grateful to Shailja for recognizing the same potential we envisioned in ‘Pink Shirt’ and selecting it as the second collaborative endeavor between Zindagi and Applause Entertainment.”

    Presented by Applause Entertainment, a Zindagi original ‘The Pink Shirt’ an eight-part web series, is a South Asian collaboration between India and Pakistan. Directed by Kashif Nisar & written by Bee Gul, starring Sajal Aly and Wahaj Ali, the series highlights a riveting take on modern-day relationships, their love, challenges, and struggles. Narrated in a raw & real way The Pink Shirt is a simple & confusing, tragic yet funny tale of broken and complex relationships.

  • “Yuvaa was envisioned as a safe space for all genders and young people from all backgrounds” Yuvaa’s Nikhil Taneja

    “Yuvaa was envisioned as a safe space for all genders and young people from all backgrounds” Yuvaa’s Nikhil Taneja

    Mumbai: Yuvaa is India’s leading Gen Z-driven youth media, research and impact organisation. With the mission of empowering the youth by ‘making important things interesting’ for them by talking about urgent issues like youth empowerment, mental health, gender, sexuality, internet safety, misinformation, climate change and many more and have found great success in creating impact-driven content and entertainment.

    This year Yuvaa celebrated its fifth year anniversary by hosting its first business of Gen Z event, The Collab, that brought  together industry experts, change makers, influencers and key opinion leaders like Guneet Monga, Rohini Nilekani, Sameer Nair (Applause Entertainment), Divya Reddy Shah (L’Oreal India), Chandrasekhar Samiappan (YouTube India), S Venkatesh (RPG), Navya Naveli Nanda, Niharika NM, among others, to participate in conversations around Gen-Z issues. At the event, Yuvaa also gave its audience a sneak peek into their upcoming properties like India’s first chat series on masculinity ‘Be A Man, Yaar’ (feat. Vicky Kaushal, Nakuul Mehta, Naseeruddin Shah, Zakir Khan, among others); The ‘You Grow Girl’ Yuvaa Roadshow with Navya Nanda and L’Oreal Paris India, and Yuvaa’s flagship LGBTQ+ event, The Pride Class 2023.

    The organisation envisions facilitating meaningful conversations and impactful initiatives through their work in digital content and campus spaces. For the same, prominent youth icon and entrepreneur Navya Naveli Nanda and L’Oréal Paris have collaborated for an exciting pan India roadshow – You Grow, Girl. The roadshow, which aims at empowering and engaging the youth, will traverse 25 prestigious colleges across 8 cities, leaving an indelible impact on the lives of thousands of young individuals.

    They also released a first-of-its kind Gen Z insights report- ‘Not All Gen Z’, that provides insights based on responses from over 900 Gen Z participants, spanning over 20+ cities across T1, T2 and T3 India. This #NotAllGenZ report is an attempt to comprehend this misunderstood but distinctive group of individuals and to understand the Gen Z trends brands, organisations and parents need to pay more attention to.

    Indiantelevision.com caught up with Yuvaa co-founder & chief Nikhil Taneja, where he discusses some key issues which Gen Z faces and also some trending topics like internet safety, depression, mental health etc…

    Edited excerpts

    On what is Yuvaa all about and its main USP

    We like to call Yuvaa India’s first (and arguably most loved) Gen Z-driven youth media organisation. We work at the intersection of what is ‘important’ and what is ‘interesting’ to create impact in the lives of young people. In India, where over 65% of the population is under 35, which forms the world’s largest youth workforce, and where 1 in every 5 young people is affected by mental health issues, there was hardly any meaningful youth representation in politics, in policy-making or decision-making, or even in content and entertainment around urgent youth issues. Yuvaa has today become the rare organisation uses the power of mass and social media to work on social good, social justice and social impact.Today, it gives me great pride to say that we are a unique company that’s managed to do that through our work in content, campuses, events, research and social impact, and count among our partners, some of India’s biggest brands and non profits including Amazon Prime, Instagram, YouTube, Spotify, Tinder, IBM, L’oreal Paris, Rohini Nilekani Foundation, UNICEF India, The Bill & Melinda Gates Foundation, Save the Children and many more.

