Tag: RIAA

  • Dot Music domain for musicians and  music industry sees global launch

    Dot Music domain for musicians and music industry sees global launch

    MUMBAI: For musicians the world over – both independent and managed – this should come as a breath of fresh air. The .music registry yesterday announced the global launch of the community-based .music top-level domain extension and its verified musicID. 

    Members involved in any form of music  can now  register their .music urls on a first come, first serve basis. Designed to provide verified digital identities for music artists, creators, songwriters, industry professionals, organizations and brands, .music will provide a trusted, vetted and secure digital space and safe haven for legal music consumption.

    The registration and use of .music  is exclusive to verified members of the global music community, enabling them to protect, control and oversee their music identities across the internet. In a time of increasing concern about non-consensual AI deepfakes, voice cloning, and the unauthorised use of the music community’s intellectual property, .music offers a credible solution to these challenging problems.

    The .music domain fosters a more trustworthy and transparent global music ecosystem by helping fans and platforms easily identify music (or content) created by real, authenticated humans and music (or content) entirely generated by unaccountable AI or bots, says a press release issued by the registry.

    “For the first time in music history, the global music industry will be able to register their unique .music name and verified digital music identity. The .music domain and its connected MusicID will provide a trusted, secure, and authentic music-centric Internet where the global music community can safely connect, engage, transact and thrive,” says the founder & CEO of .music Constantine Roussos, a Greek-Cypriot by birth. .

    “The .music launch marks a pivotal moment for the music industry to reclaim control of their digital footprint. By offering verified musicIDs, we are giving the global music community the ability to secure their digital identity, protect their creative works, and ensure that their presence online is authentic and safeguarded from impersonation, fraud, and AI misuse,” says id.music executive director Marina Roussou, the exclusive music identity provider for .music.

    The introduction of .music has got the entire music world excited and supportive of the initiative. A host of global association heads has come out in praise of its launch.

    “As a domain for the global music community, available only to verified artists, companies and organisations active in the music ecosystem, .music will be a valuable tool, strengthening trust and assuring authenticity. IFPI have been longstanding supporters of this initiative,” says International Federation of the Phonographic Industry (IFPI)  CEO  Victoria Oakley.

    “The launch of .music verified digital identities is an important step forward in the effort to deliver a safe, trustworthy space for artists, fans, and the global music community. Congratulations to the entire .music  team!” says Recording Industry Association of America (RIAA) chairman & CEO Mitch Glazier, who represents labels that collectively create 90 per cent of recorded music sold in the US.

    “We are pleased to see the launch of .music, a project that we believe will strengthen the global music community by creating a new level of trust, connection and reliability between all the players involved and, most importantly, with music consumers. Cisac has been a longstanding supporter of the .music initiative and we are delighted to see this ambitious project reaching the finishing line and coming to fruition,” says director general of the International Confederation of Societies of Authors and Composers (Cisac) Gadi Oron, the world’s largest network in the creative sector with 227 societies in 116 countries.

    “On behalf of the International Music Council, I extend our warmest congratulations on the occasion of .music going live on 8 October.  We celebrate this monumental achievement aimed at offering dependable and secure digital domains for music globally. This is perfectly in line with the five music rights and we are delighted to be part of it,” says International Music Council (IMC) president Sheila C. Woodward, the world’s largest network of music organisations and institutions in 150 countries with direct access to over 1,000 organizations and 600 million through its members.

    “Today’s music industry is global and digitised. ICMP is pleased to partner .music. The newly launched .music online domain name provides a global gateway for music creators and businesses around the world,” says the International Confederation of Music Publishers (ICMP) director general John Phelan.

    “The .music domain is launching at a vital time for the music industry. The NMPA applauds this ambitious initiative and the protections it offers creators who face evolving threats to authenticity from AI,” says National Music Publishers’ Association (NMPA) president & CEO  David Israelite.

    “With the music industry currently at a pivotal moment in time when it comes to protecting human creation in the face of AI and other disruptive technologies, the launch of the .music domain is another welcome tool that will help ensure authenticity and trust between artists, businesses and consumers alike. IMPF has been an active supporter of the community-based .music top-level domain for over a decade, so we’re incredibly aware of and grateful for the hard work that has got us to this point,” says counsel to the board of directors of the Independent Music Publishers International Forum (IMPF) Ger Hatton.

