Tag: Revenue

  • Balaji Telefilms hires Arha Media executive Nitin Burman

    Balaji Telefilms hires Arha Media executive Nitin Burman

    MUMBAI: It’s an aha moment for Nitin Burman. The senior executive has joined Balaji Telefilms as group chief revenue officer effective 11 November 2024. Nitin’s last posting was with Arha Media – which runs the OTT platform Aha. His position there: senior president & head – non-subscription revenue.

    With over 13 years of experience,  he was responsible for Arha’s revenue and creative brand solutions teams and generated revenues through brand solutions, brand studio, AVOD, syndication, You Tube channel and impact properties.

    Prior to that, Nitin worked in telecom and banking industries for almost a decade across multiple functions and geographies. Among the companies he worked for include Airtel and Jio. In the past, he has also worked with Radio Mirchi as director – impact properties and brand solutions for Maharashtra, where he was responsible for revenues in digital, TV properties, concerts, events and activations. 

    Nitin is an electronics engineer with a master’s in business administration from Dauphine University Paris and UBS Chandigarh, Punjab University.  
     

  • WinZO achieves 40 per cent growth in retention rate with Clever Tap

    WinZO achieves 40 per cent growth in retention rate with Clever Tap

    Mumbai: CleverTap, the all-in-one engagement platform announced that mobile gaming platform, WinZO, has achieved 40 per cent growth in retention rate following the CleverTap rollout.

    Founded in 2018, WinZO has over 175 million users, making it the mobile social gaming platform. WinZO hosts more than 100 games across multiple formats in more than a dozen regional languages.

    WinZO provides product value and fosters user retention. The challenge was to quickly analyse data to enhance user retention. CleverTap’s integrated partnership with WinZO’s technology stack, to nurture more robust customer relationships, bolster user engagement, and increase retention rates. Currently WinZO has 5 billion micro in-app transactions every month, and delivers highly personalised experiences to gamers.

    Commenting on development WinZO strategy and growth Angad Sehdev, “In the current highly competitive environment, where users have an abundance of options with numerous apps and brands competing for their attention, our goal is to craft experiences that are highly responsive and based on real-time interactions,”

    He further added, “CleverTap doesn’t just provide data; it equips us with the insights, segmentation, and tools needed to execute swiftly. In this kind of an ecosystem, if you’re not acting on the data in real time, you lose your user base. You need to understand what the user wants before the user has even expressed the need.”

    CleverTap offers comprehensive tracking and analytics, enabling WinZO to gain insights into customer interactions with its products. This real-time feedback on new app updates aids in refining rollout strategies.

    CleverTap chief revenue officer Sidharth Pisharoti said, “Customer retention has always been at the heart of everything we do at CleverTap, and we’re thrilled to have helped WinZO increase their retention rates by 40%. It’s been an immense pleasure working with WinZO over the last 5 years. Today, they are one of India’s largest mobile gaming platforms. This is a result of their deep understanding of customer behavior and the team’s ability to deliver on those expectations. As WinZO embarks on an ambitious journey to expand its user base to 700 million and introduce new gaming formats, CleverTap remains a steadfast partner in this tech-driven gaming revolution.”

  • Sun TV Q2 net profit up marginally to Rs 400.71 cr; revenue from operations declines

    Sun TV Q2 net profit up marginally to Rs 400.71 cr; revenue from operations declines

    Mumbai: Sun TV has reported that its second quarter net profit was Rs 400.71 crore, up marginally by 1.88 per cent from Rs 393.32 crore in the same period of the previous fiscal.

    Ebitda (earnings before interest, taxes, depreciation, and amortisation) was Rs 610.89 crore in September 2022. This was a 4.15 per cent increase over the previous fiscal period of Rs 586.57 crore.

    Profit after tax rose significantly by three per cent to Rs 407.31 crore, compared with a profit of Rs 395.46 crore in the same quarter of the previous fiscal.

    However, revenue from operations fell by 2.7 per cent to Rs. 825.65 crore compared to Rs. 848.67 crore in the same quarter of the previous fiscal.

