Tag: Rising Sun Films

  • Content India: Indian entertainment’s power play as streaming, AI and regulation collide

    Content India: Indian entertainment’s power play as streaming, AI and regulation collide

    MUMBAI: Move over, primetime television, the new battleground for eyeballs is digital. With smartphones doubling as multiplexes and streaming platforms serving as global entertainment highways, Indian content is having its biggest moment yet. But along with opportunities, the industry faces significant regulatory, technological, and monetisation challenges.

    At Content India 2025’s Perspectives for Change session, leading industry executives, including Gaurav Banerjee (MD & CEO, Sony Pictures/Sony Liv), Jason Hafford (founder, Prototype Content), Kilian Kerwin (president, Jaya Entertainment), Roma Khanna (producer), Tanisha Khanna (lawyer, Nishith Desai Associates), and Shoojit Sircar (CEO, Rising Sun Films), discussed what’s next for Indian entertainment. One thing was clear: the rules of the game are changing, and only the agile will thrive.

    Artificial Intelligence (AI) is no longer just a futuristic concept; it’s already shaping how content is produced, consumed, and monetised. AI-powered analytics are refining ad placements and content recommendations, making streaming services more personalised than ever.

    “AI is a game-changer for storytelling,” said Gaurav Banerjee. “We’re now able to understand audiences at an unprecedented level. The way we create, distribute, and monetise content is evolving, and platforms that adapt quickly will dominate.”

    According to industry insights, AI has led to a 15–20 per cent boost in ad revenue and pay-per-view subscriptions, improving monetisation for platforms.

    Banerjee further noted how AI is addressing long-standing biases in content creation. “For years, storytelling was dominated by certain voices. AI-driven insights are now helping us correct that imbalance, ensuring more diverse representation in entertainment.”

    With AI also being used to automatically translate and dub content, regional storytelling is gaining a global reach. “We’re seeing a major shift where a Tamil or Telugu film can be released worldwide with AI-driven localisation. That’s a huge leap forward,” added Kilian Kerwin.

    If AI is supercharging content, regulations are defining the playground. The Indian entertainment industry is increasingly facing scrutiny, particularly in the digital space. The IT Rules and other regulatory frameworks are being challenged in court, with concerns over censorship and content liability.

    This regulatory uncertainty is causing anxiety among streaming platforms. “Creative freedom is crucial,” said Roma Khanna. “At the same time, we understand the need for responsible storytelling. But what we don’t want is ambiguous laws that leave platforms and creators second-guessing what’s acceptable.”

    Banerjee was more direct: “We need clear and predictable regulations. Content creators should not feel like they’re constantly walking on eggshells. Regulation should encourage creativity, not stifle it.”

    While OTT platforms remain largely self-regulated, concerns about political sensitivities and legal repercussions have led to increased caution in content curation. “We have seen instances where content was pulled due to public backlash,” added Tanisha Khanna. “It’s crucial that there’s a structured, fair process in place.”

    While streaming platforms are thriving, making money remains a puzzle. Subscription models have their limits, and ad-supported streaming is still evolving. However, new-age monetisation models like microtransactions, premium ad tiers, virtual goods, and gamified content experiences are gaining traction.

    Banerjee shed light on the shift in viewer spending habits. “Five years ago, people were hesitant to pay for content. Now, we have 62 per cent of Indian households paying for digital entertainment. The audience values good storytelling, and they’re willing to pay for it.”

    The advertising-based video-on-demand (AVOD) model is also witnessing a surge. “We saw a 40 per cent increase in AVOD revenue last year,” Banerjee revealed. “Ad-supported content isn’t just for budget-conscious viewers anymore. Even premium audiences are engaging with it.”

    Interestingly, India’s vast language diversity is proving to be a monetisation goldmine. Viewers are streaming content in multiple languages, increasing the reach of regional cinema and opening new revenue streams for platforms.

    “Regional content is the future,” said Shoojit Sircar. “More than 60 per cent of future content investments are going into non-Hindi programming, and for good reason. The audience is demanding authenticity, and regional storytelling delivers that in a way no other content can.”

