Tag: RRR

  • Ram Charan takes aim at India’s Archery Premier League

    Ram Charan takes aim at India’s Archery Premier League

    NEW DELHI: Ram Charan, the pan-Indian film star whose performance in RRR helped secure an Oscar for the blockbuster, will be present at  the opening ceremony of the Archery Premier League (APL) on 3 October  at Yamuna Sports Complex in New Delhi. The appearance marks a bold bet by organisers that  glamour can fire up interest in a sport that has long languished in India’s crowded sporting landscape.

    The actor, celebrated for powerhouse performances in Rangasthaman, Magadheera and RRR, is lending his considerable star power to the nation’s first franchise-based archery tournament. It is a marriage of precision sport and mass entertainment that the league’s backers hope will transform archery from niche pursuit to mainstream spectacle.

    “I am proud to be part of the Archery Premier League, an extraordinary initiative that combines passion, precision and sportsmanship,” Charan said. “Archery is a sport that teaches focus and resilience, qualities we all aspire to. I believe my involvement with APL will encourage the youth to embrace this beautiful sport and support our athletes on this exciting journey.”

    An APL spokesperson struck a more ambitious tone: “We couldn’t be happier to have Ram Charan join us in shaping this important sporting calendar that will be foundational and remembered for years to come. Ram Charan brings more than fame—he brings narrative, influence and belief. With his support, APL is not just launching a league; we are launching a legacy.”

    The league, hosted by the Archery Association of India, aims to blend high-performance competition with fan engagement, bringing together India’s finest archers alongside international talent. Charan’s recent global recognition—RRR won the Oscar for best original song with Naatu Naatu—adds prestige to an initiative that organisers hope will elevate archery’s profile nationwide.

  • Ted Sarandos spills the Netflix masala to Indian billionaire Nikhil Kamath

    Ted Sarandos spills the Netflix masala to Indian billionaire Nikhil Kamath

    MUMBAI: What happenswhen a video store clerk-turned-media mogul sits down with a new-gen Indian billionaire?

    Streaming gold. 

    In a riveting episode of People by WTF, Netflix co-ceo Ted Sarandos spilt the tea, dropped truth bombs, and dished out storytelling wisdom in an electric tête-à-tête with Zerodha co-founder Nikhil Kamath. 

    From his Phoenix roots to Hollywood power tables—and yes, dinners with Shah Rukh Khan—Ted held nothing back.

    Sarandos shared his origin story: a would-be journalist whose real education came behind the counter at a video rental store. That humble setting gave him a ringside view of consumer desire—something he scaled up spectacularly at Netflix. “People hated late fees, but they loved discovering something new,” he quipped, summing up the genesis of Netflix’s ‘everything, anytime’ model.

    Sarandos’ India story was peppered with glam. He reminisced about his first meal with SRK—“very different in Mumbai than in LA”—and lauded Aryan Khan’s directorial chops in The Ba**ds of Bollywood*. His creative crush? Sanjay Leela Bhansali. “Heeramandi felt like a dare… he pitched it in LA like, ‘I dare you to make this’,” said Ted, still in awe.

    “For 10 years, I heard India was two years away,” Sarandos laughed. “Now, it feels truer than ever.” With local stories making global noise—think RRR or Kapil Sharma—Netflix doubled down. Sarandos noted that Indian audiences aren’t just watching Bollywood. They are binging Korean anime, true crime, Tamil action, and Turkish dramas with equal zest. “This market’s appetite is unmatched,” he said.
     

    Nikhil Kamath Ted Sarandos

    On leadership, Sarandos kept it brutally real. “Work-life balance? That’s a fantasy,” he shrugged. His playbook: take big swings, fail fast, and hire smart. He credited Netflix’s risk-positive culture to Reed Hastings, who saw streaming coming when dial-up ruled the world. “In 1999, Reed said, ‘Everything will come through the internet.’ It sounded crazy. Turns out, he was right.”

