Tag: Ravikant Sabnavis

  • Vidnet Summit 2024: The streaming commerce: Where is this heading?

    Vidnet Summit 2024: The streaming commerce: Where is this heading?

    Mumbai: The OTT business in India is buzzing with new streamers, niche, and language offerings. However, early players are struggling as heavy content spending isn’t matching revenues, and India-specific low pricing hasn’t spurred subscriptions. Growth has plateaued as consumers return to post-COVID normalcy, preferring to binge occasionally.

    Adding to the churn is the shift towards AVOD by giants like JioCinema, offering premium events like cricket for free, with Disney+Hotstar following suit. This has strained streaming bottom lines. The rise of FAST channels is also causing industry jitters. Vidnet explored the future of the streaming ecosystem.

    The panel for this session was moderated by Ernst and Young LLP (Session Chair) partner Raghav Anand along with other panelists like Arha Media & Broadcasting CEO, Ravikant Sabnavis, Chaupal co-founder Ujjwal Mahajan, JOJO App co-founder Meet Kariya, PlayboxTV founder & CEO Aamir Mulani.

    Anand set the tone by highlighting the rapid evolution of streaming commerce and its profound impact on brands and OTT platforms. He posed a question to the panelists about how they foresee the evolving landscape of streaming commerce influencing both brands and OTT platforms, and what strategies they deem crucial for effectively leveraging this trend in the coming years.

    Mulani shared his perspective, telling the goal of achieving parity with television distribution to enhance cache and development capabilities, “‘The idea is the day we match, 50% of distribution of television, we all be able to have a better cache. We always able to have a better dev. Everything will be smooth.”

    Mahajan stressed the importance of engaging content across multiple languages, aligning with theatrical markets, and boosting marketing efforts for major movies, “The power of content lies in its ability to engage audiences. If our platform operates in multiple languages from the start, it aligns well with theatrical markets and boosts existing marketing efforts for major tentpole movies. However, long-term success hinges on digital content.”

    Sabnavis said their content strategy’s evolution to resonate strongly with cultural preferences, initially focusing on a direct subscription model to build brand loyalty, “Over the last four years, we have honed our content strategy to ensure a strong cultural affinity, making it compelling and unique. Initially, we opted for a subscription model, avoiding partnerships with telecom operators to create a direct brand pull.”

    Lastly, Kariya reflected on their app journey from producers to launching a free platform, driven by a desire to support content creators facing challenges.

  • South India Film Festival set to illuminate the cinema landscape with its inaugural edition

    South India Film Festival set to illuminate the cinema landscape with its inaugural edition

    Mumbai: The inaugural South India Film Festival (SIFF), poised to be a beacon of creativity and innovation in the cinematic world, is all set to grace Hyderabad on 22 March 2024. With a fervent dedication to fostering emerging talents and uncovering the next wave of cinematic visionaries, SIFF promises an electrifying extravaganza celebrating the richness of South Indian cinema.

    VP of revenue & monetisation Nitin Burman expressed, “SIFF is not just a festival; it’s a platform for the future of Telugu cinema. We are committed to providing a dynamic stage for budding talents, offering them unparalleled opportunities to showcase their creativity and connect with industry leaders. Additionally, we would like to extend our heartfelt gratitude to all the partners who have supported us in our efforts, without whom this endeavour would not have been possible.”

    As a platform for emerging talents, SIFF is dedicated to becoming synonymous with opportunities for the next generation of content creators. “Our goal,” said Mr Burman, “is to discover and nurture the future directors who will steer Telugu cinema to national acclaim. SIFF will serve as the launchpad for their careers, propelling them onto the global stage.”

    In addition to being a springboard for emerging talent, SIFF offers exclusive insights from industry leaders, providing invaluable knowledge and guidance to aspiring filmmakers. Through panel discussions and Q&A sessions, attendees will gain unparalleled access to the inner workings of the Telugu cinema industry.

    “We are thrilled to offer a gala evening extravaganza,” added Mr Burman, “where attendees will be treated to a high-energy celebration of South Indian cinema. From captivating screenings to star-studded events, SIFF promises an immersive experience like no other.”

