Tag: Salman Khan

  • Hotstar ropes in iRock’s Siddhartha Jain as creative director – original content

    Hotstar ropes in iRock’s Siddhartha Jain as creative director – original content

    MUMBAI: Star India’s video on demand platform Hotstar has leapfrogged towards original content creation by appointing iRock Production’s Siddhartha Jain as creative director – original content.

     

    Jain will report to Star India digital head Ajit Mohan.

     

    A source close to the development tells Indiantelevision.com, “Hotstar is aggressively marching forward towards original content and the appointment is a testimony of that.”

     

    Jain, is a serial entrepreneur and film producer. He headed iRock Films India and produced the horror film Ragini MMS.

    Prior to starting iRock with former Adlabs Films chairman Manmohan Shetty, Jain worked at Adlabs for two years. He also produced Marigold – the Salman Khan and Ali Larter starrer US-India film, directed by Willard Carroll, with Hyperion Studio (USA).

  • ABP News heats up primetime, launches new show “SELFIE” with Salman Khan

    ABP News heats up primetime, launches new show “SELFIE” with Salman Khan

    MUMBAI: It’s a known fact, as we all know that there are no free lunches. Struggle is the only way of success and when you reach the epitome and look back then there is an innocent smile and a proud feeling on your face which says it all. ABP News is all set to present yet another entertaining and innovative show SELFIE. The programme talks about the story of actors first break… story of the moment when his/her signature turned into an autograph… when walking carefree on the road receives a professional restriction.

     

    The launch of the programme is with Salman Khan’s struggle story. “I wanted people to reject me more often…and I used it to build anger in me….I knew one day these people will help me get there” says Salman Khan on the show.

     

    “Being famous writer Salim Khan’s son, how easy was it for him to get a big platform, was it or was it not” 

    “What happened when he knocked the door of a B-grade film maker”

    “How he landed in a small screen appearance in a campa cola ad”

    “How difficult was it to get his own space in the industry”

     

    ….All these questions in mind….here it from none other than Salman Khan only in SELFIE.

     

    Scheduled at 9pm every Saturday, the show will have 13 episodes featuring 13 big Bollywood stars like Akshay Kumar, Katrina Kaif, Ajay Devgan, Vidya Balan, Nawazuddin Siddiqui and many more. The programme is supported by extensive marketing push like TV promos, print inserts, radio, and digital promotions.With so much of buzz on this launch, the programme has already been bagged by 3 sponsors – Royal Stag Mega Music, Wildstone FF Deo, and Milton.

     

    SELFIE is presented by Star host Karan Singh Grover who is already a household name in television and now gaining popularity in the Bollywood too.

  • Colors confident of unleashing ‘Bigg Boss’ juggernaut at 10.30 pm

    Colors confident of unleashing ‘Bigg Boss’ juggernaut at 10.30 pm

    MUMBAI: Come 11 October, 2015 and the definition of prime time viewing on Indian television history will be officially redefined as Bigg Boss season 9 will be aired in the late time slot of 10.30 pm. Accustomed with the 9 pm slot, the show has established itself as one of the finest property in the general entertainment genre, but as was reported earlier by Indiantelevision.com, this year due to the super performance of Colors’ existing prime time shows, the channel’s programming team was forced to postpone Bigg Boss to the 10.30 pm slot.

     

    The moment the new time slot became public knowledge, the immediate presumption that emerged was the possibility of content edging towards the adult category with more violence and at times even vulgar. However, Colors CEO Raj Nayak has pooh-poohed all such speculations. He said, “The strong point of Bigg Boss in the last few seasons has been its establishment as a family viewing entertainment entity, which helped us grow our ratings. We are not going to compromise with that. So the show will continue to be a family viewing entity.”

     

    The press conference for the official launch of the show was off with a flying start with a satirical banter between Bigg Boss host Salman Khan and Nayak. As reported earlier by this website, the show’s theme this year is Double Trouble. Khan in his inimitable style candidly asked Nayak what double trouble means to him and when does it start. Nayak smilingly replied, “For me double trouble starts with the start of April, when I start talking to your (Salman Khan) agency and they quote me a rate double of what we paid last season.” 