    Sarandos bet big on local stories going global. “Squid Game was never supposed to be a global hit. But great stories travel.” He stays bullish on AI—so long as humans lead the charge. “The art of the prompt will be a human skill,” he remarked, calling AI a cost cutter, not a creator killer. “It’ll help make better films, but won’t replace human imagination or emotion.”

    From gaming titles like Grand Theft Auto to video-forward podcasts, Netflix’s empire keeps expanding. Sarandos sees serious returns in content creation. “The best ROI? Still content. Delivery and monetisation are evolving faster than ever,” he noted.

    His advice to young creators? Make the coffee. “Be a PA, join a writers’ room, see if this is what you really want. Passion often follows excellence,” he urged, advising rookies not to reverse-engineer Netflix’s tastes, but pitch what needs to be told.

    The full episode of People by WTF featuring Ted Sarandos streamed on YouTube—popcorn highly recommended.

  • FICCI MEBC south kicks off with star power

    FICCI MEBC south kicks off with star power

    MUMBAI: Tamil Nadu’s media and entertainment industry took centre stage as deputy chief minister Udhayanidhi Stalin and cinematic legend Kamal Haasan inaugurated the FICCI MEBC South Conclave in Chennai. The two-day event, aimed at exploring the evolution of films, television, OTT, gaming, and digital media, saw an array of industry stalwarts mapping out the future of India’s creative economy.

    Stalin unveiled plans for a state-of-the-art film city in Chennai spanning 152 acres. The ambitious project will feature cutting-edge post-production studios, animation and VFX facilities, virtual production tech, LED walls, and even a five-star hotel for industry professionals.

    Further honouring Kalaignar’s (M. Karunanidhi) vision, Stalin announced that 90 acres near Kelambakkam, previously allocated for industry housing, would now be reinstated for its original purpose following a revised government order.

    A highlight of the event was Haasan’s appointment as chairman of the FICCI Media and Entertainment Committee, south. Speaking at the conclave, Haasan emphasised the need for progressive regulations that integrate, rather than hinder, emerging technologies in cinema.

    “Indian cinema is our cultural ambassador, and we need a long-term vision for it. Both state and central governments must frame policies that encourage technology adoption without stifling existing markets,” said Haasan. He also urged the Tamil Nadu government to reform entertainment tax policies, ensuring greater ease of doing business for filmmakers.

    The conclave featured key insights from JioStar chairman of FICCI media and entertainment committee and CEO – entertainment Kevin Vaz, who celebrated south Indian cinema’s meteoric rise from regional to global prominence, thanks to blockbusters like RRR and KGF-2.

    “With digital media’s rapid expansion, India is an ‘AND’ market where TV and digital will continue to coexist. The industry is primed for a global breakthrough,” Vaz stated.

    The event will feature workshops, masterclasses, and exhibitions on key industry trends, including the global rise of Indian cinema, OTT and television’s transformation, and AI-driven innovations in broadcasting and music. With gaming, animation, and VFX booming, discussions will also focus on regulatory policies shaping the sector. PlayNext – Developer’s Day will spotlight India’s growing esports and interactive entertainment industry, reinforcing its leadership in AVGC-XR.  

    The inaugural session saw participation from Meta India’s Sandhya Devanathan, Warner Bros. Discovery’s Arjun Nohwar, FICCI Tamil Nadu State Council’s G.S.K. Velu, and a stellar line-up of media executives including Ashish Pherwani, Sanjay A. Wadhwa, Ankur Vaish, Krishnan Kutty, Ravikant Sabnavis, Munjal Shroff, Vaibhav Chavan, Jakes Bejoy, and Bejoy Arputharaj.

  • Zee5 partners with smart TV OS Whale TV

    Zee5 partners with smart TV OS Whale TV

    MUMBAI: Zee5 has got onto another  independent smart TV OS, Whale TV. With this, the streamer will be available on all Whale TV smart TVs, including major brands such as Philips, TCL, and Sharp, across more than 150 countries including India, the Middle East and North Africa, Asia-Pacific, and the US.

