Tag: sab tv

  • Alchemy borrows household name ‘Naagin’ to create ‘Ichhapyaari’ series

    Alchemy borrows household name ‘Naagin’ to create ‘Ichhapyaari’ series

    MUMBAI: Some get inspired, others hop on to the success bandwagon and there are those who create spoofs. Whether some would want just their foot into the door using a namesake is a moot question.

    As an audience, we have seen several supernatural characters on the Indian television. In recent times, from ‘Naagin’ to ‘Makhi’ and ‘Gorilla’ to wolfs, these were among the supernatural characters that trended on the Idiot Box. Among these, ‘Naagin’ ruled the Hindi general entertainment channels scripts for months together.

    Though the concept has now grown old, Colors is among the few broadcasters who reignited this trend. After launching Naagin in 2015, broadcasters and production houses had gone gaga over supernatural series of their own.

    The image of a snake in stories relayed on the Indian television is stereotypical and symbolises a negative character akin to Shakti Kapoor’s image in Bollywood. But, has one ever thought what is it being to be a snake? Do they always intend to harm human beings?

    Using the character of ‘Naagin’ but in a different story line, Alchemy Productions co-founder Siddharth Malhotra, who had co-founded Cinevista, brings the friendly version of snakes in “Ichhapyaari Naagin’ which will be telecast on Sab TV. Starting from 27 September, the show will be aired at 8pm from Monday- Friday.

    “The idea struck me after watching ‘Naagin’ and 20 other shows,” Malhotra said. “What would a snake think if it ever watches the show. And, what if a snake appears in front of you and says, “Hey, don’t run away. I am not that bad” are some of the ideas that germinated in our minds,” he added. “And so, we thought somebody needs to change this image. It’s a positive take on snakes!. It’s a story from the snake’s perspective,” informs Malhotra.

    The story is about a ‘Ichhapyaari Naagin’, who stays in Naagistan (Naagland) and comes down to earth to change the perspective of people about snakes. According to the information available withIndiantelevision.com, the show’s production cost per episode was between 7-8 lakhs.

    The show, written by Raghuvir Shekhawat, has been directed by the creative genius who directed Balaji Telefilms’ ‘Naagin’ — Santram Verma. Bunty Rathore has penned its dialogues and Jitu Verma was the VFX wizard.

    Speaking about the comparison, Malhotra said, “Our show is not at all similar to ‘Naagin’ which is a genre of drama, revenge and love. ‘Ichhapyaari Naagin’ is a slice of life, sweet show.”

    The channel has been aggressively promoting the show through mass media and campaign. The marketing campaign is to build excitement on basis of its new avatar. Outside the home network, the channel will be focusing on youth music, movies and kids. In print, they will be focusing on leading national and regional dailies. In radio, it is trying to market the show through 30 radio stations across key states.

  • SAB TV aims to change female-male skew with HD launch

    SAB TV aims to change female-male skew with HD launch

    MUMBAI: Hoping to redefine the abbreviation of HD from high definition to happiness ka destination is Sony Pictures Networks Television India (SPN) comedy channel Sab TV. The channel is all geared up to launch its HD feed by 5 September.

    Mirroring the prime time programming line-up from its SD channel, the new HD version is to be made available on Tata Sky, Airtel, Dish TV and on cable operators across the country.

    But why did a channel which was launched in 2005 take six years to roll out its HD version? Answering that is Sab TV senior EVP and business head Anooj Kapoor who asserts that it took sometime to launch an HD version as they were upgrading the quality in terms of looks, costumes, sets, etc. Says he, “We did not see any compulsion to get into HD. We wanted to be ready with a string of shows before launching HD. Consistent efforts really ensured that best technical equipment are used for HD which looks good as the rest of the competition. The process is complete now. A different definition of HD, according to me, is very logical as our shows provide comedy and warmth which ultimately brings smiles and happiness to our audience”

    With the male- female skew being 52:48, most of the shows will see female protagonists, says Kapoor. Continuing to resonate the core brand promise Asli Mazaa Sab Ke Saath Aata Hai, the channel has lined up the launch of four to five shows in the next couple of months.

    The male balance will continue. The shows are tailored in such a way that these appeal to males as well. “We will not erode our core audience of males,” says Kapoor. “We are trying to add to that by wooing some GEC watching audience who somehow have this fixation in head that unless it is led by a female protagonist it is not for females. We are trying to get them on board using that mindset which is a big target audience.”

    He further mentions, “The audiences are mildly skewed towards males which gave us the confidence to increasing the female ratio from 48.”

    The differentiator between the two channels is that the HD version will have certain shows, talk shows, things werein people will be invited to provide information about comedy or the genres that were explored successfully.

    The packaging of the HD version of the channel will also be at its premium best. The swish and swirl of the threads in the shades of blue and purple will give a very fresh look to the channel. The threads signify coherence in the audience’s lives, it’s the thread of relations and love, which bind us all together. This new packaging will also be introduced on the SD feed corresponding to the launch HD channel.

    Attempting to be different and innovative, the channel will launch a show titled Iccha Pyaari Naagin Ki on 27 September at 8 pm. It will present a erstwhile concept of the entire idea of naagin (snake woman) that has been seen so far. It will break all the perceptions about naags and naagins that we have seen on the small screen, reveals Kapoor. Iccha is a sweet and charming character who is sent to Earth for rectifying the negative image of snakes made by humans. The show is been produced by Siddharth Malhotra which will be his first production post his exit from Cinevistaas Ltd.

