Tag: Renault

  • Revel In The Magical Moments With ‘GiMA Rewind’ This Sunday!

    Revel In The Magical Moments With ‘GiMA Rewind’ This Sunday!

    MUMBAI: India’s biggest celebration of music, The Global Indian Music Academy (GiMA) has been an annual celebration of music in India for a number of years. With The 6th Gionee Colors Gima Awards Co Powered By Hungama & Renault to be broadcast on 5th June, the Academy will air a one hour special titled GiMA Rewind that puts together the most dazzling moments from the GiMA Awards from 11 am to 12 noon on Colors this Sunday, 29th May

    Aptly titled ‘GiMA Rewind’, this segment will take you through the most illustrious moments from GiMA, from talented Indian musicians performing on stage to the star-studded acts each year. This 1-hour long episode will feature the King of Playback, Arijit Singh serenading the audience with his soul- stirring performance at GiMA 2015 as well as Ranveer Singh’s rap in GiMA 2014 which he dedicated to the music industry. The Year 2012 saw a number of acts with Bollywood actress Sonakshi Sinha’shigh energy act on her hit songs like ‘Go Go Govinda’, ‘Chinta Ta’ with a surprise guest Mika Singh at the GiMA stage. Adding to the night, her co-star and Bollywood superstar Ajay Devgan also joined her on-stage to groove on the title track of ‘Son of Sardar’. This performance will certainly be remembered and it is no surprise that fans will get to relive the energy once more through GiMA Rewind. The

    GiMA 2012 had hit a crescendo with the heartfelt tribute to living musical maestro AR Rahman for completing 20 years in the industry. Leading musicians Hariharan & Sadhna Sargam, Udit Narayana, Alka Yagnik, Mohit Chouhan and Sonu Nigamjoined together as they presented their renditions of some of his hit songs like ‘Dil Hai Chota Sa’, ‘Chanda Re’, ‘Mitwa’ and ‘Sadda Haq’ to name a few . The musical experience created by renowned Composer Pritam alongside his band at GiMA 2015 can be revived once again with the Rewind special.

    Last year also featured a special act by Sonu Nigam, Suresh Wadkar and Shankar Mahadevan, amongst others to pay a special tribute to Indian composer Anandji Virji Shah who received the Lifetime Achievement Award – Popular. Fans can truly rejoice as all these special moment have been made a part of this epic segment!

    GiMA has given the Indian music industry a platform to celebrate and honor artistic achievement, technical proficiency and overall excellence in Indian music across various genres. So make sure you watch this unique segment presenting the very best of GiMA Rewind on Sunday, 29th May from 11am to 12 noon, only on Colors!

  • Revel In The Magical Moments With ‘GiMA Rewind’ This Sunday!

    Revel In The Magical Moments With ‘GiMA Rewind’ This Sunday!

    MUMBAI: India’s biggest celebration of music, The Global Indian Music Academy (GiMA) has been an annual celebration of music in India for a number of years. With The 6th Gionee Colors Gima Awards Co Powered By Hungama & Renault to be broadcast on 5th June, the Academy will air a one hour special titled GiMA Rewind that puts together the most dazzling moments from the GiMA Awards from 11 am to 12 noon on Colors this Sunday, 29th May

    Aptly titled ‘GiMA Rewind’, this segment will take you through the most illustrious moments from GiMA, from talented Indian musicians performing on stage to the star-studded acts each year. This 1-hour long episode will feature the King of Playback, Arijit Singh serenading the audience with his soul- stirring performance at GiMA 2015 as well as Ranveer Singh’s rap in GiMA 2014 which he dedicated to the music industry. The Year 2012 saw a number of acts with Bollywood actress Sonakshi Sinha’shigh energy act on her hit songs like ‘Go Go Govinda’, ‘Chinta Ta’ with a surprise guest Mika Singh at the GiMA stage. Adding to the night, her co-star and Bollywood superstar Ajay Devgan also joined her on-stage to groove on the title track of ‘Son of Sardar’. This performance will certainly be remembered and it is no surprise that fans will get to relive the energy once more through GiMA Rewind. The

    GiMA 2012 had hit a crescendo with the heartfelt tribute to living musical maestro AR Rahman for completing 20 years in the industry. Leading musicians Hariharan & Sadhna Sargam, Udit Narayana, Alka Yagnik, Mohit Chouhan and Sonu Nigamjoined together as they presented their renditions of some of his hit songs like ‘Dil Hai Chota Sa’, ‘Chanda Re’, ‘Mitwa’ and ‘Sadda Haq’ to name a few . The musical experience created by renowned Composer Pritam alongside his band at GiMA 2015 can be revived once again with the Rewind special.