    Zee5 offers south Asian content including original shows, franchise hits, and diverse content across 18 languages. Operating in over 190 countries, the platform boasts a catalogue that spans blockbuster movies, acclaimed TV shows, and lifestyle programming. By partnering with Whale TV, Zee5 is making its content accessible to millions of viewers worldwide. 

    On Whale TV models, consumers will now have an easy-to-use smart TV experience with advanced AI powered recommendations, making it easier than ever to discover and enjoy Zee5’s  wide range of premium titles including Oscar winner RRR, Sam Bahadur, Gyaarah Gyaarah, Hanu-Man (Telugu) and more.

    Said Zee5 chief business officer Manish Kalra:  “Smart TVs are an increasingly dominant way for people to consume content. This strategic alliance with Whale TV further strengthens our global reach, enabling entirely new audiences to discover our curated catalogue of premium South Asian content at scale. We are confident that this partnership will accelerate our efforts to bring viewers across the globe seamless access to the best of south Asian content.”

    “With Whale TV we aim to deliver a smart and simple TV experience to consumers, where they can watch their favorite entertainment whether that’s streamed, broadcasted or playing on a connected device. With our global reach it is important that we offer a diverse content selection and we are delighted to add Zee5 Global to our platform,” added Whale TV VP content distribution Lucas Huang. 
     

  • ZEE5 Global provides Bollywood entertainment in Middle East

    ZEE5 Global provides Bollywood entertainment in Middle East

    Mumbai: Bollywood films have always been appreciated and loved throughout the Middle East, particularly in the UAE among both Indians and local audiences. ZEE5 Global, a streaming platform, is now amplifying this connection.

    ZEE5 Global provides South Asian entertainment in the Middle East and around the globe, has one of the greatest collections of content in South Indian languages, over 4000 movies, and the largest collection of movies across all South Indian languages.

    The platform recently premiered the mega-blockbuster “RRR” in Telugu, Tamil, Malayalam, and Kannada and also “The Kashmir Files” both of which were huge hits across the Middle East.

    ZEE5 Global recently announced its partnership with the LuLu Group for their India Utsav celebrations to mark the 75th anniversary of Indian independence.

    ZEE5 Global chief business officer Archana Anand, said, “We are very happy to partner with LuLu for yet another hugely successful event to bring the entertainment factor into the shopping experience. Sonali’s presence only added to the festive spirit as fans were thrilled to meet the star. The Middle East is a very special market for us and we look forward to continuing to enthral our audiences here with the best of Bollywood blockbusters and South Asian stories”.

    She further added, “As part of the festivities, ZEE5 Global flew in actor Sonali Bendre, who had a special meet and greet with fans who flocked to Dubai and Abu Dhabi on 20 August. Sonali, who recently made her OTT debut on ZEE5 Global with The Broken News, also shopped with fans who were overjoyed to meet her”

    The announcement was made at the LuLu regional headquarters in Dubai during a live press conference.

    The “India Utsav” was launched across the GCC countries on 15 August 2022 at Al Wahda Mall in Abu Dhabi, in the Lulu Group’s first ever simultaneous region-wide launch of this celebration.

    Actor Sonali Bendre said, “It’s been such a fun experience being at the India Utsav in Dubai and interacting with everyone here. It’s great to see how everyone has participated in the activities as part of the celebrations. My association with ZEE5 Global has always been amazing and I’m so glad that my first OTT show, The Broken News on ZEE5 Global, has been much appreciated and loved by audiences across the world. I’m also excited that Duranga is receiving a positive response on ZEE5 Global, which is a creation of Rose Audio production and helmed by my husband Goldie Behl.”

