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Tag: Samar Khan

  • Mindset change: You are not making for a single screen

    Mindset change: You are not making for a single screen

    MUMBAI: The 9th edition of The Content Hub Summit 2025 may as well have been titled “Adapt or Fade,” as India’s media elite gathered to discuss the changing face and format of storytelling. The consensus? You’re no longer making content for a single screen. You’re building cross-platform universes.

    Chaired by Sukesh Motwani, director at Bodhitree Multimedia, the session pulsed with the urgency of a business hurtling through change. It became clear: the future is platform-agnostic, monetisation-hungry, and format-fluid.

    Motwani set the tone early: “Fiction’s no longer just about arcs and actors. It’s about vertical shots for Reels, character intros for Shorts, and scenes that snap into memes.” Even directors are now briefed to film key plot points in portrait mode. The narrative may stretch to 90 minutes, but it better look good in 9 seconds too.

    Samar Khan, CEO at Juggernaut Productions and chief content officer at DocuBay and EPIC ON, summed it up: “We told a true story as a doc. Platforms bought it as fiction. Now we’re cutting Shorts from it too.” His teams are also repurposing old documentaries into audio formats ideal for the podcasting boom.

    Meanwhile, Sunil Chainani, business head of movies at Applause Entertainment, still sees value in a “theatrical first” approach for big releases, but admits the exploitation game has changed. “The music, the score, even classic dialogues, they’re all mini verticals in themselves.”

    Veteran producer Kailash Adhikari pointed out that three-decade-old shows from the family vault are still monetising now as memes, clips, and podcast fodder. “YouTube, Facebook, Shorts… legacy content’s like gold dust if you know how to pan for it,” he said. Even policy podcasts, once considered too niche, are finding new life as snackable content with high-value backers.

    Hemal A Thakkar of Mariegold Studio spoke about the gaming crossovers for shows like OMG2, predicting a future where Shiva might be both screen hero and playable avatar. “It’s not just shows. We’re building IPs—franchises that stretch into games, VR, and who knows, maybe AI-generated spin-offs.”

    Some were sceptical about the vertical video craze. “I’m just doing what everyone’s doing,” Khan admitted. “I don’t know if it’ll last.” But others believe it’s here to stay, especially in genres like horror, where the claustrophobic frame intensifies the scare factor.

    A Russian filmmaker’s war epic shot entirely in vertical format was cited as a radical experiment that could become a norm in bite-sized streaming. And songs? Already stylised like Instagram Stories.

    The phrase of the day was “multi-screen”, but not just in the literal sense. It’s about thinking across devices, genres, formats and audiences. Whether it’s a 3-hour film, a 30-second short, or a 3-minute podcast, content must be conceived from the start to travel.

    As creators wrangle with digital fatigue and the death of appointment viewing, one thing is certain: survival lies in flexibility. From AI-generated music videos to audio-only comedies, every content piece must now be a Swiss army knife.

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  • Samar Khan takes on additional role as chief content officer for DocuBay and EpicOn

    Samar Khan takes on additional role as chief content officer for DocuBay and EpicOn

    MUMBAI: Veteran filmmaker and journalist Samar Khan has been appointed chief content officer for IN10 Media Network’s DocuBay and EpicOn, effective July 2025. This new responsibility comes in addition to his current role as chief executive officer of Juggernaut Productions, also a part of IN10 Media.
    With over 25 years of experience in content creation, writing, directing, and producing for television and films, Khan is set to spearhead the content strategy for the two specialized platforms.

    As CEO of Juggernaut Productions since April 2019, Khan has been instrumental in developing a robust concept bank. His extensive background includes pioneering entertainment journalism with India’s first 20-minute entertainment news program, “Bollywood News,” heading the TV division at Red Chillies Entertainment, and leading the OTT platform for Sahara Group. He is also the author of “SRK – 25 Years of a Life” and has creatively produced numerous acclaimed shows for both OTT and television.

    This dual leadership position underscores IN10 Media Network’s commitment to strengthening its content offerings across its diverse platforms under Khan’s seasoned guidance.

  • DocuBay sets sail with hard-hitting original ‘Gateway of Europe’ on World Refugee Day

    DocuBay sets sail with hard-hitting original ‘Gateway of Europe’ on World Refugee Day

    MUMBAI: DocuBay is casting a powerful spotlight on one of the world’s most urgent humanitarian crises with its upcoming original, Gateway of Europe – The Migrant Crisis, premiering 20 June to mark World Refugee Day.