    Last year also featured a special act by Sonu Nigam, Suresh Wadkar and Shankar Mahadevan, amongst others to pay a special tribute to Indian composer Anandji Virji Shah who received the Lifetime Achievement Award – Popular. Fans can truly rejoice as all these special moment have been made a part of this epic segment!

    GiMA has given the Indian music industry a platform to celebrate and honor artistic achievement, technical proficiency and overall excellence in Indian music across various genres. So make sure you watch this unique segment presenting the very best of GiMA Rewind on Sunday, 29th May from 11am to 12 noon, only on Colors!

  • Virtual Reality: What’s in it for marketers?

    Virtual Reality: What’s in it for marketers?

    MUMBAI: In the marketing industry, digital era is not something being anticipated but a reality that has arrived and the way one interact with digital content is also changing rapidly especially through the advent of virtual reality (VR) and augmented reality(AR). 

    The terms are often thrown in the air by marketers when citing examples of latest technology in marketing, but what few realize the ground zero report on the actual work and its effectiveness done using VR and Augmented reality as a marketing tool.

    And who better to vouch for it than Ashish Limaye the chief operating officer of Happy Finish, a creative post production studio media agency that dabbles heavily in VR, CG and AR.

    With a global presence of over 12 years, Happy Finish headquartered in the United Kingdom has managed to bag substantially big name clients since it entered the Indian market five years ago. The studio works closely with other creative agencies and caters to specific skillsets that a campaign requires while also having several clients of their own to boot.

    “We work with almost all the leading brands including brands like Unilever, Nestle and Marico to Coke and Pepsi in the beverage section,” points out Limaye, adding, “In the automobile section we work with Maruti Suzuki, Tata Motors, Toyota, and Renault.”

    Adapt or perish

    The single largest shift in the paradigm that Limaye has noticed in the last one year is the completely insulated channels that brands have established with consumers irrespective of any external stakeholders. “When I say stakeholders, I mean magazine, television, billboards etc. And this insulated channel is possible through smartphones that have penetrated the Indian market,” points out Limaye. “The shift which is happening is from all the above-the-line conventional paid media to a ‘owned by the brand’ media, which also generates organic reach through social media without spending a penny.” Coupled with the data points that smartphones facilitate, brands can now directly target their consumers and know them like never before -.not as part of some mass, but by name age and behaviour and preference. As smartphones and other smart devices can easily be used to access VR environment, its use in marketing will grow manifold in the coming years.

    Scope for VR in marketing

    When asked about the scope for VR and augmented reality he sees in marketing in India, Limaye points out the major challenges that today’s marketers are facing with conventional mediums of communication.  “There are two constants in this day and age: one if that media is getting fragmented, and second, consumer attention is getting more fragmented. Today, the consumer is bombarded with so many different media and it has become extremely tough establishing a dialogue with them. And that is where VR becomes extremely advantageous to marketers as it allows you to engage the consumer on a one-on-one basis.”

    To sum it up he adds, “Firstly, VR helps brands with a significant amount of credibility through immersive experience, which otherwise is not possible as effectively. Secondly it also allows to communicate the entire value chain with the customer, through multiple channels — be it retail, or post sale etc; from the factory to the showroom and then road.”

    Limaye explains with an example. “Suppose a telecom is launching their 4G services. With the past record of 3G services not being so favourable with people complaining of call drop, there is a lot of doubt in the market on how well the 4G will do. To counter that a marketer can create an immersive experience of a user in the 4G service and share it with prospective consumers to add credibility to 4G services.”

    VR Vs AR: 

    While VR has been cited several times for its use in experiential marketing, it is easy to confuse it with augmented reality. Limaye defines the two in a simple sentence: “Augmented reality is when I import an external element into my world, while virtual reality allows me to travel to that world.” 

    The biggest differentiating factor is that augmented reality can be consumed by more than one person at a time. “You can project a car on a table while sitting in coffee shop and show to a client or a buyer the inside of the car, its interiors, how it functions and drives. That’s augmented reality.”

