Tag: Rohan Nayak

  • Pocket fm insights ’25: 86 per cent of listeners prefer audio dramas over podcasts

    Pocket fm insights ’25: 86 per cent of listeners prefer audio dramas over podcasts

    MUMBAI:  For millions of Indians, screens are out and sound is in. Pocket fm’s entertainment insights ’25 report reveals how audio series have emerged as the country’s most intimate form of entertainment, redefining binge culture.

    Based on responses from 20,538 digital entertainment consumers, the survey reveals that audio dramas are now part of daily life, with 49 per cent listening to over 10 episodes a day, 50 per cent tuning in for more than 90 minutes (including 35 per cent who cross two hours), 60 per cent listening during leisure time, 48 per cent during commutes, and 86 per cent preferring episodic audio dramas over podcasts, audiobooks, or music.

    At the center of this shift is young India (18–24 years), treating audio series as both escape and habit. Genres such as drama (40 per cent), romance (37 per cent), sci-fi/fantasy (37 per cent), and thriller/horror (34 per cent) dominate, with Hindi leading at 53 per cent while regional languages rapidly gain ground.

    Monetisation patterns are equally unique: three in four prefer micro-payments over subscriptions, mirroring India’s wider digital payment culture.

    And the future? Surprisingly open to tech. 80 per cent of listeners say they are comfortable with AI-generated storytelling, so long as the narrative connects emotionally.

    “India has always been a storytelling nation, from epics to bollywood. What we are witnessing now is a generational pivot,” said Pocket entertainment, co-founder and ceo, Rohan Nayak. “People aren’t abandoning video; they’re choosing audio because it offers intimacy, imagination, and freedom. The future of pop culture will be defined as much by what we hear as by what we see.”

     

  • Rohan Nayak’s Pocket FM makes audio series a mainstream hit in 2024

    Rohan Nayak’s Pocket FM makes audio series a mainstream hit in 2024

    MUMBAI: As 2024 draws to a close, the world of audio storytelling has a clear hero: Pocket FM.

    In a year brimming with innovation and riveting narratives, the platform soared to unimaginable heights, turning listeners’ love for immersive tales into a record-breaking Rs 1,051.97 crore in revenue.

    Listeners didn’t just tune in—they built an empire of stories, one stream at a time.

    From thrilling mysteries to heartwarming romances, Pocket FM didn’t just entertain—it transformed how the world experiences audio. With over 100 billion minutes streamed and 45 million microtransactions logged, the platform became the beating heart of a global community united by their love for storytelling.

    If 2024 was a chapter, it was one filled with blockbuster growth, listener passion, and the unmistakable sound of success.

    And as Pocket FM inches closer to profitability, one thing is clear: this isn’t the end of the story—it’s just the beginning of a gripping new era in entertainment.

    In 2024, Pocket FM saw listeners stream over 100 billion minutes of content globally, completing more than 45 million transactions. With 54 per cent Gen Z, 37 per cent Millennials, and 5 per cent Gen X, the platform captivated a young and diverse audience. Its near-balanced gender demographic—53 per cent male and 47 per cent female—highlighted the platform’s broad appeal.

    AI-powered innovation drove this unprecedented growth. Pocket FM expanded its content library by 36X with AI-generated series, while human-narrated series increased 2X, ensuring quality and variety for its listeners. Financially, over seven audio series crossed $10 million in revenue, marking a 600 per cent growth from 2023, while 35 audio series achieved million-dollar milestones—three times more than the previous year.

    Romance and Drama dominated globally, followed by Fantasy, Sci-Fi, Horror, and Thriller, captivating audiences in India and the US.

    The platform also reshaped listening habits, with 200,000 users spending over 3 hours daily, and 10,000 users listening for more than 3,000 hours annually. Morning and commute hours (5-11 AM) accounted for 30 per cent of daily consumption, while late-night listening (11 PM-5 AM) surged to 22.9 per cent, reflecting a shift from traditional TV to audio series during leisure hours.

