Tag: Sabbir Khan

  • Sony MAX to premiere Sabbir Khan’s ‘Adbhut’ as first direct-to-TV film

    Sony MAX to premiere Sabbir Khan’s ‘Adbhut’ as first direct-to-TV film

    Mumbai: After the recent box office success of horror-supernatural movies such as Shaitaan, Stree 2 and Munjya, Sony MAX is set to make history with the highly anticipated supernatural thriller and Sony MAX Original Release: Adbhut as a Direct-to-TV Release, ushering a new era in Bollywood.

    Directed by Sabbir Khan and starring the critically acclaimed Nawazuddin Siddiqui, alongside Diana Penty, Shreya Dhanwanthary and Rohan Mehra, Adbhut promises to deliver a spine-chilling experience that will enthrall audiences nationwide. The film, produced by Sony Pictures International Productions and Sabbir Khan Films, explores a world where the supernatural collides with reality.

    This signals a new era for television, positioning it as a formidable platform for high-profile film releases.

    Adbhut director Sabbir Khan said, “Television has always been a powerful medium in India, reaching millions of homes across the country. With Adbhut, we are not just releasing a film; we are penetrating across crores of Indian households all at once. We are making history by embracing a new model that puts the audience first.”

    Lead actor Nawazuddin Siddiqui said, “Adbhut is a film that pushes boundaries, not just in its story but in how it’s being shared with the world. It’s exciting to see a film reach millions of people at once through television. The supernatural genre has always intrigued me, and I believe audiences will find the experience both thrilling and thought-provoking. With this direct-to-TV release, we’re breaking new ground, and I’m proud to be a part of this historic moment.”

    Sony MAX head – programming & on-air promotions  Udayan Pradeep Shukla commented, “In a rapidly changing world, it’s crucial to innovate and adapt. Sony MAX Original Release: Adbhut is our statement of intent that quality content should be accessible to everyone, and the unparalleled reach of television offers the perfect stage for such a monumental event on Sony MAX.”  

    This strategic release is set to create waves across the industry, starting a trend where television can potentially become a viable platform for major film releases – so far driven by OTT. This is expected to redefine how audiences consume blockbuster content, making high-quality entertainment more accessible than ever before. Adbhut stands at the forefront of change, heralding a new dawn for television as the ultimate platform for the new wave of cinema that will follow in 2024.

  • Baaghi: A Rebel For Love – one for the masses; Shortcut Safari is Short cut to suffering

    Baaghi: A Rebel For Love – one for the masses; Shortcut Safari is Short cut to suffering

    Baaghi is an action romance film. Sajid Nadiadwala makes sure his films are entertainers and don’t leave the masses out.  Like all love stories, two guys want the same girl. Since the girl loves only one of them, the other guy becomes the villain in the plot. The film bears similarities to the Indonesian production, The Raid: Redemption and is a remake of the Telugu movie Varsham.

    Tiger Shroff, a Delhi lad, is on his way to Kerala to join a martial arts institution. He is a wayward guy and being sent here to be disciplined. On the train, he meets Shraddha Kapoor who is travelling to meet her grandmother. Both are attracted instantly and, in Kerala, their love blossoms further.

    The master at the institution is an accomplished martial arts exponent. A strict disciplinarian, he is much respected. His son, Sudheer Babu, excels in martial art and uses his might to terrorize people. He sees Shraddha and falls for her and wants to marry her at any cost. Sparks fly between Sudheer and Tiger.

    Shraddha’s father, Sunil Grover, is an opportunist and when offered a bagful of money, he agrees to marry off Shraddha with Sudheer. To separate her from Tiger, he concocts a story which Shraddha believes but is still not willing to marry Sudheer.

    Sudheer’s father, the master of the institution, cautions Sudheer not to come between two lovers and marry where he decides on the girl. Sudheer has no scruples and poisons his farther, there being no other way to get him out of his way. He then shifts his operations to Thailand in a ten storey building. While Shraddha is kept on the top floor, the other nine are like layers of shields for her with armed and qualified fighters.

    Tiger has left Kerala and is living a normal life when Grover approaches him. Shraddha has been abducted and he offers Tiger money to find her. Tiger needs the money for the treatment of a small child he has adopted while living with another student at the Institution.

    Now wasting time to find Sudheer, he enters the ring to fight a no holds barred bout of a fight with a regular winner and knocks him out in one kick. The bout is being watched on a close circuit camera and his plan works. Now, Sudheer’s men are after him.

    After some more fights and chases, Tiger is assumed dead. But, Shraddha is sure he will come to rescue her. And he does. After negotiating the nine floors full of goons, he is finally face to face with Sudheer. He seems to have learnt some secrets of hand to hand combat which Sudheer missed.

