Tag: regional content

  • Vidunit & Duolingo’s ‘Vaati Coming’ smashes records with 150 million views

    Vidunit & Duolingo’s ‘Vaati Coming’ smashes records with 150 million views

    MUMBAI: When pop culture meets purpose, the internet takes notice. Vidunit just pulled off a marketing coup with Duolingo’s Tamil language launch campaign, “Vaati Coming”. In just four days, the campaign clocked 150 million views, skyrocketing app downloads and proving that hyper-localised content is the future of influencer marketing.

    Forget generic ads—Vidunit went all in. The campaign roped in 150 influencers across long- and short-format content, from daily vlogs and web series to fitness hacks, gaming marathons, cooking demos, and comedy sketches. The goal? Make learning Tamil as exciting as Pongal celebrations. And speaking of Pongal, the campaign was timed perfectly with the festival, injecting an authentic, festive vibe that made the message stick.

    Vidunit didn’t just pick creators at random. It used data-driven insights to onboard high-engagement influencers, ensuring content would go viral. The campaign’s success wasn’t just about numbers; it was about relevance. The strategy involved repurposing influencer videos into Instagram reels, Youtube stories, and community posts, giving the campaign an extended lifespan.

    The results? Over 20 creators hit one million views within 24 hours, proving that hyper-local, culturally rich storytelling resonates stronger than generic advertising.

    Duolingo India regional marketing director, Karandeep Singh Kapany praised the campaign’s ability to break barriers, “Duolingo has always believed in making language learning accessible and fun, and the Tamil launch campaign embodies that vision perfectly. Vidunit’s innovative approach ensured the campaign resonated with Tamil-speaking audiences and created an emotional connection through relatable and authentic content.”

    Vidunit founder & CEO Sourabh Kumar highlighted the power of pop culture in marketing, “At Vidunit, we take pride in our expertise in multi-language campaigns, and ‘Vaati Coming’ is a testament to our team’s dedication and precision. Our strong relationships with creators, deep understanding of Tamil content trends, and data-driven strategy helped us execute this massive campaign, boosting Duolingo’s reach while celebrating the essence of Tamil culture.”

    Vidunit and Duolingo just rewrote the rulebook on influencer marketing. If this campaign is any indication, the future of marketing is hyper-local, highly engaging, and irresistibly fun.

    Watch the campaign film here: 

  • Vipin Unni joins OTT platform Aha as chief marketing officer

    Vipin Unni joins OTT platform Aha as chief marketing officer

    Mumbai: In a strategic move to enhance its market footprint, Aha, the popular regional OTT platform, has appointed Vipin Unni as its chief marketing officer (CMO). Unni’s appointment comes as Aha seeks to elevate its brand positioning and tap into a larger audience base in an increasingly competitive streaming industry.

    Unni, renowned for his expertise in leading marketing strategies at Airtel, Reliance, and Star TV, brings a strong track record in digital marketing and brand expansion to Aha. He has spearheaded initiatives that seamlessly integrate innovative marketing approaches with profound consumer insights. Previously, Unni held pivotal leadership positions, refining his ability to thrive in the fast-paced digital environment.

    The appointment is timely as competition among streaming platforms intensifies, with companies vying for the attention of regional audiences who increasingly prefer local language content. Unni’s leadership could propel Aha to expand its subscription base and fortify its brand presence across South India and beyond.

    The OTT platform has been focusing on high-quality original content, and Unni’s marketing acumen will be crucial in positioning these offerings effectively.

  • “Innovation plays a key role in our brand strategy:” Pocket FM’s Vineet Singh

    “Innovation plays a key role in our brand strategy:” Pocket FM’s Vineet Singh

    Mumbai: Netizens today crave personalised, immersive content that fits seamlessly into their busy lives. As digital entertainment evolves, audiences increasingly seek deeper engagement with stories that resonate on a personal and cultural level. With countless platforms vying for attention, it’s no longer enough to simply offer content; brands must deliver unique experiences that captivate and foster loyalty.

    That’s where Pocket FM steps in, transforming the audio landscape with its fresh take on storytelling. Since its launch in 2018, Pocket FM has ignited a new way of consuming content, turning casual listening into a binge-worthy experience. With over 200 million listeners and a vast library of immersive audio series, it’s not just redefining entertainment—it’s creating a global community of engaged listeners who spend hours each day tuned in.

