Tag: regional GEC

  • Advertisement on regional channels grew by 13 per cent in 2019

    Advertisement on regional channels grew by 13 per cent in 2019

    MUMBAI: Regional channels are witnessing an astounding growth rate in recent times. In 2019, regional channels received 13 per cent more advertising compared to national channels. As per the recently-released FICCI-EY report 2019, regional channels saw 615 hours of advertisement per year whereas national channels witnessed 542 hours of advertisement during the same period. The ad volumes on regional channels grew by four per cent while national channels saw six per cent fall.

    Consumption of regional content grew across all media. It comprised over 50 per cent of television viewership, 44 per cent of films released in theatres, 43 per cent of newspaper circulation and around 30 per cent of OTT consumption.

    Ad volume share of regional GECs increased in most cases because of better content, formatted shows and new products that entered the market. In 2019, Bengali GECs' ad volume grew to four per cent from two per cent in 2018. The ad volume of Malayalam GEC also grew to three per cent in 2019 from two per cent in 2018.

    The New Tariff Order (NTO) implemented in February 2019 increased end-customer prices for television content, reduced the reach of certain genres of channels and resulted in a 6 per cent reduction in time spent watching television during the second half of calendar 2019. But it was a big gain for the regional channels as it benefited regional languages like Urdu, Punjabi, Bhojpuri, Marathi and Gujarati whose consumption increased over 20 per cent.

    Channel genres most positively impacted by the NTO included DTH home channels (+16 per cent), Bhojpuri movies (+60 per cent), Kannada movies (+58 per cent), Punjabi music (+33 per cent) and sports (+26 per cent).

    Hindi and Tamil, the two largest languages by viewership, saw a fall in their total minutes of viewing. In 2019, the Hindi language witnessed a fall of eight per cent in total minutes of viewing and Tamil saw a fall of 10 per cent. English and dubbed Hindi were amongst the most impacted with a fall of over 20 per cent in total minutes of viewing. But several regional languages like Punjabi witnessed a growth of 48 per cent in total minutes of viewing, Marathi’s total viewing minutes grew by 28 per cent, Bhojpuri saw a growth of 34 per cent while Gujarati gained 12 per cent in total minutes of viewing.

    According to the FICCI report, it is expected that the trend of consuming content in regional languages will keep growing over the next few years, particularly on digital media as growth in internet users continue to be led by non-metro audiences.

    The report also estimates that viewership of regional language channels will continue to grow and reach 55 per cent of total viewership in India as their content quality improves further.

    Even global media companies are investing in the Indian regional content through co-producing, distributing or marketing. The report says: “India’s many regional and local language markets offer exciting growth fundamentals for global and domestic media companies alike. However, to succeed in these regional markets, customisation is critical. Global media companies recognise this imperative and many are already producing their programming in multiple Indian languages to increase reach.”

    It further says, “Along with localising content, international streaming service providers are also exploring various pricing options for price-sensitive consumers. Foreign studios are collaborating with Indian companies to co-produce, distribute and market content geared to appeal to distinct Indian audiences. They are releasing trailers in a variety of languages, hiring Bollywood stars to dub local versions as well as to promote content on social media. We expect localisation and the focus on regional markets to be a significant priority for global media companies in the coming years.”

  • BARC week 11: Zee Biskope leads in Bhojpuri market

    BARC week 11: Zee Biskope leads in Bhojpuri market

    MUMBAI: In the regional space of week 11 of BARC India ratings, Zee Biskope grabbed the leading position in the Bhojpuri market. The channel jumped from third position to first. Zee's other regional channel Zee Punjab is also leading in the Punjabi market this week. But Zee Keralam slipped down to fifth position from third in the last week. In the Telugu market, Star Maa Movies replaced Gemini Movies in the fifth position. 

    In the Bangla market, Star Jalsha, Zee Bangla, Jalsha Movies, Sony Aath and Colors Bangla were the top five channels in week 11 of BARC India ratings.

    Bangla

     
    Rank Channel Name Weekly Impressions (000s) sum
        Week 11
    1 STAR Jalsha 330581
    2 Zee Bangla 310034
    3 Jalsha Movies 84765
    4 Sony Aath 62715
    5 Colors Bangla 58414
    WB (U+R): NCCS All : 2+ Individuals, 

    In the Bhojpuri market, Zee Biskope, Bhojpuri Cinema, Big Ganga, B4U Bhojpuri and Danbang were the top five channels in week 11 of BARC India ratings.  