    In addition, the brand has planned a slew of new content launches and partnership announcements for the coming holidays, which will be revealed in the coming weeks.

  • PVR expecting full recovery over the next couple of quarters: Chairman & MD Ajay Bijli

    PVR expecting full recovery over the next couple of quarters: Chairman & MD Ajay Bijli

    Mumbai: At the investor conference call post the announcement of its first quarter results, multiplex chain PVR’s chairman and managing director Ajay Bijli, said that the company is expecting a full recovery over the next couple of quarters.

    “Given the excellent performance of the movies in the last few months and a very promising lineup of content that is up for release during the rest of the year, we are expecting a full recovery in admissions and advertising income over the next couple of quarters. I believe that this year will be a great year for the company,” he added.

    PVR CFO Nitin Sood noted that there is still a large segment of people who have not shown up at the cinemas. “Our sense is that it will take a few months for the full recovery to play out as more films get released across theatres, as more genres of films get released across theatres, whether it is Hindi films or big tent poles like Avatar, which will draw consumers back to cinemas. So, the full recovery will take another six months to play out. Our sense is that by December 2022, when we have had a big run of films, effectively, recovery should take shape fully, because you must also understand that in a country like India, there is a very large segment of people who show up at the theatres only once or twice a year. So, for that to play out, you have to give it time and see a full recovery. So, our sense is by the end of December 2022, we should hopefully be able to see some of that.”

    Offering a quick update on the progress on the proposed merger of Inox Leisure with the company, Bijli said, “Both the companies got no objection certificates from the two stock exchanges, i.e., Bombay Stock Exchange (BSE) and National Stock Exchange (NSE), on the proposed scheme of the merger, and we are in the process of filing our application for the approval of the scheme of merger with the National Company Law Tribunal (NCLT) in the next couple of weeks. I am told that the NCLT process typically takes anywhere between five and seven months, so we seem to be on track.”

    Bijli is bullish on the content pipeline moving forward, he added, “The content pipeline in the months ahead looks promising. Over the next few months, we have several big-budget Bollywood movies lined up for release, like “Shamshera,” “Lal Singh Chaddha,” “Brahmastra,” and “Vikram Vedha.” From Hollywood, we have “Bullet Train,” “Paws of Fury,” “DC League of Super-Pets,” amongst others. From the regional genre, we have “Vikrant Rona,” “Liger,” “Godfather,” and “Ponniyin Selvan.””

    On the screen expansion plans, he said that the company opened 14 screens across three properties in the last quarter and is fast ramping up its capex plan to open a total of 125 screens by the end of the current fiscal. “About a third of our new screen additions will be in the tier two and tier three cities, and we will be entering 9 new cities during the year. The entire capex will be funded through internal accruals and liquidity available to the company. Our screen portfolio currently stands at 854 screens across 173 cinemas in more than 75 cities in India and Sri Lanka,” he explained.

    When asked about Hindi movies not doing well, he said, “No, there is no issue. I think it’s too early; it’s only been three-four months since movies have started coming out, and basically, I am not going to write-off Hindi movies so soon. There are some big movies lined up.” He added that one quarter is too short a timeframe to draw any conclusions that only regional terms will dominate and Hindi will not do well anymore.  

    He said that people just want to watch whatever appeals to them and it just so happens that two big regional language films did exceedingly well and they overshadowed other releases.

    PVR Pictures’ chief of business planning and strategy & CEO Kamal Giachandani noted that Hindi films have done well. ““Gangubai,” “Kashmir Files,” “Bhool Bhulaiyaa,” even “Jug Jug Jiyo,” which came out recently, have all done well. And also, we have to keep in mind that “K.G.F” and “RRR” actually performed a lot better in the Hindi version. Whether you would categorise them as a Hindi film, or would you consider them as a Kannada or a Telugu film, is a matter of debate. It depends on which angle you are looking at it from. But we think of them as Hindi films and the way we look at it is that if “RRR” and “K.G.F,” which are films essentially dubbed into Hindi, can do so well, imagine a Hindi film in the original version with a popular actor or with multiple popular actors, will connect to the audience. Imagine the upper limit for those films. Imagine the potential for those films. So, we see it as a big positive, and those were the three elements that made us think content is done well; these four months have done so well for us,” he mentioned.