     

    The lighthearted banter continued throughout and both Nayak and Khan were sportingly part of it. When Endemol India MD and CEO Deepak Dhar was introduced Nayak reminded the audience in a tongue and cheek manner that it was not only Salman’s fee that gets doubled every year, even Endemol’s remuneration takes a substantial hike.

     

    Speaking about the extension of prime time, Nayak said, “I think today prime time goes on till 12 o’clock in the night, the success of Comedy Nights is a big example of that.”

     

    Speculations were also rife that courtesy to the late night premiering of the show, the ratings and the ad rates may face a blow. However, Nayak is unperturbed. “Bigg Boss is Colors’ biggest show. If we don’t believe in the fact that it will be successful, why would we invest such huge money? I would have liked Bigg Boss to come in at 10 o’clock but am confident about it in the 10.30 pm slot too. Research shows that in urban areas people go back to home a little late and hence 10 pm would have been the best time to unwind with a one hour show. But with God’s grace, we have the problem of plenty and a slot leader (Yeh Meri Ashique) at 10 pm so we cannot disturb leading show and put Bigg Boss in place of that.”

     

    Throwing light on the show’s target group, Nayak said, “Target audience is an exaggerated and over spoken factor in India where we have a huge percentile of single TV houses. Bigg Boss by default or by design appeals more towards the younger audience than the older. The older audience watches it but seldom speaks about it. People who normally never watch Hindi GECs turn out to be Bigg Boss followers. So overall the show caters to a diverse audience across all age groups.”

     

    Colors has a strong social media analysis team, which analyses each and every movement across all the platforms. If the analysis depicts an addressable issue, the programming team immediately looks into it, which results to better sustainability. “We may not make a change immediately but we do follow them continuously. We have a separate infrastructure to check between spam and genuine feedback. We take social media feedback very seriously,” added Nayak.

     

    As was reported earlier, the presented by, powered by and driven by slots in the sponsorship inventory have already been sold to Snapdeal, Oppo and Maruti Suzuki respectively. Commenting on advertisers’ reaction on the time change, Nayak said, “The sponsors are demonstrating faith in what we are doing and the fact that we already have a majority of our sponsors on board, is proof of that.”

      

    Endemol CEO and MD said, “The concept of Bigg Boss has always kept the audiences intrigued. The theme of ‘Double Trouble’ promises to offer double the fun and entertainment with various twists and surprises. This year too fans of this biggest reality show format will be hooked to the TV, as this season the contestants will be put in unanticipated situations that will make an interesting watch for the viewers. The production value of the show will be more enormous and the expertise of the team working on the show will leave no stone unturned to offer unlimited doze of entertainment.”

     

    When quizzed if 10.30 pm slot was a pressure factor for Endemol, Dhar said, “Pressure factor, yes, because it’s a new time slot that we are not yet used to but the pressure is there every year. Bigg Boss at 9 pm was up against the biggest shows of the country and it delivered commendable ratings. So I don’t see a reason why it won’t deliver at 10:30 pm. The time change is a challenge as well as an opportunity.”

     

    Concurring with Nayak on the prime time definition, Dhar said, “People are now creating content for 11 pm and 11.30 pm slots. So the traditional definition of prime time is no longer relevant. People now, specially from the urban areas are ready to watch television till late. And a show like Bigg Boss where it’s more of unwinding than using one’s brains, a time slot later down the night should be comfortable.”

     

    Snapdeal senior vice president marketing Srinivas Murthy said, “Big Boss is only getting bigger and better with every season. We joined hands with television’s most popular show last year and engaged with our audiences on a daily basis through innovative in-programme integration. We are very excited to partner with Big Boss Nau and look forward to great response from the viewers this season too.”

     

    Speaking on his return as the host of the show for the sixth time, Khan said, “This season with Double Trouble being the flavour, contestants have no choice but to double up and face the trouble, or remain disconnected and invite trouble! Bigg Boss Nau comes with the promise of unlimited and unadulterated entertainment, which will create a strong bond between viewers and the contestants fuelled by fun, empathy and sometimes sympathy.”