     
    Bhojpuri 
     
    Rank Channel Name Weekly Impressions (000s) sum
        Week 11
    1 Zee Biskope 59519
    2 Bhojpuri Cinema 55413
    3 Big Ganga 45041
    4 B4U Bhojpuri 36158
    5 Dabangg 13068
    Bihar/Jharkhand (U+R) : NCCS All : 2+ Individuals, 

    In the Gujarati market, Colors Gujarati Cinema, Colors Gujarati, TV9 Gujarati, ABP Asmita and News18 Gujarati were the top five channels in week 11 of BARC India ratings.  

    Gujarati

    Rank Channel Name Weekly Impressions (000s) sum
        Week 11
    1 Colors Gujarati Cinema 35959
    2 Colors Gujarati 22019
    3 TV9 Gujarati 16698
    4 ABP Asmita 16635
    5 News18 Gujarati 11359
    Guj / D&D / DNH (U+R): NCCS All: 2+ Individuals, 

    In the Kannada market, Zee Kannada, Colors Kannada, Udaya TV, Star Suvarna,  and Udaya Movies were the top five channels in week 11 of BARC India ratings.  

    Kannada

     
    Rank Channel Name Weekly Impressions (000s) sum
        Week 11
    1 Zee Kannada 486689
    2 Colors Kannada 212792
    3 Udaya TV 209928
    4 Star Suvarna 206562
    5 Udaya Movies 165729
    Karnataka (U+R) : NCCS All : 2+ Individuals, 

    In the Malayalam market, Asianet, Mazhavil Manorama, Flowers TV, Surya TV, and Zee Keralam were the top five channels in week 11 of BARC India ratings    

     

    Malayalam
     
    Rank Channel Name Weekly Impressions (000s) sum
        Week 11
    1 Asianet 313311
    2 Mazhavil Manorama 88404
    3 Flowers TV 75020
    4 Surya TV 72994
    5 Zee Keralam 68051
    Kerala (U+R) : NCCS All : 2+ Individuals, 

    Zee Marathi, Colors Marathi, Star Parvah, Fakt Marathi and ZeeTalkies were the top Marathi channels in week 11 of BARC India ratings  
     

    Marathi
     
    Rank Channel Name Weekly Impressions (000s) sum
        Week 11
    1 Zee Marathi 242185
    2 Colors Marathi 179795
    3 STAR Pravah 172976
    4 Fakt Marathi 122941
    5 Zee Talkies 100769
    Mah/ Goa (U+R) : NCCS All : 2+ Individuals, 

    Zee Punjabi, PTC Punjabi, Pitaara TV,  Maha Punjabi and DD Punjabi were the top five channels in week 11 of BARC India ratings.  
     

    Punjabi
     
    Rank Channel Name Weekly Impressions (000s) sum
        Week 11
    1 Zee Punjabi 50386
    2 PTC Punjabi 50235
    3 Pitaara TV 47414
    4 Maha Punjabi 27817
    5 Manoranjan Movies 22193
    Pun / Cha (U+R): NCCS All: 2+ Individuals,

    Sun TV, Star Vijay, Zee Tamil, KTV and Star Vijay Super were the top five Tamil channels in week 11 of BARC India ratings  
     

    Tamil
     
    Rank Channel Name Weekly Impressions (000s) sum
        Week 11
    1 Sun TV 868544
    2 STAR Vijay 436306
    3 Zee Tamil 406964
    4 KTV 331956
    5 STAR Vijay Super 137411
    Tamil Nadu/ Puducherry (U+R) : NCCS All : 2+ Individuals, 
    Star Maa, Zee Telugu,  ETV Telugu, Gemini TV, and  Star Maa Movies were top five Telugu channels in week 11 of BARC India ratings  
     
    Telugu
     
    Rank Channel Name Weekly Impressions (000s) sum
        Week 11
    1 STAR Maa 659254
    2 ETV Telugu 446625
    3 Zee Telugu 442705
    4 Gemini TV 374737
    5 Star Maa Movies 201007
    AP/ Telangana (U+R) : NCCS All : 2+ Individuals, 
  • Regional GECs on an upward growth trajectory

    Regional GECs on an upward growth trajectory

    MUMBAI: In the last four to five years, the regional television market witnessed a significant growth in viewership. Even the ad spend in the regional market has grown by 20 to 25 per cent in 2019 with more and more brands aiming to reach specific audiences. So how has the ROI improved for the regional channels? National broadcasters are expanding their footprints and businesses in the regional market by investing more on regional content and even brands are focussing more on the regional channels to reach specific markets.