    The biggest validation of Indian entertainment’s success? Global audiences can’t get enough of it. Indian shows and films are now regularly trending in the top 10 lists on global platforms.

    Platforms like Amazon Prime and Netflix are doubling down on Indian originals, and franchises such as Mirzapur, Panchayat, and Citadel: Honey Bunny are expanding their universes. In 2024 alone, Indian content trended in the top 10 worldwide every single week.

    “India has always had great stories, but now we have the technology and platforms to take them global,” said Jason Hafford. “We’re no longer just exporting films, we’re shaping global content trends.”

    The rise of international collaborations is also a promising sign. “We’re working with global studios, co-producing, and experimenting with formats that have never been tried before in India,” said Kilian Kerwin. “The future is cross-border storytelling.”

    The future of Indian entertainment is a mix of boundless opportunity and complex challenges. AI is set to revolutionise content, but ethical concerns and biases must be addressed. Regulations will shape how platforms operate, but clarity is needed to encourage innovation. And while monetisation strategies evolve, striking the right balance between subscriptions, ads, and new revenue streams will be crucial.

    For Gaurav Banerjee, the most exciting part is yet to come. “We’re only scratching the surface. With 5G rolling out, AI making content discovery seamless, and regional content driving engagement, the OTT revolution in India is far from reaching its season finale, it’s just getting started.”

    With the entertainment landscape evolving faster than ever, one thing is certain – the golden age of Indian content is here, and the best is yet to come.
     

  • Abhishek Bachchan’s heartfelt drama “I Want To Talk” premieres on Prime Video

    Abhishek Bachchan’s heartfelt drama “I Want To Talk” premieres on Prime Video

    MUMBAI: A dimly lit living room, a steaming cup of chai in hand, and Prime Video on your screen. You click ‘play’, thinking you’re ready for Shoojit Sircar’s latest masterpiece, I Want To Talk.

    Spoiler alert—you’re not ready.

    Known for crafting stories that hit you like a runaway truck full of feels (Piku, anyone?), Shoojit Sircar has once again proven he’s the maestro of raw emotions. And this time, he’s teamed up with Abhishek Bachchan—yes, the guy we all once (perhaps unfairly) dismissed as the not-so-Amitabh. But let’s hold that thought because this movie flips the script entirely.

    In I Want To Talk, Abhishek delivers a career-defining performance that says, “Remember me? Well, you will now.” Shoojit Sircar, with his midas touch, peels back layers of humanity so deeply you’ll find yourself questioning your life choices, texting old friends, and yes, sobbing into that aforementioned chai.

    So, clear your weekend plans, charge your emotions, and prepare to be wrecked—in the best possible way.

    In I Want to Talk, Abhishek Bachchan steps into the shoes of Arjun Sen, a sharp, chatty Bengali man chasing the “American Dream.” But here’s the kicker: Arjun has just 100 days to live. Yep, you read that right—100 days to untangle a lifetime of complications. From reuniting with his estranged seven-year-old daughter to redefining what truly matters, this father-daughter saga is all about finding connection in the chaos.

    With a stellar cast including Ahilya Bamroo, Johnny Lever, Jayant Kriplani, Pearle Dey, and Kristin Goddard, and backed by the visionary team at Rising Sun Films, I Want To Talk promises to be as moving as it is inspiring.

    Speaking about the film, Sircar said, “I Want To Talk is a poignant reminder of the indomitable power of human connection and resilience. I’ve always been fascinated by the complexities of human relationships and how these can help one heal and transform.”

    Honestly, Sircar’s track record—from Piku to October—has been impeccable. So, are we surprised that this film is already being dubbed a masterpiece? Not really.

    Still on the fence? Here are three reasons to hit play on Prime Video tonight:

    1.  The Plot: A 100-day ticking clock? Stakes don’t get higher—or more emotional—than that.

    2.   The Cast: Abhishek Bachchan in one of his career-best performances, alongside a powerhouse supporting cast.

     3.  The Director: Shoojit Sircar’s genius at weaving intricate human emotions is unmatched.

    Add to that the stunning cinematography and a soul-stirring soundtrack, and you’ve got a movie that’s not just watched—it’s felt.