     

    Oppo Mobiles India CEO Mike Wang added, “We are pleased to renew our association with the immensely popular show Bigg Boss this season. We firmly believe that this partnership will help establish our reach across India giving us an opportunity to connect with a wider audience. There is no platform better than entertainment in India and we wish the show a huge success.”

     

    Whatever Nayak and his team at Colors are churning out these days, is turning into gold. With the channel climbing up the ratings chart to become the number one Hindi GEC recently as per BARC as well as TAM data, the Bigg Boss entertainment juggernaut comes at a perfect time. It now remains to be seen if the show’s new time slot manages to sustain ratings or better still, enhance it even further.

  • Star Gold plans marketing blitz for ‘Bajrangi Bhaijaan’ TV premiere

    Star Gold plans marketing blitz for ‘Bajrangi Bhaijaan’ TV premiere

    MUMBAI: Salman Khan’s latest blockbuster Bajrangi Bhaijaan, which is still running at the Indian box office after eight weeks with more than Rs 300 crore in its kitty, is all set to premiere on television. And Star Gold has planned a marketing blitzkrieg to promote the movie’s world television premiere slated for October. The movie will be premiered on Star Gold as well as Star Gold HD.

     

    An extensive 360 degree marketing campaign comprising print, outdoor, radio, cinema and digital mediums kickstarted from 10 September and will lead up to the premiere day.

     

    Apart from this, a consumer engagement activity called ‘Selfie with Salman Contest’ will be initiated on social media platforms, giving Khan’s fans a chance to get a digitally modified ‘Selfie with Salman.’ The winner images will also be showcased on the channel during the movie’s premiere.

     

    A Star TV spokesperson said, “Staying true to our brand identity, home of blockbusters, Star Gold offers its viewers an opportunity to watch the most entertaining blockbusters on television. Bajrangi Bhaijaan with a Rs 620+ crore worldwide collection is Salman’s biggest blockbuster till date and it is all set to re-create that magic on the television screens. An extensive marketing campaign has been planned to enable our consumers to get more of their favourite star.”

     

    Bajrangi Bhaijaan also stars Kareena Kapoor Khan and Nawazuddin Siddiqui along with child actor Harshaali Malhotra.

     

    It has been directed by Kabir Khan.

  • ‘Hero:’ A poor clone

    ‘Hero:’ A poor clone

    MUMBAI: The myth that stars can make a film work makes producers resort to gimmicks like sequels or a remake of an old hit. While a sequel may work at times, though not as well as the original, remakes are a big risk because not only is it near impossible to recreate a classic but even the audience, the ambience and other aspects change every few years. And, to think that the original Hero is over three decades old.

    Hero brings together two star kids, Sooraj Pancholi (son of Aditya Pancholi) and Athiya Shetty (daughter of Suniel Shetty). It has been produced by Salman Khan, the reigning superstar, along with Subhash Ghai, the maker of the original Hero (1983). 

    The film starts on the same lines as the original: Sooraj is a goon, generally referred to by all as goonda and not hero. He has been assigned the job of kidnaping Athiya, the daughter of IGP Tigmanshu Dhulia. Dhulia is an honest cop who has arrested Aditya Pancholi for the murder of a journalist. Aditya is behind bars and sure to be convicted since Dhulia has all the evidence needed. Aditya, having tried all possible means to influence Dhulia, including bribery, decides that kidnapping Dhulia’s daughter is the only way left to arm-twist him. 

    Sooraj owes much to Aditya, his foster father, who he treats like his own father. He complies with Aditya’s wishes and kidnaps Athiya and moves to a shack in a snowy valley along with his buddies. He poses as a cop assigned by her father to protect her and take her far away because of a threat to her life from Aditya. Athiya and Sooraj are no strangers to each other. Earlier in the film, mighty Sooraj has saved Athiya from her ex-boyfriend by felling him a few punches at a nightclub when he was harassing her. 

    Now that she thinks he is a cop employed by her father especially to protect her, she falls in love with him before you can say ASAP! While some romancing, singing, and revelry happen, it is time for Dhulia and his cops to catch up with the couple. However, Sooraj being the hero, outperforms numerous automatic-gun-wielding cops and Athiya’s brother, Sharad Kelkar, chasing them in a chopper. He jumps a broken bridge across a gorge on his bike. They don’t make it to the other side but fall into the gorge and are presumed dead! 