    India emerged as a key market, with cities like Bangalore, Delhi, Mumbai, and Hyderabad leading in listener engagement. Popular audio series captured the imagination of millions:

    Ek Ladki Ko Dekha Toh: Played 100 million times

     Secret Ameerzaada: Played 85 million times

     Insta Millionaire: Played 60 million times

    Insta Empire: Played 50 million times

     Super Yoddha: Played 42 million times

    Pocket FM CEO & co-founder, Rohan Nayak highlighted the platform’s impact, “In 2024, we didn’t just grow; we redefined the very nature of entertainment by establishing audio series as a mainstream entertainment. Audio series, as a category, is no longer a niche—they are the next evolution of global entertainment. This year’s achievements are a testament to the immense potential of this category and our commitment to leading its growth.”

    Through its blend of human creativity and AI innovation, Pocket FM built a scalable, cross-cultural content ecosystem that has revolutionised how audiences consume stories.

     

  • Pocket FM’s Rohan Nayak to deliver keynote at Web Summit, Lisbon 2024

    Pocket FM’s Rohan Nayak to deliver keynote at Web Summit, Lisbon 2024

    Mumbai: Pocket FM co-founder and CEO Rohan Nayak will deliver a keynote at the Web Summit in Lisbon, making him the only Indian leader from the entertainment sector and the sole Indian keynote speaker at the event. His session, titled ‘Profit Play: New Rules of Entertainment,’ will detail Pocket FM’s journey in creating and scaling a new category in entertainment with its innovative Audio Series format.

    Founded in 2018, Pocket FM has grown rapidly since 2021, producing over 35,000 audio series and reaching an annual recurring revenue (ARR) of $200 million. Rohan will share how the company identified untapped market opportunities through 10 strategic pivots and discuss its approach to building and monetising a new entertainment category. His keynote will provide exclusive insights into the strategies that have helped Pocket FM become a major player in audio entertainment, highlighting the importance of innovation in shaping the future of digital storytelling.

    This milestone for India’s entertainment and tech industry emphasizes the global demand for high-quality, digital content. Web Summit, one of the largest global tech conferences, will be held from 11–14 November 2024, at MEO Arena in Lisbon, Portugal. The event will feature over 800 speakers, including leaders like Jessica Sibley (CEO, Time), Mark Read (CEO, WPP), Josh Silverman (CEO, Etsy), Kuo Zhang (President, Alibaba.com), Richard Teng (CEO, Binance), and Pharrell Williams (13-time Grammy Award winner).

  • Vineet Singh joins Pocket FM as VP-branding & communications

    Vineet Singh joins Pocket FM as VP-branding & communications

    Mumbai: Audio series platform Pocket FM has announced the appointment of Vineet Singh as vice president – branding and communications. In this role, Singh will spearhead the brand marketing, communications and creative charter, and will work closely with Rohan Nayak.

    Vineet joins Pocket FM with diverse experience, having previously served at BYJU’S where he was heading the brand, marketing and creative strategy and was working closely with the founder’s office. Vineet played a pivotal role in building BYJU’S brand imagery in India and globally showcasing the expertise to build brand reputation to create relevance among the audience.

    Excited about his stint at Pocket FM, Vineet Singh stated, “Pocket FM’s commitment to innovation and delivering top-quality audio series is inspiring. This marks an exciting moment for us as audio series emerge as a disruptive force in the entertainment landscape. I am eager to contribute to their culture of creativity and be part of this exciting journey.

    At Pocket FM, his responsibilities include overseeing brand marketing and communications initiatives across key global markets to further strengthen Pocket FM’s brand image in the entertainment space. He will also play a crucial role in driving influencer partnerships and brand collaboration, with a focus on elevating Pocket FM as a leading entertainment brand, globally.