    The story is typical and the direction is apt. What makes the film interesting is the fresh casting and action. Considering this is only his second film, the audience response to Tiger’s entry and during action scenes is tremendous. He and petite Shraddha make a good pair. Grover is good in light scenes and as scheming father. Sudheer is menacing enough for Tiger’s winning look hard-fought.

    Considering this is a romantic film, it needed a couple of chartbusters but has only one song, Sab tera…which appeals.  The cinematography is good.

    Baaghi is a single screen entertainer after a long gap, besides having appeal for young viewers and is set to be a decent earner.

    Producer: Sajid Nadiawdwala.

    Director: Sabbir Khan.

    Cast: Tiger Shroff, Shraddha Kapoor, Sudheer Babu, Sunil Grover, Sanjay Mishra.

    Shortcut Safaari..Short cut to suffering

    Amitabha Singh, the producer and cinematographer associated with some award winning films has turned to direction with Shortcut Safaari. His earlier association with a children’s film was Chillar Party as a cinematographer. He worked as a DOP on Khosla Ka Ghosla and was the producer (with NFDC) of the national award winning Gujarati film, The Good Road, India’s nomination to the Oscars. But, direction is another ball game altogether.

    A group of school kids belonging to the nature society of a school are taken on a day out to a nature park to learn firsthand the gift that we have in the form of nature and all that it breeds. The tour done, the kids are divided on return trip in three small vans. The teacher in charge is keener on keeping her date with her beau, ditches her students and hitchhikes on the pillion of her man.

    While the students in two vans depart, the third one takes a little longer with a couple of students arguing over sitting arrangements. When they are on the road finally, the kids see a higher HP car overtake them and their fragile egos incite their driver to overtake that car. The driver hardly seems to have control on his small van but takes the challenge. He takes a shortcut, drives recklessly and lands up in a jungle. His van has bumped into a tree.

    The driver needs help and leaves the kids to find a help in nearby village!! Promising to return soon, he leaves the students alone to fend for themselves. What follows is an ordeal on the viewer. The driver has vanished. The students spend the night in the van but the night is eventful as funny looking, animated hyenas, leopard etc. visit them, dance on their van and vanish! The students, despite their exposure to nature and coming as they do from high end school, think hyenas are dogs and the leopard is a cat! So much for education!!

    The students, fight among themselves, sing and dance and roam the jungle to find a way out. So far, there seems to be not a soul around except a caricature of a leopard. But, as the film progresses, the jungle suddenly seems over populated. There are a couple of buffoons, supposed to provide comic relief, with toy guns who want to kill the sole leopard so that the jungle can be turned into real estate bonanza! Mall and all that!!

    The film flashes Jimmy Shergill as its lead actor and you wonder where he is? Finally, he does show up in a dress weirder than that any self-styled baba ever wore. He seems to be the self-appointed keeper of the forest.

    Shortcut Safaari is a film with no sense for script, let alone on for a film catering to children. The direction matches the script and is full of inconsistencies including the students cast showing varying ages. The jungle life and the few animals depicted are a joke with poor animation. Its songs are good. The editor has no scope here; he could have chopped the whole film if permitted. Some kids act well, some don’t. All others playing parents and teacher are non-actors, nor do they bother to act.

    Shortcut Safaari is a children oriented film from which children are better off kept away.

    Producer: Xebec Films Pvt. Ltd., Kashyap A Shah, Amigos Fin-o- tainment.

    Director: Amitabha Singh.

    Cast: Aashi Rawal, Sharvil Patel, Mann Patel, Deah Tandon, Ugam Khetani, Stuti Dwivedi, Hardil Kanabar, Jimmy Sheirgill.

  • Baaghi: A Rebel For Love – one for the masses; Shortcut Safari is Short cut to suffering

    Baaghi: A Rebel For Love – one for the masses; Shortcut Safari is Short cut to suffering

    Baaghi is an action romance film. Sajid Nadiadwala makes sure his films are entertainers and don’t leave the masses out.  Like all love stories, two guys want the same girl. Since the girl loves only one of them, the other guy becomes the villain in the plot. The film bears similarities to the Indonesian production, The Raid: Redemption and is a remake of the Telugu movie Varsham.

    Tiger Shroff, a Delhi lad, is on his way to Kerala to join a martial arts institution. He is a wayward guy and being sent here to be disciplined. On the train, he meets Shraddha Kapoor who is travelling to meet her grandmother. Both are attracted instantly and, in Kerala, their love blossoms further.

    The master at the institution is an accomplished martial arts exponent. A strict disciplinarian, he is much respected. His son, Sudheer Babu, excels in martial art and uses his might to terrorize people. He sees Shraddha and falls for her and wants to marry her at any cost. Sparks fly between Sudheer and Tiger.