    A dividend of Rs 3.75 per share has been declared by the company.

  • Enter10 Network’s ex-chief business officer Shrutish Maharaj joins Worldwide Media as its president of revenue & strategy

    Enter10 Network’s ex-chief business officer Shrutish Maharaj joins Worldwide Media as its president of revenue & strategy

    Mumbai: Worldwide Media, India’s leading lifestyle and entertainment group has appointed the exemplary revenue leader, Shrutish Maharaj as its president of revenue & strategy, according to his Linkedin profile update. Having over 18 years of experience in this domain, he has diversified his portfolio into different mediums such as radio, print, TV, below-the-line advertising, branded content and digital sales. In his new stint, he will oversee the sales & business generation of the company, which is a Times Group entity.

    Maharaj was associated with Enter10 Network as the Chief Business Officer where he was instrumental in setting up and scaling up the group’s revenue & operations function. He was also responsible for overseeing media planning & buying activities of the organisation. During his tenure at Enter10 Network, he adopted a transformational approach toward business. The group’s channels like Dangal, Bhojpuri Cinema and Enterr10 Movies focused on creating the right positioning and perception under his leadership. At Enter10 TV Network, he restructured its leadership and looked after the revenue mandate of its flagship GEC Dangal TV.

    His strong acumen helped him to reach new heights and fostered in the business growth of companies he was engaged with. A go-getter, who constantly believes in innovation and drives sales & revenue growth with his experience and knowledge. Shrutish is a fearless young leader who shares the passion & vision for the media and entertainment space.

    Prior to this, he has also held multiple leadership positions with groups like UTV, Times TV Network and Helios Media. He also had a stint with HT media, CNBC TV 18, and Radio Today for over a year.

  • ZEEL records revenues of Rs 1,845.7 crore  for Q1FY23

    ZEEL records revenues of Rs 1,845.7 crore for Q1FY23

    Mumbai: Zee Entertainment Enterprises (Zeel) reported a four per cent increase in Q1 FY23 revenue to Rs 1,845.7 crore, compared to Rs 1,775 crore in Q1 FY2022. Ebitda for the first quarter of FY23 was Rs 235.7 crore, with a margin of 12.8 per cent. Profit after taxes fell by 50.01 per cent for the same period to Rs 106.6 crore, compared to Rs 213.8 crore in Q1 FY22.

    Domestic ad revenue was recorded at Rs 9,257 crore, up 5.8 per cent year on year but down 14 per cent quarter on quarter. Ad revenue growth for the same quarter was impacted by FTA withdrawal (Zee Anmol) and lower advertising spending by brands due to weak macroeconomic conditions.

    Subscription revenue fell 5.1 per cent year on year and 10 per cent quarter on quarter as a result of the pricing embargo, which slowed linear revenue growth. Q1 FY23 is also impacted by the timing of some of the company’s B2B deals and renewals.

    Other sales and services revenue (YoY) increased by 62.4 crore; QoQ revenue decreased by 250.5 crore; “The Kashmir Files,” “Valimai,” and “Bangar Raju” contributed to higher theatrical revenue in Q4 FY22.

    Programming and technology costs were higher (YoY0 in Q1 FY23 and were driven by higher theatrical releases, investment in Zee5, and new launches in the linear business.

    There was an increase in marketing costs on a YoY basis on account of new launches in linear business and continued investments in ZEE5.

    International advertising revenue for Q1 FY23 stood at Rs. 50.6 crore, subscription revenue was at Rs 107.4 crore, and other sales & service was at Rs 23.9 crore.

  • Balaji Telefilms reports revenue of Rs 118.8 crore for Q1 FY23

    Balaji Telefilms reports revenue of Rs 118.8 crore for Q1 FY23

    Mumbai: Balaji Telefilms earned a revenue of Rs 118.8 crore for Q1 FY23 of which ALTBalaji contributed Rs 36.8 crore through its direct subscription, which stood at Rs 6 crore in Q1 FY23, the company said in a statement.