    As for our USP, in a world where every young person has something to say, Yuvaa was founded to be a platform that listens. Over the last five years, Yuvaa has visited over 150 campuses across India offline, and made over 10,000 pieces of content online, to create safe spaces where Young Indians could express without judgement. India has the largest youth workforce in the world, so it was a natural progression of our mission to also create safe, inclusive, empathetic and happy spaces at the workplace.

    On Yuvaa managing to resonate with Gen Z and effectively connect with them on various important subjects like mental health

    It again comes back to the idea of ‘listening’  to young people. We don’t talk down to young people, we don’t look down on them, we don’t treat them as a ‘demographic’ or an ‘audience’, but we treat them as equals, and as our partners in everything we are doing. We create content and communication through community engagement. The Gen Z are active participants in our decision making process, and the listening – and sharing – loop that we create with them is the reason they think they have a stake in Yuvaa too.

    We also ensure that everything we do is in a language accessible to young people – we are not trying to preach to them, we are talking as friends to them in a relatable vocabulary they speak as well. Young people, who do not get safe spaces in their homes or communities, find that in us, and that’s why we have managed to resonate with them. And we are so grateful about this.

    On sharing insights on the significance of Yuvaa’s fifth-year anniversary celebration

    When you are building your first ever startup, every day you have not failed feels like a milestone :). So I’ve been proud of each and every single day the team worked together to create impact with what we do at Yuvaa. From our first viral video to our first chat show to our first Spotify Original Podcast (Dear Teenage Me) to our first two Yuvaa Original Short Films with Amazon Mini TV (Gray and Tasalli Se) to our multiple roadshows, open mics, offline events, researches, content pieces, dev sector and brand partnerships, to reaching half a million followers on Instagram to giving students free therapy through The Yuvaa Therapy Project, it’s been such a gratifying journey. But if I had to pick two key moments that were personally significant I’d say:

    The Yuvaa Volunteers Programme: During the devastating second wave in India, we started a volunteer programme called Yuvaa Volunteers, where he led a rotating team of over 500 volunteers in over 40 Indian cities. Over 3 months, the team worked 24/7 to help connect people to available hospitals, oxygen cylinders, medical support, mental health counseling, and ended by helping over 2500 families in 8 regions of India. During the time, Yuvaa also partnered with Inner Hour to hold Twitter spaces to talk about grief and mental health, with Dharma Productions to scale our reach, and also held sharing circles for young Indians to express themselves. Yuvaa Volunteers led to the formation of the UNICEF-Yuwaah Content Creator Coalition, through which 110 content creators created 1650 pieces of content on COVID misinformation awareness and vaccine awareness, to a cumulative reach of 150 million+. To be able to actually help people during a tough time as a country, was one of the reasons Yuvaa was founded, and I feel so proud that we could step up when it mattered.

    The Leadership Transition: In June, I officially transitioned out of the CEO role to take on a ‘Chief’ role, moving from captain to coach, to appoint a young team to lead the company into the future. When I started Yuvaa, I had always believed that if 5 years down the line, Yuvaa was successful in what it did, a ‘Yuvaa’ should be leading it. So it was one of my life’s proudest moments that I could hand over the reigns of the company to our new CEO, Yuvaa, who has helped make Yuvaa what it is over the last 4 years in an Editor-in-Chief capacity. The other two members of the leadership team include Anusha Shetty and Yash Pise, both of whom, like Kevin, have shown up every day to build Yuvaa as their own company. I truly believe, in the hands of these young leaders, Yuvaa will be able to be one of the most significant youth media companies in the country over the next 5 years.

