Tag: Ronnie Screwvalla

  • Star, Sony urge easing of government controls to spur growth

    Star, Sony urge easing of government controls to spur growth

    MUMBAI: They may be fierce rivals. However, one point that both Star and Sony agree on is the need for the authorities to stimulate growth in Indian television and not focus on excessive rules that would only serve to create entry barriers.

    This point came out strongly on the latest edition of BBC World’s new show Business Bites. Hosted by UTV CEO Ronnie Screwvalla, the episode that aired on 22 August featured Star India CEO Peter Mukherjea and Sony Entertainment Television India CEO Kunal Dasgupta.

    Both expressed worries that the authorities (broadcast regulator Trai or the government as the case may be) were putting too many controls in the system. This would subdue growth, they argued. As Mukerjea pointed out, ”Regulation ought to be looking to drive further growth in the industry.”

    Star India CEO Peter Mukerjea Another topic that came up for discussion was DTH. Mukerjea however, warned that for growth to happen DTH operators would have to change the current perception about DTH being urbane, elitist and expensive. “DTH is suitable for everyone as long as the pricing of the product is kept at a sensible level. I see the DTH market being big enough to accommodate two players not including Prasar Bharati. If the government sees DTH as the way forward then it should fast forward applications. From the consumers’ point of view, they are not bothered about the mode of delivery whether it is DTH or cable or broadband. Choice is important for them,” he said.

    Sony Entertainment Television India CEO Kunal Dasgupta Dasgupta pointed out that DTH could create competition to cable. “We need alternative delivery systems. DTH is one of them. DTH offers the opportunity to pick up premium subscribers. Some non broadcasters could use DTH as a way to get into the television business which is fine.” Dasgupta was also of the opinion that adult entertainment should be allowed under DTH, arguing that the set top box had parental controls as well as a usage monitor.

    On the vexed issue of providing channels to different DTH platforms (a major sore point with rival Zee’s Dish TV), Mukerjea made an interesting observation. According to him, while “certain types of channels would be exclusive to certain platforms, they will not be mass entertainment products (as in Star Plus and the like) but more niche offerings.” He gave the examples of golf and fishing channels in this context.

    As far as the current cable pricing was concerned, Mukerjea admitted that it is realistic considering the Indian ground realities. He however, felt that there was an opportunity to move beyond the current levels. According to him the way forward was to give consumers choice.

    Dasgupta added that the Trai price freeze had outstayed its utility. “It has been eight months and between then and now 10 new channels have been launched. By the end of the year another 10 to 12 channels would launch,” he said.

    Queried about the regional language space, Dasgupta indicated that Sony was not too keen to enter that arena for the present. While the investment required is substantial the market is just not big enough, Dasgupta said. “The size of each regional language is not exciting enough. It does not travel globally. Let the market grow in size. Then we will acquire companies that specialise in regional language proposition. This will be better than investing in a losing proposition for years and years,” Dasgupta reasoned.

    Star on the other hand has been waiting to solidify its position in the Hindi space before moving on. “For us there was the danger of missing the agenda on the Hindi market when you spread yourself across several languages. We are now well embedded in the Hindi market. We have also been waiting for the regional language market to grow.” Mukerjea said.

    Another thing unlikely to happen soon is a shakeout in the television space. As Dasgupta pointed out, the new entrants have carefully and intelligently studied the programming on air and also the gaps that need to be filled.

    Regarding the kind of content that will grow in popularity the forecast is for migrating formats to happen with greater frequency. “Whether these are ideas that are lifted and looked at from other parts of the world or formats working elsewhere we try and put them into the Indian marketplace with Indian sensibilities, characters and story nuances. This along with movies and music will be the mainstay of Indian television. They will form the backbone of general entertainment,” Mukerjea said.

    Dasgupta added that whenever Sony adapted a show from abroad it had never been a straight copy. ” A strong localisation is the answer. We pay a lot of attention to localisation and audience sensibilities. Also the challenge before us is a fragmented market. Within the general entertainment space there are 15 choices. The situation earlier was that you had the mythologicals where you would not see a single soul on the street on Sunday morning. There is no programme today that can do that apart from an India-Pakistan cricket match. With all due respect Star has done a brilliant job of sustaining viewership in such a fragmented market.”