    On the admissions front he said that when the company looks at the lineup that will come in the third and the fourth quarter of the fiscal it feels fairly confident that this could turn out to be a year which will end up with aggregate admissions which are a lot better than what was achieved in 2019- 20. “We feel extremely buoyant looking at the lineup and the response that we have got from the audiences. That said, our business is of hit and miss. I think it’s best to look at it on an annual basis rather than on a quarter-to-quarter basis in terms of admissions. There are segments like Hollywood films which have a depressed number in terms of quantity. Quality is fantastic, “Dr. Strange,” “Spiderman,” “Top Gun,” all of these films have exceeded the expectations, “Jurassic World.” But as far as the quantity goes, studios are still ramping up their production. Same is the case with Hindi films, producers are still ramping up their production. There has been a lot of disruption in terms of shooting over the last two years. We could have some surprises as we move forward but I think at an annual level, the entire financial year we are looking at a very strong set of numbers in terms of admissions.”

    Talking about the ad scene, PVR CEO Gautam Dutta said that in the second quarter the company should be getting its averages a lot better than the pre-Covid numbers of Q1 as compared to Q1 of last year. “So, currently we are in a gap of about 38 per cent, which should be reduced to about 20 per cent or so in Q2. By Q3, which is really a festive period and a lot of advertisers begin to advertise, we believe that we will be within the pre-Covid levels or maybe five or seven per cent lower. I am very certain that by Q4 we will end up sort of exceeding the pre-Covid numbers. So, that is going to be the trajectory, and having said that, yes, there has also been a big churn in the advertisers who used to come earlier to now.

    “We are seeing a lot of traction with new age advertisers who have come in, some of the FMCG and the multinational brands are taking a little more time. We hope that by quarter three they would possibly be back at the cinemas, so that’s largely what it is. Retail clients are showing a quicker turnaround, and we are seeing that while the RO size is small, they are kind of coming back to cinemas much faster. So, overall, I think quarter two is going to be a little under pressure but the average will get better than what we have achieved in Q1, but Q3 is really where I believe that we will be largely in the hitting range of pre-Covid numbers,” Dutta added.

  • ‘RRR’ records 1000 minutes watch time on Zee5

    ‘RRR’ records 1000 minutes watch time on Zee5

    Mumbai: The film ‘RRR’ received 1,000 million streaming minutes and was trending #1 in all four languages on ZEE5. The movie has already broken all box office records and is receiving an overwhelming response by the audience on OTT as well, according to a company statement.

    Helmed by SS Rajamouli and produced by D. V. V. Danayya of DVV Entertainment, starring Jr. NTR, Ram Charan and Alia Bhatt in the lead roles, the film turns out to be a blockbuster hit. With ‘RRR’, ZEE5 adds another feather to its cap post the success of ‘The Kashmir Files’.

    Talking about the huge success of the film, ZEE5 chief business officer Manish Kalra said, “After the enormous success of ‘RRR’ in theaters, audiences have again rewarded the Magnum opus with an outstanding response on ZEE5. With the release of the film in 4 languages on ZEE5, the story was brought closer to the audience across languages in India. At ZEE5, we strive to offer the best in content and stories to our loyal and potential audience, and ‘RRR’ was yet another attempt from us to delight our subscribers.”

    Commenting on the success of ‘RRR’ actor Nandamuri Taraka Rama Rao said, “Gratitude is what I feel when I see the love you are all showing to ‘RRR’ on ZEE5. It is so exciting to be in front of our audiences in Telugu, Tamil, Kannada and Malayalam. We are so glad to see your tremendous response.”