    On ‘The Pride Class 2023’, organised by Yuvaa, its objectives and outcomes

    Yuvaa was envisioned as a safe space for all genders and young people from all backgrounds. I have always noticed that content or conversations that cater to progressive audiences, or that talks about progressive issues, has a sassiness to it that comes in the way of including people who are ignorant bout these conversations. There have also been some very popular channels or content pieces that choose to ‘clap back’ or ‘shut down’ people who aren’t progressive enough. But at Yuvaa, we’ve felt that the only way we can make a real difference is by bringing in people, versus shutting them out. By being empathetic and ‘wholesome’, we have a much greater chance of getting folks who may be a bit more conservative, to be a part of the conversation.

    We have been a LGBTQIA+ positive company and space online and offline from the very beginning, and have been creating content around it since we started in 2018. In fact, our first chat show was called Edugaytion, and its intent was to have conversations with well known folks from the LGBTQIA+ community to ‘edu-gay-te’ people who were interested in knowing more about queer issues. We also did a 26 part reel series called the A to Z of LGBTQIA+, where we explained every term associated with queer inclusivity. In 2022, we first launched The Pride Class, as a way of carrying the empathetic and wholesome vibe of our queer conversations into an offline space and event, with the intent being not just felicitation but celebration.

    YouTube Shorts has partnered with us on Pride Class in both 2022 and 2023, and the event has now become a flagship for Yuvaa every year, in which we identify queer young folks who use their voices for expression, advocacy or awareness. We do a ‘graduation ceremony’ for these creators, where they get masterclasses from queer icons, certificates and gifts from Yuvaa and its partners, and an evening of joy, along with queer comedians and musicians. It’s one of the happiest days of the year for everyone at Yuvaa, and we hope that in supporting young queer voices, we are making them feel seen, so that they may feel empowered to continue using them to normalize queer conversations.

    On the “Not All Gen Z” report seeking to address the common misunderstandings surrounding Gen Z

    At Yuvaa, we’ve championed Gen Z for 5 years now, and it’s great to see more brands and industries taking note of this generation as they enter the workforce and become more significant spenders and consumers. One thing that we’ve noticed, however, is that in the attempt to understand Gen Z better, society at large tends to try to put them in boxes or assign labels to them based on a few interactions or experiences. Our #NotAllGenZ Report is an attempt to correct some of these misconceptions, or at least explain where certain misconceptions come from.

    The report looks at Gen Z’s relationships with five themes – parenting, gender, sex, brands and content consumption – to try to help brands and organisations better understand Gen Z. While it is often assumed that women tend to prefer watching romcoms and ‘soft’ content, we actually found that Gen Z women are 10 per cent more interested in thrillers rather than romcoms. While Gen Z is seen as a ‘woke’ generation and women are accused of having a ‘feminist agenda’, out study shows that 74 per cent of Gen Z women think that men actually have it harder than they do – and by the way, nearly 70 per cent of Gen Z men believe that women have it harder than they do. While influencer marketing is all the rage and the creator economy is booming, our study shows that Gen Z consumers are 50 per cent more likely to buy something on the recommendation of a friend, rather than the recommendation of an influencer or content creator.

    Hence, the report lays out some surprising findings on Gen Z’s behaviour, consumption patterns and thinking – we at Yuvaa have always strived to make young people feel less alone, and we feel like helping brands and organisations better understand Gen Z is a big step to making them feel more heard, seen and represented.

    On Yuvaa’s role in promoting internet safety and combating misinformation among the youth

    Yuvaa has always been committed to creating safe spaces for young people, and since the internet is a space that so many young people spend so much time in, that commitment is as much to online spaces as it is to offline ones.

    Over the last three years, we’ve worked on multiple campaigns to do with online safety and combating misinformation – during the peak of the first wave of Covid, we tied up with UNICEF YuWaah and trained 110 creators to create over 1500 pieces of content around Covid misinformation, reaching 200 million people across Instagram and Takatak (now Moj). We also worked on the UN Verified campaign and created a music video talking about Covid misinformation featuring celebrities like Nakuul Mehta, Saba Azad, Akash Bannerjee and journalists like Raghu Karnad, Shereen Bhan and Meghnad S. We consulted with Dharma Productions to fact check and create content around awareness of misinformation at this time as well.