    Another good example of clever use of augmented reality in a marketing campaign is what can be done for the online furniture brands like Pepperfry. “It allowed consumers to scan their living room and feed the information to their app, and then place furniture items wherever you like with the use of augmented reality to see what looks like where.”

    Adoption amongst brands:

    In India, the adoption of the technology is picking up fast. Limaye says he gets at least two to three requests daily from several big and small brands when it comes to VR, although he does acknowledge the presence of a learning curve that the industry is going through for this fairly new technology. “While there are brands interested in trying these out, when you ask them what exactly they want to do with it. They have no answer.”

    The area in which the marketers are falling behind is the lack of creative approach when working with VR and augmented reality. “You can’t be using VR for the sake of it just to sound cool or be counted amongst those who are progressive in the industry. There has to a communicative objective that the use of VR must fulfill,” Limaye said.

    The brands which have come forward in using VR and AR come from FMCG sector, beverages like Pepsi and Coke, tourism and travel, and of course automobiles. Currently 30 per cent of Happy Finish’s client base for VR is from the automobile sector.

    Accessibility and cost:

    While VR and AR paves way for endless possibility in use of the technology for marketing purpose, one can’t help but question if India is ready for it in terms of the accessibility of the experience. Can brands only target niche consumers or go brand to brand with it?  

    Knowing that similar questions have been bothering the industry for quite sometime, Limaye says: “It is a myth that you need a high-end headgear to access Virtual reality. You can access it in many ways. Firstly you have Google Cardboard, which is priced as low as Rs 100. Secondly you can access it using YouTube and Facebook that have started their 360 degree videos. Your mobile or your smart device – be it laptop or iPad – then becomes your window to the virtual reality. All one needs to do is shoot 360 media and put it up. Thirdly, if one has a budget to spare, one can go for head gears for a more complete experience. I can see big spending brands keep a gear at their showroom for showcases etc, or for B2B communication. So the distribution challenge is being dealt with in every level.”

    The ROI Factor: 

    So how much should a marketer going for VR budget for their new campaign? Typically, the feeling is that use of a new technology is more expensive as one has to set in place the infrastructure for it. But Limaye disagrees.

    Though the average budget is subjective to the brands need but for a decent campaign which includes an app development and a live action shoot, a budget of Rs 1 to s 1.5 crore is good enough for a good immersive experience using VR. That also reflects in the ROI.

    “I have metrics in place for how many people have downloaded an app, what feature they are interested in and I can even have a call to action post their immersive experience and directly lead the campaign to sales. The call to action is also well monitored and measure. When it comes to ROI, the investment too is very less when you compare it to mediums like television. To reach the Hindi Speaking Market with TVC, a marketer needs to have at least Rs 2 to 3 crore budget to reach a decent TRP number. But this is not needed when I am talking about a VR campaign while still reaching out to the relevant audience.” 

    “The quality of engagement is much higher as compared to other mediums, and the cost of acquisition of the customer’s attention is much lower, and the absolute spend is also lower. In all these metrics, the ROI is much higher,” Limaye adds in parting.

  • Virtual Reality: What’s in it for marketers?

    Virtual Reality: What’s in it for marketers?

    MUMBAI: In the marketing industry, digital era is not something being anticipated but a reality that has arrived and the way one interact with digital content is also changing rapidly especially through the advent of virtual reality (VR) and augmented reality(AR). 

    The terms are often thrown in the air by marketers when citing examples of latest technology in marketing, but what few realize the ground zero report on the actual work and its effectiveness done using VR and Augmented reality as a marketing tool.

    And who better to vouch for it than Ashish Limaye the chief operating officer of Happy Finish, a creative post production studio media agency that dabbles heavily in VR, CG and AR.

    With a global presence of over 12 years, Happy Finish headquartered in the United Kingdom has managed to bag substantially big name clients since it entered the Indian market five years ago. The studio works closely with other creative agencies and caters to specific skillsets that a campaign requires while also having several clients of their own to boot.

    “We work with almost all the leading brands including brands like Unilever, Nestle and Marico to Coke and Pepsi in the beverage section,” points out Limaye, adding, “In the automobile section we work with Maruti Suzuki, Tata Motors, Toyota, and Renault.”