    The other show that will be launched is Dil Deke Dekho which is a mix of male and female protagonists. It is a romantic comedy of three generations. “We might shoot the title song for our show from the original song in the movie Dil Deke Dekho,” said the channel head while singing the same song. The show will launch on 18 October and is produced by Manish Goswami.

    Parivaar 007 will see two daughter-in-laws and sister-in-laws appear sweet but otherwise are RAW agents with the father-in-law being the boss. The show will be a combination of thrill, action and domestic comedy. Slated to launch on 2 November, it is being produced by Sonali Jaffar.

    The channel is also working with Manish Popat from Saregama for a show titled Gupp Chupp.

    “We are not only working on several concepts but are also giving opportunities to several new producers to come on board with us,” adds the channel head.

    But does that mean its long running shows on the channel like Taarak Mehta Ka Ooltah Chashmah, Chidiya Ghar and Bal Veer will come to an end? Certainly not. According to Kapoor, if the ratings are being delivered consistently and if there is a consistent audience, they will continue. “Certain level of ratings is reached through these shows which also makes the advertisers happy as they get their audience and invest more. So there is no point pulling it out. As revenues and ratings go hand in hand, certain shows see a downfall which shall be relooked.”

    Sab TV primarily being an urban centric channel, will certainly target people who view HD and subscribe to HD channels. “We will target the audience who belong to certain strata within the urban audience. HD specifically caters to this certain segment,” he further adds.

    The advertising on both the channels will be dedicated and differentiated from each other. Advertising will be seen not in the first month but post the channel getting stable the ad push will start. “Once we have gained certain availability, we will have advertisers on board for Sab TV HD. There is a certain pattern with high-end advertising in our mind,” voices Kapoor.

    With several OTT/VOD players coming into the picture with major shows in the rom-com genre, is Sab TV seeing any danger from them? “Digital is a revolution across the world. Any channel is similarly under threat like us. You can’t stop it. Till now limited segments are consuming it which is not threatening the overall business model. There are long term challenges post its penetration but I think the solutions will also be available till that time.”

  • SAB TV aims to change female-male skew with HD launch

    SAB TV aims to change female-male skew with HD launch

    MUMBAI: Hoping to redefine the abbreviation of HD from high definition to happiness ka destination is Sony Pictures Networks Television India (SPN) comedy channel Sab TV. The channel is all geared up to launch its HD feed by 5 September.

    Mirroring the prime time programming line-up from its SD channel, the new HD version is to be made available on Tata Sky, Airtel, Dish TV and on cable operators across the country.

    But why did a channel which was launched in 2005 take six years to roll out its HD version? Answering that is Sab TV senior EVP and business head Anooj Kapoor who asserts that it took sometime to launch an HD version as they were upgrading the quality in terms of looks, costumes, sets, etc. Says he, “We did not see any compulsion to get into HD. We wanted to be ready with a string of shows before launching HD. Consistent efforts really ensured that best technical equipment are used for HD which looks good as the rest of the competition. The process is complete now. A different definition of HD, according to me, is very logical as our shows provide comedy and warmth which ultimately brings smiles and happiness to our audience”

    With the male- female skew being 52:48, most of the shows will see female protagonists, says Kapoor. Continuing to resonate the core brand promise Asli Mazaa Sab Ke Saath Aata Hai, the channel has lined up the launch of four to five shows in the next couple of months.

    The male balance will continue. The shows are tailored in such a way that these appeal to males as well. “We will not erode our core audience of males,” says Kapoor. “We are trying to add to that by wooing some GEC watching audience who somehow have this fixation in head that unless it is led by a female protagonist it is not for females. We are trying to get them on board using that mindset which is a big target audience.”

    He further mentions, “The audiences are mildly skewed towards males which gave us the confidence to increasing the female ratio from 48.”

    The differentiator between the two channels is that the HD version will have certain shows, talk shows, things werein people will be invited to provide information about comedy or the genres that were explored successfully.

    The packaging of the HD version of the channel will also be at its premium best. The swish and swirl of the threads in the shades of blue and purple will give a very fresh look to the channel. The threads signify coherence in the audience’s lives, it’s the thread of relations and love, which bind us all together. This new packaging will also be introduced on the SD feed corresponding to the launch HD channel.

    Attempting to be different and innovative, the channel will launch a show titled Iccha Pyaari Naagin Ki on 27 September at 8 pm. It will present a erstwhile concept of the entire idea of naagin (snake woman) that has been seen so far. It will break all the perceptions about naags and naagins that we have seen on the small screen, reveals Kapoor. Iccha is a sweet and charming character who is sent to Earth for rectifying the negative image of snakes made by humans. The show is been produced by Siddharth Malhotra which will be his first production post his exit from Cinevistaas Ltd.

    The other show that will be launched is Dil Deke Dekho which is a mix of male and female protagonists. It is a romantic comedy of three generations. “We might shoot the title song for our show from the original song in the movie Dil Deke Dekho,” said the channel head while singing the same song. The show will launch on 18 October and is produced by Manish Goswami.

