Tag: sab tv

  • TAM week 50: Star Plus, Life OK fail to garner ratings; Colors maintains top slot

    TAM week 50: Star Plus, Life OK fail to garner ratings; Colors maintains top slot

    MUMBAI: Colors continued to lead the Hindi general entertainment channel (GECs) genre and secured leadership position in week 50 according to TAM Media Research data. On the other hand, Star Plus and Life OK were the only channels that fell back from last week’s ratings.

     

    Colors bagged the first position with 246 GRPs followed by Star Plus, which witnessed a drop in ratings but managed to garner second slot with 225 GRPs against 230 GRPs in previous week.

     

    With a marginal rise in ratings, Zee TV stood at number three with 171 GRPs against 141 GRPs in week 49.

     

    Sab TV bagged the fourth slot with 150 GRPs followed by Sony Entertainment Television in the fifth slot with 135 GRPs and Life OK in the sixth slot with 118 GRPs against 123 GRPs in last week.

     

    &TV saw a hike in ratings and stood at the seventh position with 77 GRPs in week 50.

  • Sab TV slots new office comedy ‘Sahib, Biwi Aur Boss’ at 10 pm

    Sab TV slots new office comedy ‘Sahib, Biwi Aur Boss’ at 10 pm

    MUMBAI: Sab TV is all set to launch a new office comedy called Sahib, Biwi Aur Boss on 21 December. The show will be aired from Monday – Friday at 10 pm.

     

    The channel has roped in Vimal Pan Masala as the presenting sponsor for the show. 

     

    The story will revolve around these three central characters – a husband, wife and her boss. The show is produced by Sanjay Kohli, who also produced police station based comedy show F.I.R. The show will see Vipul Roy as Sahib, Mugdha Chapekar as the Biwi and Resham Tipnis as the Boss. 

     

    Speaking about the show, Sab TV senior EVP & business head Anooj Kaoor said, “We are very excited about Sahib, Biwi Aur Boss; the concept of the show is very refreshing. The show hinges on situational comedy, which always resonates with various kinds of audiences. We have worked with Sanjay Kohli in the past on F.I.R, which was a big hit. This time too, we hope to have another fruitful association.”

  • TAM week 49: Colors replaces Star Plus as No. 1 in Hindi GECs

    TAM week 49: Colors replaces Star Plus as No. 1 in Hindi GECs

    MUMBAI: In week 49, Colors once again moved ahead and emerged as the number one channel in Hindi general entertainment channel (GECs) genre, while Star Plus saw a decline in ratings. However, it managed to garner the second slot according to TAM Media Research data.

     

    Colors bagged the first spot with 236 GRPs in week 49. Star Plus witnessed a decline in ratings to settle at the second slot with 230 GRPs as against 251 GRPs in previous week, followed by Sab TV in the third spot with 146 GRPs and Zee TV in the fourth place with 141 GRPs.

     

    Life OK secured fifth position in the genre with 123 GRPs. Sony Entertainment TV with 119 GRPs came in at the sixth place, whereas &TV was at the seventh position in the genre with 71 GRPs.

  • BARC week 48: Star Plus leads genre; Colors replaces Zee Anmol as No. 2

    BARC week 48: Star Plus leads genre; Colors replaces Zee Anmol as No. 2

    MUMBAI: Star Plus continues to lead the Hindi general entertainment channel (GECs) genre, while Colors replaced Zee Enterprises Entertainment Limited’s (Zeel) free to air (FTA) Chanel Zee Anmol and managed to perch at the second slot in week 48 of Broadcast Audience Research Council (BARC) India, all India (U+R) data.

     

    Star Plus maintained its top slot with 796378 (000Sums) followed by Colors on second slot with 763601 (000Sums) and Zee Anmol at number three with 756154 (000Sums). Zee TV bagged the fourth slot with 677344 (000Sums).

     

    With no change in the positions from last week, Star Utsav with 561813 (000Sums), Life OK with 516234 (000Sums) and Sony Entertainment Television with 412016 (000Sums) garnered fifth, sixth and seventh slot respectively. 

     

    Sab TV with 396853 (000Sums), Sony Pal with 366535 (000Sums) and Rishtey with 305368 (000Sums) bagged the eighth, ninth and tenth slots respectively.