    Pocket FM co-founder and CEO Rohan Nayak commented on the appointment “We are delighted to welcome Vineet to our leadership. His proven track record in brand marketing and communications, coupled with his strategic vision, will be invaluable as we continue to grow and expand our reach globally. With Pocket FM expanding its global footprints, we are confident that Vineet’s leadership will play a pivotal role in solidifying our position as a leading entertainment platform on a global scale”

    A graduate from ICFAI School, Vineet has an impressive track record, having contributed significantly to the success stories of companies like BYJU’S, Embassy Group, WeWork, Google and many more. His proven track record in crafting successful brand stories for growth-oriented organizations underscores his capability to drive impactful results.
     

  • Pocket FM elevates Lalit Gangwar to VP and country head – US

    Pocket FM elevates Lalit Gangwar to VP and country head – US

    Mumbai: Audio series platform Pocket FM has announced that the company has elevated Lalit Gangwar to VP and country head – US and lead the company’s content operations and revenue growth for the US market.

    An IIT-Madras alumni, Lalit is a founding member of Pocket FM and has been a driving force behind Pocket FM’s success in establishing its presence across multiple geographies, including India and US. His strategic vision and commitment have played an integral role in the platform’s transformation into a global entertainment powerhouse.

    Lalit Gangwar, the newly appointed US country head, expressed his excitement about the journey ahead. He shared, “Pocket FM’s success underscores the impact of engaging storytelling. In the dynamic US entertainment industry, audio series are becoming more popular as a mainstream platform, fuelled by the emergence of widespread audio entertainment. Aligned with this evolution, we aim to deliver compelling storytelling that contributes to the growth of the audio series category in the US. It is my privilege and honor to have the opportunity to contribute to continue Pocket FM’s growth journey in US and take it to the next leap”

    Lalit has been a partner to Pocket FM’s journey since its early days. Prior to joining Pocket FM, he has worked with startups like Healthkart, Zomato and Dineout.

    Commenting on the elevation, Pocket FM CEO & co-founder Rohan Nayak said, “Lalit’s contributions have been nothing short of extraordinary. He has been a driving force in our journey towards achieving profitable growth. In this elevated role, we believe Pocket FM will continue to thrive and keep expanding into newer territories and emerge as a global leader in the audio entertainment space,”

    In 2022, the company announced its entry into the US market when it surpassed a US$25 million annualized revenue run rate (ARR). It remains bullish towards innovation and growth and aims to leverage its proven success to build a mainstream entertainment hub for a global audience.

  • Pocket FM appoints Suyog Gothi as VP and India c0untry head

    Pocket FM appoints Suyog Gothi as VP and India c0untry head

    Mumbai: Audio series platform Pocket FM has announced the appointment of Suyog Gothi as VP and India country head. In this role, Suyog will spearhead the company’s operations in India, working closely with co-founders Rohan Nayak and Nishanth KS.

    Suyog joins Pocket FM with diverse experience, having previously served at PhonePe, where he last headed the merchant lending division. Suyog earlier played a pivotal role in scaling up PhonePe’s UPI payments business, showcasing his leadership and strategic acumen in launching and managing the business at scale.

    In expressing his excitement about joining Pocket FM, Suyog Gothi stated, “I am thrilled to be part of Pocket FM, a company that is truly revolutionizing audio entertainment. I look forward to advancing our mission, fostering innovation, and empowering voices across the nation’s diverse auditory landscape.”

    At Pocket FM, his responsibilities include overseeing operations in India and implementing strategic initiatives to further strengthen Pocket FM’s dominance in the market. He will play a crucial role in driving the company’s growth across India, with a focus on scaling up the user and writer community and driving sustainable growth.

    Pocket FM co-founder and COO Nishanth KS commented on the appointment “We are delighted to welcome Suyog Gothi to the Pocket FM family. His proven track record and strategic vision align seamlessly with our goals for expansion and innovation. We are confident that Suyog will play a pivotal role in scaling up Pocket FM’s success in India.”