    Parivaar 007 will see two daughter-in-laws and sister-in-laws appear sweet but otherwise are RAW agents with the father-in-law being the boss. The show will be a combination of thrill, action and domestic comedy. Slated to launch on 2 November, it is being produced by Sonali Jaffar.

    The channel is also working with Manish Popat from Saregama for a show titled Gupp Chupp.

    “We are not only working on several concepts but are also giving opportunities to several new producers to come on board with us,” adds the channel head.

    But does that mean its long running shows on the channel like Taarak Mehta Ka Ooltah Chashmah, Chidiya Ghar and Bal Veer will come to an end? Certainly not. According to Kapoor, if the ratings are being delivered consistently and if there is a consistent audience, they will continue. “Certain level of ratings is reached through these shows which also makes the advertisers happy as they get their audience and invest more. So there is no point pulling it out. As revenues and ratings go hand in hand, certain shows see a downfall which shall be relooked.”

    Sab TV primarily being an urban centric channel, will certainly target people who view HD and subscribe to HD channels. “We will target the audience who belong to certain strata within the urban audience. HD specifically caters to this certain segment,” he further adds.

    The advertising on both the channels will be dedicated and differentiated from each other. Advertising will be seen not in the first month but post the channel getting stable the ad push will start. “Once we have gained certain availability, we will have advertisers on board for Sab TV HD. There is a certain pattern with high-end advertising in our mind,” voices Kapoor.

    With several OTT/VOD players coming into the picture with major shows in the rom-com genre, is Sab TV seeing any danger from them? “Digital is a revolution across the world. Any channel is similarly under threat like us. You can’t stop it. Till now limited segments are consuming it which is not threatening the overall business model. There are long term challenges post its penetration but I think the solutions will also be available till that time.”

  • BARC Week 33: Pay TV channels declines in ratings

    BARC Week 33: Pay TV channels declines in ratings

    MUMBAI: The standout of week 33 was the fall in ratings for all the major pay TV Hindi general entertainment channels, according to Broadcast Audience Research Council (BARC) all India data.

    Other noteworthy changes were: Big Magic exited the Rural HSM top ten channels list and Sab TV came in at number 10.  

    Urban + Rural HSM

    Star Plus continued as the  undisputed leader in the general entertainment channel genre even after a fall in ratings with 668069 Impressions (000s) as against 691536 Impressions (000). Star Utsav too witnessed a fall but maintained its position at number two with 549545 Impressions (000s) followed by Zee TV at third  position with 542520 Impressions (000s) against 598686 Impressions (000s). Fourth placed Colors generated 508811 Impressions (000s) as against 586734 Impressions (000s).

    Zee Anmol on the fifth spot with 479214 Impressions (000) against 490427 Impressions (000s) and number six was Life OK with 405279 Impressions (000s).

    In week 33, Sony Pal stood at seventh with 401288 Impressions (000s) and SPN’s other channels Sab TV and Sony Entertainment Television grabbed eight and ninth spot with 375133 Impressions (000s) and 369158 Impressions (000s) respectively.

    Rishtey bagged the tenth spot with 300669 Impressions (000s).

    Rural HSM

    In week 33, Star Utsav maintained its leadership position with 417767 Impressions against 4461095 Impressions (000s) in week 32, followed by Zee Anmol  at second position with 367641 Impressions (000s) and Sony Pal on the third spot with 309802 Impressions (000s). Zee TV retained its fourth position with 231427 Impressions (000s).

    Rishtey replaced Star Plus on fifth place with 222953 Impressions (000s)  and Star Plus  bagged the sixth spot with 216435 Impressions (000s) followed by Colors at number seven with 151145 Impressions (000s). Life Ok stood at eight with 147949 Impressions (000s) followed by Sony Entertainment Television at ninth place with 105116  Impressions (000s) while Sab TV entered the list at tenth spot with 103480 Impressions (000s). Big Magic exited this week.

    Urban HSM

    Star Plus garnered the pole position even after a dip ratings with 451634 Impression (000s)against   475066 Impressions (000s) in week 33 followed by Colors at second place with 357667 Impressions (000s) and Zee TV with 311093 Impressions (000s) stood at number three.

    Sab TV grabbed the fourth spot with 271653 Impressions (000s) followed by Sony Entertainment Television  at fifth with 257330 Impressions (000s) and Life Ok with 264041 Impressions (000s).
    In urban HSM,  &TV maintained its number seven position with 159776 Impressions (000s) followed by Star Utsav with 131778 Impressions (000s) on eighth and Zee Anmol bagged ninth spot with 111573 Impressions (000s).  Sony Pal was at tenth with 91486 Impressions (000s).

     

  • BARC Week 33: Pay TV channels declines in ratings

    BARC Week 33: Pay TV channels declines in ratings

    MUMBAI: The standout of week 33 was the fall in ratings for all the major pay TV Hindi general entertainment channels, according to Broadcast Audience Research Council (BARC) all India data.

    Other noteworthy changes were: Big Magic exited the Rural HSM top ten channels list and Sab TV came in at number 10.  