    Aditya is being taken to court and, for some reason, Sooraj and Athiya are also around when a police constable triggers a bomb. The audience doesn’t know why. This is the point where the film goes haywire beyond salvation. With a lot of cross firing, a lot of junior artistes die while all relevant characters always come out unscathed! The cops survive this bomb blast, as do Dhulia, Kelkar, Aditya, Sooraj and Athiya. While Aditya escapes, Sooraj is arrested and sentenced to two years imprisonment. On the other hand, Athiya is dispatched off to Paris to learn dancing!

    Post-jail and Paris, the romance continues. Just when the story seems to come to a dead-end, the makers parachute in a new villain out of nowhere. His credentials are that he is a gambler of high stakes beyond his capacity, owing crores to a don (who later turns out to be Aditya himself) and can flex his muscles too, the prime requirement for film roles today. 

    There is no story now as the film proceeds on whims and fancies and manages only to get on the viewers’ nerves. While a lot in the film is unpredictable being illogical, the climax is utterly predictable. 

    To compare this film to the original Hero would be sacrilege. This is a poorly scripted and unimaginatively directed film. While the original had a talent bank in its star cast, this one has mostly unknown faces.

    Musical score is no patch on the original version, even though music was a reason in most part for its success. Editing is slack. Dialogue is mundane. Action is good but only as good as every other film nowadays. Sooraj will need time to be accepted; this is not the film promising him that. Athiya could prove a better model. Aditya is okay as usual. Dhulia who keeps calling Sooraj a goonda, in fact, looks more like one. Kelkar suffers from an undefined character. Chetan Hansraj plays what Manek Irani played in old days; his job is only to be bashed up by the hero every time he confronts him.

    Hero is a poor remake and though the opening shows had a fair number of footfalls, there are also instances of the viewers walking out halfway through. The prospects in toto look bad.

    Producers: Salman Khan, Subhash Ghai

    Director: Nikhil Advani

    Cast: Sooraj Pancholi, Athiya Shetty, Aditya Pancholi, Tigmanshu Dhulia, Sharad Kelkar

  • Double Trouble in Colors’ ‘Bigg Boss 9’ with Salman Khan

    Double Trouble in Colors’ ‘Bigg Boss 9’ with Salman Khan

    MUMBAI: Colors’ controversial yet loved reality show Bigg Boss season 9 is all set to hit the Indian television in October to be hosted by Salman Khan yet again. The first promo of Bigg Boss 9 is out and the audience has lapped it up. Within 24 hours, the promo received more than 60,000 views on YouTube.

    What’s more, Colors has also roped in three major sponsors for the ninth season. Bigg Boss 9 will be presented by SnapDeal, powered by Oppo Mobile India and driven by Maruti Swift. It will be produced by Endemol.

    This season, Bigg Boss 9 has the tagline – ‘Double Trouble,’ which has been hinted at in the promo. While the contestants’ antics coupled with Khan’s inimitable hosting style has managed to pack a punch more often than not, this time round Bigg Boss seems to have doubled the fun in its ninth season.

    The show’s promo features a couple in the house wearing the same shirt and Salman Khan is seen peeping through the door hole. He then looks into the camera and mouths catchy phrases like ‘Double hoga trouble’ and ‘Bigg Boss nau is going to be wow.’

    The promos also hint that this season will be tougher than its predecessors. Bigg Boss 9 is likely to go on air from 11 October, soon afterJhalak Dikhhla Jaa Reloaded wraps up.

    While the channel has not yet revealed the time slot for the show, it is pertinent to note that previous seasons have been aired in the 9 pm prime time slot. Colors currently airs Chakravarti Ashoka Samrat at 9 pm and Swaragini at 9:30 pm, which are both raking in good ratings for the broadcaster.

    It now remains to be seen how Colors rejigs its programming line-up to pave way for Bigg Boss 9.