    The group’s EBITDA loss is Rs 20.4 crore and the loss after tax is Rs 24.5 crore. 

    Balaji Telefilms Ltd managing director Shobha Kapoor said, “Our content has always resonated with audiences at large as it is deeply ingrained in India’s socio-cultural fabric and this quarter has been no different given that we have continued to provide content-driven and quality entertainment while simultaneously focusing on sustainable growth for our investors.”

    “We continue to have strong controls on the cash spend while driving overall profitability including some strong strategic content sharing deals which allows us to further our growth,” she added. 

    OTT-business

    ALTBalaji has 93+ shows live on its platform. ‘Lock Upp’ which was live streamed, gained enormous popularity and went on to become the most watched reality show in the OTT space, with 500+ million views. As a result, the company generated significant long-term IP because this format had never been seen in the Indian entertainment domain before. This quarter they released Apharan- Season two which garnered more than a million views within a short time.
    For the three months ending 30 June, the company sold 3.1 lakh subscriptions (including 1.62 renewals). This excludes subscribers on partner apps where the content continues to do well. 

    The company, in its release, said, “ALTBalaji continues to produce content-driven shows and we are confident that it will be regarded as one of the leading Indian OTT players shortly as we have a strong content library catering to classes and masses alike with consistent hit shows across genres.”

    The company continues its strategy to drive deeper audience engagement by creating quality and content-driven shows that are targeted at a mass audience seeking differentiated stories. Currently, the engagement time stands at 62+ mins, with watch time at 16.19 billion minutes. Video views stand at 1.37 billion cumulative to date.

    Some of our shows continue to be highly rated and popular amongst our audiences, especially the youth, and also include our immensely popular niche reality competition show (that was released last quarter). 

    TV Business

    In Q1 FY23, Balaji’s TV business continued at normal for three months with 246.5+ hours of production across 8 shows compared to 174.5 hours in Q1 FY22. Two more TV shows are lined up across genres for the next quarter. ‘Apnapan’ was launched in Q1 FY23 which generated a good audience response.

    Kapoor said, “As always, we are confident that our content will strike a chord with audiences as our storytelling is backed by strong creative capabilities which drive our business growth.”

    Movie business 

    In terms of movies, “Ek Villain Returns” starring John Abraham and Arjun Kapoor, was released on 29 July to positive reviews, earning 51 crore plus at the box office. 

    Kapoor said, “Considering that theatres are now operating at 100 percent capacity, we are confident that our movie business will be back on track given that we have six more movies up for release in FY23, out of which two films are ready to release stage, three films in post-production stage and one film under production. We have pre-locked exciting revenue deals on our movies slate, thereby de-risking our movie business segment.”

  • Nxtdigital records revenue growth of 5% Y-o-Y to Rs 279.1 crore for Q1 FY23

    Nxtdigital records revenue growth of 5% Y-o-Y to Rs 279.1 crore for Q1 FY23

    Mumbai: On a consolidated basis, Nxtdigital has registered a revenue growth of 5 per cent year-on-year to Rs 279.1 crore for the quarter ended 30 June, as against Rs 266.6 crore for the corresponding quarter of the previous year, according to the company’s statement. 

    The company announced its results for the first quarter of the current financial year FY23 during its board meeting. It achieved earnings before interest, depreciation & taxes (EBIDTA) of Rs 54.1 crore, a growth of 6 per cent year-on-year for Q1 of the financial year 2022-23 as against Rs 51.2 crore for the corresponding quarter of the previous year and Rs 56.5 crore (excluding profit on the sale of land) for the previous quarter.

    The wired subscriber base, including video and broadband, has grown by 10 percent year-on-year; closing the quarter at 5.3 million homes connected, against 4.8 million last year.

    Nxtdigital managing director & CEO Vynsley Fernandes said “Our strategy for this fiscal is to continue to leverage our expanding digital product portfolio, vast national footprint, and emerging technologies to drive growth. Our approach is to garner a greater share of the customer wallet across multiple services rather than focusing on average revenue per user (ARPU) growth of individual product verticals.”