    A graduate of IIT-Madras, Suyog has an impressive track record, having contributed significantly to the success stories of companies like Phonepe and Flipkart. His legacy in growth-focused responsibilities makes him a valuable addition to Pocket FM’s leadership team.

    Suyog Gothi’s appointment reflects Pocket FM’s commitment to attracting industry-best talents and fostering continued growth in the rapidly evolving digital entertainment landscape.

  • Subeer Bakshi joins Pocket FM as head – people & culture

    Subeer Bakshi joins Pocket FM as head – people & culture

    Mumbai: Audio Series platform Pocket FM announces the appointment of Subeer Bakshi as the head of people & culture. Subeer brings over two decades of international and multi-industry experience to his new role, having previously held key roles in organisations such as Mercer, Aon, Willis Towers Watson and Bajaj Finserv.  

    In his role at Pocket FM, Subeer will spearhead the build out of people process and culture anchors that will enable the hyper-growth of the company. His experience of building high performing teams in fast-growing companies is expected to play a pivotal role in shaping the company’s expansion on a global scale.

    Subeer Bakshi expressed his enthusiasm for the new role saying, “I am excited to join the rocketship that is Pocket FM. Through a series of innovations, it has powered its way through to a promising market opportunity, building a new category in the entertainment landscape. As the company is scaling up globally, I look forward to contributing to its growth by aligning people’s practices to its unique business needs, building on the foundation of an already exceptional team.”

    Prior to this, Subeer was heading talent strategy at PhonePe and contributed to their efforts in scaling the company to become a market leader. At Pocket FM, he will work closely with Co-founder & CEO Rohan Nayak to build the organisation at a global scale.  

    Pocket FM Co- founder and CEO Rohan Nayak said, “Subeer’s extensive background in the people function, building culture and his track record in building strong, collaborative teams make him a valuable addition to our leadership team. We are confident that his expertise will further strengthen our commitment to creating an enabling culture and propel Pocket FM to become an employer of choice” 

  • Audio is the new Lifestyle, reveals Pocket FM Survey

    Audio is the new Lifestyle, reveals Pocket FM Survey

    Mumbai: Audio Series platform Pocket FM unveils the findings of the second leg of its entertainment consumption survey ‘Digital Entertainment Insights: Audio Takes The Centrestage’. The survey conducted every quarter across India aims to understand the digital pulse of the nation and delves into the preferences, behaviours, and attitudes of internet users towards various forms of digital entertainment.

    Audio Takes The Centrestage: Key Metrics

    The findings suggest a resounding shift towards audio formats, with 81 per cent of people engaging with audio entertainment daily. Storytelling emerged as the primary catalyst for its irresistible pull, with one in three users expressing a distinct preference for this engaging and immersive format. The other triggers are convenience, influencing every 4th user, and content diversity, affecting every 6th user to adopt audio as a preferred content medium.

    Regarding devices, 71 per cent of users consume audio content on their smartphones, highlighting the convenience and accessibility that mobile devices provide. However, 29 per cent of users prefer to consume audio through tablets, smart TVs, desktops, and other devices, showcasing the rise of audio consumption at the workplace and home.

    Genre-wise, drama emerged as the leading genre capturing the attention of 22 per cent of users, closely followed by suspense and thriller at 21 per cent, romance at 17 per cent, sci-fi at 12 per cent, and comedy at 11 per cent.

    Users seek concise, episodic content— want audio storytelling to be evolved into video

    Approximately 40 per cent of users lean towards shorter episodes lasting between 5-15 minutes, while 35 per cent prefer slightly longer episodes in the 15-30 minutes range. Only about 25 per cent of users prefer longer content, opting for episodes spanning approximately 45-60 minutes.

    The rising popularity of audio entertainment is evident, with a notable shift in how people envision audio content. A staggering 93 per cent desire to adapt audio content into visual formats such as video OTT, TV series, and movies. As audiences seek multi-sensory engagement, the call for transforming audio storytelling into visual mediums underscores the evolving nature of content consumption in today’s digital age.