    Carat India executive VP Mayank Bhatnagar says, “The overall growth of regional channels is healthy and all the key regional channels have grown. In fact, some of them have witnessed a healthy growth in ad revenue. The overall ad spends this year (2019) on regional channels have increased by 20 to 25 per cent.”

    As per BARC data, over a period of four years, regional viewership has grown to 30 – 35 per cent for languages such as Marathi, Gujarati, Bhojpuri, Odiya and Assamese. South continued to grow at around 9 to 10 per cent on an average. Hindi grew at about 7 to 8 per cent.

    Viacom18 Regional TV Network head Ravish Kumar says, “Regional channels have always offered great value to their advertisers and prioritised innovation, fresh concepts and new talent while perfecting the art of great storytelling. With their rich repository of theatre, literature, culture and music, regional content is making waves across mediums, screens and languages. So, the ROI on regional channels continues to be as strong as ever earning it an outperform rating in today’s value-seeking markets.”

    He further says: “Brands today have understood the reach a regional channel can give them. In addition to regional brands seeing value in our offerings, national advertisers too are understanding the importance of regional markets. While FMCG, auto, handset manufacturers continue to invest, there are newly emerging sectors such as education and gaming which are ramping up their advertising spends.”

    Joel Multimedia founder-CEO Varghese Thomas, however, believes that all regional players are not breaking even as content acquisition is an expensive affair and it takes time to recover the cost incurred in a highly competitive market environment like today.

    Regional channels also help brands to get the reach within a lower budget. “If we want to do a small campaign, these regional channels will help to drive efficiency. Regional will continue to grow as it is more efficient and help us to build the reach at much lesser cost as compared to HSM,” says Bhatnagar.

    Other major reasons for the growth of regional content are enhanced data bandwidth, cheap tariff and increased smartphone penetration that has resulted in digital explosion and accelerated digital adoption by audience due to which they started consuming content across screens. This resulted in regionalisation of the content from both production and consumption perspectives.

    Omnicom Media Group India Investment & Enterprise national head Yatin Balyan says, “For a national broadcaster mainline Hindi GEC continues to drive maximum business. However, regional channels are contributing more towards business growth for the network. Networks try to increase volume share with Hindi GEC as well as grow the business on the back of regional channels. National broadcasters investing in regional content also have to create a content bank for their respective OTT platforms.”

    He also believes that regional channels have seen a gradual increase in business coming from regional or retail advertisers. He says, “There is a prominent shift in how regional channels are being considered from a campaign planning perspective. Campaigns for regional markets are being planned with far more focus as advertisers started considering all these markets as mini India within one Big India.”

    Thomas is of the view that regional retail advertisers used to be the largest contributors of advertising revenue for the regional channels. But post demonetisation, the ad spends by retail business is on a downward trend and it has been really challenging to balance the revenue. Some of the players have come up with non-FCT ideas to cope with the challenges and it's paying off to an extent.

    When broadcasters look at expanding their footprint and diversifying into non-core areas of business, regional markets emerge as an option to explore. Though most of the regions are already flooded with a bunch of players, broadcasters are exploring the possibility of adding another channel to their basket in order to be part of the regional success story. It is interesting to know that some of the recently-entered regional players are doing extremely well and they have already made their position in the top 5 channels and started contributing to the growth of the network.

    Thomas says, “It's challenging for broadcasters to approach these markets with an innovative programming strategy. So, at times, they do an adaptation of their successful shows from their national channels. They also have an option to dub some of their super hit shows in to the regional languages where they are present.”