    Set on the Italian island of Lampedusa – the perilous frontline of Europe’s migration story – the documentary captures the raw, unfiltered stories of those who risk everything to escape war, poverty and persecution. Through intimate interviews with migrants, locals, and rescue workers, the film traces a harrowing route paved with hope, heartbreak and hard questions.

    Produced by IN10 Media Network’s premium documentary arm, the film peels back the headlines to reveal the human cost and quiet heroism behind one of the 21st century’s defining struggles. From overcrowded boats to overburdened border patrols, Gateway of Europe pulls no punches in exploring the emotional and political complexities that continue to rock the continent.

    IN10 Media Network managing director Aditya Pittie said, “At DocuBay, we believe storytelling has the power to foster change, empathy and drive meaningful conversations. “Gateway of Europe – The Migrant Crisis brings to life the human dimension of a geopolitical challenge that involves migration, human rights, and policy that affects millions globally. This documentary is a call to awareness and action, highlighting voices that are often unheard.”

    Gateway of Europe – The Migrant Crisis, filmmaker & director Max Serio said, “My goal was to capture the human faces behind the migration crisis, for which people are driven by hope, fear, and the search for a better life. This film is an invitation to understand their journey beyond borders and politics.”

    DocuBay chief content officer Samar Khan said, “At DocuBay, we remain
    committed to curating purpose-driven content that resonates universally, provokes thought, and builds bridges across cultures. With Gateway of Europe – The Migrant Crisis, we encourage viewers to look past the surface and confront the emotional depth and personal struggles behind the global migration conversation. Documentary like this has the power to go beyond numbers and headlines, transforming complex societal issues into intimate, human experiences.”

    As the debate over borders intensifies, DocuBay invites viewers to look beyond the statistics and confront the human stories that rarely make the evening news.

  • Double feature as IN10 rewrites credits for key content and ops leads

    Double feature as IN10 rewrites credits for key content and ops leads

    MUMBAI: Two’s company, but IN10 Media Network is making it a power duo. In a move straight out of a well-scripted plot twist, the network has handed expanded mandates to two of its leading men Samar Khan and Sourjya Mohanty across its digital platforms Docubay and Epic On.

    Khan, best known for helming Juggernaut Productions, will now don the hat of chief content officer for both platforms. His new gig sees him leading the content charge, shaping the creative direction, and fine-tuning the storytelling voices of the documentary-led DocuBay and the fiction-forward Epic On. Call it a genre-spanning role with a tight narrative brief.

    On the operations front, Mohanty, already the COO at Epic On, will now extend his oversight to Docubay as well becoming the double-barrelled COO tasked with keeping the business engine running smoothly across both arms of the network.

    Speaking on the leadership elevation, IN10 Media Network managing director Aditya Pittie said, “Samar and Sourjya’s expanded roles reflect the confidence we have in their leadership and vision. In today’s rapidly evolving ecosystem, success lies at the intersection of strong content and sound strategy. At IN10 Media Network, we are committed to building a future-ready digital content business, one that is driven as the premium destination of documentaries and other is for the fictional storytelling excellence. This leadership realignment is a key step in advancing that mission and solidifying our position in the digital media landscape.”

    The twin elevation is part of IN10’s broader vision to create a more seamless and strategic content ecosystem. By syncing operations and storytelling, the media group hopes to strengthen both platforms’ positioning as go-to destinations for bold, relevant, and globally resonant content.

  • Juggernaut Productions enters TV production business

    Juggernaut Productions enters TV production business

    Mumbai: With numerous successful OTT shows to its credit, IN10 Media Network’s production house, Juggernaut Productions, is thrilled to announce its expansion into television production. The move marks a significant milestone in the company’s growth journey, reflecting its commitment to delivering diverse and high-quality entertainment to a broader audience.

    Dipti Kalwani, a seasoned professional with over 20 years of experience in the media industry, has been appointed to lead the new television production vertical. As senior vice president – TV & AVOD, she will oversee the development and production of innovative television content, leveraging her extensive expertise as a TV producer, content creator, and writer.

    “We are thrilled to have Dipti lead our television production business,” said Juggernaut Productions CEO Samar Khan. “Her vision, creativity, and deep understanding of the television landscape will be invaluable as we embark on this new venture. We are confident that under her leadership, our television content will set new standards for quality and innovation.”