    Elated by the response, actor Ram Charan said, “We are overjoyed to see the love for ‘RRR’ on ZEE5! With the film’s awaited release in Telugu, Tamil, Kannada and Malayalam, we are as excited as you all. Thanks for appreciating the film.”

  • ZEE5 announces RRR OTT premier in regional languages

    ZEE5 announces RRR OTT premier in regional languages

    After registering a tremendous success on theatrical release, RRR is all set to hit the OTT screens. On the eve of superstar NTR’s birthday, ZEE5 has announced the release of the blockbuster movie ‘RRR’ on ZEE5 on 20 May 2022. Expanding its TVOD portfolio, ZEE5 is set to launch the movie in multiple regional languages Tamil Telugu Kannada Malayalam with English subtitle across the globe in TVOD.

    According to the trade reports, the film remains at the top of box office charts with Rs 1100+ Cr box office collection worldwide.

    RRR- Rise Roar Revolt is based on the journey of two legendary revolutionaries depicting fire and water far away from their homeland. The superlative performance by Young Tiger Jr NTR and Mega Star Ram Charan has captivated audiences’ minds across geographies making it a landmark movie in Indian film industry.

    The film, directed by SS Rajamouli and produced by D. V. V. Danayya of DVV Entertainment, featuring Jr. NTR, Ram Charan & Alia Bhatt in the lead characters, had its worldwide theatrical release on 25 March, 2022. The film went on to become a national rage and a milestone in the southern entertainment industry; clocking a roaring success at the box office, and is now set to be released on ZEE5 for viewers across the globe to watch in their preferred language with English subtitles.

    Commenting on the announcement, ZEE5 chief business officer Manish Kalra said, “We are happy to bring RRR for our audiences in multiple languages, enabling them to consume in their preferred format. At ZEE5 the focus has always been to democratise content, making it accessible and economical for the larger audience. We have invested in building a diverse and strong portfolio for TVOD, in line with our plans to enhance in-home entertainment experiences. We are excited to see the response for the most celebrated movie of 2022.”

    Pen Studios’ CMD Jayantilal Gada said, “We are happy to associate with ZEE5, and proud that Pen Studios is instrumental in enhancing the reach of S.S. Rajamouli Ji’s RRR, which is one of the finest films and the pride of Indian cinema. RRR will now be available in four south Indian languages Telugu, Tamil, Malayalam and Kannada to its viewers in TVOD format from 20 May.”

  • ‘RRR’ brings tsunami at the box office, signalling normalcy in film business

    ‘RRR’ brings tsunami at the box office, signalling normalcy in film business

    Mumbai: Star filmmaker SS Rajamouli’s latest magnum opus “RRR” opened to a terrific response across 7,000 screens in India and globally on Friday. The fantasy-drama film recorded the highest opening numbers after “Baahubali: The Conclusion,” the filmmaker’s last outing. Trade pundits believe that it is the glowing word of mouth that helped “RRR” to become immensely popular amongst moviegoers within just three days of its release.

    “RRR” is the first film after two continuous years of instability to have a 100 per cent opening in terms of occupancy. Reportedly, the film overtook “Baahubali 2” with the first day’s earnings and has earned Rs 580 crore till Sunday evening.

    On its debut day, the film earned Rs 18 crore in the Hindi belt alone. On the second day, the film continued to rake in Rs 24 crore. On the global front, the film is doing well in Australia and USA as well. It earned Rs 223 crore worldwide. In India, the film earned Rs 156 crore, while in the USA, the film minted Rs 42 crore and in the non-US market, it nabbed Rs 25 crore, which takes the total to a solid Rs 223 crore. 

    Rajamouli’s marketing strategy did the magic for “RRR”

    The marketing team of “RRR” has done a tremendous job to create a buzz around the film even before its release. While being a visual masterpiece, “RRR” has been in talks since 2018, when the shooting schedule was planned.