    Audio Emerges as Mental Wellness Specialist

    Audio extends beyond entertainment, proving itself as a valuable productivity tool. 44 per cent of users find audio for stress relief and believe it to be a soothing escape amidst daily pressures. Moreover, 30 per cent leverage audio to enhance focus, creating an immersive environment for improved concentration during work or other cognitive activities.

    About 26 per cent look at audio as a means to avoid distractions. This multi-role of audio highlights its versatility, serving as a source of entertainment and a crucial element for effective and mindful living.

    Trust is key; Audio is winning it.

    When it comes to content selection, trust plays a deterrent role. 42 per cent of users rely on content recommendations from the platform itself, while recommendations from friends and family (17 per cent) and social media (21 per cent) also wield significant influence. Surprisingly, only 6 per cent of users are swayed by influencers, indicating a higher level of disconnect with their recommendations among the audience.

    58 per cent of users are highly likely, and 28 per cent are likely to recommend their favourite audio platforms, showcasing a strong belief in the quality of auditory content. When it comes to spreading the word, good old-fashioned word of mouth leads the pack, with 42 per cent of users relying on recommendations from friends. Social media is just a little behind, influencing 36 per cent of users.

    Zooming into specific audio content, audio series steal the spotlight with 74 per cent giving 5-star recommendations. In comparison, 51 per cent give 5-star ratings to TV entertainment but get a rating of 3 or below from 33 per cent of users. Online music and video OTT also fare well, with 58 per cent and 53 per cent of users giving 5-star ratings, respectively, but rated 3 or below by 23 per cent and 31 per cent of users, highlighting a shift in the audience’s digital entertainment preferences.

    Audio Series is the winner but at the cost of …

    The survey unveils the increasing popularity of audio entertainment, prompting a seismic shift in user preferences. 31 per cent of users transitioned from online music to audio series, indicating a dynamic redefinition of audio entertainment consumption patterns. Similarly, 16 per cent felt that their entertainment consumption shifted from social media and short video consumption, while 20 per cent believed that audio series had replaced their video streaming habits. Even audio series have influenced other spoken-word content formats, such as audiobooks and podcasts, with approximately 17 per cent of users experiencing a shift from these formats. Only 16 per cent feel their entertainment time spent increased with audio series.

    Pay for Play – The time has come for Audio!

    As the landscape evolves, so do monetisation trends. While 23 per cent prefer subscription-based models, the survey indicates a growing appetite for flexible pricing with 37 per cent of users open to paying for individual episodes. Only 40 per cent of users still favour ad-supported and promotional models to drive consumption on audio platforms.

    Speaking on the findings of its second edition of Digital Entertainment Insights, Pocket FM CEO and co-founder Rohan Nayak said, “The outcome of the survey reflects a remarkable shift in consumer content consumption preferences, signaling the rise of audio as a dominant force in the entertainment landscape. Audio is not merely a trend, but it has become a lifestyle, driving engagement that exceeds any other entertainment medium. The findings strongly suggest that audio series is set to dominate audio entertainment, and we believe, it will emerge among the top 3 entertainment formats in the next couple of years.”

    “As we welcome this audio revolution as an opportunity, we are committed to leading the way into a future where audio takes centre stage in the hearts and minds of millions of audiences across the world,” added Nayak.

    Methodology

    The survey encompassed a diverse cross-section of the Indian population with a total sample size of 22,442 internet users, conducted between 28 October 2023 and 15 November 2023. Regarding gender distribution, the respondents comprised 69 per cent males and 30 per cent females. Delving deeper into age demographics, 58 per cent of the sample are Millenials, 35 per cent represented GenZ and 7 per cent belong to GenX. Geographically, the survey has a balanced representation, with 58 per cent of respondents hailing from tier 1 cities and metros and the remaining 42 per cent from tier 2 cities, reflecting an overview of digital entertainment preferences across diverse urban-rural landscapes in India.