    On the new role, Kalwani said, “I am excited to join Juggernaut Productions and lead this exciting new chapter in the company’s journey. Television production offers unique opportunities and challenges, and I look forward to creating content that resonates with audiences and continues the Juggernaut legacy of excellence. Our goal is to produce shows that not only entertain but also leave a lasting impact.”

    Juggernaut Productions has a strong track record of producing high-quality content like CodeM, Shoorveer, Illegal, Rakshak – India’s Bravehearts, The Married Woman, Avrodh: The Siege Within and many more across various genres and platforms. With the expansion into television production, the company aims to leverage its expertise and creativity to deliver innovative and engaging TV shows. The new TV division will develop original content, from drama and comedy to reality and factual entertainment, that appeals to different demographics.

    This move into television production is part of Juggernaut Productions’ broader strategy to diversify its content offerings and expand its footprint in the entertainment industry. The production house is also making significant investments in creating documentaries for various platforms and is committed to pushing the boundaries of storytelling and production, ensuring its content continues to captivate and entertain audiences.

  • IN10 Media Network appoints Anup Chandrasekharan as COO of regional content

    IN10 Media Network appoints Anup Chandrasekharan as COO of regional content

    Mumbai: Anup Chandrasekharan has been appointed chief operating officer of regional content at IN10 Media Network to lead its expansion in the southern markets.

    He will report to Aditya Pittie and work closely with the network’s film division CEO Vivek Krishnani, and Juggernaut Productions (OTT) CEO Samar Khan.

    On this appointment, Chandrasekharan said, “I have always been fortunate to wear many hats in my career and manage unique multi-situational assignments. At IN10 Media Network, I look forward to expanding the network’s regional footprint.”

    He added, “Having made a significant positive impression along the journey, I am delighted to start a new challenge at IN10 Media Network and look forward to contributing to its growth story.”

    IN10 Media Network MD Aditya Pittie said, “Today, regional content is cutting across barriers and as content becomes platform agnostic, I believe it is the right time to enter the competitive market with great stories. With his experience in scaling businesses and creating disruption in the southern markets, I believe Anup will play a vital role in our growth plans by identifying new opportunities and strengthening our content studio portfolio.”

    Chandrasekharan has over three decades of experience in leadership positions across the media and entertainment industry verticals. At IN10 Media Network, he will oversee the development and supervision of projects for feature films and web series in Southern languages.

    Before joining the IN10 Media Network, Chandrasekharan was senior vice president & business head at Colors Tamil. In the past, he has worked in leadership positions in organisations like Star Suvarna, Zee Kannada, DNA Networks, and CNBC. He also launched Derana TV, a free-to-air Sinhalese entertainment channel, in Sri Lanka.

  • IN10 Media Network elevates Samar Khan as CEO of Juggernaut Productions

    IN10 Media Network elevates Samar Khan as CEO of Juggernaut Productions

    Mumbai: IN10 Media Network has elevated Samar Khan as the CEO of its production house, Juggernaut Productions. Khan will continue to report to the network’s managing director Aditya Pittie.  

    Khan has been associated with the production house’s OTT division since 2019 and has played a vital role in steering it. As CEO, he will continue to manage his responsibilities of designing and successfully implementing business strategies in addition to creating world-class content.

    “Samar is a valuable asset and I congratulate him on his well-deserved promotion. As we embark on an aggressive growth plan for our content studios business, we rely on his expertise to bolster them while staying true to our core vision,” said Pittie. “The entertainment industry is going through an exciting transition and we want to leverage the momentum.”

    Under Khan, Juggernaut Productions has created popular shows and movies like The Married Woman, Code M season 1, Illegal season 2, “Raat Baaki Hai”, and many more for some of the leading OTT platforms in the country. The upcoming shows are Code M season 2 and Avrodh season 2. He has also produced Regiment Diaries seasons 1, 2, and 3 for the network’s flagship channel EPIC.

    “I have been in the industry for more than 25 years and I’m blessed to be part of its evolution. I’m happy to drive the network’s OTT division’s growth story,” said Juggernaut Productions CEO Samar Khan.

    Khan has a rich experience in writing, directing and producing high-quality and value-creating content for films, television, and OTT. In the past, he has been associated with companies like NDTV, Red Chillies Entertainment, UTV, and Discovery India among others.

    In 2016, he wrote a book ‘SRK – 25 years of a Life’ capturing the 25-years-long journey of the actor Shah Rukh Khan.  

