Tag: Reliance Jio

  • Respond to Vodafone’s TRAI challenge in two weeks, govt directed

    Respond to Vodafone’s TRAI challenge in two weeks, govt directed

    MUMBAI: Terming it as “premature”, the central government has opposed a plea by the telecom major Vodafone Mobile Services challenging TRAI’s recommendation to impose Rs 1,050 crore penalty for not providing interconnectivity to Reliance Jio.

    The government rejected the plea by Vodafone, which operates in 21 circles, against a penalty of Rs 50 crore per telecom circle recommended by TRAI. The Telecom Regulatory Authority of India had suggested the penalty on grounds that Vodafone had violated terms and conditions relating to points of interconnection among service providers.

    Additional solicitor-general Sanjay Jain, appearing on behalf of the Centre, said that since the role of TRAI was advisory, what material did the telecom company had to show that the Centre’s decision would be clouded by the recommendation.

    Justice Sanjeev Sachdeva, who was hearing the matter, directed the Centre to file a short affidavit within two weeks and limit it to the question of maintainability of the suit.

    TRAI recommendation was made to DoT (department of telecommunications), and is based on a complaint by Reliance Jio Infocomm Ltd, which alleged that Vodafone had refused to comply with interconnection norms. TRAI had also recommended a similar penalty on Bharti Airtel and Idea Cellular Ltd.

    Senior advocate Rajiv Nayar, appearing for Vodafone, urged the court to decide whether TRAI exceeded its jurisdiction by giving the recommendation. The telecom argued that TRAI has the power to impose “financial disincentives” for breach of Quality of Service regulations and to ensure compliance of terms and conditions of licence.

    The ASG opposed the maintainability of the petition, saying once DoT took a decision, then it was an appealable order.

    The court gave the telecom ministry and TRAI two weeks to file their reply on the issue of maintainability and listed it for hearing on 6 February.

  • Shemaroo to further focus on digital

    Shemaroo to further focus on digital

    MUMBAI: Content aggregation and distribution company Shemaroo Entertainment is going into an overdrive on the digital ecosystem. And it’s working for the firm which is quoting currently at Rs 382 (on Wednesday 03pm) on the Bombay stock exchange.

    In an interview with CNBC TV18 on 20 December, Shemaroo’s wholetime director and CFO Hiren Gada said, “Digital is currently contributing 20 per cent of its top line revenues,” and growth has been at a healthy 50 per cent and more.

    Gada further elaborated that around Rs 24 crore of its previous quarter’s revenues of around Rs 100 crore came courtesy digital or new media. He was specially buoyant about the 4.5 million views per day that its channels on YouTube were generating. Its mother channel Shemaroo had 2.28 million subscribers, Filmi Gaane had 1.8 million subscribers, Shemaroo Movies had 431,579 subscribers, and Shemaroo Kids had 281,000 subscribers cumulatively generating 1.42 billion views, 1.26 billion views, 142 million views and 186 million views, respectively.

    “So, that kind of bears out as a strategy and conviction that the content strategy that we are following is getting tremendous traction with the audience,” he said.

    Gada disclosed that telcos such as Vodafone, Idea and Airtel which it has partnered are already adding a “large component of revenues” to the company’s topline. “Then, there are all these (platforms) which are the next level of services, some of which are nascent or new like Reliance Jio or Hotstar or iTunes or any other international platforms. They hold tremendous potential.”

    Gada added that the company’s content is unmissable. “.. given the kind of content we are sitting on, no one can run a meaningful Bollywood service without some content from Shemaroo. So, to that extent, we are either in talks or already deployed on many of the platforms that are already operating.”

    Gada was hopeful of maintaining or hiking the revenue growth levels of 50 per cent that its new media focus has been generating over the next quarter as well. He also highlighted that margins for this segment were also higher than for the company as a whole as operating costs are being kept in check.

    Shemaroo has also tied up with DTH operators such as Tata Sky, Dish TV and Airtel to run specialised value added services for them covering movies, comedy, religious songs.

  • Shemaroo to further focus on digital

    Shemaroo to further focus on digital

    MUMBAI: Content aggregation and distribution company Shemaroo Entertainment is going into an overdrive on the digital ecosystem. And it’s working for the firm which is quoting currently at Rs 382 (on Wednesday 03pm) on the Bombay stock exchange.

    In an interview with CNBC TV18 on 20 December, Shemaroo’s wholetime director and CFO Hiren Gada said, “Digital is currently contributing 20 per cent of its top line revenues,” and growth has been at a healthy 50 per cent and more.

    Gada further elaborated that around Rs 24 crore of its previous quarter’s revenues of around Rs 100 crore came courtesy digital or new media. He was specially buoyant about the 4.5 million views per day that its channels on YouTube were generating. Its mother channel Shemaroo had 2.28 million subscribers, Filmi Gaane had 1.8 million subscribers, Shemaroo Movies had 431,579 subscribers, and Shemaroo Kids had 281,000 subscribers cumulatively generating 1.42 billion views, 1.26 billion views, 142 million views and 186 million views, respectively.

    “So, that kind of bears out as a strategy and conviction that the content strategy that we are following is getting tremendous traction with the audience,” he said.