    Urban + Rural HSM

    Star Plus continued as the  undisputed leader in the general entertainment channel genre even after a fall in ratings with 668069 Impressions (000s) as against 691536 Impressions (000). Star Utsav too witnessed a fall but maintained its position at number two with 549545 Impressions (000s) followed by Zee TV at third  position with 542520 Impressions (000s) against 598686 Impressions (000s). Fourth placed Colors generated 508811 Impressions (000s) as against 586734 Impressions (000s).

    Zee Anmol on the fifth spot with 479214 Impressions (000) against 490427 Impressions (000s) and number six was Life OK with 405279 Impressions (000s).

    In week 33, Sony Pal stood at seventh with 401288 Impressions (000s) and SPN’s other channels Sab TV and Sony Entertainment Television grabbed eight and ninth spot with 375133 Impressions (000s) and 369158 Impressions (000s) respectively.

    Rishtey bagged the tenth spot with 300669 Impressions (000s).

    Rural HSM

    In week 33, Star Utsav maintained its leadership position with 417767 Impressions against 4461095 Impressions (000s) in week 32, followed by Zee Anmol  at second position with 367641 Impressions (000s) and Sony Pal on the third spot with 309802 Impressions (000s). Zee TV retained its fourth position with 231427 Impressions (000s).

    Rishtey replaced Star Plus on fifth place with 222953 Impressions (000s)  and Star Plus  bagged the sixth spot with 216435 Impressions (000s) followed by Colors at number seven with 151145 Impressions (000s). Life Ok stood at eight with 147949 Impressions (000s) followed by Sony Entertainment Television at ninth place with 105116  Impressions (000s) while Sab TV entered the list at tenth spot with 103480 Impressions (000s). Big Magic exited this week.

    Urban HSM

    Star Plus garnered the pole position even after a dip ratings with 451634 Impression (000s)against   475066 Impressions (000s) in week 33 followed by Colors at second place with 357667 Impressions (000s) and Zee TV with 311093 Impressions (000s) stood at number three.

    Sab TV grabbed the fourth spot with 271653 Impressions (000s) followed by Sony Entertainment Television  at fifth with 257330 Impressions (000s) and Life Ok with 264041 Impressions (000s).
    In urban HSM,  &TV maintained its number seven position with 159776 Impressions (000s) followed by Star Utsav with 131778 Impressions (000s) on eighth and Zee Anmol bagged ninth spot with 111573 Impressions (000s).  Sony Pal was at tenth with 91486 Impressions (000s).

     

  • Everest Brand Solutions’ campaign for Taarak Mehta ka Ooltah Chasmah

    Everest Brand Solutions’ campaign for Taarak Mehta ka Ooltah Chasmah

    MUMBAI: SAB TV’s most popular show ‘Taarak Mehta ka Ooltah Chashmah’ has been the longest running comedy show in the country. It has also been recognised by the LIMCA Book of World Records for its achievement as the longest running comedy shows (8 + years) and the show has now crossed 2,000 episodes.

    To celebrate this remarkable accomplishment, SAB TV has launched its latest campaign titled ‘Ooltah Chashmah Pehnoge, Toh Seedha Dikhega’. The campaign has been conceptualised by Everest Brand Solutions and created by Rediffusion depicts that a little change in perspective makes even a setback look encouraging and brings people together. Rahul Jauhri is the chief creative officer for the campaign, with Samir Chonkar contributing as creative head and Ashish P Verma as creative head. Art direction is by Rajaram Kavatkar (CD), Mayura Ajgaonkar, Bankesh Gohil.

    The campaign is celebratory, philosophical and intrinsic to core tonality of the show. The thought has been extended into Print, TV, Radio, Outdoor and Digital.

    Sony SAB sr EVP and business head Anooj Kapoor said, ““It is a feeling of pride for us to have one of the longest running comedy shows on our channel. It has been a great journey for us, Taarak Mehta Ka Ooltah Chashmah completing 2000 episodes and still going strong only proves and strengthens our brand conviction of ‘Asli Mazaa Sab Ke Saath Aata Hain’. We would like to thank the viewers for their constant love and support.”

    Sony SAB senior VP & head marketing Chandramohan Mehra, , said,“The TMKOC brand rejuvenation campaign is also about reinforcing the mother brand SAB’s core values of positivity, simplicity, light-heartedness and togetherness. The distinctiveness of SAB brand is its ultimate competitive advantage and the milestone lends a perfect opportunity to reinforce it.”

    Rediffusion Y&R Dhunji S Wadia- Group President said, “Tarak Mehta KaOoltahChashmah is an Iconic show for Indian Television. And when it’s the 2000th episode celebrations then the creative work has to be up to its reputation and humour. That made the task challenging yet simple – Ooltah Chashmah Pehnoge Toh Seedhaa Dikhega’ – need to see the ‘Oolta Chashmah’ way to get the real joy of life.”

    Rediffusion Y&R CCO Rahul Jauhari added “How often will you find a show that continues to find relevance and strike a chord with viewers even after 8 years and 2000 episodes? That’s the magic of TMKOC and that’s also the magic of SAB TV. The campaign was based on a simple idea that pretty much is at the heart of TMKOC. A different perspective changes everything.”