  • BARC week 46; AXN, Star Plus and Sun TV leads their genres

    BARC week 46; AXN, Star Plus and Sun TV leads their genres

    MUMBAI: Sun TV leads the ratings across genres (check). Star Plus dominates the Hindi general entertainment channels (GECs) while AXN emerged as the number one channel in week 46 of Broadcast Audience Research Council (BARC) India, all India (U + R) data. 

     

    Sun TV leads with 1042012 (000Sums) followed by Star Plus on second spot with 864288 (000Sums) and Colors in the third place with 751722 (000Sums). Zee Anmol, the free to air (FTA) channel of Zee Entertainment Enterprises Ltd (ZEEL), grabbed the fourth place 720000 (000Sums). Zee TV, Star Ustav and Sony Max bagged fifth, sixth and seventh berth with 708635 (000Sums), 520093 (000Sums) and 516832 (000Sums) respectively.  Sony Entertainment Television’s movie channel Sony Max, Life OK, ETV Telugu and ZEEL’s movie channel Zee Cinema  garnered seventh, eighth, ninth and tenth spot with 516832 (000Sums), 489691 (000Sums), 471478 (000Sums) and 437419(000Sums) respectively.  

     

    Hindi GECs

    Star Plus with a rise in ratings led the Hindi GEC genre with 795810 (000Sums) followed by Zee Anmol at the second position with 719433 (000Sums) and Colors on third spot with 708918 (000Sums). ZEEL’s entertainment channel Zee TV bagged the fourth position with 647845 (000Sums). Star India’s FTA channel Star Utsav grabbed the fifth berth with 518725 (000Sums). Life OK and Sony Entertainment Television garnered sixth and seventh berth with 477905 (000Sums) and 388715 (000Sums) respectively. Sony Pal , Sab TV and Rishtey bagged eighth, ninth and tenth slot with 359570 (000Sums), 357130 (000Sums)and 318657(000Sums) respectively.   

     

    English GECs

     

    AXN emerged as the number one channel and secured the leading position in the genre with 223 (000Sums) followed by Star World on second place with 174 (000Sums) and Zee Café on third spot with 128 (000Sums). Comedy Central and Colors Infinity SD grabbed the fourth and fifth slot with 86 (000Sums) and 69 (000Sums) respectively.

  • TAM Week 45: Colors replaces Star Plus as numero uno again with 236 GRPs

    TAM Week 45: Colors replaces Star Plus as numero uno again with 236 GRPs

    MUMBAI: Colors once again moved ahead and grabbed the first position in Hindi general entertainment channels (GECs) genre according to TAM Media Research data of week 45. Star Plus witnessed a slide and secured second spot in the genre.

     

    Colors bagged the first spot with 236 GRPs in week 45 against 221 GRPs in week 44. Star Plus saw a decline in ratings to second slot with 226 GRPs against 239 GRPs in previous week followed by Zee TV at third spot with 152 GRPs and Life OK at fourth place with 138 GRPs.

     

    With the decline in ratings, Sab TV secured fifth position in the section with 122 GRPs against 137 GRPs in week 44. Sony Entertainment TV with 100 GRPs came in at sixth place and &TV was seventh in the genre with 66 GRPs.  

      

    For the  top five Hindi GECs programmes, Star Plus’ prime time show Yeh Hai Mohabbatein  secured the leadership position with 4.93 TVR followed by Colors’ Naagin with 4.34 TVR in second place and ZeeTV ‘s prime time show Kumkum Bhagya on third with 3.74 TVR. In fourth and fifth slot were Star Plus’ two shows Diya Aur Baati Hum and Saath Nibhana Saathiya with 3.59 TVR and 3.56 TVR respectively.  

  • BARC week 43: Zee Anmol maintains second spot; DD National drops

    BARC week 43: Zee Anmol maintains second spot; DD National drops

    MUMBAI: Zee Entertainment Enterprises Ltd’s (Zeel) free to air (FTA) channel Zee Anmol has continued to maintain its position at second number, even as Star Plus maintained its leadership position in week 43 of Broadcast Audience Research Council (BARC) India all India (U + R) data in Hindi general entertainment channel (GEC).