    Dasgupta added that Sony’s strategy is, if you cannot beat them do not join them. “You cannot do more of the same or you will be fighting for the same eyeballs. You have to constantly change the cycle and broaden the viewership base.”

    The question over whether channels should be allowed to be both pay and ad driven was also raised. Dasgupta pointed out that when you have a situation where $ 2 dollars is being paid for 100 channels then what is each channels share? “The channels that operate on a (pure) pay basis operate are premium channels.”

    Mukerjea noted that ad revenue was not sufficient to spread across the channels. “So a secondary service (as in subscription) is almost essential.”

    In his concluding comments, Dasgupta said market segmentation through addressability would come in at some point.

    Mukerjea stressed on the need for less regulation, not more if growth was to be sustained.

  • FPGI’s film & TV awards to be held on 29 May

    FPGI’s film & TV awards to be held on 29 May

    MUMBAI: When it comes to Bollywood there is no shortage of award shows. Whether it is Star, Zee or Sony every Tom, Dick and Harry has gotten onto the bandwagon. The latest party to do so is the Film Producers Guild of India (FPGI). On the occasion of its 50th anniversary FPGI announced the Apsara Awards.

    What is unique though is that it will celebrate both film and television. There are eleven categories celebrating television including actor, actress, ensemble, drama series, comedy series, sports show, news anchor and the lifetime achievement award. Of course it was three years ago that Indian Television Dot Com took the initiative in honouring the people who toil in the television industry by hosting the Indian Telly Awards.

    Coming back to the Apsara Awards, the event will take place on 29 May at the Grand Hyatt. The nominations will be announced at a gala event on 5 May. The evening saw a large congregation of producers from the entertainment industry. The trophy was unveiled by the two senior most members of the guild, BR Chopra and Ramanand Sagar.

    The FPGI will be soliciting entries from the various parties from 5 April. There are four committees. UTV CEO Ronnie Screwvalla will be chairing the 12 member television jury. Twenty entries will be short listed. These will then be whittled down to five in each category. The winners will be voted by the cast of a ballot by all the members of the Guild (153) and not by a viewer’s choice poll. A total of 36 categories, including 24 from cinema and 12 from television (fiction and non-fiction both), will be honoured at the finale.

    Speaking on the occasion Screwvalla said that if Indian television had grown rapidly in the past decade it was because of the cross learnings that had taken place in the film industry over the past decade.

    FPGI president Amit Khanna said that the awards would carry greater weight and have more credibility as the categories would be voted upon by the 153 Guild members. In addition Price Waterhouse Coopers which audits the Academy Awards will also perform the same function for the Apsara Awards.

    Khanna said, “We felt that there was a dire need for experts from within the film and television industry to honour and recognise their peers. Every aspect of film and television making has to be understood thoroughly in order to determine brilliance. It is the people that work at making these products that are in the best position to do so.”

    Reliance is the sponsor of the event. Reliance Infocomm’s Kaushik Roy said that being associated with the entertainment industry had several advantages. “Firstly it is safer than a Sehwag. You never know when he might fail with the bat. It also allows us to conduct loyalty and reward programmes for our customers. We can have them meet the stars. When we roll out broadband and netway through our set top boxes the FPGI will have another mechanism to reach the film buff. Another innovation we could look at is the People’s Apsara Choice. Here fans could vote through their mobiles on whom they feel deserves to go home with the trophy.”

    Speaking to indiantelevision.com filmmaker Ashutosh Gowarikar said, “The more award shows the merrier. I don’t think that too many award shows reduces the merit of getting one. I also don’t think that the jury is ever right or wrong in picking the winners as all decisions are subjective in nature. To judge the credibility of a show it takes about five years. After that period you can assess the nominees over the years and who won.”

    Cinevistaas chairman Prem Kishen said that recognising animation in the television category was a step in the right direction. “Of course there is no greater feather in the cap than being recognised by people you work with and admire.”