    We have a long-term association with Meta wherein we’ve spoken about the different facets of internet safety over the last 4 years – including content pieces that have amassed millions of views, conversations with prominent content creators and actors like Prajakta Koli, Rohit Saraf, Ahsaas Channa, Navya Nanda, Dolly Singh, Sejal Kumar and more, and workshops and trainings for cohorts of young creators under the #366DaysOfKindness and #YuvaaKindnessChampions campaigns aimed at making the internet a kinder place.

    Yuvaa is also a founding member of the Misinformation Combat Alliance, India’s first collection of media organisations and independent experts founded specifically to fight misinformation. We’re currently working with the US Consulate on a campaign to train a cohort of young aspiring misinformation warriors from Western India in the run-up to the elections.

    On plans to continue researching and releasing more insights about Gen Z or other important youth-related topics in the future

    Yes, absolutely. Listening to, caring about and deeply, and authentically understanding what the Gen Z think, feel, hope for, aspire to, need, want, is all at the very core of what makes Yuvaa what it is today. As an election year approaches, we are excited about putting together a plan about voting awareness, and hope to be fundamental in helping young people be more aware about their rights in our thriving democracy. We will also certainly keep publishing our flagship #NotAllGenZ report at The Collab each year, and hope to put out specific reports on binge-ing habits of young people, on gender, on mental health and more, periodically too.

  • Applause Entertainment partners with Zindagi for South Asian content

    Applause Entertainment partners with Zindagi for South Asian content

    Mumbai: In a groundbreaking move, Applause Entertainment and Zindagi have joined forces to energise investment in South Asian content creation. Sameer Nair and Shailja Kejriwal, are well-known for their significant contribution to television, with shows like Kaun Banega Crorepati, Star Bestsellers, and the Saas Bahu dramas. This partnership marks their reunion after more than a decade.

    This alliance is a game-changer in the rapidly evolving global entertainment landscape, marking a significant shift in the ever-changing entertainment industry, aiming to produce a wide range of South Asian narratives across genres that connect with today’s diverse global audience.

    Sameer Nair, a stalwart in the media and entertainment industry and managing director of Applause Entertainment, renowned for acclaimed series like Criminal Justice, City of Dreams, and the Scam franchise stated: “Working with Shailja Kejriwal is like revisiting a cherished chapter of our creative journey. Our shared vision and passion for storytelling have always been the driving force of our partnership. Now, with the world as our canvas and the OTT stage as our platform, we’re thrilled to collaborate once more, bringing the rich tapestry of South Asian content to a global audience.”

    Shailja Kejriwal, a well-known name in television and content curation, chief creative officer of special projects at Zee Entertainment Enterprises Ltd recognised for introducing stars like Fawad Khan, Mahira Khan to India with iconic dramas Zindagi Gulzar Hai, Humsafar and subsequently creating originals like Churails, Dhoop Ki Deewar, Qatil Haseenaon Ke Naam said, “Reuniting with Sameer after a decade is like homecoming for me and I’m thrilled to team up with him in this new era of content creation. Zindagi’s commitment to pushing the boundaries of South Asian storytelling backed by Punit Goenka’s vision & continued support has remained unwavering. With Sameer’s pioneering spirit and the legacy of iconic shows, coupled with Applause Entertainment’s innovative zest, we’re poised to create content that not only resonates across borders but sets new benchmarks in South Asian storytelling.”

    The collaboration of Applause Entertainment and Zindagi marks the beginning of an era of innovative global projects. Sameer and Shailja’s previously remarkable collaboration at Star Plus and Imagine stands as a testament to their creative brilliance.

