Tag: Ready

  • Ajay Kapoor’s experience will benefit our film venture: Wadhawan Group

    Ajay Kapoor’s experience will benefit our film venture: Wadhawan Group

    MUMBAI: The Rajesh Wadhawan Group, with interest in finance, real estate, hospitality, and sports, is now entering Bollywood with their foray into film production. The Kapil Wadhawan and Dheeraj Wadhawan-led group’s new venture will take shape under the able leadership of T- series’ former director Ajay Kapoor.

    Rajesh Wadhawan Group vice chairman Dheeraj Wadhawan said, “His wealth of experience and the body of work till date makes him a major force to reckon with in the industry. We hope Ajay’s vision and leadership skills will create strong foundation for our production house.”

    Starting a new chapter of his career, Kapoor felt it was time he took up new challenges. “Over the years, T-Series has given me a lot of love, strength and recognition in the market. It was time I took the experience I have gained and make use of it for exploring newer and bigger opportunities. I share the vision of this group’s foray into film production business and hope to make a difference together as envisioned.”

    At T-Series, Ajay was famous for having produced box-office hits like Ready, Tum Bin, Bhool Bhulaiya, Roy, Bhootnath Returns, Baby, Airlift and Hate Story among other. He worked with T Series Group for over 15 years.

  • Ajay Kapoor’s experience will benefit our film venture: Wadhawan Group

    Ajay Kapoor’s experience will benefit our film venture: Wadhawan Group

    MUMBAI: The Rajesh Wadhawan Group, with interest in finance, real estate, hospitality, and sports, is now entering Bollywood with their foray into film production. The Kapil Wadhawan and Dheeraj Wadhawan-led group’s new venture will take shape under the able leadership of T- series’ former director Ajay Kapoor.

    Rajesh Wadhawan Group vice chairman Dheeraj Wadhawan said, “His wealth of experience and the body of work till date makes him a major force to reckon with in the industry. We hope Ajay’s vision and leadership skills will create strong foundation for our production house.”

    Starting a new chapter of his career, Kapoor felt it was time he took up new challenges. “Over the years, T-Series has given me a lot of love, strength and recognition in the market. It was time I took the experience I have gained and make use of it for exploring newer and bigger opportunities. I share the vision of this group’s foray into film production business and hope to make a difference together as envisioned.”

    At T-Series, Ajay was famous for having produced box-office hits like Ready, Tum Bin, Bhool Bhulaiya, Roy, Bhootnath Returns, Baby, Airlift and Hate Story among other. He worked with T Series Group for over 15 years.

  • STAR Gold to ‘KICK-START’ a pioneering programming event

    STAR Gold to ‘KICK-START’ a pioneering programming event

    MUMBAI: Star Gold, the home of Bollywood premieres, has initiated a first-of-its-kind content driven campaign for Salman Khan’s upcoming film KICK! With the much- awaited blockbuster film hitting theatres on 25th July 2014, Star Gold has taken an innovative marketing route by associating with the film before its theatrical release and this initiative is a first amongst any Hindi movie channel.

     

    Star Gold presents KICK Start, a unique event conceptualized and created exclusively for the viewers of Star Gold in association with the release of the movie KICK. Superstar Salman Khan, along with his co-stars Jacqueline Fernandes and Nargis Fakhri will entertain viewers with their splendid performances on stage. The special programming will also include actors Varun Dhawan, Aditya Roy Kapoor and Arjun Kapoor along with Mika and Himesh adding in to the entertainment quotient.

     

    Announcing this unique initiative, Hemal Jhaveri, Executive Vice President, Star Gold, said “Movie associations in the past have always taken place during a TV premiere, much after the theatrical release. This unique association with KICK helps us build engagement with special content around the movie much earlier on. While this definitely drives viewership, it also provides a promotion platform for the movie release resulting in a win-win for everyone.

     

    Apart from the event, the celebrations continue with a weeklong movie fest featuring Salman Khan movies Dabangg, Jai Ho, Garv, Ready and Wanted in the channel’s prime-time slot at 8pm.

     

    Early 2014, Star India network had announced its movie acquisitions for the year comprising of 18 highly anticipated Bollywood films. With its high profile movie acquisitions list for 2014 and maximum number of 100 crore Bollywood films being premiered on the channel, Star Gold can definitely be called the Home of Bollywood Premieres for all Hindi movie buffs.

     

    KICK START premieres on Sunday, 27th July, 2014 at 1pm, only on STAR GOLD.

  • Dance India Dance season 4: Goes beyond a television show

    Dance India Dance season 4: Goes beyond a television show

    MUMBAI: From jaw dropping performances to locking and popping, from dashing hip hop moves to “slo-mo” style, the biggest dance reality show – Dance India Dance season 4 is back with a bang. Come 26 October, it will celebrate the passion of dancing every Saturday-Sunday at 9 pm only at Zee TV. The channel has signed a deal with wechat and Maruti continues to be its title sponsors and eight associate sponsors have been roped in.