    Delving deeper, Indiantelevision.com’s Arth Chakraborty caught up with Pocket FM’s head of brand marketing and communications, Vineet Singh, to discuss the brand’s approach to standing out in a competitive market, its focus on regional content, and the role of user-generated content in building a loyal community, and more…

    Edited Excerpts:

    On the key challenges you face in building Pocket FM’s brand, and ways in which you address them

    Building Pocket FM’s brand in a cluttered market certainly comes with its challenges. One of the biggest hurdles is the intense competition among numerous audio content platforms, making it tough to stand out. With so many options available, establishing a unique brand identity that resonates with listeners is crucial.

    To tackle this, we’ve focused on positioning Pocket FM as the go-to platform for audio series. By honing in on this niche, we differentiate ourselves. This clear focus helps us create a more recognizable brand and fosters loyalty among our users.

    Another challenge is creating a distinct niche within the broader entertainment landscape. We’ve embraced the growing demand for regional content, which allows us to connect deeply with diverse audiences across India. By prioritising vernacular storytelling, we not only engage listeners but also support local talent, enriching our brand’s cultural relevance.

    In summary, while the cluttered market presents its challenges, we’re committed to refining our brand strategy, focusing on unique content offerings, and building a strong connection with our audience. This approach positions Pocket FM for continued success as a leader in the audio series space.

    On Pocket FM adapting its brand marketing strategy to differentiate itself in the competitive audio entertainment market and addressing changing audience preferences

    To differentiate ourselves in the competitive entertainment market, Pocket FM has focused on understanding our audience’s unique preferences and behaviours.

    We take a hyper-localised approach, tailoring our brand content to reflect the diverse cultures and interests of our listeners. This strategy not only boosts engagement but also fosters a strong sense of loyalty among our users. By connecting with them culturally and contextually, we ensure our content resonates on a personal level.

    Innovation plays a key role in our brand strategy. For example, our interactive storytelling formats don’t just engage listeners; they immerse them in the experience. This helps us create a distinct identity in the market and deepens the emotional bond with our audience.

    Looking ahead, we’re committed to staying agile and exploring new formats and technologies to enhance engagement. By remaining adaptable and audience-centric, Pocket FM aims to strengthen its leadership in the entertainment space.

    On Pocket FM leveraging user-generated content in its marketing strategy and the role it plays in building community and engagement for Pocket FM

    At Pocket FM, user-generated content (UGC) is central to our marketing strategy and community engagement. By tapping into the creativity of our listeners, we amplify our brand reach and foster a sense of ownership within our community.

    UGC helps us in several ways:

    ● Fostering authentic connections: When listeners share their experiences or favourite shows, it creates genuine word-of-mouth marketing. This authenticity builds trust, as potential users see real interactions with our content.

    ●   Expanding reach and visibility: User-shared content on social media broadens our reach organically. It taps into existing networks, increasing our visibility and serving as social proof that encourages new users to explore our platform.

    ●   Building a sense of community: UGC strengthens connections among our listeners. When users share reviews, opinions, or fan art, it sparks conversations and builds micro-communities within our larger audience, fostering loyalty and a shared culture.

    ●   Enhancing personalisation and feedback loops: User reviews and feedback help us tailor our content and marketing strategies. By understanding what resonates with our audience, we refine both our offerings and how we promote them

    In summary, UGC not only amplifies our marketing efforts but also plays a key role in building a vibrant, engaged community at Pocket FM. By empowering our listeners to share their stories, we create a powerful connection that drives our success.

    On Pocket FM measuring ROI for marketing campaigns, and the key metrics; and a recent example of a campaign with significant ROI

    At Pocket FM, we measure the ROI of our marketing campaigns by focusing on a mix of performance and audience-centric metrics. While user acquisition is important, we believe true success lies in the depth of engagement and long-term retention.

    We closely monitor how our campaigns resonate with our community and contribute to sustained engagement. Retention rates, in particular, give us a clear picture of how well we’re building lasting relationships with our audience.

    Additionally, we prioritise understanding audience behaviour—from their first interaction to ongoing loyalty. This holistic approach helps us refine our strategies, ensuring our marketing efforts drive sustainable growth.

