Tag: Rudra

  • Bittu Bahanebaaz makes an excuse-filled splash on Sonic and JioHotstar

    Bittu Bahanebaaz makes an excuse-filled splash on Sonic and JioHotstar

    MUMBAI: Move over superheroes — the real mastermind on the block is a 10-year-old pro at excuses. JioStar Kids, the undisputed boss of Indian kids’ telly, has rolled out its cheekiest character yet with Bittu Bahanebaaz, now airing daily on Sonic at 12:30 PM with repeats at 9 AM and 7 PM — and same-day drops on JioHotstar.

    The show stars Bittu, a schoolboy who can cook up a brilliant excuse faster than you can say “homework not done.”  From dodging chores to outsmarting teachers, his everyday escapades are bursting with humour, imagination and a whiff of mischief that hits close to home. Think Dennis the Menace with a desi twist — and better timing.

    Penned to perfection, the show’s title track is written by none other than Gulzar sahab, whose clever rhymes and colourful metaphors inject even more life into Bittu’s already bouncy world.

    For Jiostar Kids, this is another feather in a cap already packed with hits like Motu Patlu, Chikoo aur Bunty, Rudra, and Pinaki & Happy – The Bhoot Bandhus. With Bittu Bahanebaaz, it’s doubling down on what it does best — stories that feel local, characters that feel like your next-door neighbour, and jokes that land with both kids and their amused parents.

    So next time your child comes up with a bizarre reason for a missing tiffin box, blame Bittu. Or better yet, switch on the television and join the fun.

  • JioCinema announces major kids entertainment foray

    JioCinema announces major kids entertainment foray

    Mumbai: This Children’s Day, JioCinema, India’s ultimate destination for entertainment, announced its foray into Kids entertainment with a dedicated ‘Kids and Family’ offering. With a stellar content offering spanning over 3000 hours of some of the best known franchises from across the world and biggest Indian IPs, the platform will cater to young audiences across Tiny Tots, Kids, Pre-teens and will also house content for the entire family to enjoy together.

    Creating India’s single largest destination for Kids’ entertainment with over 100 top Toon franchises, 300+ Series and Movies spanning DIY, comedy, adventure, and action genres, JioCinema promises fun, thrill and nostalgia, to every child across the country, with popular content available in 5+ Indian languages.

    From Anime to superheroes, to mythos, spanning local and global favourites, JioCinema brings the largest offering of kids’ network content from Viacom18 including Motu Patlu, Shiva, Rudra, Chikoo aur Bunty, Pinaki and the Bhoot Bandhus, The Twisted Timelines of Sammy & Raj, Kanha – Morpankh Samrat, among others. Raising the bar with premium global series such as Harry Potter, Transformers, HBO Storybook musical, The Looney Tunes Show, Super Mario Bros, Justice League War World, Garfield, Tin Tin, Trollstopia, Zig & Shark, Peppa Pig, Pokémon, and movies like Shrek, Kung Fu Panda, Madagascar, Teen Titans Go, Polar Express, Lego Ninjago, The Flintstones, Boss Baby, and a lot more, JioCinema promises to entertain kids and those young at heart with thousands of hours of magical content. Through strategic partnerships with leading local and global studios including Cartoon Network Studios, Dreamworks, EOne, The Pokémon Company & Animaccord, among others, the offering will add fresh content every week.

    Further exemplifying its commitment to providing a safe and wholesome family entertainment experience, JioCinema is including a ‘Kids and Family’ profile in every account, granting children access to only age- appropriate content. Recognizing the significance of screen time among children, the ‘Kids and Family’ profile is combined with a unique ‘PIN’ based ‘Parental Control’ mechanism. With advanced algorithms and cutting-edge technology, the profile will allow parents to customize the content access based on their child’s life stage, giving them complete control.

    On creating a wholesome entertainment ecosystem for kids and their families, a JioCinema spokesperson said, “At JioCinema, we are deeply committed to building a one-stop destination for all things entertainment. We are invested in understanding Indian audiences and their preferences and continue to evolve as the preferred source for all their entertainment needs. Our newly added Kids and Family category will unlock access to millions of families across India and enrich family consumption. With the best content from India and around the world, available in multiple languages, we aim to be inclusive and an enabler of wider consumption with fewer barriers’’.

    Headlining the rollout of the kids and family slate is the enthralling Pokemania festival, marking an exciting chapter for fans of the beloved Japanese Pokémon franchise. As the exclusive home to over 1000 episodes and 21 movies, JioCinema will be celebrating the fervor surrounding the enchanting poke-monsters with a brand-new season unveiled every Thursday, starting on 16 November, with Season 12.