    This season what is refreshing and new it’s the slogan, its time to “dance it out”! Sends out a strong message to its viewers that nothing is impossible to learn.. and dancing definitely not!
    Speaking on the launch, Zeel content head Ajay Bhalwankar states: “DID brings in raw talent from each nook and corner of the country. You dont need to be a star but your talent and passion for dance will say it all.”

    Produced by Essel Vision, the show will follow a format similar to the original season where 18 contestants are divided into three teams led by the masters. Episode after episode, the masters will groom and mentor their respective teams to face the dance ka Tashan. The show will be hosted by talented Jay Bhanushali and Grandmaster Mithun Da will continue to grace the platform with his characteristics wit, love and affection.

    So what new the season has in store for the viewers? While the original judge trio Geeta Kapoor, Remo D’souza and Terence Lewis will remain an insuperable part of the DID family, the channel welcomes some young blood onto the panel of judges this season.

    The new judges who has been roped in are Mudassar Khan, man who has choreographed in films like Bodyguard, Dabangg 2 and Ready. Second to the list, belonging to a family of choreographers, Shruti Merchant began her career assisting the choreography of films like All seasons of Dhoom, Rab Ne Bana Di Jodi and many more to her credits. Lastly, the third mentor started his career as an assistant to ace choreographer Farah Khan. Feroz khan is credited with smash hits like Maa da ladle and Johnny gaddaar.

    The judges feel that they are going to face tough challenges going forward. They believe that competition is not only for contestants but for them as well.

    So why the sudden change? Answers Zeel chief sales officer Ashish Sehgal: “Change is the sign of growth. We are proud of our choices for the fresh panel of mentors this season. At Zee, we always believe in making celebrities out of deserving talent. In my perspective freshness always brings newness. New judges will bring in new fans of dancing and that will also help to make the show better and also act as a differentiator. And they are very much capable of taking it to the the next level.”

    Agreeing on the fact, Essel Vision Productions Ltd producer Nitin Keni says: “Each of them comes with an impressive body of work in the field of dance. Moreover, is is their passion for dance that has landed the, these coveted positions on our panel of judges. “

    The channel is confident that the new judge trio will drive millions of enthusiasts across the country to Dance it Out.

    The dancing fever has stepped in with auditions being conducted on a large scale in major 16 cities receiving an overwhelming response from the dance lovers. To top it all, it is just not going to be a television show. Reveals Akashi Chawla: “We are taking up parallel dance india dance online. Just to say Dance it Out does not make sense till the time you actually bring it out in a complete manner.”

    Walking on the different lines, throughout the series, every week the masters will give out a theme and people all over can make a move of that particular theme and submit their videos. The best ones will be decided by the masters to go on-air. Adds Chawla: “the main objective is how do you give a platform to as many people possible in the most convenient manner. Everybody cannot be qualified in the auditions, so what else can you do for people who have passion to dance and great talent. So this was the strategy behind this.”

    More to its marketing side, the channel is also concentrating on on-ground activations also. The channel is expanding its foot forward in ten cities, giving them a particular theme which is relevant for that city at that particular time. It will tell people to come and dance to get momentum for that theme. “The entire marketing strategy behind this is dance it out should not just be a slogan but a movement. Because it is no longer only a television show, so how do we exemplify in a brand that people actually connect it with. At Zee, we always try to give some message out of the other.”

    So has it attracted the advertisers? Sehgal shoots confidently: “DID has been the darling of all advertisers. They were very excited when we told them about our plans on marketing and other activities. Because that gives them an opportunity to reach out to people at their homes. So through this way and platform, advertisers have another way. At the end of the day advertisers are looking to reach out to every consumers doors.”

    We all are aware that there are barrage of shows happening across all the channels. DID occupying a 9 pm slot, will it affect the ratings of other famous shows on other GECs? Answers Chawla: “it is not for the first time that we have come against any biggest show. GEC is all about different channels launching different shows. After all you are fighting your battle in a competitive world. People who don’t like competition and people who don’t want to do things against competition should retire very soon. “

    He further goes on to say that: “We love taking competition, we respect our competition and if the show is good and if the communication is clear, viewers will find time to watch different shows together. And they chose to watch the show which at that time they love the most. So all the best to all of us.”

    With ad cap rule coming in, are reality shows affected for Zee? “In most of the reality shows you always kind of Adhere to ad cap, we have never over run inventory because they are high priced shows. Moreover, there are high stake sponsors involved, you cannot dilute inventory on these shows. So ad cap is not going to affect us in any manner as far as reality shows are concerned,” signs off Sehgal.