     

    Star Plus led the Hindi GEC genre with 786132 (000Sums), while Zee Anmol bagged the second position with 722316 (000Sums).  Colors secured third spot with 652023 (000Sums).

     

    Zee TV maintained its position at the fourth spot with an increase in ratings with 647114 (000Sums) as against 595088 (000Sums) against last week.

     

    Life OK climbed jumped to the number five position from number six last week, replacing DD National with 509186 (000Sums).

     

    Star India’s FTA channel Star Ustav stood at the sixth spot with 496899 (000Sums), whereas Sab TV was spotted in the seventh position with 374070 (000Sums). DD National, which was at fifth place last week, dropped down to the eighth slot with 365853 (000Sums), while Sony Entertainment Television grabbed the ninth position in the segment with 333260 (000Sums) followed by Rishtey in the tenth slot with 313555 (000Sums).

  • Maruti Suzuki’s AFP  gambit with Sab TV show

    Maruti Suzuki’s AFP gambit with Sab TV show

    MUMBAI: If there’s one brand which has been predominant in the television show sponsorship space, it is Maruti Suzuki. With a war chest of approximately Rs 500 crore set aside only for television spends, it is no wonder that the automobile company has been seen as the sponsor for major shows across channels throughout the year.

    From Star Plus’ Aaj Ki Raat Hai Zindagi with the suave Amitabh Bachchan as host, Bigg Boss season 9 on Colors, Sony Liv’s online series Tanlines, Colors’ India’s Got Talent 6Star Sports’ India – SA cricket series and BWF Badminton World Championships to &TV’s singing reality show The Voice, Maruti has made its presence felt on the small screen as a sponsor across various genres of programming.

    What’s more, the brand has also tied-up with the upcoming action packed fiction series – 24 Season 2 on Colors. While the first season of 24 starring Anil Kapoor in the lead, had Tata Safari Storme as the title sponsor with the car also having a placement in the series, the race this time round has been won by Maruti Suzuki S-Cross, which was launched at the IIFA Awards in Malaysia earlier this year.

    Most of these integrated the Maruti product and brand into the show;  it was not the sole sponsor.

    But it has always been pushing the envelope on doing things differently. Like it did in the case of the critically acclaimed and profitable YRF  stable movie Mere Dad ki Maruti in 2013. The central protagonist in the feature film is the Maruti Suzuki Ertaga. Maruti Suzuki’s marketing mavens pumped in Rs 6 crore in the Rs 10 crore film, convinced the film production house to include its brand name in the title, have scenes in their showrooms. The initiative got lots of traction, courtesy the theatrical release, television telecast, small video clips, which went viral on digital outlets such as Youtube, Twitter and facebook.

    It is attempting something similar in 2015. With two vehicles – the Baleno and S-Cross and a new premium sales channel to launch in 2015, it has expanded its television budget to Rs 500 crore; some of that is being channeled towards televised advertiser funded programmes (AFPs).  One of the brands getting a shot of that marketing money is the Alto 800.

    Maruti Suzuki has integrated the tagline of  the small car “Let’s Go” into in Sab TV’s newly launched show Chalti Ka Naam Gaadi, Let’s Go and the vehicl will be seen frequently in the show as it has been woven into  its storyline.

    Chalti Ka Naam Gaadi Let’s Go is about the car and how it brings happiness in a family. It showcases how everybody falls in love with that car and that was the idea behind doing the show,” says Deepti Bhatnagar who is producing the show for Sab under the banner of the production house which bears her name.

    It narrates the journey of the Ahuja family and how their life takes an exciting turn when they purchase their very first car. Ahuja, who has been working in a bank’s car loan department has always wished for his own car but he has not been able to save enough to make his dream come true. On his 50th birthday, his family decides to gift him a Maruti Alto 800. After that Ahuja’s son, Karan (Romit Raj) starts hearing voices and statements from his family car. Karan realises that nobody except him can hear those sounds. He takes advantage of this situation and decides to make the car his constant conversation companion; moreover it helps him to resolve day to day problems at home and thereby bringing the family closer.

    Chalti Ka Naam Gaadi, Let’s Go is a finite series, with a bank of nine episodes at the time of writing. It  premiered on 28 October and is to  air at 7:30 pm on Saturdays and Sundays.