    On Pocket FM keeping its brand messaging consistent across platforms and the strategies that you use to boost listener engagement and loyalty

    At Pocket FM, ensuring a unified and consistent brand message across all platforms is a top priority to deliver a seamless listener experience. While we maintain a consistent tone and voice that reflects our brand identity, we adapt our communication to the unique dynamics of each channel. On social media, for example, we embrace a more casual and visually engaging approach to connect quickly with users, whereas on our app, we focus on deeper storytelling and analysis, offering a richer, more immersive experience.

    On the upcoming trends in marketing that you’re excited about, and your plan to integrate them into Pocket FM’s strategy

    Several emerging trends in marketing excite us, and we see great potential to integrate them into Pocket FM’s strategy for driving growth and engagement. To call out a few –

    ● AI-driven personalisation: Personalisation has become essential. With advancements in AI and machine learning, we can dive deeper into user behaviour and preferences. By leveraging AI, we plan to enhance our content across platforms with tailored experiences that align with user interests, delivering hyper-personalised content that keeps our audience engaged.

    ●   We’re particularly excited about immersive audio technologies, like spatial audio, which can elevate brand communication. This technology creates a

    multi-dimensional sound experience that places listeners at the heart of the narrative, making their listening experience more engaging.

    ●   Direct-to-fan platforms: These platforms represent an exciting opportunity for more personalised audience engagement. They allow us to connect directly with our listeners, fostering deeper relationships and gaining real-time insights into their preferences. We’re exploring how to experiment with these platforms to strengthen our bonds with our audience and create tailored experiences that resonate on an individual level.

    Overall, we’re eager to embrace these trends and integrate them into our strategy to enhance listener engagement and loyalty at Pocket FM.

  • Sony LIV to premiere ‘Chhalle Mundiyan’ on 23 September

    Sony LIV to premiere ‘Chhalle Mundiyan’ on 23 September

    Mumbai: Sony LIV has announced the exclusive premiere of “Chhalle Mundiyan” on Sony LIV on 23 September. The direct-to-OTT rom-com film is directed by Sunil Puri and will release as part of Sony LIV’s efforts to enhance its regional content library.

    “Chhalle Mundiyan” stars Ammy Virk, Mandy Thakar, and also features Kulwinder Billa, Karamjit Anmol, Soniya Kaur, BN Sharma, Banninder Bunny, and Nisha Bano in prominent roles. The film is directed by debutante Sunil Puri and produced by Guramritpal Singh and Gurjitpal Singh.

    Commenting on the movie, actor Ammy Virk said, “The drama of confusion, chaos, hope and love will be relatable for the audience. Pammi’s character is strong with many layers attached to it, making it an interesting watch. I’m glad I was able to be a part of it and work with such an amazing crew. I’m looking forward to its release on SonyLIV on 23 September.”

    Set against the backdrop of Punjab, “Chhalle Mundiyan” traces the life of Jassi (Mandy Thakar) and foreign returned Pammi (Ammy Virk) with a Caucasian woman and a child of his friend.

    Actor Mandy Thakar added, “This is my first OTT original, and I am super excited to be part of it. OTT as a format gives wide reach and opportunity for actors as well as the content. The film “Chhalle Mundiyan” undoubtedly is a family entertainer and a quirky watch. I hope the viewers will love the romantic comedy of errors wholeheartedly and continue showering their love and support to us.”

  • aha announces “Highway” starring Anand Devarakonda & Abhishek Banerjee

    aha announces “Highway” starring Anand Devarakonda & Abhishek Banerjee

    Mumbai: The local entertainment platform, aha, has announced ‘Highway’, a psychological thriller starring Anand Devarakonda and Abhishek Banerjee in a never-before-seen avatar. 

    Directed and written by K.V. Guhan, and produced by Venkat Talari, the film will hit aha screens very soon. aha, has launched the poster of the original movie on 6 August.

    “Highway” is a psychological thriller about a photographer Vishnu (Anand Devarakonda), falling in love with Tulasi (Manasa), who was sheltered all her life. When everything is going great, his life turns upside down when a serial killer named D kidnaps his lady love. Will the hero be able to save her in time? 

    aha has a solid vision to bring audiences engaging content, and recently aha original ‘Color Photo’ also won the Best Regional Award – Telugu at 68th National Awards. With another original titled ‘Highway’ coming soon, aha again is set to showcase the commitment to audiences by providing 100 percent local entertainment.