    Prime members in 240+ countries and territories can stream the movie starting today. If you’ve ever needed a reason to renew that subscription, this is it.

    What would you do if you had just 100 days left? Would you chase old dreams, mend broken relationships, or binge-watch every Shoojit Sircar film on Prime? Maybe all three?

     

  • Prime Video to stream original film ‘Sardar Udham’ in October

    Prime Video to stream original film ‘Sardar Udham’ in October

    Mumbai: Amazon Prime Video has announced its new original film “Sardar Udham,” which will begin streaming in October.

    “With every story that we present on Amazon Prime Video, we ensure that the narrative is replete with emotions and depth that finds a place in the heart of every viewer,” said Amazon Prime Video India director and head of content Vijay Subramaniam. “Continuing a great partnership with Rising Sun Films, we are proud to present Sardar Udham, a stirring story of courage, fortitude and fearlessness, from the buried treasures of our history and culture.”

    A heart-wrenching story of retribution, “Sardar Udham” showcases the journey of a gallant man who made sure the world never forgets the lives of his beloved brethren who were brutally killed in the Jallianwala Bagh Massacre of 1919.

    “It has been exhilarating to create this film that showcases and acknowledges Udham Singh’s patriotism and deep-rooted, selfless love for his motherland,” said producer Ronnie Lahiri. “Two decades worth of research and understanding has been put by the team to present this untold story. We are glad to continue our prolific collaboration with Amazon Prime Video and are thrilled to share this historical epic story with a global audience.”

  • MSM Motion Pictures & Yash Raj Films come together for ‘Piku’

    MSM Motion Pictures & Yash Raj Films come together for ‘Piku’

    MUMBAI: MSM Motion Pictures has partnered with Yash Raj Films for the worldwide theatrical distribution of their upcoming comedy drama – Piku.

     

    Directed by Shoojit Sircar, the move further strengthens the 20 year association of YRF and MSM. The duo ensures that YRF’s distribution network takes Piku to not just domestic and diaspora audiences but also non-traditional markets globally.

     

    A quirky take on father daughter relationship, the film brings Amitabh Bachchan, Deepika Padukone and Irrfan Khan together for the first time. The film is also Paduokone’s first stand alone title role and has been co-produced by MSM Motion Pictures along with Saraswati Creations and Rising Sun Films.

  • ‘John Abraham reacts strongly to ban of Madras Cafe in Chennai

    ‘John Abraham reacts strongly to ban of Madras Cafe in Chennai

    NEW DELHI: Actor John Abraham has reacted strongly to the ban in Chennai of his film ‘Madras Café’, which released today with a U/A Certificate.

     

    He said in a statement, “Madras Café is a credible film made with a lot of heart and gives audiences something novel to be entertained about, vouching and encouraging cinema.”

     

    He therefore added, “I would like to urge all of Chennai to support Madras Café as a film and release it as it is.”

     

    Viacom Motion Pictures, JA Entertainment and Rising Sun Films’ political thriller Madras Cafereceived a U/A certificate from the Central Board of Film Certification – minus cuts.

     

    Director Shoojit Sircar said he was “happy that the censor board had passed the film without any cuts giving it a U/A certificate.”

     

    He added, “This is a very special film for us and I am glad the audiences will get to experience this political thriller.”

     

    Starring John Abraham, Nargis Fakhri, Rashi Khanna, Leena Maria and ad gurus Agnello Dias and Piyush Pandey, Madras Cafe set with the backdrop of an inter-country relation, revolves around John Abraham, an intelligence officer uncovering the workings of secret operations.

     

    It has been presented by Viacom 18 Motion Pictures and JA Entertainment and produced by Rising Sun Films and JA Entertainment.

     

    Abraham had specially worked to get a lean look for this film to suit his role.