    Deepti explains how  Chalti Ka Naam Gaadi Let’s Go came about. “We sent a concept note to them. I had the idea and I spoke to the channel and then we pitched it together,” she says.  “They loved the idea. Chalti Ka Naam Gaadi Let’s Go is a complete Maruti AFP and made only for the company. No other product has been tagged in the show.”

    She believes that it is a win-win for the Indian auto major. She points out:  “Maruti Suzuki is one of the biggest car companies in India. It makes much sense to the advertiser as they spend so much on many for their 30 second commercials. Here they are getting an entire show. The series also showcases the features of the car and a lot of detailing of the product is there. Also, we create awareness by showing the driving rules and hence blend the story beautifully with all these things.”

    And as Uncle Ben rightly said, with great power comes great responsibility. To this effect, Bhatnagar says, “It’s a difficult show to do because when you have a product, you have many responsibilities and you can’t say the wrong things.  Even while following rules and guidelines, we still manage to create comedy around it.”

    She says that’s what gave both Maruti Suzuki and Sab the confidence in her and her production house’s capabilities is her advertising background and the fact she produced “her first AFP show long back for Star TV and then I did a show for Sab – Jo Bhi Biwi Se Kare Pyar for Prestige, which was very successful. It was a sitcom based on cooking, which was completely a new format.” But will Chalti Ka Naam Gaadi Let’s Go take pole position on Sab?

     “It could do well,” says a media analyst. “Though it is up against fiction on Star Plus, events on Colors, it appears to have an interesting light storyline. Sab has its loyal audience.  Healthy promotion could help them to make their appointment with the show. Then the videos could also be rolled out digitally in the form of clips in order to viralise them. In the process, Alto 800 sales could well rise as it is airing during the festival season; a period when car buying rises.”

    If this prediction comes true, Maruti and the Alto 800 could well be driving in the fast lane.

  • Veni, vidi, non vici: Shows that didn’t last on TV in 2015

    Veni, vidi, non vici: Shows that didn’t last on TV in 2015

    MUMBAI: They came, they saw, they failed to conquer!

     

    While there are a few set formulae for shows to work on television, it is unlikely that all that go on air manage to get viewers’ patronage, specially in the wake of the many entertainment options available today.

     

    Moreover, gone are the days when broadcasters and production houses launched TV series that ran endlessly for years. With the changing time, change in people’s mindset and growing competition in the television space, creators want their shows to have top recall value. Bringing back to back shows with new concepts and ideologies is what’s trending these days. In this era that is identified with instant acceptance and instant rejection as well as fads galore where variety is the spice of life, it doesn’t take long for viewers to reject shows that don’t match up to their expectations. And more and more broadcasters are choosing not to milk the shows that aren’t turning out to be cash cows. 

     

    Multiple shows are churned out every year on Indian television across genres and channels. While some hit the ratings jackpot, some are met with disdain and are yanked off air.

     

    Let’s take a look at the fiction shows on Hindi general entertainment channels (GEC) that failed to stand the test of time in 2015 for various reasons.

     

    A recent announcement by Star Plus may have come as a surprise to many. After a runtime of just two months, the channel pulled out its musical romantic series Badtameez Dil, which is produced by Swastik Pictures. While the show was low on ratings on the channel despite being appreciated for the content and quality, it was rather popular on Star’s OTT platform Hotstar. And hence the show was shifted from a linear to a digital channel.

     

    A source in Star Plus asserted, “The reason behind the show going off air was that it failed to generate sustainable ratings. Another reason for Badtameez Dil going off so soon was to pave the way for Balaji Telefilms’ Kuch Toh Hai Tere Mere Darmiyaan.” 

     

    That said, another show by the same production house called Manmarziyan on Star Plus was launched in April. While it was lauded for its content, it failed on the ratings graph as a result of which it was wrapped up after a four month run on the channel.

     

    Romance and drama aside, even the comedy genre was not spared from viewers’ apathy. Sab’s comedy show Peterson Hill, produced by Garima Productions, was pulled off air due to low ratings despite having a cast like Rohit Roy, Sucheta Khanna and Ashwin Mushran.