  • Applause Entertainment teams up with Case Closed Entertainment & Locomotive Global for crime pro-serial drama

    Applause Entertainment teams up with Case Closed Entertainment & Locomotive Global for crime pro-serial drama

    Mumbai: In collaboration with Locomotive Global, Applause Entertainment has teamed up with international content maverick Simon Mirren and his partner Benjamin Anderson to develop a crime pro-serial drama.

    The term “pro-serial” describes a procedural drama series with some serialised elements in the plots.

    Applause Entertainment CEO Sameer Nair said, “Stories are universal, and yet must have intense and local authenticity. Telling international stories in an Indian context has always been an integral part of us at Applause, and now, taking it a notch higher, we are bringing international creators to work with us.”

    He further added, “Simon and Ben are veterans in the field of crime dramas, and we believe having them on board will help us develop a local ‘international’ series with a fresh pair of eyes applying international best practises in narrative storytelling. These two mavericks, along with Sunder Aaron and the creative team at Applause, have set out to create an original multi-season crime drama series.”

    Mirren was the driving force behind popular programmes like Waking The Dead, Spooks, Without A Trace, Versailles, and the iconic 15-year-long running series Criminal Mind, bringing the global phenomenon to India.

    A pro-serial precinct project will be developed by Case Closed, the company owned by Simon and his partner Ben.

    Locomotive Global co-founder Sunder Aaron said, “Our vision at Locomotive Global is to create global quality content with rooted Indian stories. It’s a pleasure to work with Sameer Nair and the Applause team, who share the same vision and ambition for storytelling. Simon and Benjamin bring with them heaps of experience and global best practices for the creation and execution of high-quality iconic content. I really look forward to working with the duo and Applause to create a potent partnership and an unprecedented writing team in India to create a never-seen-before crime drama.”

    Simon, who is credited with developing, writing, and directing authentic crime procedurals, will establish a creative eco-system using his years of experience to enable regional writers to manage the program. He and Ben will then continue to collaborate to fully develop and produce the series.

    Simon said, “As a storyteller, I really like to go out into the world and find new stories, meet real people. There is nothing more impactful than tapping into local storytellers, and we aim to bring forth the talent’s authentic voices into our show. Applause Entertainment is the hub of some gripping crime dramas, and it is truly a pleasure and a whole new experience to work on an Indian crime drama, collaborating with the best of entertainers—Applause and Locomotive.”

    Benjamin added, “With the growth of Indian OTT, there is a wide canvas of scope and creative potential in storytelling. It is the start of an interesting journey ahead to work with a force of creative minds at Applause to create an Indian story for a global audience.”

    The creative and production teams at both Locomotive and Applause will support this new approach at all stages of the creative process.

    It all begins with a select and talented pool of committed writers who will collaborate closely with the team and have the opportunity to explore the creative, visual, technical language, and other best practises used in international procedural dramas.

    Simon and Ben are currently engaging in an experiential process to bring the storylines for the first series to life by meeting with the judiciary, police experts, crime reporters in India, and production facilities.

  • Applause Entertainment reunites with Hansal Mehta for biopic on Mahatma Gandhi

    Applause Entertainment reunites with Hansal Mehta for biopic on Mahatma Gandhi

    Mumbai: Applause Entertainment has once again teamed up with acclaimed director Hansal Mehta for a biopic series on the life and times of Mahatma Gandhi.  

    The series will be an adaptation of notable historian and author Ramachandra Guha’s two books ‘Gandhi before India’ and ‘Gandhi-The Years that Changed the World. Actor Pratik Gandhi will play the lead while Hansal will be enrolled as director of the project.

    Post success of Scam 1992, Hansal and Pratik are reuniting for Gandhi which will be set in the Indian Independence struggle era. Applause is looking forward to making Gandhi at an international standard for a global audience and will be filming it extensively across several Indian and foreign locations. Siddhartha Basu will join the project as the historical consultant, factual advisor, and creative consultant.  