    Balyan, however, believes that Hindi GEC still commands the maximum business share within a broadcaster networks and it would be incorrect to assume that Hindi GEC has come to a level of saturation. TV penetration in the Hindi hinterland, which is still not at 100 per cent, is primarily driven by Hindi GECs. I see scope of further growth in Hindi GEC business with increased scope of audience measurement.”

    According to Kumar, from a macro perspective, 2019 was a challenging year for the entire broadcast industry, including regional, due to the impact of the new tariff order as well as the weak advertising and investing climate. However, he believes things are settling down now, and hopefully, this year will see a lot more buoyancy coming back in.

    He says, “I believe that regional markets offer more opportunities than the challenges they present. Regional audiences have become increasingly aware and hence content that is being presented to them needs to be more relatable, rooted and relevant. There is a growing demand for disruptive content, both in fiction and non-fiction spaces. Viewers are looking for fresh content experiences and stories which have believable characters. This is a great opportunity for storytellers like us.”

    Regional channels contribute significantly towards the overall growth and this will only continue to increase.

  • BARC week 9: News18 Gujarati enters top five channels list

    BARC week 9: News18 Gujarati enters top five channels list

    MUMBAI: In week 9 of BARC India ratings, News18 Gujarati entered the top five channel list at fifth position. The channel replaced VTV News which was observed in the fifth position last week. No significant changes were observed in the pecking order of channels in the Tamil, Telugu, Kannada, Malayalam and Marathi markets.

    In the Bangla market, Star Jalsha, Zee Bangla, Jalsha Movies, Sony Aath and Colors Bangla were the top five channels in week 9 of BARC India ratings. 

    In the Bhojpuri market, Bhojpuri Cinema, Big Ganga, Zee Biskope, B4U Bhojpuri and Dabangg were the top five channels in week nine of BARC India ratings.

    In Gujarati market, Colors Gujarati Cinema, Colors Gujarati, ABP Asmita, TV9 Gujarati and News18 Gujarati were the top five channels in week nine of BARC India ratings. 

    In Kannada market, Zee Kannada, Star Suvarna, Colors Kannada, Udaya TV, and Udaya Movies were the top five channels and no changes were observed in the pecking order of channels in week nine of BARC India ratings.  

    In the Malayalam market, Asianet, Mazhavil Manorama, Flowers TV, Zee Keralam and Surya TV were the top five channels in week nine of BARC India ratings  

    Zee Marathi, Colors Marathi, Star Parvah, Fakt Marathi and Zee Talkies were the top Marathi channels in week nine of BARC India ratings  

    PTC Punjabi, Pitaara TV,  Zee Punjabi, Maha Punjabi and DD Punjabi were the top five channels in week nine of BARC India ratings.  

    Sun TV, Star Vijay, Zee Tamil, KTV and Star Vijay Super were the top five channels in week nine of BARC India ratings.

    Star Maa, Zee Telugu,  ETV Telugu, Gemini TV, and  Gemini Movies were top five Telugu channels in week nine of BARC India ratings.  

  • Colors Marathi to explore kids animation, crime and game show genres in 2020

    Colors Marathi to explore kids animation, crime and game show genres in 2020

    MUMBAI: The regional arm of Viacom18 contributes to 25 per cent of company's growth. It is no wonder then that one of its leading regional channels, Colors Marathi, has increased its market share from 20 per cent in 2018 to 30 per cent in February 2020, according to the channel. This year it aims to expand its programming hours by exploring genres like kids animation, crime and non-fiction format in games.

    Viacom18 regional entertainment head Ravish Kumar says, "In 2020, we will be expanding our hours of programming with more shows. We would like to get into genres which have not been tried in this market like kids animation, crime and within non-fiction we are already doing home-grown formats and international formats but we are also trying to consider formats which are new to the market. Game shows have been explored here but we are trying to do a game show which is different."

    He says, "We have very limited hours of programming; the channel has 15 hours of programming in a week, which is less than what Zee Marathi is offering. It is significantly lower than Star Parvah. We are running our primetime originals only from 7 pm to 9.30 pm. Despite having only five original shows three of our programmes are in the top five shows."

    Currently, the channel has three tentpole shows – Balu Mama, Jeev Zala Yeda Pisa and Raja Rani Chi Ga Jodi. He Man Baware, a romantic love story and Swamini, a historical story are the two other shows.