  • Juggernaut Productions’ Samar Khan shares his untold experience in making Avrodh: The Siege Within

    Juggernaut Productions’ Samar Khan shares his untold experience in making Avrodh: The Siege Within

    Director and producer Samar Khan, who is known for his critically acclaimed war drama film Shaurya, is now busy creating stories for streaming platforms. Almost one-and-a-half years after Vicky Kaushal's Uri: The Surgical Strike, SonyLiv has come up with a series named Avrodh: The Siege Within.

    Based on a book written by Shiv and Rahul, Avrodh showcases what exactly happened during the 2016 surgical strikes conducted by the Indian Army in Pakistan-occupied Kashmir (PoK). The former journalist is passionate about creating stories for armed forces as most of his work like Regiment Diaries on Epic channel, The Test Case, or the AltBalaji-ZEE5 series Code M revolves around the same subject.

    In a special discussion with IN10 Media Network's production arm Juggernaut Productions chief operating officer (OTT) Samar Khan  gives more insights on the show.

    Edited Excerpts:

    Avrodh is based on Shiv and Rahul’s book. So, how did you conceptualised the show? 

    I have always been intrigued by stories of armed forces. Before Avrodh I have made Shaurya and Test Case. I picked up Rahul and Shiv Aroor’s book and was taken aback after reading the first chapter. I also spoke to the authors and realised that they were also very interested in making its OTT version. We all felt that the book deserved to be made in a series rather than a film. Post this, I immediately approached Applause Entertainment’s Sameer Nair with the idea, and he was equally convinced about it. So that is how we went ahead with this concept.

    It looks more like a quasi-documentary style of a contemporary action film. So, do you think it would have been better if it was a documentary than a series?

    No, not at all because the concept is more dramatic in its storytelling. It is now a show that can be made in a documentary style. We always believed that the dramatic storytelling format would be the best way. I don’t think anyone was confused about the route we wanted to take. I think a series would do justice to it. The documentary is a different part of storytelling. I am not saying that it would not have been effective for this show. It is just that we have picked another way of storytelling. There are already many.

    Were you scared that people would take it as a jingoistic show? How have you maintained the line between jingoism and patriotism?

    We were proud of our story, and we wanted to show the story in the way it has happened. We were clear about telling a story of bravery, and we wanted to show it as humanely as possible. I come from NDA background and have friends in forces with whom I interact on a regular basis, so I know the way they think and operate. Our entire team had just one single aim of creating a human story. In my opinion, the show doesn’t have any jingoism elements.

    Where did you shot the story?

    Initially, the plan was to make a 10 episode series, and we had the goal to expand the world of the book. The book talks about the surgical strike, so we picked up the story even before the Uri attacks happened then later in the show, we showcased Uri attacks and then the ten days that led to the surgical strike. So initially, we thought to name the series as ‘10 Days’. We researched about what political establishments were doing and how the planning was done. The actual scripting process took eight to nine months. It was important for us to stay true to the story, but we did take some cinematographic liberties. One of the most crucial things I and Applause Entertainment decided to do was to bring the director of Neerja movie Raj Acharya. That was one of the best decisions we took. So, later on, we brought the team on-board, then the casting process happened. Amit Sadh was our first choice because we share a similar thought when it comes to the army. We brought on board some of the esteemed names from the film industry like Neeraj Kabi, Darshan, Anant Mahadevan, and Vikram Gokhale.

    We also received great help from the Indian army as they provided us with the locations, places to shoot, and equipment. We submitted the entire script to them for approval. They were also part of storytelling. We found locations in Bhadarwa, located in Jammu, and then we shot in Mumbai and some parts of Delhi. We spent a lot of time in talent scouting for junior artists and other actors. We did army training with them, taught them how to hold a gun, and how to walk, talk, and salute like army men. We had an ex-army man as a trainer who helped us in designing the look for the boys. It was important for us to maintain the authenticity and real look of the show. We fabricated and made guns like the real ones. But the Bofors, trucks, Jeeps are from the army.

    The music perfectly magnifies the chaos of war in the series. Can you elaborate more on this?

    A lot of credit for music goes to Deepak Sehgal and Priya Jhavar from Applause Entertainment. I think between Raj Acharya, Sehgal, and Jhavar the background music got reworked several times. Nirmal Pandya also kept on innovating with different tools and instruments. We didn't want the background music to look more like jingoistic or patriotic.

    Also, in the commercial cinema, audiences are served with a bouquet of things which included crime, romance, drama, and thriller. Do you think streaming platforms have changed this scenario?