    Applause Entertainment founder and CEO Sameer Nair said, “The story of Mahatma Gandhi is more than just the story of a great individual; it is also the story of the birth of a nation and many other dramatis personae, who along with Gandhi, gained freedom for India. We at Applause are honoured to have this opportunity to tell this important story of India and to bring alive the rich history of the Indian Freedom struggle in a deeply layered multi-season drama series. A story of this magnitude needs a filmmaker of equal stature and in Hansal we have found our perfect storyteller. Collaborating once again with Hansal and Pratik makes this all the more exciting.”

    Filmmaker Hansal Mehta said, “When you speak of a historic and iconic figure like Mahatma Gandhi, there is already a great deal of responsibility on you as a filmmaker. Our vision with the series is to make it as true-to-life as possible and supported by Ramachandra Guha’s work, we are confident and enthusiastic that we will bring audiences something to remember. With a common vision for this ambitious narrative, I am excited to kickstart a new journey, yet again with
    Sameer and the team at Applause.”

    Nair further added “The making of Gandhi will be an emotional experience, and when a series of this magnitude and importance is made, it needs people who truly believe in its import. With Hansal’s directorial vision, Pratik’s delicately nuanced performance and Siddhartha Basu joining the creative process, we are excited to bring Gandhi’s, and India’s journey, to a global audience.”

  • Applause Entertainment to make a series on Mahatma Gandhi

    Applause Entertainment to make a series on Mahatma Gandhi

    MUMBAI: Production house Applause Entertainment will make a series on Mahatma Gandhi. The company has bought the rights to two books by Ramachandra Guha. Actor Pratik Gandhi will play Mahatma Gandhi.

    Applause Entertainment CEO Sameer Nair said, “Ramachandra Guha is a historian and storyteller par excellence, and we are honoured to adapt his classic books – Gandhi before India, and Gandhi – The Years That Changed the World – to screen. We couldn’t think of anyone better than the incredibly talented Pratik Gandhi to bring alive the Mahatma, and his philosophies of peace and love that shook the world. We believe that only a richly layered, multi season drama series will do real justice to Gandhi and to all the great personalities that embed the proud and illustrious history of India’s Freedom Struggle. This is a story of the birthing of modern India for a global audience.”

    Historian Ramachandra Guha said, ‘Gandhi’s work transformed the world, and his legacy still sparks the most intense debates. His life was an epic journey, played out across three great countries: India, England and South Africa. He fought nobly for freedom, for inter-faith harmony, and for the rights of the underprivileged. Along the way he made many friends and not a few enemies too. I am delighted that my books on Gandhi are now being adapted for this ambitious and exciting series being produced by Applause Entertainment. I am confident that it will bring the complex contours of Gandhi’s life and the moral essence of his teachings to viewers across the globe’.

    Pratik Gandhi said, “I deeply believe in Gandhian philosophy and his values that echo simplicity in its purest forms. Personally too, I strive to achieve and imbibe many of his qualities and teachings in my daily life. Moreover, playing the role of Mahatma is very close to my heart ever since my theater days, and now it is a huge honor to yet again essay the role of this legendary leader on screen. I believe it’s a huge responsibility to essay this role with dignity, grace and conviction, and I can’t wait to embark on this journey with Sameer Nair and his team at Applause.”

  • Vidnet’22: Shining a light on the art of OTT filmmaking- What’s different?

    Vidnet’22: Shining a light on the art of OTT filmmaking- What’s different?

    Mumbai: The OTT sector in India has witnessed a massive surge in viewership during the pandemic era with a host of new players and paid subscribers tuning into the online streaming space. With manifold growth across metrics, the sector continues its bull run even post pandemic, even as the next growth wave is expected to come from tier II, III, and IV cities and regional language content.

    To discuss the role of OTT in influencing the content preferences in our country, Applause Entertainment CEO Sameer Nair, and Dharma Cornerstone Agency COO and renowned film critic Rajeev Masand got together for a fireside chat on the ‘Art of Creating Diversified Content and Secret of Mastering Them’ at the Vidnet 2022 summit organised by IndianTelevision.com in Mumbai last month.