    "Our goal is to try and come up with something meaningful for that market. Our content has to be family-friendly, deeply engaging and it has resonated with the viewers. Typically we pick up shows which hit this entire bracket. They have to be relatable and rooted. Our struggle is always for good stories; there are outstanding stories out there but that might not be right for us," he opines. 

    Kumar also tells that the regional space contributes around 25 per cent and he wants the space to contribute 50 per cent to the company in future. Kannada, Marathi and Tamil are priority markets for Viacom18.

    He further says that advertisers are responding positively to this market because Marathi is growing in importance. "Marathi as a genre has grown much stronger and the quality of programming is amazing. We do Bigg Boss and we were the first in the country to ever take it regional. We started with Kannada, went to Bangla and now we are in Marathi as well. So, there is a lot of interest from advertisers."

    The total TV viewership in Maharashtra has come down slightly since 2018. In 2018 it was 4,475 GRPs which has now come down to 4,000 GRPs. Within that the share of Marathi language GRPs has gone up from 23 per cent to 30 per cent.

    The market witnessed many new entrants like Zee Yuva, Sony Marathi, Fakt Marathi and Shemaroo Marathi movie channel. "Between that and with the quality of content, viewership of Marathi is going up. Even if we look at the top five channels in the market, earlier it would always be Zee Marathi followed by a bunch of Hindi channels; now four out of the five top channels are Marathi channels. The share of Marathi viewership has gone up and the position of Marathi channels has improved slightly. With better content and more channels it is but natural that the share of Marathi will rise," he says. 

    Maharashtra has a rich history of folk and literature. Kumar says that the thrust for good content and nuanced storywriting is much higher in this market; it's less on drama and more on content. So, it's not special effects or high production value which can carry the shows but rather intelligent scripting. "It’s a great system of movie makers, writers, theatre and fabulous stories that have never been told," he concludes.

  • Women-centric shows well accepted in regional markets

    Women-centric shows well accepted in regional markets

    MUMBAI: It’s not only Hindi GECs that have moved ahead of family dramas, regional GECs have also started portraying female characters in strong and fresh story lines. The regional channels' women-centric shows is well accepted by the audience in the regional market. Due to the higher relatability factor the consumption of women-centric shows is also higher.

    Colors Tamil business head Anup Chandrasekharan says, “At Colors Tamil, we have always made a conscious effort to rise above regular kitchen dramas and family squabbles. Known for disruptive, differentiated, thought provoking and socially conscious content, our shows celebrate the inner strength of women as they tackle larger social evils. Championing the indomitable spirit of women from all walks of life, our all-women version of Who Wants To Be A Millionaire, Kodeeswari, established itself as a pathbreaking show which fulfilled its promise of giving wings to small dreams. With our shows namely Amman, Uyire, Oviya and Thirumanam it has always been our endeavour to present content that is innovative and reflective to our audience. With an interesting mix of fiction and non-fiction shows, we will continue to further strengthen our content offering thus catering to a larger purpose than just entertainment.”

    A Zee Telugu spokesperson says, “All stories on Zee Telugu are progressive and empowering, mostly about aspirational women. Every story, every protagonist inspires the viewer with her vision and zeal of achieving what she wants. Be it Varudhini Parinayam then, Muddha Mandaram recently and Kalyana Vaibhogam now, all are powerful stories of empowering women. Recently launched Prema Entha Madhuram & Trinayani are also stories of women who break social stereotypes to a mark for themselves in society.”

    The channel further adds, “All shows on Zee Telugu are women-centric and the stories are received exceptionally well in the regional market, especially because they are told for the woman and by a woman. The relatability factor is high and hence the consumption higher.”

    Zee Telugu shows a range of stories of women being underdogs to achievers, Saraswati from No.1 Kodalu is one such character. Similarly, every story is shouldered on strong and aspirational women which appeals to the regional audience, especially women.