    Shraddha’s father, Sunil Grover, is an opportunist and when offered a bagful of money, he agrees to marry off Shraddha with Sudheer. To separate her from Tiger, he concocts a story which Shraddha believes but is still not willing to marry Sudheer.

    Sudheer’s father, the master of the institution, cautions Sudheer not to come between two lovers and marry where he decides on the girl. Sudheer has no scruples and poisons his farther, there being no other way to get him out of his way. He then shifts his operations to Thailand in a ten storey building. While Shraddha is kept on the top floor, the other nine are like layers of shields for her with armed and qualified fighters.

    Tiger has left Kerala and is living a normal life when Grover approaches him. Shraddha has been abducted and he offers Tiger money to find her. Tiger needs the money for the treatment of a small child he has adopted while living with another student at the Institution.

    Now wasting time to find Sudheer, he enters the ring to fight a no holds barred bout of a fight with a regular winner and knocks him out in one kick. The bout is being watched on a close circuit camera and his plan works. Now, Sudheer’s men are after him.

    After some more fights and chases, Tiger is assumed dead. But, Shraddha is sure he will come to rescue her. And he does. After negotiating the nine floors full of goons, he is finally face to face with Sudheer. He seems to have learnt some secrets of hand to hand combat which Sudheer missed.

    The story is typical and the direction is apt. What makes the film interesting is the fresh casting and action. Considering this is only his second film, the audience response to Tiger’s entry and during action scenes is tremendous. He and petite Shraddha make a good pair. Grover is good in light scenes and as scheming father. Sudheer is menacing enough for Tiger’s winning look hard-fought.

    Considering this is a romantic film, it needed a couple of chartbusters but has only one song, Sab tera…which appeals.  The cinematography is good.

    Baaghi is a single screen entertainer after a long gap, besides having appeal for young viewers and is set to be a decent earner.

    Producer: Sajid Nadiawdwala.

    Director: Sabbir Khan.

    Cast: Tiger Shroff, Shraddha Kapoor, Sudheer Babu, Sunil Grover, Sanjay Mishra.

    Shortcut Safaari..Short cut to suffering

    Amitabha Singh, the producer and cinematographer associated with some award winning films has turned to direction with Shortcut Safaari. His earlier association with a children’s film was Chillar Party as a cinematographer. He worked as a DOP on Khosla Ka Ghosla and was the producer (with NFDC) of the national award winning Gujarati film, The Good Road, India’s nomination to the Oscars. But, direction is another ball game altogether.

    A group of school kids belonging to the nature society of a school are taken on a day out to a nature park to learn firsthand the gift that we have in the form of nature and all that it breeds. The tour done, the kids are divided on return trip in three small vans. The teacher in charge is keener on keeping her date with her beau, ditches her students and hitchhikes on the pillion of her man.

    While the students in two vans depart, the third one takes a little longer with a couple of students arguing over sitting arrangements. When they are on the road finally, the kids see a higher HP car overtake them and their fragile egos incite their driver to overtake that car. The driver hardly seems to have control on his small van but takes the challenge. He takes a shortcut, drives recklessly and lands up in a jungle. His van has bumped into a tree.

    The driver needs help and leaves the kids to find a help in nearby village!! Promising to return soon, he leaves the students alone to fend for themselves. What follows is an ordeal on the viewer. The driver has vanished. The students spend the night in the van but the night is eventful as funny looking, animated hyenas, leopard etc. visit them, dance on their van and vanish! The students, despite their exposure to nature and coming as they do from high end school, think hyenas are dogs and the leopard is a cat! So much for education!!

    The students, fight among themselves, sing and dance and roam the jungle to find a way out. So far, there seems to be not a soul around except a caricature of a leopard. But, as the film progresses, the jungle suddenly seems over populated. There are a couple of buffoons, supposed to provide comic relief, with toy guns who want to kill the sole leopard so that the jungle can be turned into real estate bonanza! Mall and all that!!

    The film flashes Jimmy Shergill as its lead actor and you wonder where he is? Finally, he does show up in a dress weirder than that any self-styled baba ever wore. He seems to be the self-appointed keeper of the forest.

    Shortcut Safaari is a film with no sense for script, let alone on for a film catering to children. The direction matches the script and is full of inconsistencies including the students cast showing varying ages. The jungle life and the few animals depicted are a joke with poor animation. Its songs are good. The editor has no scope here; he could have chopped the whole film if permitted. Some kids act well, some don’t. All others playing parents and teacher are non-actors, nor do they bother to act.

    Shortcut Safaari is a children oriented film from which children are better off kept away.

    Producer: Xebec Films Pvt. Ltd., Kashyap A Shah, Amigos Fin-o- tainment.

    Director: Amitabha Singh.