    Mumbai-based content studio Applause Entertainment led by CEO Sameer Nair has been betting big on the web series format since its inception in 2017. The company struck gold with several of its recent shows such as Hansal Mehta’s “Scam 1992,” Pankaj Tripathi-starrer “Criminal Justice,” “Hostages” to name a few on various OTT platforms. Nair acknowledges that in the last four to five years the single biggest revolution that has happened in the business of content is via the streaming platforms globally. “TV was always fundamentally limited by its nature- a linear medium with geographic and language boundaries and appointment viewing,” he says in response to Masand’s query of whether he sees OTTs replacing linear television in India ever.

    Nair goes on to say that these being early days for the OTT medium, every operator will go through its fair share of teething troubles trying to find their own business models. Along the way, there will be challenges on how to make content better, to improve storytelling and take our content to other markets and how budgets can be bettered.

    The biggest discovery or learning in the emerging medium has been in the writing. “If you can imagine it, then you can probably shoot it,” declares Nair. “Its not the star cast, it’s not a ‘big name’ director, it’s not a budget- the key lies in the writing. If it’s written well, chances are it may turn out well. After that everything falls into place.”

    The other thing about this business, Nair adds, is that it’s not ‘star-dependent.’ “We have done some 36 series so far and it’s primarily been a collection of ensemble cast,” Nair asserts.

    Referencing the massive hits and popular web shows delivered by the studio, Masand proceeds to ask Nair about “the process of knowing what’s worth pursuing”. While there’s no such “green light” moment, idea sources can be wide-ranging- from an original script or a book, or a foreign series or movie that they wish to adapt, Nair says. The journey from idea to screen, after a particular idea has been greenlighted is a process that takes time and effort, even before one starts filming.

    Expounding on the studio’s hit vehicle “Scam 1992,” Nair says, “From the moment we bought the book rights from Sucheta (Dalal) to the time the series released, it took three years in the making. And all through this period we were on board, we stayed the course, and that’s what is important- to take it across the line.”

    Over time, most platforms have developed their own particular character, when it came to content, noted Nair in response to a query from Masand on making platform-specific content. He added that when they first started out, it was only about making shows for the audiences and not about which streamer it should stream on. “We don’t have as much of a ‘platform-theory’ as trying to understand what genres to go after, where are programming trends headed and what are people watching more of.”

    Now, of course, we get lots of inputs from platforms themselves because they have so much data, insights and understanding, Nair continues. “I think a lot of this is connected to essentially, ‘social-signalling’,” noting that it’s important to have one’s ears to the ground.

    The other significant thing, Nair points out, is the scale at which you want to take an idea- whether it will be a big-budget show. That’s a decision which is full of risk in their business, considering the show is first created, produced and executed before finding a buyer platform for it. “So we have to be very sure and everything has to be planned in detail- the genre, the writing, the casting, the money we are going to be spending over it etc.”

    In that sense, we complement the platform’s services and aid in their pain point by taking over the complete production and directorial decisions pertaining to a show. This allows them to focus on other things to worry about like, gaining subscribers, increasing paid user base, marketing etc, he adds. The studio usually has a pipeline of 12 to 15 shows lined up in various stages of production, reveals Nair on the company’s plans to expand its content library of shows.

    The kind of content being produced and the price point are the chief issues, according to Nair. And then it depends upon how the entire market dynamics works. Deliberating on the recent Netflix stocks crash, Nair observes, “Using any one player, even if they are the leader, as the bell weather for how the entire industry works may not be the right way to do it. Because different businesses have different models of operation.” Larger players like Netflix and Amazon Prime, he says without naming the giant streamers, have very long investment horizons with long investment cycles and diversified businesses. So that becomes a very different dynamic, as compared to securing only streaming.

    On a macro level, the numbers can only increase hereon, as the OTT market continues to grow, Nair observes. Along the way, there is bound to be discovery of various operable models like ad-supported, subscriber-supported models or lower-end content or upper end content catering to every available market.