    Colors Gujarati business head Darshil Bhatt says, “Today, women-centric shows both in fiction and non-fiction categories are doing extremely well across all regional markets. At COLORS Gujarati, shows like Mahek, Dikri, Lakshmi, Savaj, and now Abhlisha in the fiction category and Rasoi in the non-fiction, female protagonists are being showcased progressively leading to a higher recall value for all our female-centric shows. We want to further leverage our ideology of presenting stories that are not only entertaining but inspiring as well with our upcoming fiction shows, Kahu Chu Sambhalo Cho, Prem Ni Bhavai and Rashi Rikshawali."

    Shemaroo Entertainment Limited CEO Hiren Gada says that women-centric movies and shows have proven their worth on television and are well accepted by the Indian audience. Movies are a reflection of the society and have portrayed women in strong characters addressing social and cultural issues head-on at the same time entertaining the audiences through their work.

    Colors Bangla business head Rahul Chakravarti says, “Television has moved a long way from just being about regular family dramas. With strong and fresh storylines, Bengali serials have portrayed female characters fighting for their rights and pursuing their goals. At Colors Bangla, we mirror the cultural ethos and the progressive values of West Bengal through innovative and relevant content. With strong storylines, we ensure that all our female protagonists are being showcased progressively leading to a higher recall value for our shows.”

    Regional shows are efficiently addressing the issues related to women and women's day only gives them added power.

  • BARC week 7: Star Jalsha grabs leading position in Bangla market

    BARC week 7: Star Jalsha grabs leading position in Bangla market

    MUMBAI: In week 7 of BARC India ratings, Star Jalsha grabbed the leading position in the Bangla market with 333409 weekly impressions (000s).  Zee Bangla slipped down to the second position. Sony Aath entered the list at the fifth position by replacing Zee Bangla Cinema. In the Bhojpuri market, Bhojpuri Cinema regained its leading position. For the past two weeks Zee Biskope was seen at the first position but the channel slipped down to second this week. No significant changes were observed in Marathi, Kannada and Gujarati markets.  

    In Bangla market, Star Jalsha, Zee Bangla, Jalsha Movies, Colors Bangla and Sony Aath were the top five channels in week 07 of BARC India ratings.

    Bangla

    In Bhojpuri market, Bhojpuri Cinema,  Zee Biskope, Big Ganga, B4U Bhojpuri and Dabangg were the top five channels.

    Bhojpuri

    In Gujarati market, Colors Gujarati Cinema, Colors Gujarati, ABP Asmita, TV9 Gujarati and VTV News were the top five channels in week seven of BARC India ratings.
     
    Gujarati

    In Kannada market, Zee Kannada, Colors Kannada, Star Suvarna, Udaya TV, and Udaya Movies were the top five channels and no changes were observed in the pecking order of channels in week 07 of BARC India ratings.

    Kannada

    In Malayalam market, Asianet, Mazhavil Manorama, Flowers TV, Zee Keralam and Surya TV were the top five channels in week 07 of BARC India ratings.

    Malayalam

    Zee Marathi, Colors Marathi, Star Parvah, Fakt Marathi and Star Talkies were the top Marathi channels in week 07 of BARC India ratings.

    Marathi

    PTC Punjabi, Zee Punjabi, Pitaara TV, Maha Punjabi and DD Punjabi were the top five channels in week 07 of BARC India ratings.

    Punjabi

    Sun TV, Star Vijay, Zee Tamil, KTV and Star Vijay Super were the top five channels in week 07 of BARC India ratings.

    Tamil

    Star Maa, Zee Telugu,  ETV Telugu, Gemini TV, and  Gemini Movies were top five Telugu channels in week 07 of BARC India ratings.   

    Telugu

  • Zee Telugu to launch ‘Trinayani’ on 2 March

    Zee Telugu to launch ‘Trinayani’ on 2 March

    MUMBAI: Zee Telugu has strengthened its primetime offering with a new fantasy drama Trinayani. An impeccable fiction tale, Trinayani highlights the life of a seer, who can foresee the future and the past. Produced by Annapurna Studios, the epic one-of-its-kind fictional drama will go on-air starting 2 March and will be telecasted every monday to saturday at 8:30 pm only on Zee Telugu and Zee Telugu HD.

    Contrary to the trend across the industry, ‘Trinayani’ shifts the focus on a love story told against a truly unique and compelling canvas. A world catering to the curiosity of every viewer’s arbitrary beliefs of the supernatural.