    Link:

    Couple:

    Dadi:

    Elevator:

  • Everest Brand Solutions’ campaign for Taarak Mehta ka Ooltah Chasmah

    Everest Brand Solutions’ campaign for Taarak Mehta ka Ooltah Chasmah

    MUMBAI: SAB TV’s most popular show ‘Taarak Mehta ka Ooltah Chashmah’ has been the longest running comedy show in the country. It has also been recognised by the LIMCA Book of World Records for its achievement as the longest running comedy shows (8 + years) and the show has now crossed 2,000 episodes.

    To celebrate this remarkable accomplishment, SAB TV has launched its latest campaign titled ‘Ooltah Chashmah Pehnoge, Toh Seedha Dikhega’. The campaign has been conceptualised by Everest Brand Solutions and created by Rediffusion depicts that a little change in perspective makes even a setback look encouraging and brings people together. Rahul Jauhri is the chief creative officer for the campaign, with Samir Chonkar contributing as creative head and Ashish P Verma as creative head. Art direction is by Rajaram Kavatkar (CD), Mayura Ajgaonkar, Bankesh Gohil.

    The campaign is celebratory, philosophical and intrinsic to core tonality of the show. The thought has been extended into Print, TV, Radio, Outdoor and Digital.

    Sony SAB sr EVP and business head Anooj Kapoor said, ““It is a feeling of pride for us to have one of the longest running comedy shows on our channel. It has been a great journey for us, Taarak Mehta Ka Ooltah Chashmah completing 2000 episodes and still going strong only proves and strengthens our brand conviction of ‘Asli Mazaa Sab Ke Saath Aata Hain’. We would like to thank the viewers for their constant love and support.”

    Sony SAB senior VP & head marketing Chandramohan Mehra, , said,“The TMKOC brand rejuvenation campaign is also about reinforcing the mother brand SAB’s core values of positivity, simplicity, light-heartedness and togetherness. The distinctiveness of SAB brand is its ultimate competitive advantage and the milestone lends a perfect opportunity to reinforce it.”

    Rediffusion Y&R Dhunji S Wadia- Group President said, “Tarak Mehta KaOoltahChashmah is an Iconic show for Indian Television. And when it’s the 2000th episode celebrations then the creative work has to be up to its reputation and humour. That made the task challenging yet simple – Ooltah Chashmah Pehnoge Toh Seedhaa Dikhega’ – need to see the ‘Oolta Chashmah’ way to get the real joy of life.”

    Rediffusion Y&R CCO Rahul Jauhari added “How often will you find a show that continues to find relevance and strike a chord with viewers even after 8 years and 2000 episodes? That’s the magic of TMKOC and that’s also the magic of SAB TV. The campaign was based on a simple idea that pretty much is at the heart of TMKOC. A different perspective changes everything.”

    Link:

    Couple:

    Dadi:

    Elevator:

  • The secret sauce behind SAB’s 2,000 episode strong Taarak Mehta

    The secret sauce behind SAB’s 2,000 episode strong Taarak Mehta

    MUMBAI: Indian TV producer Asit Kumarr Modi is ecstatic about today, 11 August 2016. The 2000th episode of his long running flagship show Taarak Mehta Ka Ooltah Chashmah will air on Sony Pictures Networks India (SPNI) channel SAB this evening.

    The series has been giving families in Indian TV homes, a chance to smile or laugh at the light-hearted antics and banter that its protagonists have been engaged in over the past eight years, five days a week on screen at 8:30 pm.

    “I have seen Tapu sena grow up on our sets. The cast and crew is a family. We have been shooting 12 hours a day for the past eight years. This amount of time is only given to families,” says the humble and happy Asitbhai.

    Taarak Mehta Ka Ooltah Chashmah is a story of families from a fictional Gokuldham Society with instances from everyday life. The show is inspired from the Gujarati column Duniya Ne Oondha Chashma by Gujarati columnist Taarak Mehta.

    Asit shares that he used to follow this popular column in from his ninth standard and eventually ended up developing a TV show inspired by the clean comedy of the column. The show started airing in 2008.

    “When i started pitching the show, that era was of saas-bahu shows. My script was rejected by many broadcasters like Star and Zee, eventually the script matched the Sab TV’s programming strategy and my past relation with the network. We went on to make the show without realising it would go on for eight years,” says Modi with excitement lighting up his eyes.

    The highlight of the show is how the characters are developed through each episode. “Very uniquely and rarely it so happens that the main characters of the show resonate so well with the audience. Both Daya and Jetha have been often rated as the top 10 characters across the GEC space,” says SAB EVP and business head Anooj Kapoor.

    What has helped in the longevity of the Taarak Mehta Ka.. franchise? For one, there is no single protagonist in the show. There are 24 small and big characters constantly engaging with each other. However, each character has been etched very well and has built up his or her own brand equity with the TV audiences. Be it the colorful shirts of Jethalal played by Dilip Joshi, or the signature garba of Daya played by Disha Vakani or the proud society secretary Aatmaram Tukaram Bhide (Mandar Chandwadkar), each member has his or her own significance in the story.

    Asitbhai – as he known amongst friends and the fraternity – has added his personal experiences of growing up in Mumbai city. Even the well-known Gokuldham society plays a significant role in the story, which is built in a secluded corner of Mumbai film city. It cost about Rs 1 crore in 2008 to build up the society and its building. But it is renovated every alternate year. Modi giggles while saying: “I wish I had known my show would go on for eight years, then I would have built up a real property.”