    It may be recalled that last year, Khan had to leave the show midway because of prior commitment towards work and was replaced by choreographer and filmmaker Farah Khan, who hosted the extended edition of Bigg Boss season 8 – Halla Bol.

  • Marathi film industry poised for growth with superior content

    Marathi film industry poised for growth with superior content

    MUMBAI: In recent times movies like KillaTimepassLai Bhaari and Fandry have managed to break regional shackles and create a buzz amongst all and sundry. Reason – the Rs 300+ crore Marathi film industry has been churning out some quality content lately. What’s more, made on puny budgets – when compared to the big daddy of Indian cinema – Bollywood, many a Marathi films are breaking even and also profiting.  

     

    More often than not the fate of Bollywood movies depends on the star quotient. A Salman Khan movie will do well, no matter what. Such is the power and charisma of the man. Compared to this, in Marathi cinema, there is less reliance on stars as it is superlative content that sets the cash registers ringing.

     

    The Riteish Deshmukh starrer Marathi movie Lai Bhaari collected over Rs 40 crore at the box office, while Timepass collected Rs 30 crore. On the other hand, Classmate collected nearly Rs 21 crore at the box office turnstiles. These numbers say a lot.

     

    While these films get a limited theatrical release, when the content clicks with movie aficionados, distributors are ready to shell out that extra moolah for a wider release.

     

    The Marathi film industry churns out close to 100 movies a year as compared to 1000+ Hindi movies that are released every year. While the cost of production of a mid-budget Marathi movie is Rs 1.5 crore, the budget touches Rs 3.5 crore for a big budget Marathi movie. On the other hand, promotions budgets are in the range of Rs 1.5 – 2 crore, which includes advertising, distribution and release cost.

     

    Global Sports Entertainment And Media Solutions directors Arjun Singgh Baran and Kartik Nishandar said, “The Marathi film industry is showing great potential to grow further if strategised well. And the State government is doing a lot for the growth of the Marathi film industry. However, producers still have to pay rental to single screen theatres, which adds up to the overall cost. With this, the movie becomes expensive for the producer.”

     

    With the proliferation of digital and social media, today every brand, movie, personality or company are using the medium to get their message across to million of people at one go. Reiterating the importance of the digital platform, Baran and Nishandar said that digital marketing plays a prominent role in the success of a movie. “Digital marketing over the last one year has grown to the next level with the presence of maximum number of youth on the digital platform. As the target audience has shifted from the age group of 14 to 45, the maximum exposure a movie gets is only through digital marketing,” the duo opined.

     

    While the Marathi movie has always been high on the content, the industry didn’t get its rightful place under the sun until now due to lack of finance, distribution and proper marketing. However, in last five years or so, Marathi movies’ box office collections have seen a considerable jump.

     

    According to director Swapna Joshi, content is the key for a movie’s success. “There is a drastic change in Marathi cinema content. There are three major positive changes that have taken place in Marathi film content over the past few years. The first is that the content is becoming very strong, bolder and wider. Secondly, while collaborating modern context into content, we are not letting go of our core values. Thirdly, the production value of a Marathi movie has really gone up in recent times. One thing that the industry should take care of is not to compromise quality over quantity,” Joshi said.

     

    Key revenue generating factors for a movie are its theatrical distribution coupled with targeted promotions. Actor, director and producer Mahesh Kothare added, “Times have changed and there is an evolution of cinema, which gave an impetus to piracy. Unlike olden days, the shelf life of a movie these days is just a few weeks. So the total box office collections depend on the number of theatres that a movie has been released across. Maximum screens means maximum reach, which automatically results in maximum profit. While most of the revenue is recovered in the first week itself, if a movie runs for four weeks, it’s a bonus and if the run continues into the fifth week, the movie is a great success.” 

     

    9X Jhakaas programming head Rohan Rane opined, “The Marathi film industry is growing and celebrities want to be a part of it because both the industries are working very closely with each other. There are many Marathi music launches and releases, which are attended by Bollywood biggies. Similarly, there are many Marathi actors, who have become a part of Bollywood movies.” 