  • Josh Talks appoints Darpan Sah as vice president–YouTube

    Josh Talks appoints Darpan Sah as vice president–YouTube

    MUMBAI: Regional content and upskilling platform, Josh Talks has appointed Darpan Sah as vice president–YouTube. In this role, he will be leading the expansion of Josh Talks’ content channels on YouTube, which are already present in 10 regional languages and three categories.

    In a career spanning over a decade, Sah has worked with various corporate brands across the industries. Before joining Josh Talks, he served as the chief sub-editor at new-age Hindi digital news brand, The Lallantop where he played an instrumental role to scale their subscriber base from one million to 20 million. He was recently awarded at the ENBA Awards 2021 for two shows that he produced at The Lallantop – Ek Naya Paisa and Kharcha Pani.

    On the appointment, Josh Talks CEO & co-founder Supriya Paul said, “Majority of our viewers come from Tier 2+ cities and have different content preferences. Our team closely monitors these needs, identifies gaps, and creates videos that then get 85 million+ views every month. Our goal for the next few months is to double down on this distribution by expanding into more regional languages, going hyper-local, and creating compelling content that seamlessly blends inspiration and information. I’m confident that with Darpan’s in-depth understanding and with his expertise in scaling video-first content, we will scale Josh Talks’ network of channels to new heights!”

    Darpan Sah said, “It has been incredible to follow Josh Talks’ journey and witness them build one of the largest regional content platforms in India. I am excited to join their team and look forward to leading their content expansion plans as they go deeper into every district and dialect of India. As part of this strategy, we will be launching a slew of new channels in the districts of Bihar and Josh Bhojpuri in the next quarter.”

    As a writer, Sah has created numerous pieces covering gender equality, the rights of women and the LGBTQ+ community, and other pertinent issues that form the bedrock of the Indian community. In 2016, he published his first book “Luka Jhanki”, an anthology of Hindi poems, and is currently working on his second book, which is a collection of short stories.

    With a subscriber base of over 16 million, Josh Talks has recorded more than 2 billion total views across its channels. In FY 2021-22, their revenue from YouTube has grown by 118 per cent on a year-over-year basis with Hindi, English, and Marathi, being a few of their top-performing channels, the company said in a statement.

  • We’ve renewed most shows for next seasons: SonyLIV’s Ashish Golwalkar

    We’ve renewed most shows for next seasons: SonyLIV’s Ashish Golwalkar

    Mumbai: SonyLIV is planning a strong content slate for 2022 with the returning seasons of its popular franchises such as “Undekhi,” “Scam,” “Maharani,” “Gullak,” “Rocket Boys,” “Avrodh” and more. The OTT streaming service is also planning to release new series helmed by filmmakers Vikas Bahl, Imtiaz Ali and Subhash Kapoor.

    “This financial year is looking very exciting for us and we’re planning a strong content slate from the beginning of March this year to the end of March next year,” said Sony Pictures Networks India head content – Sony Entertainment Television and digital business Ashish Golwalkar. “Most of our shows have, fortunately, done well for us so they’re coming back for a second season. Some of them are genre defining shows such as ‘Scam’ and ‘Rocket Boys’. We’ve also renewed all our shows with Applause Entertainment including ‘Scam’, ‘Your Honor’, ‘Undekhi’ and ‘Avrodh’. All the shows that TVF have done for us are also returning including ‘Gullak’, ‘College Romance’, ‘Cubicle’, ‘Shantit Kranti’, ‘Girls Hostel’. So, we’ve renewed most of our shows for subsequent seasons.” 

    According to Golwalkar, the platform looks at 30-day viewership metrics, social media chatter and other indicators to take the call to renew a show for a new season. The video-on-demand platform’s latest show “Undekhi” was recommissioned almost immediately after the pandemic and will begin streaming on 4 March. Many of the shows that were launched in 2020 are looking at a delayed release due to the disruption of the pandemic.