    He further added, “On the other hand, we are putting our might behind our emerging technologies offerings like broadband-over-satellite as we look to expand our digital services even beyond India.”

    The growth factors 

    The company has made significant progress on broadband-over-satellite; post a binding MOU with Thaicom Public Company Ltd. which provides broadband-over-satellite and related services in India.

    Nxtdigital’s focus on rapidly building out digital products and solutions to cater to changing consumer preferences and market dynamics, while continuing to strengthen its customer footprint across the country, was the most important factor in its growth.

    The company covers over 4,500 pin codes in over 1,500 cities and towns, offering a variety of digital products such as digital television, broadband, and OTT. 

    Its unique integrated product of digital television, broadband, and over-the-top (OTT) drives customer retention, while the aggregator-based “Strategic Alliance Partner” model continues to attract more ISPs to its broadband vertical.

  • Zee Media’s Q1 FY23 revenues up by 21.6 per cent and ad revenues soars 23.7 per cent YoY

    Zee Media’s Q1 FY23 revenues up by 21.6 per cent and ad revenues soars 23.7 per cent YoY

    Mumbai: Zee Media Corp Ltd (ZMCL) announced its first quarter financial results for the financial year 2023 on 29 July. The company reported total revenues of Rs 206.96 crore compared to Rs 170.18 crore during the corresponding quarter last year up by 21.6 per cent.

    ZMCL’s advertising revenues for the quarter stood at Rs 196.53 crore, up by 23.7 per cent YoY. Subscription revenue declined by 10.2 per cent to Rs 8.93 crore.

    ZMCL’s earnings before interest tax depreciation and amortization (EBIDTA) dipped marginally to Rs 39.84 crore from Rs 45.32 crore year-on-year (YoY).

    The company reported profit after tax of Rs 8.19 crore compared to a loss of Rs 9.04 crore YoY.

    The news broadcasting company’s operating expenditure increased by 33.8 per cent to Rs 167.12 crore versus Rs 124.86 crore in the corresponding quarter last year. The company’s operating costs went up by 58.2 per cent to reach Rs 36.02 crore and employee benefit expenses went up by 35.6 per cent to reach Rs 66.92 crore. Its other expenses increased by 29.8 per cent to reach Rs 44.84 crore.

    ZMCL operates 14 TV news channels comprising one global, four national and nine regional language channels, together with five digital channels, 17 digital brands and is one of the largest news networks in the country.

    Its flagship Hindi news channel Zee News had 9.2 per cent market share as per Broadcast Audience Research Council (Barc) data for Week 26 2022 (four week rolling average), Hindi-speaking market (HSM) 15+ audience, 0600-2400 hours. It recorded 15 minutes ATSV (average time spent per viewer).

    Zee News YouTube channel garnered 660 million video views during the April-May-June quarter and reached over 60.1 million viewers through continued focus on innovative programming.

    Its global channel Wion was awarded 13 prestigious News Television (NT) awards recognising the channel’s unbiased and non-cluttered approach towards news. The channel enjoyed 7.9 minutes ATSV and is the No. 1 English news channel on YouTube based on video views.

    Source: BARC, All 22+ Male AB, India Urban, 0600-2400 hrs, WK 26’22 (4 weeks rolling average)

    The network’s Hindi business channel Zee Business has 58.6 per cent market share, an average weekly reach of 1.32 million and 25.6 minutes ATSV as per Barc data, All 22+, Male ABC, HSM, 0600-2400 hrs WK 26’22 (4 weeks rolling average).

  • NT Summit ’22: How the ever-changing TV news industry is opening up new avenues for marketeers

    NT Summit ’22: How the ever-changing TV news industry is opening up new avenues for marketeers

    Mumbai: As technology advances and consumer habits change due to the pandemic, television newsrooms navigate a new world. The pattern of consuming news content is also evolving with the rise of digital news platforms. The ever-changing landscape of news has witnessed tremendous growth & transformation over the last few years with various channels being launched in multiple languages on a steady basis.