  • #Retrace2021: Decoding BBC Studios’ giant OTT leap in India with Sameer Gogate

    #Retrace2021: Decoding BBC Studios’ giant OTT leap in India with Sameer Gogate

    Mumbai: Sameer Gogate has been leading BBC Studios’ production business in India as general manager since 2019. In the last two years, he has played an instrumental role in steering the internationally renowned brand to its deserved status in India.

    Smartly leveraging the OTT boom in the country, he was able to earn a reputation for BBC Studios beyond just being the producer of ‘Jhalak’. Through the pandemic years the studio produced over 11 shows for OTT including ‘Criminal Justice’ (three seasons), ‘What the Love’, ‘Out of Love’ (two seasons), ‘The Office India’ (two seasons), ‘Rudra’, ‘Guilt’ and ‘Sons of the Soil’. This year, they ventured into the regional markets with scripted formats. 

    Gogate has spent over 16 years in the Indian media and entertainment industry across the TV and film businesses. During his stint with Viacom 18, he oversaw the commercial function for the GEC Colors and managed co-productions and acquisitions for the Studio business at Viacom18 Motion pictures. He also set up the film business at Endemol. As chief development officer at Eros International, he managed their in-house productions and the regional slate of films.

    In this exclusive interview with Indiantelevision.com, Sameer Gogate talks about his two years journey with the brand, the ‘BBC Studios advantage’ which made British formats such as ‘Criminal Justice’, ‘The Office India’, ‘Out of Love’, and ‘Luther’ runaway success in the India market, and upcoming plans for 2022.

    Edited Excerpts:

    On looking back at 2021, and how it was for BBC Studios

    BBC Studios has come a long way from being known just as a producer that made ‘Jhalak Dikhla Jaa’. In that same time period, we have picked up ten commissions in the OTT space. I think we are largely OTT-skewed today, and that’s because of our premium dramas like ‘Criminal Justice’, ‘Out of Love’, ‘Guilt’, and ‘Rudra’. The demand for scripted content in the market is high, and by virtue of our quality formats and the British talent that’s associated with them, it’s easier for us to work with certain clients in the OTT space.

    On the “BBC advantage”, and the kind of content being created

    We have got great and relatable stories to tell at BBC Studios, and our biggest advantage is the ‘premium-ness’ of BBC Dramas that has two reasons for it. First is the synergy with British formats which have themes that are easily adaptable for the Indian market. This ensures a quicker turnaround (right from the development to the execution stage) due to the already established success of the show.

    The second advantage is the quality of dramas that are coming out of the UK, all associated with top British writers. To have access to these dramas that have been through numerous stages of development, checks, and balances, and discussions, just make it easier and quicker for us to adapt them for the Indian audience while maintaining the ‘premium-ness’ i.e. the high quality of writing and the higher production value that BBC is associated with. By virtue of this ‘premium-ness’, we have further been able to attract quality talent, whether it’s the directors, writers, or actors.

    On the genres most in-demand in 2021

    In principle, crime and thrillers always do well. But at the same time, we were also able to produce a ‘Sons of the Soil’ for Amazon which is a factual content piece. Going forward, you will see more factual content from us in India. We are currently working on another docu-piece which is likely to be announced by the middle of next year and our first scripted original. Apart from that, there is demand for premium dramas (non-crime genre), and I see that going up as we move ahead. Streaming services also want more regional and local content today.

    On the economics of producing content for OTTs, including films

    At BBC Studios we are not saying ‘no’ to movies, but the focus has been on scripted dramas.  Regarding OTT economics, I’d say it’s important to be flexible and yet not compromise on the ‘premium-ness’ of the content. The cost consideration for us is two-fold; one is the price in terms of the time required to produce these premium drams, and the second is the actual cost of making them. We want to remain adaptable on both fronts to win the trust of our clients.

    On the production and other challenges that spilled over from 2020

    There are two parts of our business; production and development. The production part did suffer because teams were working from home during covid, there were far too many challenges on-ground especially during the second wave.  But the last one-and-a-half years have taught us a lot on how to be flexible, nimble, and yet not compromise on our quality. Even though India witnessed a very bad second wave and it did affect things on-ground we used the time effectively for developing our content slate, and are now looking forward to 2022 with a strong pipeline.

    On OTT content growing as a full-fledged ‘industry’ in India

    We are at that point if we haven’t crossed it already. India is a unique market that has the same audience watching ‘Anupama’ and ‘Out of Love’ on the same platform. So, clearly, TV and OTT are going to coexist, even as more and more people consume media on OTT even after the pandemic. 