    “’Undekhi’ was one our first shows that we dropped and the subscriber base then and the subscriber base today have a huge difference,” observed Golwalkar. “While I don’t think we are trend setters in any way, I can say that we’re very committed to our content lens and create shows that are engaging, slightly cerebral and very native in their appeal. We are also committed to our mission of telling stories of India.” By no means are we trend setters in any way. All I can say is that we are very committed to our content lens. We create shows that are engaging, slightly cerebral and very native. We are committed to our mission of telling stories of India.  

    On the regional piece, Golkwalkar said, “’Shantit Kranti’ season one did very well for us and you can expect a season 2. This year you’ll see at least five to six very good Marathi shows from us coming on SonyLIV.” 

    The platform is also strengthening its regional content library by acquiring popular South language films. “Increasingly the way people consume content is changing and they’re becoming language agnostic. And we believe that there is a lot of scope to explore content within the regional languages of India,” he added.  

    Its highly anticipated “Scam 2003: The Curious Case of Abdul Kareen Telgi” is also expected to release on the platform this year. “We’ve almost finished the writing and we’ll begin shooting by the end of March,” said Applause Entertainment head of content Deepak Segal. “The only detail we can share is that Scam 2003 is not a continuation of season one but is a completely new story,” revealed Golwalkar.

    “We look for longevity in our shows where we know that something like ‘Rocket Boys’ will be relevant even 50 years from now,” said Golwalkar.

  • All set to create franchises for multiple seasons in 2022: MX Player’s Gautam Talwar

    All set to create franchises for multiple seasons in 2022: MX Player’s Gautam Talwar

    Mumbai: MX Player has had a strong start to 2022 with two of its shows “Campus Diaries” and “Bhaukaal 2” crossing 100 million views metric in a short period of time. The platform is all set to release its third MX Original for the year “Raktanchal 2” and expects the show to perform equally well, with a third season already under production.

    “2021 was a fantastic year for us as we got many back-to-back hits,” says MX Player chief content officer Gautam Talwar. “The next big thing for the OTT is to create franchises for multiple seasons and we’re going to create some serious franchises this year.”

    Talwar reveals that MX Originals including “Ek Thi Begum,” “Indori Ishq,” “Matsya Kaand,” “Raktanchal” and “Aashram” all have crossed the 100 million views mark and most are in development for multiple seasons. “Aashram” and “Raktanchal” are in development for a third season.

    “The exciting part was how quickly its new shows ‘Campus Diaries’ and ‘Matsya Kaand’ crossed the 100 million mark,” says Talwar. “The time it took for these shows to reach 100 million views was uncomprehendingly fast. ‘Campus Diaries’ achieved those numbers in less than three weeks while ‘Matsya Kaand’ got there in less than four.”

    The platform has found success in the regional OTT piece that several video-on-demand platforms have found difficult to crack. Two of its regional shows “Queen” in Tamil and “Samantar” in Marathi have also achieved 100 million views.

    “‘Queen’ and ‘Samantar’ have crossed those milestones but by attracting audiences in multiple languages, say in Marathi plus Hindi or Tamil plus Hindi. We’re doubling down on these two languages – Tamil and Marathi – since we’ve seen some success and you’ll see a couple of good Marathi shows coming out this year,” says Talwar. The platform has also dubbed “Matsya Kaand” in Punjabi.

    On using the 100 million views metric to evaluate its shows, Talwar says, “In the case of YouTube if the videos garner four million views, then people call it a big hit. But, our shows are much longer so we don’t count 30 seconds of watch time as a view. If YouTube is the biggest video platform available to consumers, then we’re probably the second to have that kind of reach and distribution. Of course, a big advantage for us is distribution and low barrier for entry but if you don’t put out the right piece of content then it won’t work well.”

    According to Talwar, the consumers have also given a thumbs up to the content on the platform. “Nobody will give me the go-ahead to make a second season for a show if season one has not worked well. The fact that we’ve commissioned multiple new seasons of most of our shows (Samantar, Ek Thi Begum, Matsya Kaand, Campus Diaries, Bhaukaal, Raktanchal, Aashram) means that the consumer is coming back to watch it,” he adds.

    Like most OTT platforms MX Player is increasing its content investments for 2022 and is filling the production pipeline of shows until 2024. “There’s no doubt in our mind that the consumer chases good shows and the increasing competition means that we’re definitely doubling down on our investments,” he sums up.