    Adapt or perish

    The single largest shift in the paradigm that Limaye has noticed in the last one year is the completely insulated channels that brands have established with consumers irrespective of any external stakeholders. “When I say stakeholders, I mean magazine, television, billboards etc. And this insulated channel is possible through smartphones that have penetrated the Indian market,” points out Limaye. “The shift which is happening is from all the above-the-line conventional paid media to a ‘owned by the brand’ media, which also generates organic reach through social media without spending a penny.” Coupled with the data points that smartphones facilitate, brands can now directly target their consumers and know them like never before -.not as part of some mass, but by name age and behaviour and preference. As smartphones and other smart devices can easily be used to access VR environment, its use in marketing will grow manifold in the coming years.

    Scope for VR in marketing

    When asked about the scope for VR and augmented reality he sees in marketing in India, Limaye points out the major challenges that today’s marketers are facing with conventional mediums of communication.  “There are two constants in this day and age: one if that media is getting fragmented, and second, consumer attention is getting more fragmented. Today, the consumer is bombarded with so many different media and it has become extremely tough establishing a dialogue with them. And that is where VR becomes extremely advantageous to marketers as it allows you to engage the consumer on a one-on-one basis.”

    To sum it up he adds, “Firstly, VR helps brands with a significant amount of credibility through immersive experience, which otherwise is not possible as effectively. Secondly it also allows to communicate the entire value chain with the customer, through multiple channels — be it retail, or post sale etc; from the factory to the showroom and then road.”

    Limaye explains with an example. “Suppose a telecom is launching their 4G services. With the past record of 3G services not being so favourable with people complaining of call drop, there is a lot of doubt in the market on how well the 4G will do. To counter that a marketer can create an immersive experience of a user in the 4G service and share it with prospective consumers to add credibility to 4G services.”

    VR Vs AR: 

    While VR has been cited several times for its use in experiential marketing, it is easy to confuse it with augmented reality. Limaye defines the two in a simple sentence: “Augmented reality is when I import an external element into my world, while virtual reality allows me to travel to that world.” 

    The biggest differentiating factor is that augmented reality can be consumed by more than one person at a time. “You can project a car on a table while sitting in coffee shop and show to a client or a buyer the inside of the car, its interiors, how it functions and drives. That’s augmented reality.”

    Another good example of clever use of augmented reality in a marketing campaign is what can be done for the online furniture brands like Pepperfry. “It allowed consumers to scan their living room and feed the information to their app, and then place furniture items wherever you like with the use of augmented reality to see what looks like where.”

    Adoption amongst brands:

    In India, the adoption of the technology is picking up fast. Limaye says he gets at least two to three requests daily from several big and small brands when it comes to VR, although he does acknowledge the presence of a learning curve that the industry is going through for this fairly new technology. “While there are brands interested in trying these out, when you ask them what exactly they want to do with it. They have no answer.”

    The area in which the marketers are falling behind is the lack of creative approach when working with VR and augmented reality. “You can’t be using VR for the sake of it just to sound cool or be counted amongst those who are progressive in the industry. There has to a communicative objective that the use of VR must fulfill,” Limaye said.

    The brands which have come forward in using VR and AR come from FMCG sector, beverages like Pepsi and Coke, tourism and travel, and of course automobiles. Currently 30 per cent of Happy Finish’s client base for VR is from the automobile sector.

    Accessibility and cost:

    While VR and AR paves way for endless possibility in use of the technology for marketing purpose, one can’t help but question if India is ready for it in terms of the accessibility of the experience. Can brands only target niche consumers or go brand to brand with it?  

    Knowing that similar questions have been bothering the industry for quite sometime, Limaye says: “It is a myth that you need a high-end headgear to access Virtual reality. You can access it in many ways. Firstly you have Google Cardboard, which is priced as low as Rs 100. Secondly you can access it using YouTube and Facebook that have started their 360 degree videos. Your mobile or your smart device – be it laptop or iPad – then becomes your window to the virtual reality. All one needs to do is shoot 360 media and put it up. Thirdly, if one has a budget to spare, one can go for head gears for a more complete experience. I can see big spending brands keep a gear at their showroom for showcases etc, or for B2B communication. So the distribution challenge is being dealt with in every level.”