    Superstar Mahesh Babu joined hands with Zee Telugu for a unique concept video that garnered numerous accolades from the fans of Prince and ardent viewers of the channel. The charming star shot with the Ashika Gopal Padukone along with the famed anchor Pradeep Machiraju.

    Set in the backdrop of fictional village Mukkantipuram, Trinayani promises to be a visual treat for viewers with outstanding VFX effects offering an authentic film-like experience. An aesthetically narrated saga delves into the life of a suave and ambitious business tycoon, Vishal Verma played by Chandu Gowda. The titular role of Trinayani is played by Ashika Gopal Padukone, a seer who takes the decision to live her life for the betterment of people by leveraging her celestial powers.

    Commenting about her role as Trinayani aka Ashika Gopal Padukone said, “I like to take up the character with different shades because they give me an opportunity to explore a different facet of my personality. I’m positive that the viewers will enjoy watching me as Trinayani.”

    Chandu Gowda, essaying the character of Vishal Varma, commented, “This genre is a completely a new territory for me, and I am more than excited to be part of this show. Have always wanted to be a part of the Telugu industry. Need all your blessings.”

    The gripping plot, theatrical characterization and intense performances make Trinayani an edge-of-seat thriller show. Once the story unfolds, it creates a sense of excitement as the viewers anticipate what new twist and revelation will change equations among the characters at every stage.

  • BARC week 6: Four Zee regional channels lead regional markets

    BARC week 6: Four Zee regional channels lead regional markets

    MUMBAI: In week six of BARC India ratings, Zee's four regional channels  Zee Bangla, Zee Biskope, Zee Marathi and Zee Kannada led in Bangla, Bhojpuri, Marathi and Kannada markets respectively. Zee Punjabi and Zee were seen holding second position in their respective market, whereas Zee Tamil holds third position in the Tamil market. 

    In Bangla market, Zee Bangla, Star Jalsha, Jalsha Movies, Zee Bangla Cinema and Colors Bangla were the top Bangla channels in week 06 of BARC India ratings. Last week Star Jalsha held the leading position in the Bangla market. This Colors Bangla also entered replacing Sun Bangla in the list.

    Bangla

    In Bhojpuri market, Zee Biskope, Bhojpuri Cinema, Big Ganga, B4U Bhojpuri and Dabangg were the top five Bhojpuri channels. No changes were observed in the pecking order of top five Bhojpuri channels in week 06 of BARC India ratings. 

    Bhojpuri

    In Gujarati market, Colors Gujarati Cinema, Colors Gujarati, ABP Asmita, TV9 Gujarati and VTV News were the top five Gujarati channels in week six of BARC India ratings. No changes were observed in the pecking order of top five Gujarati channels. 

    Gujarati

    +

    In Kannada market, Zee Kannada, Colors Kannada, Udaya TV, Star Suvarna, and Udaya Movies were the top five Kannada channels and no changes were observed in the pecking order of channels in week six of BARC India ratings.

    Kannada

    In Malayalam market, Asianet, Mazhavil Manorama, Flowers TV, Surya TV and Zee Keralam, were the top five channels in week six of BARC India ratings

    Malayalam

    Zee Marathi, Colors Marathi, Star Parvah, Fakt Marathi and Star Talkies were the top Marathi channels in week six of BARC India ratings 

    Marathi

    PTC Punjabi, Zee Punjabi, Pitaara TV, Maha Punjabi and DD Punjabi were the top five Punjabi channels in week six of BARC India ratings.

    Punjabi

    Sun TV, Star Vijay, Zee Tamil, KTV and Star Vijay Super were the top five channels in week six of BARC India ratings. This week Star Vijay Super replaced last week's new entrant Adithya Tv at fifth position. 

    Tamil

    Star Maa, Zee Telugu,  ETV Telugu, Gemini TV, and  Gemini Movies were top five Telugu channels in week six of BARC India ratings. This week Zee Telugu has moved up to second position and Gemini Movies has replaced Star Maa Movies in fifth position.

    Telugu

     

  • BARC week 50: No significant changes in regional space

    BARC week 50: No significant changes in regional space

    MUMBAI: Week 50 of BARC India ratings did not witness any significant changes in the regional space. The pecking order of the channels in Bangla, Kannada and Tamil space remained unchanged. In Bhojpuri space, Big Ganga grabbed second position. Last week B4U Bhojpuri was seen at the second position.