    We are now able to tell stories in a more defined and chiseled way. I think we don't need to unnecessarily fill up the story with everything. Apart from streaming giants, I would also like to give credit to audiences. I believe it is not important to have everything in one story. It is fantastic that audiences have also evolved; they can enjoy things without fitting everything into one.

  • Industry welcomes I&B ministry’s guidelines to restart Film, TV and OTT production

    Industry welcomes I&B ministry’s guidelines to restart Film, TV and OTT production

    MUMBAI: Yesterday, Information and Broadcasting Minister Prakash Javadekar released a comprehensive set of standard operating procedures (SOPs) aimed at the resumption of production for film, television, and OTT originals. The announcement came in as a sigh of relief for many in the industry. The SOPs are in line with the protocols followed across the globe, which also specifies safe distances on shooting locations, in edit rooms, studios, and others. It includes rules on sanitization, fumigation, face masks, and availability of PPE kits. The SOPs also mention the need for an appointment of an on-set Covid2019 coordinator. Javadekar said, “Today we are laying out standard operating procedures as per the international experience and with the consultation of the health ministry and the home ministry.”

    He further explained that contact minimisation is at the core of the SOPs. It will be ensured by minimal physical contact and sharing of props and PPEs for hairstylists and make-up artists, among others. Javadekar also highlighted that the characters in front of the camera would be exempted from wearing masks. Making this announcement on Doordarshan Javadekar said that formulating SOP measures as part of the overall decision to revive economic activities. He added, “For the last six months, this industry had come to a standstill, and many people had lost their jobs. We hope all States will adopt these SOPs.”

    For a detailed list of the SOPs, click here. In a special interaction with indiantelevision.com film producer, Ramesh Taurani said, “I think it is a very good step from the government. Shoots have already started, but now they can be done in other locations as well, as the new SOPs will benefit everyone. These are practical and manageable SOPs, and the film industry is very happy. Now things will happen at a macro level. As the film shooting has started workers, actors, technicians can start work with full protection. It is a good step towards restarting the economy, as more people will get employment. The announcement came from the central government, and now it is up to the respective state government to take it forward.” Apart from laying down the social distancing norms, the ministry has also asked the production houses to ensure extensive planning. It also states that physical distancing of at least six feet is to be followed as far as feasible at all locations at all times, while sitting, standing in queues, etc. FICCI official spokesperson said, "It is a welcome move and the industry has been looking forward to this. It will help open the industry in a phased manner with all the necessary precautions . We are looking forward to working with the government to ensure we get back to business with all the norms that have been put in place. This move from central government is the umbrella document for state governments to adopt so that there is basic uniformity across the country . This is one plan laid out by the central government for the state government to follow and they can add some important details as per the specific requirement." Aspects such as scenes, sequences, set-ups, camera locations, positions of various crew members, seating arrangements, food and catering arrangements, staggered meal timings, etc. shall be planned while giving due consideration to physical distancing norms. According to the guidelines, measures shall be taken by the production team to involve a minimum number of cast and crew members during the shoot. IFTPC chairman TV wing JD Majethia shares, “It is a very welcome move. We all have been waiting for this for a very long time. It is a relief that the centre has eased out the restrictions. As shooting is now allowed across India, it would be easier for film, television, and OTT shows to shoot in different locations and studios, which was difficult to do earlier. Many people will get their employment back, hopefully in Maharashtra. If trains are allowed from next month onwards, a lot of people will get their jobs back.” He further added that the guidelines laid down by the I&B ministry are more detailed, and they have included a lot of aspects. “The measures are clear in nature. Everyone will know what to do in these circumstances. However, the state government can add or modify policies as per their requirement. States with less number of cases can ease out restrictions, whereas things will be stricter in areas where there are a higher number of cases,” adds Majethia. The Ministry has also advised that no visitors or audiences are to be allowed. In the case of outdoor shootings, necessary coordination has to be done with local police and administration to minimize spectators.

    It is a moment of joy for film and OTT platforms as the Covid2019 halted the shoots at other locations, especially with large crews. "It's great news for the TV and film industry. What's more interesting is that the SOPs suggest some points for the opening of the exhibition. We are now looking forward to the opening of cinemas and getting the whole movie industry back on track," says SVF Entertainment co-founder director Mahendra Soni. Juggernaut Productions chief operating officer OTT-business Samar Khan mentions that the issuance of these SOPSs is a step in the right direction. He adds, “All of us have been eagerly awaiting the resumption of shoots but are also aware that crew safety is of utmost importance, following these guidelines will ensure that we can maintain the highest standards of safety while gradually resuming work.”