    Cast: Aashi Rawal, Sharvil Patel, Mann Patel, Deah Tandon, Ugam Khetani, Stuti Dwivedi, Hardil Kanabar, Jimmy Sheirgill.

  • &pictures premieres blockbuster ‘Zanjeer’

    &pictures premieres blockbuster ‘Zanjeer’

    MUMBAI: Since its inception, &pictures, India’s premium interactive and movie channel, has endeavored to provide its audiences blockbuster films through innovative and ground-breaking campaigns. Yet again, the channel is all set to air the remake of the 1973 blockbuster movie – ‘Zanjeer’ which starred superstars Amitabh Bachchan and Jaya Bachchan. Marking the debut of south Indian superstar, Ram Charan in Bollywood, the 2013 remake also features the sensational Priyanka Chopra and created quite a buzz at the box office.

     

    &pictures aims to showcase the best of Bollywood and provide complete entertainment to its viewers. The movie revolves around the self-righteous and brutally honest police officer – Vijay Khanna’s struggle against the system, his battle against his inner demons and chase against an oil mafia giant called Teja. Ram Charan who takes legendary actor Amitabh Bachchan’s role in the remake as ACP Vijay Khanna was appreciated for bringing in an entirely different approach to his character.

     

    Not only did Ram Charan win a billion hearts of Bollywood fans with his earnest acting skills but the direction as well as the presence of other stellar actors such as Sanjay Dutt, Prakash Raj, Priyanka Chopra, Mahie Gill and Atul Kulkarni also won immense applauses for their work. With all the accolades that the Zanjeer of 2013 won from across the country, &pictures is all set to air the mega-hit cult movie remake on Indian television.

     

    So catch all the excitement, action and adventure by tuning-in to ‘Zanjeer’ on the small screen for the first ever on Sunday, July 13 at 2 pm only on &pictures!

  • Heropanti: Of a one man army

    Heropanti: Of a one man army

    MUMBAI: There are a few oddities about Heropanti, probably created on purpose. The film is identified with the 1983 film Hero which launched, Jackie Shroff, the father of the hero of Heropanti, Tiger Shroff. All that is common between Hero and Heropanti is that the latter uses the signature flute tune of Hero, that too in a badly slaughtered and remixed version.  The genes of both films have nothing in common. This film seems to have been made on a shoestring budget with the intent of cashing in on Jackie Shroff’s goodwill of over 30 years and freshness of Tiger Shroff.

    In fact, Heropanti resembles any south Indian film where a strong family with a lot of muscle power finds suitors for its daughters in a similar family status. Even the treatment meted out is like any recent south film though here the strong muscle-wielding family is Jat, who don’t mind killing their own daughter if she marries outside of the family arrangement.

    The story goes like this: the daughter of the most dreaded Jat Chaudhary, played by Prakash Raj, has eloped with her lover on her wedding day (in films they have to vanish from the mandap for greater effect). The Chaudhary is devastated as his izzat is at stake. He decides to follow the tradition, find his daughter and her lover and kill them. To find them, he rounds up the guy’s friends because they should know where the couple has gone. While the two friends are easily picked up and half beaten to death and imprisoned, the third one, Tiger, is not as easy to handle. He bashes up all of Prakash’s goons until he is taken by surprise.

    Producer: Sajid Nadiadwala.

    Director: Sabbir Khan.

    Cast: Tiger Shroff, Kriti Sanon, Prakash Raj, Vikram Singh.

    Tiger too is locked up in a barn with his other friends and they try to escape on the first opportunity. However, Tiger wastes the chance when he spots the girl he had fallen in love at first sight back in Delhi. He decides to stay back, track the girl and win her over. As happens in film stories, the girl he loves is the Chaudhary’s other daughter. Chaudhary, who is overly possessive about his daughters and can’t bear to think that his daughters can love somebody else more than they love him.

    As Tiger displays his prowess with action and dancing while chasing his love, the second half of the film succeeds in generating more interest than the earlier part which dragged a lot. In fact, with no known face except Prakash Raj, the film is all about Tiger’s abilities.

    The fact is, Heropanti, like its title, is forced (the real Mumbai slang is Herogiri). While the background of the film is about north Jats, it is made to look like a typical southern film. The direction is shoddy with chalta hai attitude. The dialogue is good in parts. Action is very well shot. The film has two good numbers with well choreographed dance moves. Performance wise, Tiger excels in action and dance but needs to improve in dialogue delivery. Kriti Sanon is a mismatch with Tiger; she looks much more mature and manly. Prakash Raj is his usual self. Rest of the goons are okay.

    Heropanti has opened to over 50 per cent houses which are very good for a new face film and considering its budget. The film should jump to plus side on its first weekend of business thanks to curiosity to watch Tiger.