    Gada disclosed that telcos such as Vodafone, Idea and Airtel which it has partnered are already adding a “large component of revenues” to the company’s topline. “Then, there are all these (platforms) which are the next level of services, some of which are nascent or new like Reliance Jio or Hotstar or iTunes or any other international platforms. They hold tremendous potential.”

    Gada added that the company’s content is unmissable. “.. given the kind of content we are sitting on, no one can run a meaningful Bollywood service without some content from Shemaroo. So, to that extent, we are either in talks or already deployed on many of the platforms that are already operating.”

    Gada was hopeful of maintaining or hiking the revenue growth levels of 50 per cent that its new media focus has been generating over the next quarter as well. He also highlighted that margins for this segment were also higher than for the company as a whole as operating costs are being kept in check.

    Shemaroo has also tied up with DTH operators such as Tata Sky, Dish TV and Airtel to run specialised value added services for them covering movies, comedy, religious songs.

  • Indian players have an edge over global OTT platforms: Akamai’s Sidharth Pisharoti

    Indian players have an edge over global OTT platforms: Akamai’s Sidharth Pisharoti

    Starting from one of the biggest Information Technology companies, Wipro Technologies, as a technical facilitator, he pursued young professionals program in general management from Indian Institute of Management, Calcutta. Soon after attaining a degree, he joined American content delivery network (CDN) and cloud services provider Akamai Technologies, Inc. as a relationship manager of emerging customer group in December 2006. Presently serving the company as the regional VP for media in APAC and Japan, Sidharth Pisharoti is a goal-oriented professional known for his alertness in innovating and bringing in new ideas to improve business processes.

    In an interview with indiantelevision.com’s Megha Parmar, Pisharoti shares interesting insights on a variety of topics, including the growing OTT space in India, impact of 4G, changing consumer behavior and the way forward for the entire digital eco-system. Edited excerpts from the interaction:

    Akamai Technologies, Inc. is an American content delivery network (CDN) and cloud services provider headquartered in Cambridge, Massachusetts. The company’s advanced web performance, mobile performance, cloud security and media delivery solutions are said to be revolutionizing how businesses optimize consumer, enterprise and entertainment experiences for any device, anywhere.

    Edited excerpts from the interview:

    Q: Akamai provides several products like web performance, cloud security, media delivery, etc. In a country that’s increasingly getting digital, who would be your Indian customers and how are each of these products faring?

    Akamai is very focussed on India. We are the largest content delivery platform in the world, which also applies to India. We have 3000+ servers, 59 networks across 14 cities in India. If you look at our customer base, we probably have 265 customers here and these are across different industry verticals. We have the customers who are amongst the top five IT services, media services, commerce services segments, apart from top three three stock exchanges in the country. So, whether you talk about IT, media and entertainment, e-commerce, retail or finance, we have customers across all these verticals.

    Q: Over The Top (OTT) is the new buzzword in India as the number of players, both global and local, grows. What is your take on it?

    If we focus on the media and OTT space, it is growing at   fast pace in India. If you look at the number of OTT platforms that are providing content, it is increasing by the day and so are the audience. The good news here is that not just the services are available, but the consumer pattern, behaviour and the adoption too are growing by the day. Earlier, there was a notion that mostly sports, cricket and live cricket are in demand. But that notion has changed a lot in the recent past. It’s not just live content but also on-demand content, episodic content and anytime content that is available out there which is being consumed by the users.

    Q: What could be the reasons for this change in consumer behaviour and consumption patterns?

    What is happening now is that there are more smart phones being available in the market. Even at Akamai, a big chunk of our delivery is happening to smart phones apart from the traditional internet devices. There are two major developments in India.

    First, the smart phone market has changed and accessibility has improved. Today, you can get a decent Android device at Rs 4,000, which is pretty affordable as compared to what it was four-five years ago. Second, the overall infrastructure has improved. Not just launch of Reliance Jio has spurred on other players, but availability of 4G across the different networks has improved too as compared to what it was one year ago. Today, 4G is available almost throughout the country and with Jio’s arrival the reach has further improved.  

    Both the factors are equally important for any kind of content to be consumed, especially when you are talking about OTT, which is primarily consumed by personal computing devices. The screen size is getting smaller and the consumers are increasing. We are moving away from demography of people who believed in the family viewing experience to having a personal single screen for each member in the house.

    Q:When you say more people are consuming more on smart phones, is the time spent on viewing too increasing? If yes, who are these people and what are they watching?

    The viewing time is definitely increasing. If we look at purely episodic content as video on demand (VOD), the viewing time has increased from what it was 18 months ago.  The average time spent was 5-7 minutes, but it has gone up to as high as about 18-20 minutes now. This is a three-fold jump than what the average session brings in. We are seeing an improvement in the viewing time because of these two reasons. Content providers are ready to provide good quality videos without any buffering or start time. That is the experience the consumer wants — he wants a television-like experience. Because content creators are able to provide uninterrupted content, the viewership is going up. It is not yet as big as TV’s, but it is getting there.

    People are watching from across various demographics though we are yet to nail down a particular type of individual watching. We are having difficulty in pinpointing that as of now, but consumers from tier 2 and tier 3 cities and towns are increasing and are coming to our platform.