    “RRR” was never meant to be a Tollywood film. As a pan India film, it targeted gen-Z and millennials by using social media applications like Snapchat.

    Movie business returning to normalcy

    Experts believe that full-year FY23 box office revenue should be in line with pre-Covid levels as of now. Even on a like-to-like basis – while comparing March 2019 too, there is a 30 per cent + growth in box office revenue for exhibitors, estimated by Elara Capitals before the release of “RRR.”

    With back-to-back hits, including “RRR,” “The Kashmir Files,” “Gangubai Kathiawadi,” March 2022 has seen Hindi box office revenue growth of at least 30-35 per cent versus pre-pandemic levels of March 2019.

    Elara Capital’s Taurani expects this momentum to accelerate from April 2022 onwards.

    Bollywood business growth for 2022 is backed by promising content lineup

    If we see the trend so far, the year opened with “Badhaai Do,” a comedy-drama crafted around the LGBTQI+ community and same-sex relationships.

    Soon after, Bollywood saw two big historical films – “Gangubai Kathiawadi” and “The Kashmir Files.” The two films turned out to be a great surprise not just for the audience but for producers too by collecting Rs 150 crore and Rs 250 crore, respectively.

    Along with the huge openings in the first quarter, big-budget films like “Jersey,” “Brahmastra,” “Heropanti 2,” “KGF 2,” “Tejas,” “Ram Setu” are also lined up for release in the next few months.

    Looking at the content lineup for the next nine months of 2022, it can be said that the present growth will sustain and 2022 will manage to match pre-Covid levels leading to normalcy in the film business.

    What is the story of “RRR”

    Set in the 1920’s, “RRR” is based on the lives of Telugu freedom fighters, Alluri Sitarama Raju (played by Ram Charan) and Komaram Bheem (Jr NTR). Bankrolled by DVV Danayya, “RRR” was reportedly made on a massive budget of Rs 450 crore. Alongside the lead turn from Ram Charan and Jr NTR, the film also features Ajay Devgn and Alia Bhatt in extended cameos.

  • India M&E industry projected to reach $100 billion by 2030: Apurva Chandra

    India M&E industry projected to reach $100 billion by 2030: Apurva Chandra

    Mumbai: The Indian media and entertainment industry is valued at $28 billion and is projected to reach $100 billion by 2030 growing at a cumulative growth rate of 12 per cent, said the ministry of information and broadcasting secretary Apurva Chandra. Chandra was addressing a roundtable organised by the India Pavilion at the Dubai Expo.

    Chandra mentioned that the MIB will set up an AVGC (animation, visual effects, gaming and comics) task force by the end of March 2022 “with the purpose of formulating the AVGC policy to further facilitate the companies in the sector.”

    Chandra was leading a delegation of the ministry comprising actor R Madhavan, Doordarshan director-general Mayank Agarwal, I&B ministry joint secretary Vikram Sahay, Central Board of Film Certification CEO and National Film Development Corp of India managing director Ravinder Bhakar.

    The I&B secretary also met with Channel 2 Group Corp chairman Ajay Sethi on the matter of starting a live radio channel in India dedicated to sports. “The current broadcasting of live cricket in India on radio lacks quality and content and there is a delay of around 11 seconds as well,” said Chandra.  

    Channel 2 Group is ready to invest in infrastructure, marketing, and content and sought the support of the government of India in terms of the channel. The company is in a 60:40 revenue sharing model Prasar Bharati but is not producing content. Channel 2 Group operates FM channels in Dubai, a TV channel in Kenya, Media City, cricket teams in the Caribbean and South Africa among other key activities. The company also owns ICC global cricket radio rights.

    SS Rajamouli’s film “RRR” was launched globally at the Dubai Expo in the presence of the I&B secretary, global media houses, and key delegates from India and UAE. The director and actors Ram Charan and NT Rama Rao Jr were also present at the event.