    Arha Media & Broadcasting Pvt Ltd CEO Ravikant Sabnavis said, “The South India Film Festival celebrates South Indian Cinema, serving as a platform dedicated to nurturing creativity and showcasing the diverse talent within the Telugu film industry. Our collaborative initiative with People Media Factory underscores our commitment to deliver unique and riveting content to our audience. This Festival is the beginning of a legacy that we are crafting for future content creators. Join us on Friday, 22 March 2024, to witness this momentous occasion.”

    With its unwavering commitment to nurturing talent, providing industry insights, and delivering unforgettable entertainment, the inaugural South India Film Festival is poised to make an indelible mark on the cinematic landscape. Join us on 22 March for a celebration of creativity, innovation, and the vibrant spirit of South Indian cinema.

    For more information and ticket bookings, please visit: https://in.bookmyshow.com/events/south-india-film-festival/ET00377474

  • VBS 2024: The OTT Aggregation game

    VBS 2024: The OTT Aggregation game

    Mumbai: India is in the grips of seisnic changes regarding video and broadband consumption. Pay TV cord-cutting is rampant even as free TV subscriptions are on the rise and OTT buy-ins are churning with the signs up for certain platforms stagnating even as others are seeing rapid increases and some are seeing cataclysmic drops. 

    Aggregators of OTTs are popping up on the horizon promising cheap bundles along with value-added services for cable TV and DTH. There’s a rush to set up free advertising-supported TV channels by TV set manufacturers and smart TV device makers. There’s the Jio factor where it seeks to convert most pay TV customers to free streaming of video content by offering free access to consumers at no cost. The consumer continues to demand bandwidth higher than ever imagined even as prices drop. Margins are under pressure as every player goes one-up on each other to acquire and retain customers.

    The video and broadband distribution landscape has not been as vibrant as it is now.. How long will this pot-boiling continue? What will the magic potion of video and broadband look and taste like? And what’s the end game? Indiantelevision.com has held the 20th edition of Video and Broadband Summit better known as VBS at Sahara Star Hotel, Mumbai.

    The session chair for this panel was media consultant Anuj Gandhi along with the panelists: Arha Media & Broadcasting CEO Ravikant Sabnavis, GTPL Hathway Ltd senior VP Yatin Gupta, Dangal Play head Akshat Singhal, Playbox TV founder & CEO Aamir Mulani and OTT-Chana Jor, VHunt Digital Media COO Archita Jasani

    To light up the atmosphere, Gandhi asked the audience how many hours on average people spend on their mobile phones. He also dropped another question while spending time looking at phones, how much time is spent on watching SVOD OTT? The response was quite positive as an overwhelming number of people in the audience watched content on their mobile phones for a longer duration.

    As there was a considerable amount of audience who watched other lots of content besides OTT, Gandhi asked a broader question to all the panelists, “There is a belief and everybody says that aggregation is what went above consecutive recession, people said people subscribed to two and a half entities, but individual OTS there is a belief that beyond the point from D to C perspective or direct to consumer, you cannot cross the customer acquisition costs. There is another cost that is there.

    Sabnavis said, “If I look at it from the consumer perspective, Most perspective, there’s a lot of entertainment. Right? Be it a YouTube video, or simply chatting with somebody on the phone. I’m probably oversimplifying to make the point. There are limits to my time when whether it be five hours or three hours and in that time, I’m trying to watch OTTs as well, besides doing whatever I am for entertainment. So therefore you’re possibly right that there comes a time when growth when you look at it from our perspective around the consumer’s approach slows down. They’re gonna find it increasingly difficult to a) reach out to consumers and b) convince them to subscribe to a platform.”

    Jasani said, “There is a stagnation which is happening especially in metro cities. When we see that people, there is a capacity on how many hours can be on the mobile phones. Beyond that, I feel a lot of growth that can happen in tier-two and tier-three cities. Because these are the consumers who are town-tasting in the OTT  and entertainment segments. So here we see that there is a glass ceiling, probably happening towards the metros, but there is a use of potentiality in tier two and tier three cities. So hence the aggregation makes sense in a way that there is a d2c and b2c as well, which helps us to get the hang of the consumers.