    Q: What do you think will be the impact of 4G in India? Do you think it will open up choked and inadequate availability of bandwidth?

    Absolutely. We are already seeing 4G’s effects. More and cheaper bandwidths are available with consumers that are improving consumptions. The consumption was not that great earlier because of two factors. One, the availability and affordability of good quality phones and, second, data costs were high. Even four month back, before the launch of Jio, we were talking about Rs 200/ GB. Today we are talking about Rs 50 per GB. I think, in a year from now even this is going to substantially come down. Data has to become like any other affordable commodity. When it becomes the new normal for the consumers, the industry is obviously going to be impacted.

    Q: While players are still experimenting with their models, what, according to you, will stay in long term?

    See, you have to shift the deal. The consumer will either pay for content or for data. Expecting them to pay for both the things is pushing it a bit too much. Today, the reason behind content creators predominantly offering ad-driven content is because they can’t charge for it as the consumer is already paying for the data. When data becomes cheaper, that is when these creators or broadcasters with their platforms can charge for the content.

    To answer your question, it has to be a dual approach. There has to be content that is available on the `freemium’ model with some part being free of cost, that is advertising-supported, and some behind the pay wall for which the subscribers will need to pay. The Indian consumers will adapt to this model slowly. The day data becomes cheaper and easily accessible, that day content providers can make lot more earnings from subscription perspective.

    Q: When you talk about `freemium’ model, payment gateways remain a crucial part. Will making payments online become easier with ongoing digitization and government push towards cashless transactions in the aftermath of currency demonetisation?

    If you had asked me that question a month ago, I would have said this is definitely a challenge. But, now with demonetization happening and the country trying to moving to a cashless economy, cajoled by the PM Modi government to increase of digital wallets, etc, the scenario is undergoing a change. That is good news for all the online players. Not just OTT, but anyone who is selling or buying online benefits from these changes.

    I think in the medium to long term, the problem will resolve, but, right now, not many consumers are comfortable transacting online. It’s less of being comfortable or paying than choosing what they should pay for. For them, paying for data and content is like a double whammy. With data becoming cheaper, consumers will be willing to pay for content. With the new norms that the government is pushing, it will be easier for the consumers to pay through digital wallets.

    Q: A lot of online content creators are betting big on the kids’ space with original content. Do you think there’s demand for kids’ content in India?

    I think it’s a very good genre to be in. If you remove T-Series and Eros content, some of the biggest YouTube channels in India focus on kids’ content and would definitely have large subscriber base. Such channels have original content created by small companies who are purely creating it for kids. So people who are producing kids’ content are going to be benefitted. It is a big genre, which is has eluded the focused of big OTT players.

    Q: What about the regional markets in India?

    Not many players have looked at it separately and are primarily providing content in Hindi or English. If you look at the OTT space today, some of the big players do have regional content, but their catalogue of regional content is not as complusive as their Hindi catalogue. Though a small quantity of original regional content is being produced, OTT platforms are also syndicating it content from some of the south  Indian media houses. Eventually, each of these markets, for example states of Kerala,  Andhra Pradesh or Tamil Nadu, will have one local OTT player who will be the biggest local player in that market with local content. And, there will be cross syndication. So the national players will definitely syndicate content of all languages, but local players will focus on content of their region’s language and will syndicate content from other languages. I think that is the future. Just like the television space where there a few national level TV channels and many in local languages.

    We will have one or two big OTT players — we are already seeing the emergence of two very big ones platforms at a national level — and then we will see each of the Indian states having one big local player.

    Q: But will that not clutter the space or confuse the consumers? What if they want international as well as their regional content together on one platform?

    The current and future generations are the new subscribers or consumers who are getting online. They are already digital and understand only the digital language.  For many of these consumers TV or cable is non-existent as most of their video consumption is online. Unlike in the US, where there are two large players who are catering to the whole market, the scenario in India is different because in the West primarily there is one language (English) that is popular. We have a huge population with different cultures, speaking different languages and dialects and, hence, there is space for more than just two local players.

    Q: Apart from infrastructure problem, what are the other challenges in the current digital space?  

    Another challenge is to put together the video eco-system. Most of these OTT  companies or the media houses are used to broadcast business because that is their bread and butter. In the last 20 years, they have been working on broadcast and they know that after the content is ready, they have to push it through satellite or cable to people’s homes. But digital is a different ball game. Once the content is prepared, it has to go through its own video platform for it to be ready for a satellite or mobile phone. The biggest challenge is the digital media workflow. The first step is content preparation, which basically means that once you get content that’s to be broadcast, you have to encode it or convert it into a format that can be consumed digitally. Then, you have to re-package it to ensure that it fits all the different softwares on different devices.

    The next step is to transport it to all these formats, repackage it again to make sure storage is proper for a content management system and then send it to a content delivery platform. Then you have to get it on your video player and how do you plan to use it in your analytics and reports. This entire media platform workflow is not easy to manage and is a big challenge when lot of people move from traditional broadcast or regular online streaming to a pure OTT platform. The complexities are very high and that is a challenge.

    Q: Online video consumption has also increased digital piracy. Isn’t this a big challenge for content owners too?