    The ministry has also advised the industry to discontinue usage of lapel mics or at least to ensure that these are not shared. It also highlights that costumes, hair wigs, and makeup items for actors should not be shared. The SOPs states that artists should be encouraged to do their hairstyling and make-up remotely with the help of professionals. Panorama Studios run by  Kumar Mangat Pathak and Abhishek Pathak is  a subsidiary of Panorama Studios International. Abhishek Pathak has also directed movies like Ujda Chama and Boond. He thanked the I&B ministry for focussing  on contact minimisation. "We welcome these guidelines. Yes, shooting will be a huge challenge in the Covid2019 era, but I think with vigilance and precautions, we can make a comeback steadily. This decision brings huge relief for industry dwellers whose livelihood depends on the creation of movies, series, and other content." Planet Marathi founder and filmmaker Akshay Bardapurkar who also produced AB Aani CD said that it is great news from the I&B minister himself. “However now with the opening of the shoots it would be great also to see theatres also opening up. He mentions that more than 100 films are stalled, and producers are suffering. I hope that the central government issues SOPs for theatres soon and opens them too,” adds Bardapurkar.

  • “We are expanding our genres & focussing on chiselled storytelling”: Juggernaut Productions’ Samar Khan

    “We are expanding our genres & focussing on chiselled storytelling”: Juggernaut Productions’ Samar Khan

    MUMBAI: Director and producer Samar Khan, who is known for his critically acclaimed war drama film Shaurya, is now weaving stories for digital platforms. Khan has now donned the hat of a creative producer for Avrodh on SonyLiv.

    Avrodh revolves around a surgical strike based on the 2016 Uri attack, depicting historical events as they occurred in real. The series was launched on 31 July. The former journalist has a keen interest in creating stories for armed forces. Most of his recent or past work like Regiment Diaries on Epic channel, The Test Case or the AltBalaji-ZEE5 series Code M is around the same subject.

    Juggernaut Productions chief operating officer OTT business Samar Khan says that for a show like Avrodh, it’s important to find likeminded people. According to him, the producer is not someone who just funds the project; he is also the creative producer who is involved in every step of story production. The job of the creative producer is to pick the right talent, cast, director, storytellers and look after the story development.

    Avrodh is based on a chapter in a book written by Shiv and Rahul. It is also inspired by the quotes of Major Mike Tango. The word is a pseudonym for the paramilitary officer who helmed the overall operation. The team at Juggernaut Productions also spoke to people who are aware of military procedures. As the show is on a very sensitive topic and to avoid any misrepresentations the makers, directly and indirectly, reached out to people who were involved in the event. It took eight months of research.

    Khan, who is ecstatic to work as a creative producer, gives a lot of credit to Applause Entertainment for bringing out this story. He also hints at creating similar stories soon. The idea behind collaborating with Applause Entertainment is to co-develop shows. Both the studios are currently developing and producing two shows. Khan is looking forward to creating original IPs and premium original content with Applause Entertainment.

    He says that audiences in today’s time are aware of what they are watching. He says, “Audiences don’t need to be served a buffet anymore. I think the popular commercial cinema always tried to serve a buffet where there was a little bit of humour, romance and drama.  But what OTT platforms have done is to focus on one. This chiselled storytelling is truer to what we really want to say and this is the true learning experience for me. For the past four to five shows and even going forward, we are trying to stay true to the promise of the show and not deviate.”

    He is also aware that the company has an image of creating only legal dramas but that’s going to change. “We want to be known as a company that does broad-based content development. We are looking at developing stories across genres,” he shares.  

    Due to the pandemic, there is a boost in the viewership on OTT platforms and with normalcy returning, Khan’s immediate focus is to start shooting. He says, “We utilised the past four months of lockdown to develop a slate of shows that we will be collaborating or pitching to platforms. We have a huge bank of stories that we have developed in this time period. The plan is to make and tell as many stories as possible.”

    Juggernaut Productions recently acquired the screen adaptation rights to Jay Alani and Neil D’Silva’s book “Haunted” but is stuck at the initial stage due to Covid2019. The company is open to any international collaboration too in difference genres, formats and stories that can be adapted to the needs of Indian audiences. For now, the focus is on Hindi content but Juggernaut is planning on acquiring regional content too.