    “.music places security, respect for rights, and innovation at the heart of its approach. The FIM is proud to have contributed to the success of this project through its continuous support. Beyond a mere domain name, .music offers a high value-added service to professional musicians,” says the International Federation of Musicians (FIM)  general secretary Benoît Machuel, representing musicians’ trade unions, guilds and associations worldwide.

    “The Recording Academy is thrilled to continue our support of the .MUSIC initiative, especially during a time of such immense evolution of our industry where it has never been more important to protect human creativity. From its inception, the project has sought to provide a safe and reliable digital domain for music creators, and it will foster more trust and security for our entire music ecosystem,” says Recording Academy/Grammy CEO Harvey Mason Jr.

    “A2IM has supported the .MUSIC initiative from the outset, and we’re thrilled to see it become a reality. This domain fosters trust, connection, and reliability within the global music community. It will create a safe, innovative ecosystem that benefits artists, labels, and music consumers alike, fulfilling our shared vision for a stronger, more unified industry,” says American Association of Independent Music (A2IM) president & CEO Richard James Burgess, representing the collective voice of independent music.

    “Impala’s aims include effectively tackling infringement and giving music consumers the best digital infrastructure based on trust and security. A community run .music system with commitments prevailed with support from Impala and others in the sector. It’s great that the .music domains are now available and will be administered in a way that achieves our mutual objectives and creates a safe and innovative ecosystem. This is part of our mission of growing the independent music sector in Europe,” says Independent Music Companies Association (Impala)  executive chair Helen Smith), representing prominent independent music companies and national trade associations in Europe.

    “The International Music Managers Forum (IMMF) and Music Managers Forum – US (MMF-US) congratulate .music on their launch. This development offers artists and their teams access to a new top-level domain name extension and opportunities to verify digital identities as AI and deep fakes escalate the long-standing issues of trust and veracity online. Representing artists and managers worldwide, IMMF and MMF-US are always interested in connecting our communities with innovation and tools to build a more trustworthy online ecosystem for artists and fans,” says International Music Managers Forum (IMMF) and Music Managers Forum – US (MMF-US) president Neeta Ragoowansi, representing national and regional associations of self-managed artists and managers from over 50 countries.

  • GroupM to only work with partners using TAG anti-piracy services to stop ad fraud

    GroupM to only work with partners using TAG anti-piracy services to stop ad fraud

    MUMBAI: WPP’s GroupM will only work ad network partners who use the Trustworthy Accountability Group’s (TAG) anti-piracy guidelines. The agency has mandated that its media partners either become or use TAG-certified providers of anti-piracy services to participate in GroupM’s Trusted Marketplaces.

     

    GroupM’s media investments on behalf of clients are approximately $106 billion (RECMA 2014); the company’s action will make a significant impact on pirated content trafficking worldwide.

     

    “We’re in the business of giving the world’s most valuable brands marketing advantage with smart media strategies. This inherently means we’re vigilant for clients’ brand safety. Our work with TAG in the development and now full adoption of anti-piracy guidelines is a major leap forward. With IAB, 4As, and ANA, we’ve worked years to make the digital ecosystem more trustworthy. Fighting pirates of copyrighted content required every ounce of our tenacity and ingenuity, but with the advent of TAG’s Brand Integrity Program Against Piracy, we have powerful new tools and safeguards,” said GroupM Connect, North America chairman and TAG Anti-Piracy Working Group co-chair John Montgomery.

     

    Announced in February 2015, TAG’s anti-piracy program helps prevent ad placement on websites that facilitate distribution of pirated content and/or the illegal dissemination of counterfeit goods. Through the program, providers of anti-piracy tools and services will be validated as Digital Advertising Assurance Providers (DAAPs) by independent third-parties including Stroz Friedberg and Ernst & Young, working with TAG. To be validated, DAAP companies must show how they identify risky sites, prevent ad placement, disrupt site transactions, monitor and assess the safety of ad placements, and/or prevent payment to sites that are deemed likely to offer pirated content or counterfeit goods. The first validated DAAPs are expected to be named in Q3 2015, and GroupM will require that all of its partners receive such validation by Q1 2016.

     

    “It’s very gratifying to have the world’s largest media buyer commit to the TAG program for itself and its partners. Major marketers want to protect their brands from being placed on sites that are associated with criminal activity. TAG is building the trusted marketplace for buying and selling inventory in the digital supply chain,” said TAG CEO Mike Zaneis.