    The good news is that there are lot of companies, including us, who offer security services. Using these services combined with DRN, content protection is possible. Security is like insurance. Can someone give you a 100 percent security? No. But, can you give 99.9 per cent security? Yes. Simply because technology is available today. Whether it is securing your application or data centre or media content, Akamai has a a range of security offerings, which help the media customers to help the customers.

    Second, I also believe that piracy exists when there is non-availability of content or when it is expensive to acquire or view. It happens when someone finds some content at a cheaper price than the legal content. But, today content providers are either giving it for free or are offering it at a very nominal price. Hence, they are killing piracy by making content more accessible. People who are involved in digital piracy are not succeeding because that content is anyway available in high quality on a particular device at affordable rates. So, why would a person go and buy pirated content? This is the case for majority of content. Digital piracy is slowly getting killed. The only problem is movies. But again with platforms like Hotstar, they are releasing movies within four-five weeks of a movie’s release.

    Q: Different mix of companies have got into digital space with even DTH operators now active in this space. Who will be the next bunch of customers for them? What is the scenario there?

    It’s an interesting proposition. I believe you will probably have only one leader in that space too. On one hand, you have folks like Tata Sky who have already moved to that model and are leading in that space. On the other hand, you have dittoTV , which offers you a TV-kind of a service. And, then you have telcos like Reliance Jio, which gives similar kind of service. It will be interesting to see how that plays out. I think there will be a consolidation eventually. I don’t think that for a pure play of a bouquet of channels service,  like each of these players are offering, you can have three to four players.

    It’s about curated content, original content and watching content from wherever the consumer wants. As the market is so fragmented, some of the content syndication deals will be interesting. But, I think they will all reach a point wherein they will realise that rather than syndicating the content, it is better to have it under own network as it is more lucrative. When this happens, you will stop seeing content syndication as well. We have to wait and watch. From DTH point of view, we can have more than one large player.

    Q: Do you see Netflix becoming successful in India? Should the Indian platforms worry about its entrance?

    Netflix, as of right now, is a very urban Indian phenomenon. It produces some original content and some premium content that is consumed by a certain section of the population. It can also turn out that their content strategy for India changes in the longer run. As of now, Netflix is not eating into the viewership base of a Hotstar or a Voot. Both these platforms have their separate viewership base, but that might change when the content that they offer changes or gets popular in India.

    I think these Indian players air some of the shows on their platform first before they go on TV. They air some shows before 24-hour of its TV release. Though it is premium subscription, it is available. So, it is not catch-up television. Their strategy is if-you-want-content-before-TV- we-are-providing-it. Eventually, consumers will start accepting that. That is the plan — consumers should first come to a digital platform and then move on to traditional TV broadcast.

    In the longer run, unless global players have a different content strategy for India, I don’t think they can have (subscriber) numbers like some of these local players do. I think the local players have a big edge over Netflix or any other global platform. Incidentally, globally too Netflix has changed its strategy and has started producing original content. It could be either the studios have stopped giving them content or are giving content at a that makes it difficult for content to be monetised by the OTT platform. So, Netflix has started becoming a media house itself. Same thing has to be India specific.

    Q: What are your predictions for the digital eco-system in the year 2017?

    The future should see is decent amount of consolidation.  In terms of pure play Indian content, I think the players who are leading, will continue to lead at a national level. Locally, there is space for few players that will cater to certain languages. Over the next two to three years, content syndication will go down as each of these platforms will get more consumers and, in turn, generate revenues through subscription. Global players will definitely enter India and will get only a handful of subscribers unless their content strategy is different. To achieve that, they will have to spend a lot of energy, resources and money in India. We can probably have maximum of 10 OTT players — three at national level, two global and couple of local providers.

  • Indian players have an edge over global OTT platforms: Akamai’s Sidharth Pisharoti

    Indian players have an edge over global OTT platforms: Akamai’s Sidharth Pisharoti

    Starting from one of the biggest Information Technology companies, Wipro Technologies, as a technical facilitator, he pursued young professionals program in general management from Indian Institute of Management, Calcutta. Soon after attaining a degree, he joined American content delivery network (CDN) and cloud services provider Akamai Technologies, Inc. as a relationship manager of emerging customer group in December 2006. Presently serving the company as the regional VP for media in APAC and Japan, Sidharth Pisharoti is a goal-oriented professional known for his alertness in innovating and bringing in new ideas to improve business processes.

    In an interview with indiantelevision.com’s Megha Parmar, Pisharoti shares interesting insights on a variety of topics, including the growing OTT space in India, impact of 4G, changing consumer behavior and the way forward for the entire digital eco-system. Edited excerpts from the interaction:

    Akamai Technologies, Inc. is an American content delivery network (CDN) and cloud services provider headquartered in Cambridge, Massachusetts. The company’s advanced web performance, mobile performance, cloud security and media delivery solutions are said to be revolutionizing how businesses optimize consumer, enterprise and entertainment experiences for any device, anywhere.

    Edited excerpts from the interview:

    Q: Akamai provides several products like web performance, cloud security, media delivery, etc. In a country that’s increasingly getting digital, who would be your Indian customers and how are each of these products faring?