     

    A finite series Gulmohar Grand produced by Sunshine Productions was launched on Star Plus with a bank of 26 episodes in May. However, the channel pulled it off after airing 17 episodes.

     

    Sab pulled down four of its shows on 19 July this year. The first one to bite the dust was the weekend comedy showHansi Hi Hansi Mil Toh Lein, which was launched on 29 March. The second show titled Rumm Pumm Po hit the screens on 6 June and was wrapped up within 43 days. The game show titled Sab Ka Sapna Money Money, which started from 26 April went off-air in four months too. Rukawat Ke Liye Khed Hai, which launched on 26 April, was the fourth show that ended on the same date.

     

    A channel source informed Indiantelevision.com that Sab’s Hansi Hi Hansi Mil Toh Lein was revamped from theThe Great Indian Family Drama. “We tried to tweak the format and content to make it better. The channel’s weekend shows like Rumm Pumm Po and Sab Ka Sapna Money Money were part of the channel’s experimentation with content and formats within the genre of comedy,” the source said.

     

    Sab’s sister channel Sony Entertainment Television also had its share of shows that didn’t last in 2015. The channel launched the romantic drama soap opera Mooh Boli Shaadi on 23 February and pulled it down within four months. Dil Ki Baateien Dil Hi Jane also met with the same fate.

     

    Zee TV’s Service Wali Bahu, which also went on air on 23 February this year in the 6.30 pm slot, also adds to the list. A source in the Zee programming team said, “The 6.30 pm time slot is still in an establishing stage and there is no certain phenomenon, which has proved to be sustainable. The programming team decided not to elongate the existing show. Produced by Village Boy Production Service Wali Bahu and was replaced by Sarojini in 6:30 pm slot.”

     

    Speaking to Indiantelevision.com on the reasons why some shows fail to make a mark, Deepti Bhatnagar Production founder and CEO Deepti Bhatnagar said, “I always believed that creators start the show with one concept but with so many changes taking place in the show, they lose the plot. Once you lose the plot of the show, it stops working for the audience because producers don’t really stick to the story.”

     

    Elaborating further, she added, “Also another reason I believe is that we don’t really work on character. Pick any Hollywood show like F.R.I.E.N.D.S, every character is well connected with the audience, which is missing here. Nowadays so many channels are launching so many shows and some don’t know what they are actually making. So, one has to work on that.”

     

    Sunshine Production founder and series director Sudhir Sharma asserted, “People have a lot many choices these days. It’s not that we don’t have good content. We do have good writers in the industry. While shows today have a good story line, the characters, which are essential medium of connection, are not well researched.”

     

    Director’s Kut Production director Rajan Shahi said, “If there are shows, which are going off air in a short span of time, then there are also shows like Tarak Mehta Ka Olta Chasma, Diya Aur Bati Hum, Yeh Rishta Kya Kehlata Hai and Balika Vadhu, which have been running for a few years. So there are shows, which are sustaining for a longer period. Broadcasters and creators are trying to experiment with genres and subjects. They sometimes hit the mark and sometimes don’t.”

     

    Shahi was of the opinion that this also had a lot to do with market changes. “I think today competition is severe in the industry. Moreover, what we would like to see and what is actually working on Indian television is very different. We are going back and doing stories that we have been done 10 years back. It’s all about the results at the end of day and the turnaround time for it has to be faster,” he voiced.

     

    With increasing competition in the Hindi GEC space, rather than experimenting and introducing twists and turns into story lines of shows that don’t work, channels nowadays prefer to take them off air.

     

    Platinum Media CEO Basabdatta Chowdhuri said, “The content pipeline has improved over the years. Earlier the content supply was not abundant but now that pipeline has improved. It is far more possible to change the programmes more often than earlier. In today’s time, we have enough production houses that produce multiple shows. If the advertiser doesn’t find the show attractive, they can’t make business from it. So ultimately the broadcaster will replace the show with some new shows.”

     

    Fiction shows are going off air on the basis of performance. Channels are extremely careful and protective about the ratings of their time slots and a lot of money is being poured into research. Madison COO Karthik Laxminarayan said, “If a show is not performing, channels are going back to the drawing board to re-invent them as they are aware that once you lose a viewer, you have to work very hard to get them back. So it’s better to give them something new and keep them engaged rather than keep giving them more of the same non-working shows.”