    Zee Bangla, Star Jalsha, Jalsha Movies, Colors Bangla and Sony Aath were the top five Bangla channels in week 50 of BARC India ratings.

    Bangla

    Rank Channel Name Weekly Impressions (000s) sum
        Week 50
    1 Zee Bangla 334240
    2 STAR Jalsha 288583
    3 Jalsha Movies 61167
    4 Colors Bangla 53398
    5 Zee Bangla Cinema 48546
    WB (U+R): NCCS All : 2+ Individuals

    Bhojpuri Cinema, Big Ganga, B4U Bhojpuri, Dabangg and Bhojpuri Dhamaka DISHUM were the top five Bhojpuri channels.   

    Bhojpuri

    Rank Channel Name Weekly Impressions (000s) sum
        Week 50
    1 Bhojpuri Cinema 43095
    2 Big Ganga 42383
    3 B4U Bhojpuri 37243
    4 Dabangg 15159
    5 Bhojpuri Dhamaka DISHUM 10490
    Bihar/Jharkhand (U+R) : NCCS All : 2+ Individuals

    The pecking order of top five Gujarati channels were Colors Gujarati Cinema, Colors Gujarati, ABP Asmita, TV9 Gujarati VTV News at first, second, third, fourth and fifth positions.

    Gujarati

    Rank Channel Name Weekly Impressions (000s) sum
        Week 50
    1 Colors Gujarati Cinema 26144
    2 Colors Gujarati 24096
    3 ABP Asmita 11712
    4 TV9 Gujarati 10650
    5 VTV News 7354
    Guj / D&D / DNH (U+R): NCCS All: 2+ Individuals
    Zee Kannada, Colors Kannada, Udaya TV, Star Suvarna,and Udaya Movies were the top five Kannada channels.   

    Kannada

    Rank Channel Name Weekly Impressions (000s) sum
        Week 50
    1 Zee Kannada 485451
    2 Colors Kannada 303436
    3 Udaya TV 206721
    4 Star Suvarna 190486
    5 Udaya Movies 134127
    Karnataka (U+R) : NCCS All : 2+ Individuals
    Asianet, Mazhavil Manorama, Flowers TV, Surya TV and  Zee Keralam, was the pecking order in week 50 of BARC India ratings.

    Malayalam

    Rank Channel Name Weekly Impressions (000s) sum
        Week 50
    1 Asianet 297132
    2 Mazhavil Manorama 89322
    3 Flowers TV 88499
    4 Surya TV 67802
    5 Zee Keralam 66544
    Kerala (U+R) : NCCS All : 2+ Individuals

    Zee Marathi, Colors Marathi, STAR Pravah, Fakt Marathi and Zee Talkies  were the top five Marathi channels.

    Marathi

    Rank Channel Name Weekly Impressions (000s) sum
        Week 50
    1 Zee Marathi 304906
    2 Colors Marathi 197417
    3 STAR Pravah 153739
    4 Fakt Marathi 131846
    5 Zee Talkies 106180
    Mah/ Goa (U+R) : NCCS All : 2+ Individuals

    In Tamil space  Sun TV, Zee Tamil, STAR Vijay, KTV and STAR Vijay Super were the top five channels.

    Tamil

    Rank Channel Name Weekly Impressions (000s) sum
        Week 50
    1 Sun TV 880685
    2 Zee Tamil 443187
    3 STAR Vijay 407634
    4 KTV 273328
    5 STAR Vijay Super 120944
    Tamil Nadu/ Puducherry (U+R) : NCCS All : 2+ Individuals

    In BARC India ratings week 50 STAR Maa, ETV Telugu, Zee Telugu, Gemini TV and STAR Maa Movies were the top five Telugu channels.

    Telegu

    Rank Channel Name Weekly Impressions (000s) sum
        Week 50
    1 STAR Maa 683563
    2 ETV Telugu 441170
    3 Gemini TV 409446
    4 Zee Telugu 389030
    5 Star Maa Movies 195376
    AP/ Telangana (U+R) : NCCS All : 2+ Individuals,