     

    A report from the Digital Citizens’ Alliance estimated that pirate content sites made more than $200 million in 2014 from advertising placed inadvertently on those sites, damaging copyright holders across music, movies, TV, books, games and more. Advertisers whose brands inadvertently appear on such sites suffer reputational harm. In addition, consumers that visit these sites are made to believe the content is legitimate due to the presence of brands they recognise and are often damaged by malware or other malicious code that infects their computers.

     

    The Brand Integrity Against Piracy Program has also been endorsed by the U.S. Chamber of Commerce, Recording Industry Association of America (RIAA), Motion Picture Association of America (MPAA), Independent Film & Television Alliance (IFTA), CreativeFuture, and Copyright Alliance, among a number of other advertising industry groups and companies.

     

    “We applaud GroupM’s leadership and commitment to enhancing trust and transparency in the digital marketplace. As a premium content provider and a digital advertiser, NBCUniversal is committed to protecting its brand from appearing on illegitimate sites and stemming the flow of ad dollars to pirate site operators. We encourage the entire market to follow GroupM’s lead,” said NBCUniversal EVP of business operations and strategies and TAG board member Krishan Bhatia.

  • Disney’s ‘Haunted High School Musical’ to be released in theatres in 2008

    MUMBAI: Walt Disney Motion Pictures president of production Oren Aviv has announced that the High School Musical franchise will hit the big screen in 2008 with a musical feature titled Haunted High School Musical.

    The Disney musical has received global recognition and has become a phenomenon among youngsters across the world. Aviv states, “Given the enormous universal appeal and phenomenal popularity of the ‘High School Musical’ franchise, we wanted to bring that same energy, excitement and entertainment to the big screen with a unique and original idea. We’re now ready to transform ‘High School Musical’ into a memorable theatrical musical experience with ‘Haunted High School Musical.”

    The Emmy Award-winning Disney Channel original movie premiered in 2006 and went on to reach over 100 million viewers worldwide. In the U.S. the movie’s soundtrack was the No. 1 album of the year in 2006 (certified quadruple platinum by the RIAA) and is a top-seller in international territories. Additionally, 6.5 million DVD units have been sold to date around the world, states the company.

    High School Musical 2, reuniting the film’s original cast with director Kenny Ortega, will premiere on Disney Channel this summer.

    As a take off from the movie, the 42-date arena concert tour featuring cast members Ashley Tisdale, Vanessa Hudgens, Lucas Grabeel, Corbin Bleu, Monique Coleman and special guest star Drew Seeley (Zac Efron was unavailable due to his movie production schedule) was sold-out. Additionally, Disney Theatrical has licensed the script for local school productions, and it is anticipated that 2000 schools will produce stage versions in the first year alone.

    Internationally the High School Musical aired on Disney Channels (26 worldwide) and free-to-air broadcasters, reaching over 100 countries. For the September 2006 premiere in India, the music was re-recorded in Hindi with Indian instrumentation and rhythmic beats to achieve a “Bollywood” sound.

    In India the HSM phenomenon spread to a multi-city on ground activity tilted ‘My School Rocks,’ giving an opportunity to twinkle toed kiddies from across the country to represent their schools by auditioning to the music of the local adaptation of the musical.

    Disney Channel Worldwide president Rich Ross stated, “When people think ‘big screen’ for a TV movie, they generally don’t think this big – but no plasma TV could contain our plans for ‘High School Musical 3,’ thanks to the Walt Disney Studios.”

    Disney Channel Worldwide president – entertainment Gary Marsh commented, “‘High School Musical’ exploded off the TV screen and into the lives of kids and families everywhere. It skyrocketed to heights never before achieved by a TV movie, so it’s only fitting that its next incarnation should be as a major motion picture. Now millions of kids and families can ‘get their heads in the game’ one more time — and continue to experience this cultural phenomenon”

    High School Musical premiered on Disney Channel on 20 January 2006, and went on to win the Television Critics Association Award for Outstanding Children’s Programming, and received two Emmy Awards (of its total six nominations), a DGA Award, an Imagen Award for Best Children’s Program and a Humanitas Prize nomination. The soundtrack received a Billboard Music Award for Soundtrack of the Year, and was nominated for an American Music Award in the Favorite Album (Pop/Rock) category. The film even earned an entry in the Guinness World Record Book as the first TV movie to deliver nine concurrent singles on the Billboard Hot 100 chart.