    At the heart of its success is its story. And the treatment in every episode which is in the able hands of writers Raju Odedra, Rajan Upadhyay, Jitendra Parmar, Abbas Hirapurwala and Niren Bhatt.

    “I think the writing team is relentless and they keep innovating in terms of plots and don’t let the any fatigue set into the show because of the continuous freshness of the plot and the presence of such multiple communities automatically and naturally gives rise to the multiplicity of plots which keeps the show fresh,” stresses Kapoor.

    In spite of a 150 member crew, shooting for more than twelve hours, 23 days a month with a huge cast, there have been hardly any changes over the past few years. Directors Harshad Joshi and Malav Rajda have helmed more than 1500 episodes of the show. According to industry sources, one episode of Taarak Mehta costs about Rs 14-15 lakh, with most of the amount dedicated to writers and actors who have seen their remuneration going up thanks to its sustained popularity.

    “Taarak Mehta Ka Ooltah Chasmah is a microcosm of the macrocosm in the sense that it houses several communities in one housing society, the characters are real and relatable. The problems that they come across are very interesting and don’t repeat themselves, ” adds Kapoor explaining the success of the show.

    A well-known TV producer credits the simplicity of the show for its success. Media planners however told indiantelevision.com that while the content is good, generally television shows have a long life in India.

    “Taarak Mehta Ka Ooltah Chashmah is the backbone of SAB TV. The show gives the channel its maximum number of advertisers and viewers,” says television consultancy Helios Media MD Divya Radhakrishnan.

    Initially, the show had fans primarily in Gujarat, but over the years it has garnered admiration nationally across segments, strata, castes, communities, and age groups. It is one of the highest rated shows on SAB TV.

    According to BARC India, the show has garnered following ratings this year: from week one to eight, 5.9 million average Impressions, followed by 5.2 million average Impressions in week 9 to 12. The ratings dropped in weeks 17 to 24 with 4.8 million average Impressions and jumped back to 5.3 million average impressions in 25-30 weeks. According to reports, the show has remained in the list of top 10 comedy shows for over the past five years. Which has helped it sweep away many an award over the years; Asitbhai estimates that it is 70 plus. So far. Amongst this are many an Indiantelevision.com Indian Telly Awards.

    Its success has helped it attract brands to back it as well. Taarak Mehta ka… is currently sponsored by Oppo mobile and has a history of sponsors from all sectors including FMCG, automobiles, food etc. some of the past sponsors are Lifebuoy, Garnier, Ariel, Surf Excel, Cadbury. According to experts, any brand that targets family audiences would find it a good fit.

    Industry experts suggest that a 10 second ad spot on Taarak Mehta.. goes for double the average advertising rate on other Sab TV shows. That, according to media agency sources, translates into Rs 15,000-20,000 per 10 seconds of ad inventory.

    They further estimate that it contributes about 40 percent of the channel’s revenue.

    The Taraak Mehta cast is so popular that they have been brought in to prop up other shows like CID and Comedy Nights. Additionally, they have also been associated with the Swacch Bharat Abhiyan movement which has been initiated by prime minister Narendra Modi.

    SAB is celebrating the 2000th episode in grand style with a marketing blitz estimated at around Rs 1.5 crore that is to be put behind it through the year. Bus panels, large billboards, activation, digital media, radio channels such as Radio Nasha, Radio Mirchi, newspaper ads, cross channel promos – are all being used to tom tom the landmark achievement. A contest on social media has been asking fans to upload selfies wearing ooltah chashmah, which signifies positivity in life and upload it or hastag #Ooltahchasmah on twitter to win freebies. The channel is pushing the show on various digital platforms.

    To keep up with the times, Asitbhai’s Neela Telefilms is launching an app called Ooltah Chashmah, where his company will release character stories leveraging the popularity of each character and other comedy content. A unique Taarak Mehta ka Ooltah Chashmah app is also being lined up to release with the airing of the 2000th episode. It features games and other content but all in line with the show’s philosophy and brand ethos.

    The app and mobile game have been developed by Devyani and Viral Gandhi’s VAS. The production house has also lined up an animation series based on the show targeting young audiences.

    The remake rights of Taarak Mehta vest with Asitbhai and Neela Telefilms, apart from an understanding with the channel which has allowed him to retain the language dubbing rights. And it is these that he is looking at exploiting globally, apart from remaking the show for international audiences. He has appointed Madhu Entertainment headed by market veteran Hirachand Dhand to help him fulfill his objectives.

    The show has set many benchmarks in India, it is to be seen how well Gokuldham gets accepted internationally,

  • The secret sauce behind SAB’s 2,000 episode strong Taarak Mehta

    The secret sauce behind SAB’s 2,000 episode strong Taarak Mehta

    MUMBAI: Indian TV producer Asit Kumarr Modi is ecstatic about today, 11 August 2016. The 2000th episode of his long running flagship show Taarak Mehta Ka Ooltah Chashmah will air on Sony Pictures Networks India (SPNI) channel SAB this evening.

    The series has been giving families in Indian TV homes, a chance to smile or laugh at the light-hearted antics and banter that its protagonists have been engaged in over the past eight years, five days a week on screen at 8:30 pm.