  • A mixed year for Bollywood

    A mixed year for Bollywood

    Indian box office couldn‘t have been more definite with its message in 2011: content is king. If anything, The Dirty Picture symbolised it all. Made on a budget of around Rs 200 million, the film netted Rs 839 million from the box office. The big disappointments were Game and Ra.One, both expensive films with the Shah Rukh Khan venture easily being his costliest product.

    For the first time, four Bollywood films — Ready, Bodyguard, Singham and Ra.One — crossed the Rs 1 billion mark in a year.

    More Bollywood films were released in 2011 compared to the earlier year, with the flood coming in the final quarter. The year saw 141 films hitting the screens, up from 130 in 2010. The fourth quarter saw as many as 40 releases, followed by 38 in the second and third quarter respectively.

    Trade analysts say Bodyguard, Ready, Singham were the three big hits and The Dirty Picture, Zindagi Na Milegi Dobara, Murder 2, Delhi Belly and Sahib, Biwi Aur Gangster did respectable business.

    But will 2011 be known for its hits or flops? Says producer Mukesh Bhatt, “On the whole, it was a good year for small-to-medium budget films. Several big budget films failed to gain at the box office. People fell for films with good content and that is why films like Murder 2, The Dirty Picture and No One Killed Jessica worked while bad films like Ra.One, Desi Boyz and Rascals among others had to bite the dust.”

    The year belonged to Salman Khan who spun out Bodyguard and Ready. Ajay Devgn also had a great year with his super hit Singham.

    2011 saw the return of action-oriented genre in a big way with the release of films like Bodyguard, the top grosser of the year with a net collection of Rs 1.47 billion, Ready, Singham and Force among others. The year also saw the release of many comedy and romantic films.

    Bollywood filmmakers dug their hands into other genres like 3D films (Ra.One and Haunted 3D), crime and suspense thrillers (No One Killed Jessica, Murder 2, 7 Khoon Maaf and Not A Love Story).

    The surprise hit of the year, however, was The Dirty Picture, a low-budget film inspired by the life and death of a racy 1980s B-movie actresss Silk Smita. The film put much-needed steam to the year that started slowly. Said Bhatt, “Small and medium budget films like The Dirty Picture proved to the world that content is the only force that drives a film, not big stars.”

    2011 saw Bollywood taste big success with the remakes of south Indian films. These include Singham, Bodyguard, Ready and Force that were remade from their Tamil, Malayalam and Telugu originals.

  • Hindi remake of Dookudu to star Salman Khan

    Hindi remake of Dookudu to star Salman Khan

    MUMBAI: If everything goes well, Mahesh Babu‘s Telugu film Dookudu is set to be remade in Hindi with Salman Khan in the lead.

    Said script writer Kona Venkat, who worked on Ready in Telugu and Hindi and is also associated with Anees Bazmee‘s No Entry sequel and Sohail Khan‘s Sher Khan, “Sreenu, who directed Ready in Telugu, is keen to remake Dookudu in Hindi with Salman. In fact, the lead character‘s heroism suits Salman bhai perfectly. We won‘t need to make alterations for the Hindi version.”

    The Telugu film has been doing excellent business all over earning till date Rs 300 million. While the Mahesh Babu film cost Rs 350 million to make, the budget set aside for the Hindi version has been pegged at Rs 600 million.

    Interestingly, Dookudu was written keeping Khan in mind. But there is a hitch that needs to be solved. While the protagonist in the Telugu film is a cop, Khan doesn’t want to do a cop film till the Dabaang sequel. Airing his views Venkat said if the filmmakers of the Telugu remake decide to wait till Dabangg 2 is ready, then there should be no reason for Salman to decline the movie.

    The filmmakers are awaiting Khan to see the film and green signal its making.

     

  • T-Series raid yields 1900 CDs, VCDs and MP3s

    T-Series raid yields 1900 CDs, VCDs and MP3s

    MUMBAI: In a major swoop that was conducted by Super Cassettes Industries on 19 July in the Lokhandwala area of Andheri, its raiding team led by Leon Joseph and D.K.Naik confiscated over 1880 CDs, DVDs, MP3s of films like Wanted, Ready, Double Dhamaal, Buddhah Hoga Tera Baap, Delhi Belly and Zindagi Na Mileage Dobara among others.


    The raid was conducted by the police staff from Oshiwara Police Station, Mumbai, under the supervision of D.C.P. Zone- IX, K.M.M. Prasanna, Sr. P.I. Shri D.K. Raghuwansi, PSI Shri Raut, and two Police Staff.


    The accused, Sanjay Bapi Das, has been arrested for further remand and has been booked under the section of the Copyright Act, vide FIR no:- C.R. No- 362/11 and the property confiscated is valued at Rs 218,500. The accused were remanded to Police custody for seven days.


    Averred T-Series Creative Head Divya Khosla Kumar, “It is sad that we do not look at piracy as theft. We have to conduct regular raids to safeguard the interest of filmmakers who face tremendous losses due to piracy.”