    During a panel discussion on ‘news on television: a marketers delight’ at the recently concluded NT Summit hosted by Indiantelevision.com, the industry insiders explored the challenges and opportunities in the news television segment presented by the new normal. The event, co-sponsored by Dalet, was held recently in New Delhi.

    The panel saw industry stalwarts voice out their opinions & insights on the changes the space is undergoing and on the new avenues it opens up for marketers. Experts deliberated on the impact of news ratings and viewership data on advertising, and how marketers can leverage it.

    The participants on the panel were News18 (HC) vice president and head – marketing and product Aditya Tandon; Zee Media marketing head Anindya Khare; ABP Network chief revenue officer Mona Jain; Just Dial chief marketing officer Prasun Kumar; Policybazaar Insurance Brokers VP & head of brand marketing Samir Sethi; and Maruti Suzuki India senior executive director marketing & sales Shashank Srivastava. The session was moderated by Dentsu Creative India chief executive officer Amit Wadhwa.

    Ratings are key to take media planning decisions

    Talking about the impact that audience measurement ratings such as Barc data has on marketers and brands’ advertising, Amit Wadhwa raised the point of whether the ratings help brands in their media planning decisions. Maruti’s Shashank Srivastava acknowledged that ratings help vastly when it comes to investing in the right news channels for a particular brand/segment, while adding that there has to be a stronger basis for the data measurements. He added that apart from relying on the ratings, the brand has its own checks in place.

    Not being a part of the ratings is not a solution, Srivastava said while noting that there are channels who have gone that route. “That’s a confrontational approach, which is not going to help advertisers or even the platform or broadcasters. We need to find a solution on this by arriving at a consensus for the industry,” he added.

    For this, the measurement parameters have to be defined and it should be done in a way that’s proper, essential, he opined, adding, “We are not going to invest a single rupee without having a strong basis for the investment.”

    Most panelists agreed that ratings are important from a marketer’s perspective, as it bestows a clear picture about where to put in money and in which direction the marketing strategies and planning are moving. However, because of all the controversies around the ratings that one keeps hearing about, even with some channels opting out of it, and so on, it tends to plant seeds of doubt whether the ratings can be solely depend upon by a marketeer, Just Dial’s Prasun Kumar said. So as a marketeer, one does need to apply one’s own thinking and findings on top of the ratings, as Maruti is doing, by having their own checks and strategies in place, he affirmed.

    Having said that without audience measurement and numbers it’s not possible to decide on a solid television plan for a marketeer, said Kumar, adding that he does not know of any other way of doing that.

    Reaching out to the right audience

    Introducing some analytics into the conversation, Policybazaar’s Samir Sethi said that for a lot of digital brands one of the intentions of advertising is to generate immediate call to action from consumers. “What we do apart from looking at ratings when we make decisions on media planning or buying, is to also see the propensity of the eyeball to generate action.”

    “We would basically try and measure if there was a visit generated on our website, post-airing of the ad spot,” continued Sethi. These methodologies help not only in identifying what genres or channels to pick, but also in trying to understand what hours people tend to react more on advertising or on which days of week are better, etc., he added.

    Most of the brand spokespersons on the panel agreed that while the ratings helped them make media decisions, they were definitely not the sole decision-making criteria.

    ABP Network’s Mona Jain pointed out that when the brands are spending so much money on investing in news channels, while also “reaching out to a significant audience that’s an opinion maker”, then it becomes important to deep dive and find which is the slot & which is the prime time that works on which particular channel.

    “Because you’ll find that the dominant part of the TRPs comes from particular time slots,” explained Jain. “So, I would really like marketeers to spend some time analysing and understanding the data better.” There are many who use news genre as a commodity buying, not really looking at it from the point of engaging with the serious consumer that news genre draws, she rued, adding that it’s important too.

    The panel deliberated about the importance of news channels in a media buying spectrum, what they can do differently for better outcomes and on picking the suitable platform for building their brand.

