Tag: Rio Olympic

  • Rise of Indian sports leagues: South India loves Kabbadi

    BENGALURU: Broadcast Audience Research Council of India (BARC), in thelatest edition of its newsletter – THiNKreveals how sports other than cricket have gained popularity amongst television audiences in India. The newsletter has looked at six properties – two major global events in 2016 – RioOlympics and Kabaddi World Cup, inaddition to all Indian origindomestic leagues – Pro KabaddiLeague, Premier Badminton League,Indian Super League (Football), andHockey India League. Using its own data for the periodspanning week 01 to week 52 of 2016: All India; TG: Universe, BARChas attempted to demystify the new entrant on theviewership block – sports propertiesbeyond cricket.

    Only live matches have been considered for analysis by BARC.

    According to BARC,overall non-cricket properties contributeto 20 percent of the Live matches viewership.Within this, approx. 80 percent of theviewership contribution came from the 6 properties mentioned above.Kabbadi, played in two of the properties, was the most popular sport amongst the six properties considered by BARC, and South Indian markets loved kabbadi and sports. Read on…

    Here are some conclusions revealed by the newsletter:

    (1) Pro Kabaddi League is the most popular non-cricket propertywithashare of 61 percent,followedby Indian Super League.

    (2) Indian Super League, with one of the bestImpressions/Reach ratio, has extremely high stickiness amongs itsviewers.Broadcasterscouldtargetadvertisers lookingfor engagement space.

    (3) The popular properties-Pro KabaddiLeague, Kabaddi WorldCup2016 and Indian IndianLeague, haveacontributionshare from Female viewers and lower NCCSviewers.Broadcastercould safely havepopular FMCG brandsin these properties.

    (4) Close to 80 percentof the Pro KabaddiLeagueviewershipfrom the telecaston Movie channels,and this share is increasing.

    (5) Ad sectors targeting Females&Youthcan look at presenceon Pro KabaddiLeague given its relatively higherviewership baseon the property.

    (6) Home matches see aviewership as comparedto theAway Awaymatches in theteam’s Home market. This might help regional advertisers.

    The popularity of Kabbadi

    Though Pro Kabaddi League was clearly the most popular property followed by Indian Super League, it must be noted that this was in part due to the fact that Pro Kabaddi League has had 2 seasons in 2016, Season 3 in January-February 2016 and Season 4 in June-July 2016. All the other properties have had only one season each.

    Please refer to the figure below:

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    Based on the average viewership for each property, Pro Kabaddi League continued tolead. In addition to that, Kabaddi turned out to be the most popular sport with Kabaddi World Cup2016 overtaking Indian Super League for the second highest viewership spot.Conversely, Rio Olympics 2016 saw a drop in position when it comes to average viewership. Hockey India League had the lowest viewership within all these properties.

    Please refer to the figure below:

    public://2222222222222.jpg

    Here are some colcusions drawn by the author based on BARC India data in its newsletter on which markets contributed to viewership:

    Sports, and more so Kabbadi, are loved by audiences from the four Southern markets comprising of 5 states and one union territory- Andhra Pradesh/Telangana Karnataka, Kerala, Tamil Nadu/Pondicherry. They contributed to 50 percent of the viewership of the Pro Kabbadi League, with AP/Telangana contributing a lion’s share of 39 percent (the highest by any market in India) followed by Karnataka with 12 percent, Kerala with 5 percent and Tamil Nadu with 1 percent.

    In the case of the Kabbadi World Cup 2016, the viewership share from the south was even higher – 61 percent. AP/Telangana contributed 39 percent (the highest by any market in India)followed by Karnataka with 15 percent, Kerala with 5 percent and Tamil Nadu with 2 percent.

    Comparative data for the Indian Super League – the south contributed 39 percent to its viewership with Kerala contributing the largest viewership in the country– 30 percent followed by Tamil Nadu with 7 percent and Karnataka and AP/Telangana contributing 1 percent each. West Bengal contributed the second most viewership across all markets with 28 percent.

    The South contributed 31 percent to the viewership of the Rio Olympics 2016 and the Premier Badminton League and 30 percent to the viewership of Hockey League India.

     

  • UK, Brazil sign film co-production treaty

    UK, Brazil sign film co-production treaty

    MUMBAI: The UK and Brazilian Governments have signed a co-production treaty.
    The terms were negotiated by BFI, a UK organisation for film, and Ancine, the National Cinema Agency of Brazil. The treaty was signed in Brasilia by Lord Green of Hurstpierpoint.
    The treaty is expected to take two years to come into force.
    Film and TV productions that qualify under the terms of the treaty will be able to access the benefits of national status in each country.
    In Brazil these include tax incentives, all federal public funds and access to favourable TV terms, while in the UK qualifying productions will be able to access the UK public film fund with a current allocation of ?18 million per year to invest in the development, production and completion of feature films.
    This is set to increase to ?24 million by 2017 when the BFI launches its five year plan for film in October.
    The announcement follows a number of initiatives to foster greater creative collaboration between the UK and Brazil. The most recent example came at the Rio Content Market in March 2012, where Pact and the ABPITV, the trade bodies representing independent producers in the UK and Brazil respectively, signed an agreement to promote closer ties between the independent production sectors in both countries.
    Further cultural collaboration between the UK and Brazil will come later in 2012 with the British Council Transform event, a cultural programme of cross arts and transformative arts activity spanning the four years between London and Rio Olympic Games.
    Transform kicks off at the Rio International Film Festival in October 2012 with a retrospective of the works of Brazilian director, Alberto Cavalcanti, from the BFI National Archive and a high profile screening of legendary British director Alfred Hitchock‘s The Pleasure Garden at an outdoor gala on the Copacabana Beach. The film has been restored by the BFI as part of its Genius of Hitchcock summer blockbuster project, and will be screened in Brazil accompanied by live music performed by the Brazilian Youth Orchestra from a score composed by British composer, Daniel Patrick Cohen.