     

    He further added, “Earlier the reason they used to run the show for long was to amortise their fixed costs namely the sets and realise profits from their fictions but currently as the market is up and inventory sold is higher than usual, the money is coming in anyways and hence they don’t mind spending that extra on new sets etc. This is a short term strategy and will soon change as bottom lines will plummet and bleed eventually.”

     

    With more and more entertainment options at the audiences’ fingertips these days, channels will have to pay more heed to the kind of content that the viewer wants.

  • Sony turns 20 in India: Retrospect & Prospect

    Sony turns 20 in India: Retrospect & Prospect

    MUMBAI: Glory, agony, poison, panacea… As Multi Screen Media (MSM) (erstwhile Sony Entertainment Television India) completes two decades in the Indian broadcast space, it has witnessed it all. The broadcasting company, which started with one channel, is now sixteen channels strong with even more additions in the pipeline.

     

    In a rapidly changing scenario, where the entire ecosystem is moving towards the digital platform, there are challenges and opportunities alike. And MSM CEO NP Singh is ready to take them all head on.

     

    A Sony veteran, Singh has been privy to the business affairs of the company for as many as sixteen years since first joining the organisation in 1999 as chief financial officer (CFO).

     

    Even as word trickled in about MSM’s collaboration with US-based mega sportscaster ESPN Inc, came the news that the Indian Premier League’s (IPL) title sponsor PepsiCo was withdrawing as it brought ‘disrepute’ to the game. In the midst of some good news and bad, Singh’s core focus at this stage is on the network’s holistic growth.

     

    “My focus is on aggressive growth of the network and consolidation of our existing channels. Along with this, foraying in new areas of businesses, expanding our portfolio and exploring opportunities on the rapidly growing digital platform is what we are looking at. At the same time, course correction of our flagship channel Sony Entertainment Television (SET) is a priority,” Singh says.

     

    To that effect, MSM has made a series of changes in its management team and these are likely to reflect in the programming and content soon enough.

     

    RETROSPECT: PIONEER OF NEW IDEAS

     

    In its two decades of operations in India, Sony has been a pioneer of new ideas that set benchmarks in the Indian broadcast space.

     

    “MSM as a network has pioneered a lot of new ideas, for the industry to follow. The first ever big scale live event was done by us; namely, LataMangeshkar’s live concert. Infact, we’ve had the privilege of hosting both Lataji and Ashaji in live shows.” Singh reminisces.

     

    “In earlier days, MSM also created ripples by airing blockbuster Hindi movies on TV. It started with the airing of the evergreen movie Sholay and was followed by Border. The ratings those days were somewhere close to 30,” he informs.

     

    While today MSM’s flagship channel SET might have lost its yesteryears’ glory, the fact remains that it aired the first ever daily soap in Ek Mahal Ho Sapno Ka, “The show reached a thousand episodes those days during 1998 – 2000 and used to do well against Kaun Banega Crorepati (on Star Plus),” says Singh. hose days were somewhere close to 30,” he informs. says Singh.

     

    From CID, which recently completed a run of 19 years on Sony, to the maiden season of the interactive reality show Indian Idol, the finale of which witnessed a total of five crore votes, there have been landmarks galore for MSM. From India’s first homegrown reality show – Boogie Woogie to the now very popular reality show format – Bigg Boss, which was initially brought to India by Sony, the network has been trailblazer of sorts.  

     

    In March 2005, Sri Adhikari Brothers’ Hindi general entertainment channel (GEC) SAB TV was acquired by MSM and one of the country’s most popular scripted comedy show Taarak Mehta Ka Ooltah Chashmah has been running on the channel for almost eight years now.

     

    In a bid to bring the glitz and glamor of the film industry on television, Sony was also a first mover in televising the Filmfare Awards.

     

    “We were the first ever network to bring sports on a Hindi movie channel – Max in 1999. It continues to be the leader even as today there are many others who do the same. The first ever wrap around show (Extraa Innings) for cricket was done by us during the Colombo Champions Trophy. Extraa Innings is now over 12 years old, and is the highest rated wrap around show for any sport on any channel,” informs Singh.