    “I have seen Tapu sena grow up on our sets. The cast and crew is a family. We have been shooting 12 hours a day for the past eight years. This amount of time is only given to families,” says the humble and happy Asitbhai.

    Taarak Mehta Ka Ooltah Chashmah is a story of families from a fictional Gokuldham Society with instances from everyday life. The show is inspired from the Gujarati column Duniya Ne Oondha Chashma by Gujarati columnist Taarak Mehta.

    Asit shares that he used to follow this popular column in from his ninth standard and eventually ended up developing a TV show inspired by the clean comedy of the column. The show started airing in 2008.

    “When i started pitching the show, that era was of saas-bahu shows. My script was rejected by many broadcasters like Star and Zee, eventually the script matched the Sab TV’s programming strategy and my past relation with the network. We went on to make the show without realising it would go on for eight years,” says Modi with excitement lighting up his eyes.

    The highlight of the show is how the characters are developed through each episode. “Very uniquely and rarely it so happens that the main characters of the show resonate so well with the audience. Both Daya and Jetha have been often rated as the top 10 characters across the GEC space,” says SAB EVP and business head Anooj Kapoor.

    What has helped in the longevity of the Taarak Mehta Ka.. franchise? For one, there is no single protagonist in the show. There are 24 small and big characters constantly engaging with each other. However, each character has been etched very well and has built up his or her own brand equity with the TV audiences. Be it the colorful shirts of Jethalal played by Dilip Joshi, or the signature garba of Daya played by Disha Vakani or the proud society secretary Aatmaram Tukaram Bhide (Mandar Chandwadkar), each member has his or her own significance in the story.

    Asitbhai – as he known amongst friends and the fraternity – has added his personal experiences of growing up in Mumbai city. Even the well-known Gokuldham society plays a significant role in the story, which is built in a secluded corner of Mumbai film city. It cost about Rs 1 crore in 2008 to build up the society and its building. But it is renovated every alternate year. Modi giggles while saying: “I wish I had known my show would go on for eight years, then I would have built up a real property.”

    At the heart of its success is its story. And the treatment in every episode which is in the able hands of writers Raju Odedra, Rajan Upadhyay, Jitendra Parmar, Abbas Hirapurwala and Niren Bhatt.

    “I think the writing team is relentless and they keep innovating in terms of plots and don’t let the any fatigue set into the show because of the continuous freshness of the plot and the presence of such multiple communities automatically and naturally gives rise to the multiplicity of plots which keeps the show fresh,” stresses Kapoor.

    In spite of a 150 member crew, shooting for more than twelve hours, 23 days a month with a huge cast, there have been hardly any changes over the past few years. Directors Harshad Joshi and Malav Rajda have helmed more than 1500 episodes of the show. According to industry sources, one episode of Taarak Mehta costs about Rs 14-15 lakh, with most of the amount dedicated to writers and actors who have seen their remuneration going up thanks to its sustained popularity.

    “Taarak Mehta Ka Ooltah Chasmah is a microcosm of the macrocosm in the sense that it houses several communities in one housing society, the characters are real and relatable. The problems that they come across are very interesting and don’t repeat themselves, ” adds Kapoor explaining the success of the show.

    A well-known TV producer credits the simplicity of the show for its success. Media planners however told indiantelevision.com that while the content is good, generally television shows have a long life in India.

    “Taarak Mehta Ka Ooltah Chashmah is the backbone of SAB TV. The show gives the channel its maximum number of advertisers and viewers,” says television consultancy Helios Media MD Divya Radhakrishnan.

    Initially, the show had fans primarily in Gujarat, but over the years it has garnered admiration nationally across segments, strata, castes, communities, and age groups. It is one of the highest rated shows on SAB TV.

    According to BARC India, the show has garnered following ratings this year: from week one to eight, 5.9 million average Impressions, followed by 5.2 million average Impressions in week 9 to 12. The ratings dropped in weeks 17 to 24 with 4.8 million average Impressions and jumped back to 5.3 million average impressions in 25-30 weeks. According to reports, the show has remained in the list of top 10 comedy shows for over the past five years. Which has helped it sweep away many an award over the years; Asitbhai estimates that it is 70 plus. So far. Amongst this are many an Indiantelevision.com Indian Telly Awards.

    Its success has helped it attract brands to back it as well. Taarak Mehta ka… is currently sponsored by Oppo mobile and has a history of sponsors from all sectors including FMCG, automobiles, food etc. some of the past sponsors are Lifebuoy, Garnier, Ariel, Surf Excel, Cadbury. According to experts, any brand that targets family audiences would find it a good fit.

    Industry experts suggest that a 10 second ad spot on Taarak Mehta.. goes for double the average advertising rate on other Sab TV shows. That, according to media agency sources, translates into Rs 15,000-20,000 per 10 seconds of ad inventory.

    They further estimate that it contributes about 40 percent of the channel’s revenue.

    The Taraak Mehta cast is so popular that they have been brought in to prop up other shows like CID and Comedy Nights. Additionally, they have also been associated with the Swacch Bharat Abhiyan movement which has been initiated by prime minister Narendra Modi.