    On looking ahead to 2022, and plans for BBC Studios India

    2022 will see new genres come to the fore. There will be a lot more factual entertainment and new formats in the unscripted reality content space as well. On the scripted side, India is almost there in terms of our quality but the ‘premium-ness’ of dramas can only go a notch higher from here. This being another Covid year we could deliver only two shows, ‘Guilt’ and ‘Luther’ (Rudra), but the pipeline for next year, including regional, is almost three times this.

  • Viacom18 partners with CMCA to conduct beach clean-up drive across Mumbai

    Viacom18 partners with CMCA to conduct beach clean-up drive across Mumbai

    Mumbai: The 10-day long Ganesh Chaturthi festivities are a highlight for the city of Mumbai and its residents. However, the sight on city-beaches post the visarjans (idol immersion) is one of apathy as they are strewn with POP idol remains and plastic. In an endeavour to drive awareness about the issue while supporting the city civic authority’s efforts, Viacom18 has partnered with Children’s Movement for Civic Awareness (CMCA) for the 4th consecutive year for a clean-up drive on city beaches. Over 600 children along with Nicktoon Shiva and Rudra created awareness towards to encourage people to celebrate festivals in an environment friendly way.

    As a part of its Chakachak Mumbai initiative, the media & entertainment network along with CMCA conducted clean-up drives in Juhu, Aksa and Girgaum Chowpatty beaches. Over the years, the initiative has seen more and more students coming forward to support the campaign.

  • “Yoga Se Hi Hoga” says Nicktoons Motu Patlu, Shiva and Rudra on International Yoga Day

    “Yoga Se Hi Hoga” says Nicktoons Motu Patlu, Shiva and Rudra on International Yoga Day

    MUMBAI: India’s leading kids’ entertainment franchise Nickelodeon has always believed in entertaining and engaging kids while inspiring positive behavioural change through all their initiatives. Bringing to life this objective, every child’s favourite Nicktoons Motu Patlu, Shiva and Rudra from Nickelodeon have set out to spread the message of physical and mental wellbeing on International Yoga day with a fun and spirited campaign called “Yoga Se Hi Hoga”.   As part of this fun and exciting initiative Motu Patlu will be seen spreading the message of healthy lifestyle at the biggest Yoga event in the country in Ranchi, performing Yoga Aasans with the honourable Prime Minister Narendra Modi.

    While Motu Patlu are busy practicing “Happy -Asanas”, Nicktoons Shiva and Rudra were seen indulging in some Morning Yoga at Marine Drive in Mumbai’s biggest yoga event – Yoga by the Bay.

    While the event in Ranchi saw 1000s of people along with key dignitaries practice Yoga, the Mumbai saw many other renowned celebrities from fitness industry like – Mickey Mehta. Spread the message of a healthy lifestyle along with our super cool and inspiring Nicktoons– super kid Shiva and magictoon Rudra.

    Nicktoons have been actively year on year advocating a healthy mind and body amongst children through initiatives like Yoga. We are sure that this International Yoga Day Motu Patlu, Shiva and Rudra together will inspire kids to towards a more healthy, enriched and empowered life.

  • What Colors intends to do post Bigg Boss 7

    What Colors intends to do post Bigg Boss 7

    JAIPUR: The year 2013 is about to end and everybody is getting ready to plan their yearend parties. However, there’s someone that’s making a new beginning even before the New Year sets in. When the world would be partying and bidding adieu to 2013, the general entertainment channel Colors would be ushering in to a new beginning with two new shows – Beintehaa and Rangrasiya.

     

    While the first is a show with a pan-Muslim milieu that tells the story of two similar and headstrong individuals Aaliya and Zain, who are in a volatile relationship, the latter is an explosive and edgy intense hate story between Paro and Rudra that would air on the channel at the prime-time slot – 9 pm and 9.30 pm respectively – from 30 December, 2013, every Monday to Friday. The one-hour slot being filled by these two shows will be vacated by the celebrity reality show Bigg Boss season 7.

     

    Interestingly, the channel thinks it’s completely okay to make a new beginning on the second last day of the year as the regular TV viewers would still catch up on the shows rather than partying. “How many of us really go out to party on 31 Dec, I don’t think many. If we don’t talk about the youngsters in the metros, then I believe most of the people still stay at home and want to watch TV. And, the craze for the New Year specials on TV has also gone down in the last few years. And thus, the viewers want to watch the daily soaps and both these shows are just going to give them more variety,” says Colors fiction-head Prashant Bhatt on the sidelines of the grand launch of Rangrasiya in Jaipur on Thursday night.

     

    The channel that has been at the second position in the GEC’s ratings chart almost all-through the year in 2013, is looking forward to add diversity to its already strong fiction line-up. However, considering the past record, the shows that have replaced Bigg Boss in the previous years haven’t really done too well, case in point – the second seasons of Na Bole Tum Na Maine Kuch Kaha and Sanskaar…Darohar Apno Ka that were on air at the prime-time slot before the seventh season of Bigg Boss kicked off. While the former was wrapped up before the launch of the reality show, the latter has been moved to the 7 pm slot.