  • Vivek Bhutyani joins Pocket FM as VP – content marketing

    Vivek Bhutyani joins Pocket FM as VP – content marketing

    Mumbai: Audio series platform Pocket FM has announced the appointment of Vivek Bhutyani as the VP of content marketing. With over 20 years of experience spanning across various industries, including media, telecom, retail, and edtech, Vivek brings a wealth of knowledge and expertise to drive the company’s content marketing strategy and organic growth.

    Prior to Pocket FM, Vivek was as an integral part of the Vedantu leadership team. He was dedicated to driving organic growth for Vedantu, where he used to lead the entire YouTube strategy and growth, leading a diverse team of over 100 educators, master teachers, and content production teams and creators.

    Vivek Bhutyani’s entrepreneurial spirit and strong bias for action are well-evidenced by his impressive track record. He founded Lattukids, where he successfully created a unique and category-leading brand in one of the most challenging segments of the Indian Edtech industry.

    Vivek Bhutyani, in expressing his excitement and vision for his new role at Pocket FM, said, “I am truly exhilarated to join the Pocket FM team and especially excited for the 0 to 1 journey that we are undertaking on organic content marketing. I see immense potential in the serialised audio streaming space, driven by audio series and believe that we can reshape the way audiences consume content in this segment globally. Pocket FM’s commitment towards pioneering a new category with audio series, along with fostering a vibrant creator community and delivering outstanding content, aligns perfectly with my ambition to create a solid foundation for the organic growth funnels via our own content and IPs. Exciting times ahead!”

    His remarkable career journey has been characterised by his ability to build products and teams from the ground up, delivering exceptional results in terms of P&L, sales, go-to-market (GTM) strategies, digital marketing, content marketing, and content creation and distribution at a global scale.

    At Pocket FM, Vivek will work closely with co-founder & CEO Rohan Nayak and VP – International growth Lalit Gangwar to drive the international growth charter.

    Commenting on his appointment, Lalit Gangwar said, “Vivek’s experience and vision are expected to be instrumental in elevating Pocket FM’s position in the audio entertainment space. His passion for results, inclination to challenge the status quo, and proven ability to lead high-performing teams will be driving forces that align perfectly with Pocket FM’s mission to deliver high-quality, engaging audio content to audiences worldwide.”

    His educational foundation has equipped him with a strong understanding of business, marketing, and strategy. Vivek Bhutyani’s educational background includes an MBA  from the Indian Institute of Management Bangalore, with specialisations in Marketing, Strategy, Consumer Behavior, and Corporate Finance. He also holds a Bachelor of Engineering (B.E) in Electronics and Communications from Nirma Institute of Technology.

  • “Our Audio Series content aligns perfectly with our listeners’ expectations”: Pocket FM’s Lalit Gangwar

    “Our Audio Series content aligns perfectly with our listeners’ expectations”: Pocket FM’s Lalit Gangwar

    Mumbai: In a world saturated with screens and noise, audio series has quietly carved a space for itself, offering an engaging form of storytelling that transcends the visual with better audience engagement. 

    Pocket FM is the audio series platform founded in 2018 by Rohan Nayak, Nishanth KS and Prateek Dixit. With over 100,000 hours of audio content, Pocket FM has consistently expanded its content diversity, with serialised fictional audio storytelling.  The company has been aggressively focusing on building a universe of entertainment (including romance, horror, thriller, sci-fi, emotional drama, etc.) content. Building on this momentum, Pocket FM pioneered micropayments for content monetisation –  a model that succeeded first time in the entertainment space.

    As Pocket FM is redefining entertainment, we delve into the allure of audio series and spoke to Lalit Gangwar, Head of Global Growth, Pocket FM to explore and understand this modern renaissance.