     

    The Indian film industry has a history of more than 100 years, wherein Marathi cinema is the oldest form of cinema. According to the National Film Development Corporation (NFDC) and International Film Festival of India (IFFI), the first indigenously made film was Raja Harishchandra in 1913, which was produced by Dada Saheb Phalke, as part of Marathi cinema. It was made with Marathi dialogues while shooting with a fully Marathi crew.

     

    That said, the Marathi film industry, which has been churning out superior National Award winning content lately, is poised for growth in the coming years even as the release environment gets more and more conducive.

  • Box Office: ‘Drishyam’ collects Rs 27.6 crore; ‘Bajrangi Bhaijaan’ going strong

    Box Office: ‘Drishyam’ collects Rs 27.6 crore; ‘Bajrangi Bhaijaan’ going strong

    MUMBAI: Much touted, successful in its Malayalam, Telugu and Tamil versions, Drishyam carried some expectations in the trade but, with only Ajay Devgn in the top billing, the film could not draw the expected audience. Despite praise from the critics, word of mouth failed to do much for the film. 

     

    Drishyam opened at little over Rs 5 crore on Friday and, as expected, did show some improvement on Saturday and got better on Sunday. However, despite its economical making and saving on casting, the weekend figures had Rs 27.6 crore to show including paid previews on Thursday. This being not up to the mark, much will depend on how the film holds through the rest of the week.

     

    Masaan, critically acclaimed film as well as a Cannes awardee, could not do much at the box office. Awards of any kind don’t really matter to the Indian audience. The film collected a measly Rs 2.4 crore in its first week.

     

    On the other hand, Salman Khan’s Bajrangi Bhaijaan maintained a strong trend even in its second week. The film has become a rage all over and Khan’s docile character without action has found much appreciation. What’s more, the film’s climax has been winning the audiences’ hearts. The film added a fantastic Rs 87.2 crore in its second week to take its two week tally to Rs 272.05 crore. 

     

    Baahubali: The Beginning (Hindi-Dubbed) continues its strong run notwithstanding strong opposition from Bajrangi Bhaijaan. The film is already the highest grossing Hindi dubbed film ever and looking at the trend it will most likely also be the first dubbed film to make it to Rs 100 crore club. The film has collected Rs 21.7 crore in its third week, which is barely Rs 3 crore less than its second week. This takes the film’s three week total to Rs 87.95 crore.

  • Smart packaging, relevant marketing among key factors behind Pro Kabaddi League’s success

    Smart packaging, relevant marketing among key factors behind Pro Kabaddi League’s success

    MUMBAI: A game that was played in the inert Indian villages amidst mud and puddle garnered reach beyond expectations when telecast on television because of the way it was packaged. Quality non-reflecting mats replaced mud and puddle as the outdoor game was hosted in premier indoor stadiums and in turn offered fans a great viewing experience courtesy the Pro Kabbadi League (PKL), which was launched last year.

     

    Kabaddi being a native sports always had space in the heart of people and hence when clubbed with quality packaging succeeded to make an impact instantaneously in viewers’ mind. Moreover, the organizers in association with federations twisted and turned the rules of the sport to rope in more opportunities of monetization.

     

    To add to that, the who’s who of Bollywood were spotted cheering for their favourite team during Kabaddi matches in the first edition, which also drove their fan base into the sport. In the second edition, every game will start with a renowned dignitary singing the national anthem, the tournament kick started with Amitabh Bachchan singing Jana Gana Mana.

     

    To cut a long story short, no stones have been left unturned to popularize and market the game to the viewers.

     

    After detailed analysis, GroupM’s specialist business wing – GroupM ESP (Entertainment and Sports Partnerships) in association with IIM Ahmedabad released the key factors, which orchestrated the success story of Star Sports’ Pro Kabaddi League. In its debut year, PKL garnered a cumulative reach of 435 million. What’s more, in its second season, which is currently underway, Star and Mashal Sports expect it to be bigger and better.

     

    Fan Acceptability of League: Kabaddi as a sport didn’t enjoy the huge native fan base to start with but a high decibel marketing campaign ensured relevance and the media push built hype to ensure viewer interest. Top notch game quality, best-in-the world talent pool & crisp program packaging made the league ‘likable’ amongst the audience, finds the research.