     

    Quiz Bhatt about this, and he refuses to agree that Sanskaar… hasn’t done well. In fact, he says that the second season of Sanskaar… is doing better than the first. However, somewhere he consents that the shows replacing the reality show have not been able to get similar popularity that other fiction shows on the channel have got. “There’s no set formula for success, but we should never stop trying to come out with interesting stuff,” he says as he guarantees that the present attempt is going to be really rewarding.

     

    However, coming back to Rangrasiya – the serial has been produced by Nautanki Films – the same production house that has produced Madhubala…Ek Ishq, Ek Junoon for Colors and stars Sanaya Irani and Ashish Sharma.The story is loosely based on William Shakespeare’s Othello and a large part of the few initial episodes have been shot in different parts of Rajasthan – mostly Rann of Jaisalmer, dunes of Jodhpur and Bikaner. It thus made more sense to launch the show in the state.

     

    According to the producers, Saurabh Tewari and Abhinav Shukla of Nautanki Films, the shooting in Rajasthan was done on a grand scale with almost 60 camels and 200 junior artists over 18-20 days. Six cameras were used during the shoot, out of which three were Epic-M Red Dragon cameras that are mostly used to shoot movies. The show has quite a few stunt scenes that are directed by Amar Shetty, who has done Om Shanti Om in the past and is currently working on Happy New Year.

     

    Tewari says that Rangrasiya has been made on a similar scale as a Bollywood movie, something like Ishaqzaade.

     

    Giving more details about the production, Shukla says that so far close to Rs 4-5 crore has already been sunk into the show. “We have shot it in Jaisalmer and many nearby villages. A large sequence on cross-border terrorism has been shot in the deserts of Rann. We have also shot few scenes in the Mohangarh Fort where the movie Sarfarosh was shot earlier,” reveals Shukla, also adding that they had zeroed down on other options like Uttar Pradesh, Gujarat, and South India as well, but Rajasthan was chosen because it gelled really well with the plot.

     

    “After the success of Madhubala…, we wanted to raise the bar for Rangrasiya in terms of the visual scale and narrative. From visual conceptualisation, to the scale and experimentation with the characters, everything is real,” he adds.

     

    However, the post-production work has been done in Mumbai and now since the show has mostly in-house scenes, a set has been erected in Andheri, Mumbai where the rest of the episodes are being shot. “We will keep coming back to the state as and when the script requires,” says Shukla.

     

    The channel’s focus is currently on massively promoting the two shows across all platforms. While the promos went on air across-channels some time back on TV, now they are set to hit cinema theatres. The shows will be promoted with today’s release Dhoom 3.

     

    Commenting on the marketing and promotional strategy for the two shows, Colors marketing head Rajesh Iyer says, “We have designed a very high intensive outreach campaign to engage audiences at multiple touch points across the country. Beintehaa and Rangrasiya will be promoted extensively across mediums including in-theatre integrations during Dhoom 3 in HSMs, OOH across 60 cities and towns, and a media mix comprising of over 40 channels and radio stations covering over 40 cities. As the launch leads into the New Year we will be launching special calendars with select publications to enable audiences to bring their favourite characters home. To ensure that both shows continue to be the topic of dinner-table conversations, we have developed an all-round social media strategy exploring various avenues.”

     

    The fact that the rival channels have some of their most popular shows at both the 9 pm and 9.30 pm slot is also not bothering Colors much. While Zee TV has one of its oldest and most loved shows, Pavitra Rishta at 9 pm and Qubool Hai at 9.30; Star Plus airs Diya Aur Baati Hum that has become one of the most popular serials of recent times at 9 pm and the family drama Yeh Rishtaa Kya Kehlata Hai at 9.30 pm.

     

    Bhatt says that the new offerings would make a place for themselves in the audience’s heart.

     

    “At the end of the day, the audience is hungry for something new, something different and we are offering that. Most of the times viewers keep watching certain shows because they don’t have an interesting choice to switch to – they either have family dramas or social dramas. However, we are breaking that mould with our new offering and are hoping that like other shows that we already have, even these two would be loved and take us to the first position on the ratings chart in the coming year,” he says.

     

    Ironically enough, the real-life partners of the lead actors of Rangrasiya – Archana Taide (Ashish’s wife) and Mohit Sehgal (Sanaya’s fiance) are both currently starring in Zee’s Qubool Hai. Now let’s hope that coincidence leads to another one: Colors’ new shows too become as successful as Qubool Hai.