    The ROI Factor: 

    So how much should a marketer going for VR budget for their new campaign? Typically, the feeling is that use of a new technology is more expensive as one has to set in place the infrastructure for it. But Limaye disagrees.

    Though the average budget is subjective to the brands need but for a decent campaign which includes an app development and a live action shoot, a budget of Rs 1 to s 1.5 crore is good enough for a good immersive experience using VR. That also reflects in the ROI.

    “I have metrics in place for how many people have downloaded an app, what feature they are interested in and I can even have a call to action post their immersive experience and directly lead the campaign to sales. The call to action is also well monitored and measure. When it comes to ROI, the investment too is very less when you compare it to mediums like television. To reach the Hindi Speaking Market with TVC, a marketer needs to have at least Rs 2 to 3 crore budget to reach a decent TRP number. But this is not needed when I am talking about a VR campaign while still reaching out to the relevant audience.” 

    “The quality of engagement is much higher as compared to other mediums, and the cost of acquisition of the customer’s attention is much lower, and the absolute spend is also lower. In all these metrics, the ROI is much higher,” Limaye adds in parting.

  • First global edition of EEMAX Awards ropes in 19 sponsors

    First global edition of EEMAX Awards ropes in 19 sponsors

    MUMBAI: Indian event industry’s apex body – Event and Entertainment Management Association (EEMA), which will be taking its annual awards global this year, has roped in as many as 19 sponsors. 

     

    Some of the brands that have come on board are Renault (Automobile partner), Colors (Conclave partner), Maharashtra Unlimited (State partner), CNBC TV18 (Official broadcast partner), Videocon (Support partner), Pepsi (Beverage partner) and Bacardi (Beverage partner) amongst others.

     

    The EEMAX Global Awards are scheduled for 20 September, 2015 in Mumbai and will be preceded by the EEMAX Global Conclave on 19 and 20 September. The awards aims to identify, celebrate and honour the best events and experiential marketing projects from India and around the world.

    EEMA received a huge number of entries for the EEMAX Global Awards. Agencies across India, Asia, Middle East, Africa, Europe, Australia, New Zealand and the US have send in their entries and registered for the event.

     

    Speaking to Indiantelevision.com EEMA president Sabbas Joseph said, “The number of entries has been over whelming. It is certainly beyond expectation. We will give away 30 awards and I am looking forward to the awards night.”

     

    The three level selection process, involves taking the award entries through a screening jury, a global jury and peer voting by members of EEMA to choose the winners in 29 categories that span entertainment events, social events, sporting events, weddings, exhibitions, digital events, government events, education programs and CSR.

     

    “Indian event companies, which run operations globally is what triggered us to take the awards global. For the first year, we will be honouring a chosen few international icons,” informed Joseph.

     

     The EEMAX Global Awards are a clear sign of India’s event industry going global. Indian event companies are being retained by international clients and brands for development of activation programs as well as corporate events, mega public events and also sporting galas.

     

    The event industry in India has grown exponentially over the last two decades with multiple entities operating in this space, in various segments and levels across 100+ cities in India. “Not long back companies used to spend only two per cent of their marketing budget in experiential marketing, but now they spend 15 to 20 per cent and that shows the progress of the sector,” added Joseph.

     

    Adding entertainment to the awards night will be performers like All India Backchod (AIB), Shaan, Ustaad Rahat Fateh Ali Khan and Shillong Choir.

     

    “The positive side of the event sector will be discussed and portrayed throughout the conclave, and taking India international will be the theme this year,” Joseph summed up.

     

    Interestingly, the international jury for EEMAX Awards includes the likes of Parineeti Chopra, Dia Mirza, Vikas Bahl, Vivek Oberoi, Prasoon Joshi, Neha Dhupia and others.

  • Renault appoints Ranbir Kapoor as brand ambassador

    Renault appoints Ranbir Kapoor as brand ambassador

    NEW DELHI: After endorsing Nissan’s Micra, actor Ranbir Kapoor has now been roped in as new brand ambassador for Renault India. 

     

    The move comes in the wake of the automobile company’s fourth year of operations in the country.

     

    The association marks the union of two iconic brands that are synonymous with passion and innovation, have universal appeal and also boast of an illustrious and successful lineage.

     

    This association will leverage the versatility and legacy of both Renault and Kapoor, as he represents the underlying brand promise of Renault: ‘Passion for Life’. 