     

    Choice of Sports: Choosing Kabaddi as the sport was a bold decision to start with considering player popularity being low in the country. But at the same time, Indian Kabaddi contingent has been immensely successful at the global stage over the years ensuring early survival of the league.

     

    Game Format & Scheduling: Instead of aping the successful home and away format of the Indian Premier League (IPL), PKL went for a caravan format keeping the league short and crisp ensuring the league getting over before the initial hype died down.

     

    Players: Being an indigenous sport, although the players aren’t well known names amongst the audience; the quality of talent pool participating in PKL has been the best in the world.

     

    Design of The League: In the first season, the right holders managed to keep the expenses from central as well as team perspective under check beautifully making the league commercially viable and ensuring deep pockets for the team to spend on players. This in turn ensured level playing field between the eight teams making the league competitive right till the end and exhilarating for the audience.

     

    Team Location: City based franchise enabled association with fans of that particular region resulting in captive fan base.

     

    Fan Experience:

     

    .   Kabaddi as a sport doesn’t demand major infrastructure making it easy to host the matches in equipped auditoriums/multipurpose stadiums. This makes the on-ground fan experience memorable.

    .   Seek on-air production and packaging with informative commentary in regional languages helps build greater audience connect.  

    .   Live streaming on Hotstar will add to the on the go audience.

     

    League Federation Relationship: Pro Kabaddi League is a privately owned league, which is controlled and run by the league and the franchise owners bringing in accountability and professionalism. However, the league is sanctioned by international and national sports federation allowing the best talent in the world to participate.

     

    Celebrity Involvement:  High profile celebrity owners ensuring stickiness to the sport. Celebrity owners also cashed in on their existing audience to build initial loyalty. Broadcaster capitalized on marquee sports properties by introducing Salman Khan and continuously associating with him and his movie Bajraangi Bhaijaan to build the buzz. Additionally, getting icons like Amitabh Bachchan to voice “Le Panga” anthem added to the celebrity fervor.

     

    GroupM ESP sports and live events national director Vinit Karnik said, “Pro-Kabaddi League is a fine example of how a nation that is largely cricket-hungry can have its fair share of adulation, growth and success in a short span of time. It is heartening and optimistic for the business and growth of a sporting economy like ours. As a front-runner in the business of sports, ESP through this initiative listed all possible parameters that has made Pro-Kabaddi League a success. These findings are backed by the IIM-A and GroupM ESP report, a comprehensive paper that examines identifying factors for successful sporting leagues.”

  • Box Office: ‘Bajrangi Bhaijaan’ zooms past Rs 200 crore

    Box Office: ‘Bajrangi Bhaijaan’ zooms past Rs 200 crore

    MUMBAI: While most films shy away from releasing immediately after a much expected blockbuster is released in theatres, the small but critically acclaimed film Masaan was bold enough to come in the week following the Salman Khan starrer Bajrangi Bhaijaan.

     

    Masaan, despite being awarded at the Cannes Film Festival earlier this year, fails to make a mark at the box office as its very limited opening weekend footfalls show.

     

    After a weekend of over Rs 100 crore, Bajrangi Bhaijaan continued to cash in on post Eid revelries. The almost universal positive word of mouth also helped the film continue its record-breaking spree throughout its first week outperforming all top grossers of recent times. The film ended its first week with Rs 184.85 crore and went on to cross the Rs 200 crore mark on day nine.

     

    The film has an open week and will continue its march into the second week where it is expected to create more records, especially on Saturday and Sunday.

     

    Baahubali: The Beginning (Hindi- Dubbed) maintains a strong trend in its second week despite strong opposition in Bajrangi Bhaijaan. At the same time, the film also benefitted from Eid celebrations as the Muslim audience throng the cinemas after a month of restraint due to Ramzan. The film collected Rs 24.7 crore in its second week to take its two-week total to Rs 66.25 crore.

     

    Having crossed the Rs 100 crore mark, which matter much to such controlled budget films, ABCD 2 comes to the end of its run adding Rs 10 lakh in its fifth week taking its five week total to Rs 105.05 crore.