     

    The rationale behind telecasting cricket on a movie channel was to rope in the women audiences for the game. “In 2003, on the back of Extraa Innings, the female viewership grew by 31 per cent,” he adds.

     

    The retrospective is indeed dotted with many a milestones.

     

    PROSPECTS: GEC ROAD MAP, DIGITAL, SPORTS

     

    “Sony Pal to have original content, ‘KBC’ back in 2016”

     

    The Hindi GEC space has always been one of MSM’s biggest focus area. However, in recent times, the network’s performance in the category has been disappointing to say the least. Now with a new team in place, it might just be a matter of time before MSM’s flagship channel SET takes off again.

     

    “Our flagship channel continues to be my number one priority in addition to growing the network. With that in mind, we have put a new management team in place. Danish Khan has joined as SET business head and has a new team under him catering to content, communication, promotions, research strategy and marketing. I am very confident that in the upcoming months, the new programmes to be launched on SET will increase the viewership on the channel, significantly although with a strong male audience base, Sony is already uniquely positioned at this stage.” says Singh

     

    The centre of the network’s strategy right now is to create new content to lure viewers back to the channel. “We are focusing on gaining both qualitative and quantitative consumer insights so that we can feed those back into the system and create content that not only resonates with the consumer but also reflects his/her cultural ethos”, he says.

     

    Additionally, Sony will also bring back the next season of KBC, with its superlative host Amitabh Bachchan next year.

     

    MSM’s third Hindi GEC, Sony Pal, which was launched as a female-centric channel did not take off as was expected. However, where original shows failed, old shows did the turnaround for the channel. The channel, which currently has archival content from Sony’s library as well as airs South Indian movies, may get back original shows in the future.

     

    “In a few months’ time if we see viewership increasing further, which we are seeing right now, then we will start bringing original content again on Pal. I have a blue print of what I want to do over the next six months,” he says.

     

    DIGITAL

     

    MSM has also been aggressively moving on the digital front with its over-the-top (OTT) platform Sony Liv.

     

    “We are exploring opportunities on the digital platform as it is growing rapidly and we want to be a major part of the action. We’ve taken baby steps towards it by launching Sony Liv. In the last one year, we have upped the ante. Recently we launched our first original series Love Bytes, which already got 1.5 million video views. This resulted in a 300 per cent growth in our video consumption on the digital platform,” says Singh emphasising on digital.

     

    Sony Liv’s growth strategy will be two-pronged. While the platform will develop new original shows for the digital platform, it will also aggregate a lot of third party content. “One of the key aspect of the collaboration with ESPN is to co-create a multi sport app where we will use the expertise of ESPN-Cricinfo,” informs Singh.

    Even as the digital medium is witnessing immense growth in India, players are yet to figure out a concrete revenue model. While a few of them are providing content for free, others have opted for a pay model. “There’s a classical debate going on across the globe about which models is better. As I see it, currently, we have all our content on AVOD (advertising supported video on demand). But we will start putting up some of our marquee content in SVOD (subscription supported video on demand). Again, we were the first ones to put content on the SVOD platform. FIFA 2014 was one of our subscription based products available on Liv Sports,” Singh says.
     
    “We believe that any marquee content should be primarily subscription led, and then eventually free. However, at this stage, a lot of models are being experimented with.

     

     With MSM poised for the next phase of growth and expansion with multiple strategies across its businesses, the network’s road ahead will be watched with keen interest.

     

    SPORTS

     

    MSM has an extensive sports bouquet at this stage and the primary of them is IPL, which now is making headlines as PepsiCo expressed its desire to opt out of the sponsorship deal.

     

    “Any sponsor opting out from IPL won’t affect MSM,” Singh tells Indiantelevision.com. “We have seen a change of sponsors before too but the tournament continued and kept growing,” he adds.

     

    “MSM has made aggressive acquisitions of football properties this year and plans to create a lot of wrap around and editorial programming for it. And now, our collaboration with ESPN has given us an opportunity of presenting international level editorial content. 

     

    With MSM poised for the next phase of growth and expansion with multiple strategies across its businesses, the network’s road ahead will be watched with keen interest.