  • Ayushmann Khurrana turns AD for Madras Café

    Ayushmann Khurrana turns AD for Madras Café

    MUMBAI: Ayushmann Khurrana recently turned assistant director for Viacom 18 Motion Pictures, JA Entertainment and Rising Sun Films’ Madras Cafe. The actor travelled to Kochi for ten days to assist director Shoojit Sircar on a crucial dramatic scene between John Abraham and Siddharth Basu and a few others.

    Though Ayushmann was keen on assisting the director through the entire schedule, his professional commitments didn’t permit him to. However, as soon as his calendar opened up, he caught the next flight to Kochi to assist Shoojit on the political thriller.

    Says Shoojit Sircar, “Ayushmann had told me during Vicky Donor that if the film tanked and he didn’t get any work thereafter, he would assist me. But the film worked and he became a star. However, to get a better hang of direction, he did join us for a few days on the sets of Madras Cafe and proved to be a talented assistant.”

    Says Ayushmann Khurana, “I wish I could be there for all 40 days of the Madras Cafe shoot. Shoojit has a fabulous set up. It was fascinating to see actors from a different point of view. I hope this experience results in making me a better actor.”

    Presented by Viacom 18 Motion Pictures and JA Entertainment and produced by Rising Sun Films and JA Entertainment, Madras Cafe, directed by Shoojit Sircar is scheduled to release 23 August 2013.

  • John Abraham gets lean look for his home production Madras Cafe

    John Abraham gets lean look for his home production Madras Cafe

    NEW DELHI: Known for his well-proportioned figure, Bollywood’s quintessential poster boy John Abraham was forced to sport a leaner frame to get into the skin of his character of a special agent against gangsters in Viacom Motion Pictures, JA Entertainment, and Rising Sun Film’s political thriller, Madras Cafe.

    The director Shoojit Sircar wanted the actor to sport a body which was more real and naturally lean as opposed to a bulked-up body, and so John adopted a special diet and fitness routine to look the part.

    Says Sircar, “Yes, audiences will see a leaner John Abraham since I did not want him to particularly stand out in a crowd and he needed to look like one of them; hats off to his dedication, since he worked really hard on his physique for the film.”

    Talking about the warm equation he shares with his film’s lead, the director added, “John and I are good friends…We have similar vision when it comes to films and are planning a few more together – We do not interfere in each other’s space and enjoy working together”.

    Says producer and actor John Abraham, “Madras Café has been my dream project and we have been in discussions for years over the subject – We have worked extremely hard on the film and are satisfied with the outcome – What I can assure you is audiences will be talking about the film even after they’ve stepped out of the theater… it is a high-on-content, thought provoking film”.

    The film is scheduled to release 23 August and also stars Nargis Fakhri, Prosenjt Chatterjee, and Rashi Khanna. The film is political spy thriller set against backdrop of the Sri Lankan Civil War of the 1990s.

  • ‘Madras Café’ is a spy thriller that pays unique tribute to the armed forces

    ‘Madras Café’ is a spy thriller that pays unique tribute to the armed forces

    NEW DELHI: Madras Café, a film named after a South Indian destination soon after Chennai Express, is to be released on 23 August.

    The film has been produced by Viacom 18 Motion Pictures, JA Entertainment and Rising Sun Films, and directed by the award-winning Shoojit Sircar.

    The trailer of the political espionage thriller was launched in the presence of the director, the film‘s lead John Abraham and co-star Nargis Fakhri amidst a complete army set-up with ammunition, maps, sandbags and the works.

    Talking about the film, director Sircar said: “Madras Cafe is an intense political spy thriller. Since it is the first time I am tackling the subject, over three years of research went into it -It has been my most challenging film this far. Though the film is fictional, it has several references from real episodes.

    Producer and actor John Abraham said, “Madras Café has been my dream project and we‘ve been in discussions for years over the subject – We‘ve worked extremely hard on the film and are satisfied with the outcome – What I can assure you is audiences will be talking about the film even after they‘ve stepped out of the theatre… it is a high-on-content, thought provoking film”