    Edited excerpts

    On the audio series genre and the YoY growth not only for the industry but for Pocket FM

    PocketFM has strategically centered its focus on fiction entertainment, recognizing it as a paramount market opportunity with a substantial total addressable market (TAM) and widespread adaptability. Our diverse content library encompasses various compelling genres, such as Romance, Drama, Fantasy, Horror, and more. Over the past four years, the leading figures in the industry have experienced remarkable growth, almost doubling or tripling their scale. Meanwhile, we are proud to share that our platform has achieved an exponential surge both in listener base and top-line revenue, showcasing unparalleled momentum and consumer traction.

    On the monetization process

    Our monetization model is built on a fundamental principle: delivering captivating entertainment content to our listeners, which, in turn, encourages them to willingly invest in their consumption experience. We offer two primary revenue-generating avenues: pay-per-view and ad-supported monetization, all within the freemium framework.

    Under this freemium structure, listeners have the opportunity to access defined hours of free content daily. However, if they seek an uninterrupted binge-listening experience, they can unlock additional content by paying for one or more episodes.

    The freemium model’s beauty lies in its ability to cater to both paying and non-paying listeners, ensuring our platform retains a broad audience of listeners. This solid product retention, in turn, facilitates exponential growth, enhancing the overall success of our platform.

    On the vernacular market is growing, how have you strategised your offerings to reach out to our consumers across geographies and demographics

    While Pocket FM has expanded to the global landscape, embracing regional languages and local dialects remains at the heart of our growth strategy. We have already established a significant presence across various Indian languages, in addition to English and Hindi. As we move forward, we are committed to expand Pocket FM’s reach across diverse geographies and demographics, furthering our mission to connect with a broader and more inclusive audience.

    On Pocket FM becoming a global player

    Our content strategy has always been driven by a backward approach, meticulously analysing audience preferences and resonances before formulating our content plan. By deeply understanding what captivates our audience, we ensure that our content aligns perfectly with their preferences and expectations.

    While we prioritise catering to specific geographical regions, we also recognise that certain content possesses universal appeal, transcending cultural boundaries. Iconic examples like Squid Games and Game of Thrones serve as clear demonstrations of this phenomenon, as they have garnered immense popularity and admiration across diverse geographies.

    Thus, while our content strategy emphasizes catering to specific regional tastes, we remain attuned to the potential for cross-cultural overlaps, leveraging universally appealing content to further enrich the entertainment experience for our global audience.

    On the fragmented market of connected TV/OTT

    Our primary objective in audience growth is to establish a widespread presence by creating numerous touch points. These touch points serve as distribution channels, enabling potential listeners to sample our content. Our growth strategy encompasses three core charters:

    Organic Content Marketing: We strategically distribute our content through various organic channels, such as YouTube, Facebook, Instagram, and blog posts. By leveraging these platforms, we aim to reach and engage with a broader audience, organically expanding our listener base.

    Paid Channels: To target potential customers effectively, we employ paid advertising channels. By investing in these channels, we can reach specific demographics and regions, driving targeted growth and brand exposure.

    Growth Partnerships: We actively seek out partnerships with apps,  platforms and influencers that align with our target audience. These collaborations allow us to tap into the listener base of our partners, introducing our content to potential customers who may find it valuable and relevant.

    On the trends of FM in India and globally

    The fiction audio storytelling, as we call them audio series, has experienced a remarkable surge in demand and adaptability across all markets. Notably, we have surpassed 100 million installations and this serves as a significant validation of the immense potential within this category.

    India holds a special place for us as it marks our initial launch and will continue to be one of our primary markets. It serves as a dynamic playground for us to create innovative content, refine our product offerings, and develop effective growth strategies.

    With unwavering ambition, our goal is to ascend to become the largest global Audio OTT platform in the foreseeable future. We are confident that our current trajectory favours us to achieve this audacious objective. By leveraging our success in India and proven appetite among global audiences, we are poised for unprecedented growth and continued success.