  • Planet Marathi launches anthem song featuring Marathi film & TV celebs

    Planet Marathi launches anthem song featuring Marathi film & TV celebs

    Mumbai: Planet Marathi, the first-ever Marathi OTT platform for exclusive regional content, has released an anthem saluting the pride of the Marathi language.

    The song features prominent names from the Marathi film and television fraternity, namely, Sharad Kelkar, Amruta Khanvilkar, Sonalee Kulkarni, Tejaswini Pandit among many others.

    Directed by Pushkar Shrotri, the song is penned by lyricist Sameer Samant and composed by Kaushal Inamdar. Mithilesh Patankar and Amit Padhye have arranged the musical treat. Swapnil Bandodkar, Adarsh Shinde, Yogita Godbole, and Vaishali Made have crooned it, with backing from Suzanne D’mello and Leon D’souza.

    Actor Sharad Kelkar shared his thoughts on being a part of this anthem and said, “Today Marathi industry is looked upon as a regional entertainment industry, whereas we are more than the language. We are part of a legacy that is centuries old. The planet Marathi anthem truly honors that legacy and so does this platform.”

    Amruta Khanvilkar commented, “Being a part of Planet Marathi Anthem was like being a part of Marathi history, culture, pride, and its heritage. It was an amazing experience to be sharing the screen with almost every Marathi superstar. Planet Marathi has taken a bold and revolutionary step towards strengthening the industry and binding us together. This song signifies the spirit of togetherness. Also talking about Akshay who comes with a strong vision and I trust with what he steps into.”

    Tejaswani Pandit said, “It is so exciting to be a part of this movement that Planet Marathi OTT has started. The movement of digital transformation in Marathi entertainment is marked by this anthem that speaks about the unified force that the Marathi entertainment industry is. I am so overwhelmed to be a part of this one big family that is steering the industry towards a better future.”

    Planet Marathi head & CMD Akshay Bardapurkar said, “Planet Marathi has always been on an endeavour to raise the bar for Marathi language, entertainment, art and talent. With the launch of our Planet Marathi OTT platform, we have redefined Marathi entertainment for the world. The new wave in Marathi has already begun, it is only right to coronate this landmark moment with an anthem that invokes the same pride in every Maharashtrian heart. I am grateful that every prominent face of the Marathi entertainment industry has proactively joined this movement. This industry has time and again demonstrated that we are one big family that steers the industry towards a glorious future. This anthem will surely inspire the audiences with the same comradery.”

    Planet Marathi OTT, powered by Vistas Media Capital, was launched with the release of first-ever Marathi TVOD film “June” on 30 June.

  • SonyLIV on-boards Dr G Dhananjayan as head of Tamil content

    KOLKATA: Sony Pictures Networks India (SPN) on Friday appointed Dr G Dhananjayan as head – Tamil Content, Digital Business for its streaming service, SonyLIV.

    In his new role, Dhananjayan will spearhead the launch of Tamil content initiatives to drive the platform’s expansion plans for users who prefer consuming content in the language in India & international markets. Prior to this, he was associated with the Blue Ocean Film and Television Academy.  

    With a career spanning over 25 years in management, Dr.G Dhananjayan has held key leadership positions in film production houses, marketing and distribution divisions across Tamil, Malayalam, and Hindi languages.

    His previous stints span across leading conglomerates such as Kansai-Nerolac Paints, Saregama-HMV, Airtel, Vodafone, Moser Baer Entertainment, and Disney-UTV. Dr. Dhananjayan has multiple accolades to his credit, including a Ph.D. doctorate in the film business and the title of a National Award-winning author, twice for his exemplary work on Cinema.  

    “I am elated to join the leadership team at SonyLIV. Being a part of the premium platform’s journey in bringing breakthrough stories that engage, entertain and stand out from the clutter in the Tamil market is exciting,” Dhananjayan commented.

    At SonyLIV, he will be responsible for curating and strengthening the Tamil content catalogue. Dhananjayan’s rich experience makes him ideal to oversee the growth plans of SonyLIV in the Tamil region, said the company.

    “We are pleased to have Dr. G. Dhananjayan on board to oversee SonyLIV’s Tamil market expansion. With his versatile experience in the domain and an impressive passion to drive authentic and localized stories, we aim to strengthen our portfolio in the Tamil market,” SET and Digital Business content head Ashish Golwalkar said.