    Amir Mulani commented that 90% of the time, consumers know what they want to watch, they will come to search, click the movie, and just start watching it. So I think my responsibility as a platform or as an aggregator, is beyond me to give him something that he wants to, and trying to keep it so easy, that it’s not confusing for them to decide.”

    Singhal said, “Earlier, people used to go to OTT platforms and search for content because the OTT platforms were very messy. Now, with so many OTT platforms, we need to go to the users, and see what they have. So that’s why like it’s important.”

    Gupta opined, “ We already have a cable product, which is an aggregation of channels. We have broadband as a service to augment this along with OTT. Looking at the consumer and saying that from this household. He’s already got cable, he’s already got broadband, and we may be able to give him OTT services as an aggregation.

    Whether it makes economic sense or not, of course, is a big question mark, because the OTT players are expecting a certain amount of guarantees, which may or may not. So we’ve been looking at all of that while deciding whether to go ahead with it and what to do.”

  • Star Pravah presents ‘Chaitra Chahul 2015: Navya Natyanchi Navi Gudhi’

    Star Pravah presents ‘Chaitra Chahul 2015: Navya Natyanchi Navi Gudhi’

    MUMBAI: Gudhi Padva, which is one of the three and a half auspicious days for Maharashtrians, marks the beginning of their New Year. This festival is an integral part of Marathi culture. On this special occasion, Star Pravah has specially brought for its viewers, a celebration which will boost their festive spirit.  ‘Chaitra Chahul 2015: Navya Natyanchi Navi Gudhi’ will put a super-duper spectacle by showcasing the glorious Marathi culture, for its viewers. The exclusive telecast of this show will be on Gudhi Padva Day i.e. 21 March at 8 pm on Star Pravah.

     

    Chaitra Chahul 2015 is a show conceived on the core thought of ‘Sanskruti Sobat Pragati,’ which every Marathi family will be proud to witness. Maharashtrians celebrate Gudhi Padva by hoisting a Gudhi outside their house to welcome the New Year. As the whole Maharashtra celebrates, Star Pravah will celebrate the evening of New Year day that will ignite Marathi pride and honor. Chaitra Chahul will take every Maharashtrian down the memory lane exploring his roots and values, underlining what they signify in today’s times. It will be the biggest entertainment show saluting Marathi customs, rituals, traditions, attire, jewellery and music as they all amalgamate on one platform.

     

    While this is the maiden year of Chaitra Chahul, the hallmark of this event will be Pravah Ratna awards. Star Pravah will honor senior and rising stars in the Marathi space by felicitating them with ‘Pravah Ratna Puraskar’ for their noteworthy contribution in the fields of Theatre, Cinema, Journalism, Social Work, Television and Public Service. Star Pravah believes that this venerable initiative will inspire and motivate people to excel in their respective spheres in the society.

     

    Star India official spokesperson said, “On Gudhi Padva day, Star Pravah is proud to present Chaitra Chahul 2015, an evening full of fun and entertainment for the entire familyWe wish to celebrate this Gudhi Padva with our viewers, where our characters will entertain them and aim to become a part of every Marathi household. We are also delighted to have in our midst, some of the best talent in Marathi film and television industry and felicitate them with the Pravah Ratna awards, for their contribution to the industry. Star Pravah takes this opportunity to wish all its viewers a very happy Gudhi Padva.”

     

    Over the years many artists from Marathi cinema and television industry have made remarkable contributions to protect, preserve and enhance Marathi culture. Hosting this very talent on Chaitra Chahul platform can be termed as path breaking success for Star Pravah. The entire family of Star Pravah, including the characters and team, are really proud and excited to present the celebration of ‘Marathiness’. Similarly, every Maharashtrian will feel honored and proud to witness this superlative event of Chaitra Chahul on Star Pravah.