    Additionally, High School Musical has spawned a No. 1 New York Times bestseller – High School Musical – The Novel, which has sold over 1.2 million copies. High School Musical was also the first TV movie to be offered on the iTunes Music Store, adds the release.

     

  • Disney Records celebrates 50 years; unveils classics on iTunes, ‘The Music Behind the Magic’ CD & exhibition

    Disney Records celebrates 50 years; unveils classics on iTunes, ‘The Music Behind the Magic’ CD & exhibition

    MUMBAI: In celebration of the 50th anniversary, Walt Disney Records has lined up a preservation and restoration process for the label’s earliest classic recordings and an archival CD collection and exhibition titled The Music Behind the Magic.

    As part of this celebration, the label will begin releasing these restored titles and will be available through digital outlets, including iTunes, marking the release of Disneyland and Buena Vista records. The vast quantity of archive song material consists of classic Disney songs, original material performed by popular artists of the day and movie soundtracks. These songs will be digitally restored beyond the sonic brilliance of the original masters, allowing them to sound better than they did when they were first issued nearly 50 years ago, informs an official release.

    Walt Disney Records’ The Archive Collection is a special iTunes digital-only release featuring 50 WDR recordings from a wide range of artists including, Cliff Edwards (voice of Jiminy Cricket), Mary Martin, Hayley Mills, Burl Ives, Louis Prima, Maurice Chevalier, Louis Armstrong, Little Richard, Peter Frampton, They Might Be Giants, The Cheetah Girls and many more. The Archive Collection will be available on iTunes beginning November 7.

    In addition to the digital releases, the label will also unveil a special two disc commemorative edition, Disney’s The Music Behind the Magic. The collection highlights 50 of the most loved musical classics from movies, television shows, theme parks, Broadway musicals and unique WDR recordings.

    These will include, Some Day My Prince Will Come from Snow White (first soundtrack), When You Wish Upon a Star from Pinocchio (theme song for TWDC), The Ballad of Davy Crockett (first single from a television show), Tall Paul by Annette Funicello (the label’s first teen sensation), tracks from Mary Poppins (album held the #1 position on Billboard’s Top 200 Chart for 14 weeks) and Can You Feel the Love Tonight from The Lion King (soundtrack earned WDR its first Diamond Award from the RIAA, certifying sales of 10 million units), adds the release.

    The 50th anniversary celebration will continue as Walt Disney Records’ and The Walt Disney Company’s legacy is brought to life with an exhibit, also titled Disney: The Music Behind the Magic. Opening 5 November, the exhibit will be housed at Seattle’s Experience Music Project (EMP) for one year before traveling to cities across the U.S. and around the world.

    Disney: The Music Behind the Magic claims to be the first comprehensive exhibit devoted to exploring and examining the role music has played in The Walt Disney Company’s successes and its cultural impact over the past 80 years.

    “There is no other record label in the history of the industry with as diverse and eclectic a catalog as Walt Disney Records,” said Walt Disney Records Sr vice president/general manager Robert Marick. “Our catalog is comprised of 15,000 recordings including releases from a variety of superstars from every era — from Louis Armstrong to Peggy Lee to Annette Funicello and Christina Aguilera.”

    Marick adds, “Music has always played an integral role in the success of all facets of The Walt Disney Company. The Experience Music Project exhibit captures, for the very first time, the lasting legacy and impact Disney has made in the music industry and pop culture around the world. The exhibit, along with our catalog preservation efforts, Commemorative Edition two-disc release and Billboard Tribute Issue are terrific ways to celebrate the label’s 50th Anniversary.”

    Since its launch as Disneyland Records by Walt and Roy Disney in 1956, the label has earned more than 275 gold, platinum and multi-platinum awards from the R.I.A.A., 22 Grammys and 18 Academy Awards. The label started as an extension of The Walt Disney Company’s film, television and theme park projects. Well-known offerings such as High School Musical (3x platinum), the Disneymania franchise (3 million units), The Lion King franchise (15+ million units) and Mary Poppins (3x platinum) showcase the enduring popularity of WDR’s catalog, with several releases ranking among the top-selling singles and soundtracks of all time.

    Details of the label’s contribution to the music industry and The Walt Disney Company for its 50th celebration will be featured in the forthcoming Billboard Magazine Tribute issue, on sale 4 November.