    SAB is celebrating the 2000th episode in grand style with a marketing blitz estimated at around Rs 1.5 crore that is to be put behind it through the year. Bus panels, large billboards, activation, digital media, radio channels such as Radio Nasha, Radio Mirchi, newspaper ads, cross channel promos – are all being used to tom tom the landmark achievement. A contest on social media has been asking fans to upload selfies wearing ooltah chashmah, which signifies positivity in life and upload it or hastag #Ooltahchasmah on twitter to win freebies. The channel is pushing the show on various digital platforms.

    To keep up with the times, Asitbhai’s Neela Telefilms is launching an app called Ooltah Chashmah, where his company will release character stories leveraging the popularity of each character and other comedy content. A unique Taarak Mehta ka Ooltah Chashmah app is also being lined up to release with the airing of the 2000th episode. It features games and other content but all in line with the show’s philosophy and brand ethos.

    The app and mobile game have been developed by Devyani and Viral Gandhi’s VAS. The production house has also lined up an animation series based on the show targeting young audiences.

    The remake rights of Taarak Mehta vest with Asitbhai and Neela Telefilms, apart from an understanding with the channel which has allowed him to retain the language dubbing rights. And it is these that he is looking at exploiting globally, apart from remaking the show for international audiences. He has appointed Madhu Entertainment headed by market veteran Hirachand Dhand to help him fulfill his objectives.

    The show has set many benchmarks in India, it is to be seen how well Gokuldham gets accepted internationally,

  • SAB TV extends original programming, launches 7:30 pm show

    SAB TV extends original programming, launches 7:30 pm show

    MUMBAI: For years, SAB TV has been the standout, lean, fit, channel from the Sony Pictures Networks India (SPN) stable. However, the Hindi GEC space has being seen competition hotting up with new launches over the past year or so and existing leaders such as Star and Zee extending original fictional programming to seven days a week.

    The SPN management has been taking corrective action to help SAB TV retain its edge. Among the tacks it has been taking is improving distribution and increasing the hours of original programming it airs. Two weeks back it unveiled a new show Khidki, which has begun getting some traction from its viewrs. Come 26 July and another fiction series is slated to make its debut at the 7:30 pm slot on weekdays.

    The show is produced by Dheeraj Kumar’s Creative Eye and has Anirudh Dave in the lead with Rakesh Kapoor and Malini Kapoor essaying pivotal roles. It will track the journey of Y.A.R.O, (Your Aptitude Remote Operator) a humanoid, who is on the path of self-discovery. Created by super genius scientist Govardhan Aggarwal (Rakesh Bedi), who considers it his own son and has programmed the robot – with a human heart – to feel and behave like a 22 year old human. The story takes an interesting turn when Y.A.R.O starts interacting with people around him and how he eventually forges a strong bond with them. He learns the essence of life, love and above all humanity and he soon embarks on an adventurous journey with his family and friends.

    “We have added Y.A.R.O at the 7:30 pm slot for two reasons: most channels are doing well at that timing, and second we are increasing the original programming hours we air to gain parity with others in the Hindi GEC space,” explains SAB TV executive vice-president and business head Anooj Kapoor. “There are two ways to extend our prime time. Go late prime time or early prime time. Since we have a core family audience watching our shows, we felt the 11 pm slot was too late, and chose early prime.”

    Kapoor believes the show’s concept is young and refreshing and is in keeping with the channel’s strategy to differentiate through innovation. “It has a light hearted feel but Y.A.R.O Ka Tashan will help us see relationships with our family, friends, in a new light. Since Y.A.R.O is blissfully unaware of the rules of human society, he would experience the essence of love and humanity and in turn we would learn virtues of selflessness and generosity through his innocence,” he adds.

    SAB’s new show is pitched against Colors’ Sasural Simar Ka, Star Plus’ Saath Nibhana Saathiya, Zee TV’s Meri Saasu Ma and Life Ok’s Rishto Ka Saudagar Bazigar.

    “Even as everyone was relying on dancing and reality shows on weekends, we launched two silent comedies, GuturGu and Rumm Pumm Po back to back on Saturdays and Sundays,” details Kapoor. “Extending the same logic Y.A.R.O is completely differentiated from other shows that are well established and some of them are running for a long time and some fatigue may have set in. ”

    “The subject seems different definitely,” says a media observer. “How the audiences will react to Y.A.R.O will be decided by the treatment and execution by Creative Eye and SAB of the robot with a human heart. Watching the promos of Y.A.R.O Ka Tasha one feels that while the comedy is in the right direction, the visual effects could definitely be improved. However, the comedy could overshadow the VFX and engage viewers. Let us wait and watch.”

    Kapoor is playing a wait and watch game himself and says he is not willing to speculate how the show will do and what ad rates it could attract. “The factors that decide the ad rates are the TRP and audience composition,” he explains. “If the audience is attractive to advertisers and even if the ratings are less, the channel may get a good rate. Some times if the rating is more but the audience is not that attractive the channel may get less. Hence, a decision can be taken once the show is live. This exposes not only the ratings but the composition of the audience.”

    Two weeks back SAB TV had launched a first of its kind show Khidki which revolves around stories sent in by TV viewers.. Some of these select stories are being adapted into mini-series of episodes for the small screen.

    “Not only did the show open well but, in its second week, the ratings have gone up. In the first week, on Friday, ratings were 0.4 and this week from Monday it’s 0.6. It has grown and it’s a good sign for us,” says the ever optimistic Kapoor