    Akamai is very focussed on India. We are the largest content delivery platform in the world, which also applies to India. We have 3000+ servers, 59 networks across 14 cities in India. If you look at our customer base, we probably have 265 customers here and these are across different industry verticals. We have the customers who are amongst the top five IT services, media services, commerce services segments, apart from top three three stock exchanges in the country. So, whether you talk about IT, media and entertainment, e-commerce, retail or finance, we have customers across all these verticals.

    Q: Over The Top (OTT) is the new buzzword in India as the number of players, both global and local, grows. What is your take on it?

    If we focus on the media and OTT space, it is growing at   fast pace in India. If you look at the number of OTT platforms that are providing content, it is increasing by the day and so are the audience. The good news here is that not just the services are available, but the consumer pattern, behaviour and the adoption too are growing by the day. Earlier, there was a notion that mostly sports, cricket and live cricket are in demand. But that notion has changed a lot in the recent past. It’s not just live content but also on-demand content, episodic content and anytime content that is available out there which is being consumed by the users.

    Q: What could be the reasons for this change in consumer behaviour and consumption patterns?

    What is happening now is that there are more smart phones being available in the market. Even at Akamai, a big chunk of our delivery is happening to smart phones apart from the traditional internet devices. There are two major developments in India.

    First, the smart phone market has changed and accessibility has improved. Today, you can get a decent Android device at Rs 4,000, which is pretty affordable as compared to what it was four-five years ago. Second, the overall infrastructure has improved. Not just launch of Reliance Jio has spurred on other players, but availability of 4G across the different networks has improved too as compared to what it was one year ago. Today, 4G is available almost throughout the country and with Jio’s arrival the reach has further improved.  

    Both the factors are equally important for any kind of content to be consumed, especially when you are talking about OTT, which is primarily consumed by personal computing devices. The screen size is getting smaller and the consumers are increasing. We are moving away from demography of people who believed in the family viewing experience to having a personal single screen for each member in the house.

    Q:When you say more people are consuming more on smart phones, is the time spent on viewing too increasing? If yes, who are these people and what are they watching?

    The viewing time is definitely increasing. If we look at purely episodic content as video on demand (VOD), the viewing time has increased from what it was 18 months ago.  The average time spent was 5-7 minutes, but it has gone up to as high as about 18-20 minutes now. This is a three-fold jump than what the average session brings in. We are seeing an improvement in the viewing time because of these two reasons. Content providers are ready to provide good quality videos without any buffering or start time. That is the experience the consumer wants — he wants a television-like experience. Because content creators are able to provide uninterrupted content, the viewership is going up. It is not yet as big as TV’s, but it is getting there.

    People are watching from across various demographics though we are yet to nail down a particular type of individual watching. We are having difficulty in pinpointing that as of now, but consumers from tier 2 and tier 3 cities and towns are increasing and are coming to our platform.

    Q: What do you think will be the impact of 4G in India? Do you think it will open up choked and inadequate availability of bandwidth?

    Absolutely. We are already seeing 4G’s effects. More and cheaper bandwidths are available with consumers that are improving consumptions. The consumption was not that great earlier because of two factors. One, the availability and affordability of good quality phones and, second, data costs were high. Even four month back, before the launch of Jio, we were talking about Rs 200/ GB. Today we are talking about Rs 50 per GB. I think, in a year from now even this is going to substantially come down. Data has to become like any other affordable commodity. When it becomes the new normal for the consumers, the industry is obviously going to be impacted.

    Q: While players are still experimenting with their models, what, according to you, will stay in long term?

    See, you have to shift the deal. The consumer will either pay for content or for data. Expecting them to pay for both the things is pushing it a bit too much. Today, the reason behind content creators predominantly offering ad-driven content is because they can’t charge for it as the consumer is already paying for the data. When data becomes cheaper, that is when these creators or broadcasters with their platforms can charge for the content.

    To answer your question, it has to be a dual approach. There has to be content that is available on the `freemium’ model with some part being free of cost, that is advertising-supported, and some behind the pay wall for which the subscribers will need to pay. The Indian consumers will adapt to this model slowly. The day data becomes cheaper and easily accessible, that day content providers can make lot more earnings from subscription perspective.

    Q: When you talk about `freemium’ model, payment gateways remain a crucial part. Will making payments online become easier with ongoing digitization and government push towards cashless transactions in the aftermath of currency demonetisation?

    If you had asked me that question a month ago, I would have said this is definitely a challenge. But, now with demonetization happening and the country trying to moving to a cashless economy, cajoled by the PM Modi government to increase of digital wallets, etc, the scenario is undergoing a change. That is good news for all the online players. Not just OTT, but anyone who is selling or buying online benefits from these changes.

    I think in the medium to long term, the problem will resolve, but, right now, not many consumers are comfortable transacting online. It’s less of being comfortable or paying than choosing what they should pay for. For them, paying for data and content is like a double whammy. With data becoming cheaper, consumers will be willing to pay for content. With the new norms that the government is pushing, it will be easier for the consumers to pay through digital wallets.

    Q: A lot of online content creators are betting big on the kids’ space with original content. Do you think there’s demand for kids’ content in India?

    I think it’s a very good genre to be in. If you remove T-Series and Eros content, some of the biggest YouTube channels in India focus on kids’ content and would definitely have large subscriber base. Such channels have original content created by small companies who are purely creating it for kids. So people who are producing kids’ content are going to be benefitted. It is a big genre, which is has eluded the focused of big OTT players.