     

    Renault India operations country CEO and managing director Sumit Sawhney said, “Being a fourth generation actor who personifies the iconic lineage of the Kapoor family, he ideally portrays a rare blend of talent, class, intelligence and popularity that complements Renault’s legacy and brand ethos which hinges on three pillars – vibrant, forward looking and connected to people.”

     

    Kapoor added, “I have always known Renault to be an iconic and inspirational brand the world over. I am happy to be associated with a brand, which is very young, and which has quickly established itself in India, becoming the number one European brand. I look forward to being part of the Renault family and its fascinating growth journey in India.” 

  • Neo ropes in seven sponsors for French Open

    Neo ropes in seven sponsors for French Open

    MUMBAI: Following the announcement of the dual feed coverage for the French Open tennis Grand Slam, Neo Sports Broadcast has announced that it has got seven sponsors for the event which starts tomorrow 26 May 2013.

    The co-presenting sponsors for the French Open this year are Renault and Micromax.

    In addition to these, five associate sponsors have also signed on for the event. These are Cadbury, Carlsberg, Nokia, Coca Cola and Samsung Smart TV. The number of sponsors announced is amongst the highest for any Grand Slam in the country. With this, the broadcaster said that it is almost completely sold out on the French Open.

    The dual feed innovation for the French Open this year ensures that both Neo Prime and Neo Sports will show live feeds from separate courts. Consequently, fans will not miss out on any of the top action in one of the most exciting Grand Slams of the year.

    Viewers will also be able to catch daily build-up and post match analysis for the French Open with ‘First Serve’, the wraparound show for the event.

    Neo Sports Broadcast COO Prasana Krishnan said, “The French Open in 2012 had the highest level of viewership for any Grand Slam. This year, we expect this to go even higher with the pioneering dual feed coverage. We are pleased to note that sponsors have bought into this vision and are supporting us in a big way”.

    Also Read:

    Neo bolsters French Open coverage with a dual feed

  • Stars zoom into Cannes Film Festival with Renault

    Stars zoom into Cannes Film Festival with Renault

    MUMBAI: Automobile manufacturer and marketer Renault has been the exclusive vehicle supplier to the Cannes Film Festival for 30 years, chauffeuring movie stars to the red carpet. This year Renault will supply more than 200 vehicles to the 66th Cannes Film Festival which runs till 26 May.
     
    The automobile brand will also take advantage of the Cannes Film Festival to show off its latest models to the stars. This year, the all-new Renault Captur SUV will be on display with eight vehicles joining the official vehicle fleet. As was the case last year, Renault will be showcasing its electric vehicles on the Croisette in Cannes.
     
    A fleet of 15 Twizys and two ZOE models will be supplied to the Cannes Film Festival. The official vehicle fleet of 37 Latitude and 55 Espace models will be escorting the stars alongside an additional fleet of 16 Latitude and 85 Espace models for the Festival‘s other partners. Renault will also be celebrating with the winners of competitions organised in the run-up to the Festival. The couple who won the ‘Inter-Country Battle‘ on Renault‘s Facebook page will enjoy a VIP experience in a personalised Renault Captur.
     
    And the winners of the competition held to mark the release of Un Prince (Presque) Charmant (‘(Almost) Charming‘) will hit the Croisette in a ZOE. The two winners announced at the French Business Council Gala Dinner in Dubai will also be in attendance.
     
    1983 was the first year Renault supplied 15 Renault 30 models to escort the stars to the red carpet of the Cannes Film Festival. Previously some stars were known to walk to the event. In 1992, Cannes played host to the unveiling of Safrane and 45 cars were included in the official vehicle fleet to replace the Renault 25.
     
    To mark the 10-year anniversary of Renault‘s partnership with the Cannes Film Festival, a special ‘Palme d‘Or‘ edition of Safrane was released in 1993. In 2011, Renault Latitude replaced Vel Satis as the official vehicle alongside Espace. The Cannes Film Festival organisers are exacting in their requirements for comfort on board the official vehicle fleet, calling for more than two weeks of meticulous preparation work prior to the event. ‘Official Partner of the Cannes Film Festival‘ branding is then applied to the vehicles together with special flag-holders. Each year, once the cars have been used to escort the world‘s greatest movie stars, the Renault network sells the vehicles to fans and film-buffs.