    What nominees will be vying for is a 22 karat gold plated trophy which has been designed by Tanishq. Several things including the angle Apsara who was characterised by grace, movement and poise inspired the design. Also the Ajanta and Ellora caves formed the basis of inspiration for the etchings on the inside of the trophy.

    The awards are being managed by Hungama Events – a division of Hungama.com.

  • Madhuri to host Sony marriage-show ‘Shubh Vivaah’

    Madhuri to host Sony marriage-show ‘Shubh Vivaah’

    After a long while in which Sony Entertainment seemed to be in hibernation while the Zees and the Stars did all the running, the channel today announced a new mega-programme Shubh Vivaah (happy marriage) scheduled to go on air in October.

    And in another high-profile signing after Govinda (Jeeto Chappar Phaad Ke), Sony has roped in the former queen bee of Bollywood Madhuri Dixit as host. There were no details about the format of the show available.

    Ronnie Screwvalla’s UTV is producing the show which, according to reports, will have prospective brides and grooms being introduced to each other. They will discuss their backgrounds, their families, what they are interested in and what they look for in a marriage partner. If a couple hit it off they will actually get married. On the show or off it is not yet clear.

    Shubh Vivaah will be the channel’s, in fact, the country’s first-ever reality television show and Madhuri’s debut in television, a company release says.

    Only one problem though. There is already a reality show on marriage in the pipeline on veritable old Doordarshan. It is a weekly matchmaking television show called Swayamvar which is also scheduled to air later this year. The programme will be held before a live studio audience, in which suitors will compete for a girl’s hand.

    Produced by former Bollywood hunk Vinod Khanna’s Taal India Communication Private Limited, the show will be directed by Anil Gupta.

    Swayamvar will feature 26 girls – one per episode – from cities across India, and is expected to be launched in November. There will be no pre-set dialogues.

    What with among the all-time greatest hits on Hindi cinema being an extended marriage video called Hum Aapke Hain Kaun and the sundry soaps on air being variants on the grand blueprint it set forth, the idea of making reality shows based on marriage was probably the natural extension of that.

  • UTV posts Rs 160 million net profit, total revenues Rs1,510 million

    UTV posts Rs 160 million net profit, total revenues Rs1,510 million

    The Ronnie Screwvalla-promoted UTV Software Communications Ltd’s financials are out and it has made a net profit of Rs 160 million rupees on a total revenue of Rs 1,510 million for the year ending March, industry sources say.

     

     

    Sources have been able to extrapolate the following information: For the year ending March 2001, the group’s media revenues were Rs 1,510 million.

     

    Earnings before interest, taxes, depreciation and amortisation (EBITDA) were Rs 320 million, with a profit before tax (PBT) of Rs 200 million and a profit after tax (PAT) of Rs 160 million.

     

    The revenue represents a 28 per cent jump over the last year, EBITDA a jump of 151 per cent and PAT an increase of 167 per cent.

     

    From this year, they follow an accounting policy of 100 per cent write-off, which further made a deviation of profits of Rs 35 million. UTV follows a five-year write-off policy on all their plant, machinery and equipment. The group’s accounts are audited by Arthur Andersen.

     

    Their prospectus draft and research report show a paid up capital of Rs 120 million, therefore their earnings per share (EPS) in March 2001 would be Rs3.40.

     

    The group’s revenues and net profits come from multiple streams, broadly broken up as: – TV Content: 40 per cent – Ads / Dubbing / Inflight / Live Events: 15 per cent – Motion Pictures: 12 per cent – Post Production: 20 per cent – Animation: 10 per cent – Air time sales and distribution: 3 per cent.

     

    The Group has over 400 clients. The top 10 clients represent only 21 per cent of the revenue stream. Therefore their client dependency on any one single client is not too high. Of the 400 clients, 45 are international and global clients and export and international business represents 18 to 20 per cent of their annualised figures.

     

    UTV Software Communications is made up of United Television (UTV) and four subsidiaries – Vijay TV, UTV Singapore, UTV Malaysia and UTV Interactive.