    On adapting books and shows, Nair says it makes business sense to adapt a good story. “The reason why great stories exist is because they have been retold. So what we do is re-visualise a good story and adapt it according to our cultural sensibilities, while staying true to the original plot.”

    “Measuring success on streamers is sketchy, one way to go would be to check if the platform is happy with the show’s outcome or performance,” says Nair. “We look at the social noise around it and the audiences are happy overall. Another critical way is the data insights provided by the streamer- they have a lot more information, on new subscribers added, drop-off points etc which give a better clue on a show’s performance.”

    “The way forward for the studio is working with debutantes or first-time filmmakers, we are also finding our way around this evolving landscape of the streaming business. For the industry in India, the language content will become more pan-Indian, and the audience for this content will grow. The onus is on us to make the most of this space,” Nair signs off.

    To tune in to the entire conversation, click on the below link:

  • Applause Entertainment expands leadership team roles

    Applause Entertainment expands leadership team roles

    Mumbai: Content studio Applause Entertainment has announced key organisational realignments in its senior leadership team. Deepak Segal has been elevated as chief creative officer. Prasoon Garg has been elevated as chief business officer.

    Segal will take on a wider role across all content verticals including movies, animation and unscripted. Prasoon Garg will streamline all business, revenue, acquisitions, commercial, legal and operations functions into a single group. He will also actively work on business expansion and diversification.

    Additionally, Priya Jhavar, the creative director of shows like “Scam 1992” and “Avrodh,” is promoted to senior creative director. In this role, Priya will help build, mentor and lead new creative groups, even as she continues to helm the most marquee shows coming in the Applause content slate.

    Devnidhi Bajoria is elevated to head of brand, marketing and client servicing across all content verticals. She will continue her focus on brand building and work closely with all business and creative teams.

    “Deepak, Prasoon, Priya and Devnidhi have been an integral part of Applause since its inception, sharing the same vision of growing and scaling the content business to greater heights,” said Applause Entertainment CEO Sameer Nair. “With newer roles at business, creative and marketing, and with the support of a diverse team of colleagues who share a common passion for creative excellence, we look forward to expand our content hub & spoke model with ambitious, audacious and disruptive stories from all over the world.”

  • Disney+ Hotstar to premiere ‘Rudra – The Edge of Darkness’ on 4 March

    Disney+ Hotstar to premiere ‘Rudra – The Edge of Darkness’ on 4 March

    Mumbai: Disney+ Hotstar has released the second trailer for “Rudra – The Edge of Darkness.” The six-episode series starring Ajay Devgn in the lead is slated to go live on 4 March in Hindi, Marathi, Tamil, Telugu, Kannada, Malayalam, and Bengali.

    The show is an India rendition of the British series “Luther.” Directed by Rajesh Mapuskar, the series is produced by Applause Entertainment in association with BBC Studios India. The show features a stellar cast including Raashi Khanna, Esha Deol, Atul Kulkarni, Ashwini Kalsekar, Tarun Gahlot, Ashish Vidyarthi, and Satyadeep Misra in pivotal roles.

    “In Rudra – The Edge of Darkness, we are excited to bring a riveting thriller with one of India’s most loved actors, Ajay Devgn. Sameer Nair and his amazing team, Applause have helped deliver a show that we hope you will enjoy” said the head of content for Disney+ Hotstar and Disney Star HSM entertainment network Gaurav Banerjee.

    “We are truly excited to be part of Ajay Devgn’s digital debut at such an ambitious scale with Rudra – The Edge Of Darkness,” said Applause Entertainment CEO Sameer Nair. “It’s been a terrific experience working on this unique narrative together with an amazing cast, crew and our production partners, BBC Studios. At Applause, we believe in the power of stories and storytelling, and with Rudra, we take forward our creative partnership with industry leader Disney+ Hotstar, and hope to continue entertaining audiences across the globe.”