    Q: What about the regional markets in India?

    Not many players have looked at it separately and are primarily providing content in Hindi or English. If you look at the OTT space today, some of the big players do have regional content, but their catalogue of regional content is not as complusive as their Hindi catalogue. Though a small quantity of original regional content is being produced, OTT platforms are also syndicating it content from some of the south  Indian media houses. Eventually, each of these markets, for example states of Kerala,  Andhra Pradesh or Tamil Nadu, will have one local OTT player who will be the biggest local player in that market with local content. And, there will be cross syndication. So the national players will definitely syndicate content of all languages, but local players will focus on content of their region’s language and will syndicate content from other languages. I think that is the future. Just like the television space where there a few national level TV channels and many in local languages.

    We will have one or two big OTT players — we are already seeing the emergence of two very big ones platforms at a national level — and then we will see each of the Indian states having one big local player.

    Q: But will that not clutter the space or confuse the consumers? What if they want international as well as their regional content together on one platform?

    The current and future generations are the new subscribers or consumers who are getting online. They are already digital and understand only the digital language.  For many of these consumers TV or cable is non-existent as most of their video consumption is online. Unlike in the US, where there are two large players who are catering to the whole market, the scenario in India is different because in the West primarily there is one language (English) that is popular. We have a huge population with different cultures, speaking different languages and dialects and, hence, there is space for more than just two local players.

    Q: Apart from infrastructure problem, what are the other challenges in the current digital space?  

    Another challenge is to put together the video eco-system. Most of these OTT  companies or the media houses are used to broadcast business because that is their bread and butter. In the last 20 years, they have been working on broadcast and they know that after the content is ready, they have to push it through satellite or cable to people’s homes. But digital is a different ball game. Once the content is prepared, it has to go through its own video platform for it to be ready for a satellite or mobile phone. The biggest challenge is the digital media workflow. The first step is content preparation, which basically means that once you get content that’s to be broadcast, you have to encode it or convert it into a format that can be consumed digitally. Then, you have to re-package it to ensure that it fits all the different softwares on different devices.

    The next step is to transport it to all these formats, repackage it again to make sure storage is proper for a content management system and then send it to a content delivery platform. Then you have to get it on your video player and how do you plan to use it in your analytics and reports. This entire media platform workflow is not easy to manage and is a big challenge when lot of people move from traditional broadcast or regular online streaming to a pure OTT platform. The complexities are very high and that is a challenge.

    Q: Online video consumption has also increased digital piracy. Isn’t this a big challenge for content owners too?

    The good news is that there are lot of companies, including us, who offer security services. Using these services combined with DRN, content protection is possible. Security is like insurance. Can someone give you a 100 percent security? No. But, can you give 99.9 per cent security? Yes. Simply because technology is available today. Whether it is securing your application or data centre or media content, Akamai has a a range of security offerings, which help the media customers to help the customers.

    Second, I also believe that piracy exists when there is non-availability of content or when it is expensive to acquire or view. It happens when someone finds some content at a cheaper price than the legal content. But, today content providers are either giving it for free or are offering it at a very nominal price. Hence, they are killing piracy by making content more accessible. People who are involved in digital piracy are not succeeding because that content is anyway available in high quality on a particular device at affordable rates. So, why would a person go and buy pirated content? This is the case for majority of content. Digital piracy is slowly getting killed. The only problem is movies. But again with platforms like Hotstar, they are releasing movies within four-five weeks of a movie’s release.

    Q: Different mix of companies have got into digital space with even DTH operators now active in this space. Who will be the next bunch of customers for them? What is the scenario there?

    It’s an interesting proposition. I believe you will probably have only one leader in that space too. On one hand, you have folks like Tata Sky who have already moved to that model and are leading in that space. On the other hand, you have dittoTV , which offers you a TV-kind of a service. And, then you have telcos like Reliance Jio, which gives similar kind of service. It will be interesting to see how that plays out. I think there will be a consolidation eventually. I don’t think that for a pure play of a bouquet of channels service,  like each of these players are offering, you can have three to four players.

    It’s about curated content, original content and watching content from wherever the consumer wants. As the market is so fragmented, some of the content syndication deals will be interesting. But, I think they will all reach a point wherein they will realise that rather than syndicating the content, it is better to have it under own network as it is more lucrative. When this happens, you will stop seeing content syndication as well. We have to wait and watch. From DTH point of view, we can have more than one large player.

    Q: Do you see Netflix becoming successful in India? Should the Indian platforms worry about its entrance?

    Netflix, as of right now, is a very urban Indian phenomenon. It produces some original content and some premium content that is consumed by a certain section of the population. It can also turn out that their content strategy for India changes in the longer run. As of now, Netflix is not eating into the viewership base of a Hotstar or a Voot. Both these platforms have their separate viewership base, but that might change when the content that they offer changes or gets popular in India.

    I think these Indian players air some of the shows on their platform first before they go on TV. They air some shows before 24-hour of its TV release. Though it is premium subscription, it is available. So, it is not catch-up television. Their strategy is if-you-want-content-before-TV- we-are-providing-it. Eventually, consumers will start accepting that. That is the plan — consumers should first come to a digital platform and then move on to traditional TV broadcast.