    From the marketeer perspective, what news channels can do differently, Wadhwa asked the panel.

    “We always talk about TV vs digital, as if these are two platforms which are running up against each other,” said Zee Media’s marketing head Anindya Khare.

    “What I feel is that TV news channels need to be more inclusive and convergent, rather than being divergent. Wherein we can be more complementary to each other. If you are in a position to take leverage of the digital medium, for instance, for a particular target group (TG), digital medium may be more relevant and you might be getting a high return on investment (RoI) using digital. I think there is an immense opportunity for both the platforms to exist and grow further, provided there is an intelligence to how to use it in convergence,” added Khare.

    Content is the king in advertising

    From a marketeer perspective, on how to make the news genre work better, News18’s Aditya Tandon emphasised that it’s really about content. “I think technology, digital and all is fine, but for me at heart, it’s really about content. As an advertiser, if we can invest in and create great content, and work with marketers in doing that then I think that’ll never go out of fashion- it’s a win-win for everybody. And that’s an ongoing process that’s never going to end,” he added.

    Speaking from a holistic perspective, Kumar also pointed out that news channels may want to look at “how to arrest the transient audiences that’s moving out of this platform, and create a programming format for stickiness on the platform.” That will also help brands repose faith in a channel,” he added.

    The panelists stated that the whole striking of balance between digital and linear is tough, from a marketer’s viewpoint as it’s a constantly evolving state of affairs. The participants looked forward to the day, the news channels reached some sort of a consensus on a valid audience and viewership data measurement that can be accepted unanimously across the board as a common platform for ratings. They also noted that both from a consumer’s as well as from a marketer’s point of view, perhaps it may be time to move beyond the prime-time news format of debates.

  • Jubilant Foodworks Q4 revenue up by 12.9% at Rs 115.79 cr

    Jubilant Foodworks Q4 revenue up by 12.9% at Rs 115.79 cr

    Mumbai: Jubilant Foodworks on Monday reported 12.9 per cent increase in its revenue from operations at Rs 115.79 crore in the fourth quarter ended March 2022.

    Earnings before interest, taxes, depreciation, and amortization (Ebitda) of Rs 289.7 crore for the year increased to 16.2 per cent. Despite significant cost headwinds, the Ebitda margin at 25 per cent expanded by 73 basis points (bps) year-on-year. Profit after tax of Rs 116.1 crore increased by 11.3 per cent with a margin of 10 per cent.

    During the year, revenue from operations of Rs 433.11 crore increased by 32.5 per cent. Ebitda of Rs 110.46 crore increased by 44.1 per cent with a margin at 25.5 per cent. Profit after tax of Rs 437.5 crore increased by 87.2 per cent with a margin of 10.1 per cent.

    During the quarter, in Sri Lanka, the company registered system sales growth of 80.6 per cent and opened three new stores taking the network strength to 35 stores. In Bangladesh, system sales grew by 44.5 per cent. With the opening of one new outlet, the store count in Bangladesh has reached nine stores. The company has also completed 100 per cent acquisition of its subsidiary with an intention to further strengthen presence and scale of operations in the fast-growing and critical market of Bangladesh.

    Jubilant Foodworks chairman Shyam S. Bhartia and co-chairman Hari S. Bhartia said, “This has been a momentous year for the company on two accounts. A series of timely, strategic investments in strengthening the digital ecosystem for delivery and setting up an integrated supply chain network has helped the company register record revenue, profitability and store growth numbers even in the face of adversity and inflationary challenges. This in turn has enabled us to foray in new categories and make strategic investments which will continue to create significant future value for all stakeholders.”  

    Jubilant Foodworks CEO and wholetime director Pratik Pota said, “Today, our results reinforce our conviction that a vast array of actions we have undertaken over past quarters has helped us strike a remarkable balance of strong top-line growth, bottom-line growth, cash generation, and record network expansion. JFL is a profoundly different, much stronger and more profitable company poised to lead while transitioning to become a multi-brand, multi-country foodtech powerhouse.”