    In the longer run, unless global players have a different content strategy for India, I don’t think they can have (subscriber) numbers like some of these local players do. I think the local players have a big edge over Netflix or any other global platform. Incidentally, globally too Netflix has changed its strategy and has started producing original content. It could be either the studios have stopped giving them content or are giving content at a that makes it difficult for content to be monetised by the OTT platform. So, Netflix has started becoming a media house itself. Same thing has to be India specific.

    Q: What are your predictions for the digital eco-system in the year 2017?

    The future should see is decent amount of consolidation.  In terms of pure play Indian content, I think the players who are leading, will continue to lead at a national level. Locally, there is space for few players that will cater to certain languages. Over the next two to three years, content syndication will go down as each of these platforms will get more consumers and, in turn, generate revenues through subscription. Global players will definitely enter India and will get only a handful of subscribers unless their content strategy is different. To achieve that, they will have to spend a lot of energy, resources and money in India. We can probably have maximum of 10 OTT players — three at national level, two global and couple of local providers.

  • Eros Now gets 4-5 million subs from telcos & OEMs

    Eros Now gets 4-5 million subs from telcos & OEMs

    MUMBAI: Folks at Eros are popping bottles of champagne! Eros International’s OTT platform Eros Now has achieved two million paid subscribers worldwide through significant deals in place with all major telecom players in India such as Reliance Jio, Airtel, IDEA Cellular Network and Vodafone.

    Between the four platforms, there is a potential reach of 686 million subscribers which is almost 60 per cent of India’s total mobile user base of more than a billion. Jio has announced a user base of 52 million users in just a few months following their launch.

    “Our strategy remains to distribute Eros Now, a world class OTT platform, to consumers across telecoms and OEMs with compelling content and product features. We view the recent demonetization move in India as a great opportunity for the OTT business as more consumers are signing up for online and mobile pay systems. I am really excited about the exponential growth in front of Eros Now and am confident we will continue to consolidate our leadership position and first mover advantage,” said Eros Digital CEO Rishika Lulla Singh.

    These deals across 20 different telecom operators and OEMs alone provide visibility to a minimum of 4-5 million subscribers annually to Eros Now at an average annual ARPU of $4-5 in India and average annual ARPU of $35 internationally. Since these deals were agreed at various points in time in FY 2017, Eros Now will see the full year benefit of these deals flowing through in fiscal 2018. Most of these contracts are long term deals averaging five years.

    With a movie library of over 5,000 films and a further library of 5,000 films being added to this list, Eros Now plans to offer the widest repertoire of Indian movie content across any OTT platform in the world.

    In another development, Eros International’s Sanam Teri Kasam was one of the eight chosen films that were screened across 21 cities at the Bollywood Film Festival in Russia. The week-long event flagged off on 30 November.

    The film debuts Harshvardhan Rane and Mawra Hocane and is directed by Radhika Rao and Vinay Sapru. Rane was also invited for the film’s screening and was overwhelmed with the love and appreciation the movie received.

  • Eros Now gets 4-5 million subs from telcos & OEMs

    Eros Now gets 4-5 million subs from telcos & OEMs

    MUMBAI: Folks at Eros are popping bottles of champagne! Eros International’s OTT platform Eros Now has achieved two million paid subscribers worldwide through significant deals in place with all major telecom players in India such as Reliance Jio, Airtel, IDEA Cellular Network and Vodafone.

    Between the four platforms, there is a potential reach of 686 million subscribers which is almost 60 per cent of India’s total mobile user base of more than a billion. Jio has announced a user base of 52 million users in just a few months following their launch.

    “Our strategy remains to distribute Eros Now, a world class OTT platform, to consumers across telecoms and OEMs with compelling content and product features. We view the recent demonetization move in India as a great opportunity for the OTT business as more consumers are signing up for online and mobile pay systems. I am really excited about the exponential growth in front of Eros Now and am confident we will continue to consolidate our leadership position and first mover advantage,” said Eros Digital CEO Rishika Lulla Singh.

    These deals across 20 different telecom operators and OEMs alone provide visibility to a minimum of 4-5 million subscribers annually to Eros Now at an average annual ARPU of $4-5 in India and average annual ARPU of $35 internationally. Since these deals were agreed at various points in time in FY 2017, Eros Now will see the full year benefit of these deals flowing through in fiscal 2018. Most of these contracts are long term deals averaging five years.

    With a movie library of over 5,000 films and a further library of 5,000 films being added to this list, Eros Now plans to offer the widest repertoire of Indian movie content across any OTT platform in the world.

    In another development, Eros International’s Sanam Teri Kasam was one of the eight chosen films that were screened across 21 cities at the Bollywood Film Festival in Russia. The week-long event flagged off on 30 November.

    The film debuts Harshvardhan Rane and Mawra Hocane and is directed by Radhika Rao and Vinay Sapru. Rane was also invited for the film’s screening and was overwhelmed with the love and appreciation the movie received.

  • Reliance Jio may be fined for using PM’s pic in ad sans permission

    Reliance Jio may be fined for using PM’s pic in ad sans permission

    NEW DELHI: The Government has denied that it gave permission for publication of a full-page photograph of the prime minister Narendra Modi in advertisements in newspapers about Reliance Jio.

    Minister of state for information and broadcasting Rajyavardhan Rathore said: “No permission was granted by the Prime Minister’s Office.”

    Rathore told the Parliament that the Act, ‘The Emblems and Names (Prevention of Improper Use) Act, 1950’ is administered by the Consumer Affairs, Food & Public Distribution Ministry.

    He also said that the directorate of advertising and visual publicity (DAVP) of his ministry releases Government advertisements only and does not release advertisements of any private body.

    Reliance Jio may have to pay only Rs 500 as fine for using Modi’s picture in advertisement, without permission from the government. Newspapers reported that the minor penalty could be charged from Jio.

    Rathore, in a written reply, admitted that it was aware that Reliance Jio used the PM’s photographs in the advertisement. About the actions that can be taken against Jio, he replied that the (DAVP) unit was responsible for it is the Emblems and Names (prevention of improper use) Act 1950.

    Section-3 of the Act states that no person shall use any “specified” name or emblem for the purpose of any trade, business or any such activities without the “previous permission of the central government” or officers authorised by the government. The list of names and emblems that cannot be used without prior permission from the government includes the president of India, the PM, governor of a state, the government of India or any state, Mahatma Gandhi, Indira Gandhi, Jawaharlal Nehru, United Nations Organisation, Ashok Chakra or Dharma Chakra.

  • Reliance Jio may be fined for using PM’s pic in ad sans permission

    Reliance Jio may be fined for using PM’s pic in ad sans permission

    NEW DELHI: The Government has denied that it gave permission for publication of a full-page photograph of the prime minister Narendra Modi in advertisements in newspapers about Reliance Jio.

    Minister of state for information and broadcasting Rajyavardhan Rathore said: “No permission was granted by the Prime Minister’s Office.”

    Rathore told the Parliament that the Act, ‘The Emblems and Names (Prevention of Improper Use) Act, 1950’ is administered by the Consumer Affairs, Food & Public Distribution Ministry.

    He also said that the directorate of advertising and visual publicity (DAVP) of his ministry releases Government advertisements only and does not release advertisements of any private body.

    Reliance Jio may have to pay only Rs 500 as fine for using Modi’s picture in advertisement, without permission from the government. Newspapers reported that the minor penalty could be charged from Jio.

    Rathore, in a written reply, admitted that it was aware that Reliance Jio used the PM’s photographs in the advertisement. About the actions that can be taken against Jio, he replied that the (DAVP) unit was responsible for it is the Emblems and Names (prevention of improper use) Act 1950.

    Section-3 of the Act states that no person shall use any “specified” name or emblem for the purpose of any trade, business or any such activities without the “previous permission of the central government” or officers authorised by the government. The list of names and emblems that cannot be used without prior permission from the government includes the president of India, the PM, governor of a state, the government of India or any state, Mahatma Gandhi, Indira Gandhi, Jawaharlal Nehru, United Nations Organisation, Ashok Chakra or Dharma Chakra.

  • TRAI to examine whether 4G offer can ‘Jio’ till Mar ’17

    TRAI to examine whether 4G offer can ‘Jio’ till Mar ’17

    MUMBAI: In his attempt to arduously chase the 100-million subscriber base, Reliance Jio CMD Mukesh Ambani announced extension of free domestic voice calls and data till 31 March, 2017, having crossed 50 million in 83 days. The Telecom Regulatory Authority of India (TRAI), however, said it will examine Jio’s latest offer providing free 4G services for all till 31 March.

    Jio’s new offer, meanwhile, struck a blow at competing incumbent operators — Idea Cellular, Bharti Airtel, and Vodafone India. The latest offer hurt the rivals’ share price. Airtel was down 1.66% at Rs 319.10 on the Bombay Stock Exchange (BSE), and Idea Cellular and Reliance Communications, respectively, dropped around 6% and 5%. By contrast, RIL price was up 0.45%.

    Ambani, on Thursday, announced the continuation of freebies currently being offered for fourth-generation (4G) long-term evolution (LTE) data and voice services till March next year. TRAI had earlier allowed Reliance Jio to provide free service till the end of this year.

    About the validity of Jio’s offer, TRAI chairman R S Sharma said that they would look into it. Every tariff that was filed before the authority was examined. TRAI would give its response at an appropriate time, Sharma added. TRAI had earlier allowed the new operator to provide free services till the end of 2016 for subscribers who joined till 3 December.

    The Prime Minister’s Office (PMO) meantime stated that it did not formally allow use of the prime minister Narendra Modi’s picture in electronic and print advertisements of Reliance Jio.

    Meanwhile, lower penetration of broadband (7 per cent) may slow down the ‘Digital India’ drive, according to TRAI. Sharma suggested that a potential solution would be to use connections for cable TV for broadband delivery. TRAI has already made the recommendation to the government, he added. Digital India would have to ride on that infrastructure, and if India did not have robust infrastructure, it was not going to achieve the objective of knowledge economy, Sharma added.

    Also read:

    http://www.indiantelevision.com/iworld/telecom/jio-money-merchant-app-helps-transition-to-cashless-economy-161201

    http://www.indiantelevision.com/iworld/telecom/jio-extends-hny-free-data-offer-up-to-31-march-17-161201