Tag: Ravi Jadhav

  • IFP rings in fifteen years of creativity and culture

    IFP rings in fifteen years of creativity and culture

    MUMBAI: Fifteen and fabulous! India Film Project (IFP) is all set to celebrate its milestone 15th edition, returning to Mumbai’s iconic Mehboob Studios on 29 and 30 November for a weekend bursting with stories, art, and unfiltered creativity.

    What started as a spark between a few passionate creators has now grown into the world’s largest festival celebrating creativity x culture, a global platform where filmmakers, writers, designers, musicians, and dreamers come together to create, collaborate and reimagine storytelling.

    This year’s line-up is nothing short of stellar. The jury features cinematic heavyweights and creative icons including Dibakar Banerjee, Sheeba Chaddha, Hariharan, Bilal Siddiqi, Santhy Balachandran, Ravi Jadhav, Kanu Behl, Mukesh Chhabra, and Gajesh Mitkari, among others.

    At the festival’s heart lie the 50 hour creative challenges, IFP’s signature event where imagination meets the ticking clock. From filmmaking and music to design, photography, writing, and performing arts, this year’s challenges drew over 40,000 participants from 350 cities across 23 countries, a testament to IFP’s ever-growing creative tribe.

    Reflecting on the milestone, IFP founder Ritam Bhatnagar shared, “What began as a small dormitory idea is now one of the world’s biggest celebrations of creativity. Fifteen years later, IFP continues to be that space where creative people come together, experiment, and grow.”

    For filmmaker Dibakar Banerjee, being part of the jury felt like coming full circle. “Storytelling thrives on curiosity, and that’s what IFP embodies. Fifteen years in, it still surprises and inspires.”

    Echoing the sentiment, Sheeba Chaddha added, “There’s a rare joy in being part of IFP. It’s a space that lets artists express freely and evolve without boundaries.”

    Over the years, IFP has hosted over 1.2 lakh creators, 1400 speakers, and creative legends like Joseph Gordon-Levitt, Mira Nair, Vicky Kaushal, and Javed Akhtar, proving that it’s not just a festival, but a movement.

    This November, IFP once again promises two unforgettable days where every idea, big or small, finds its spotlight. So if creativity runs in your veins, Mehboob Studios is the place to be.

  • ‘Main Atal Hoon’ set to hit theatres this Friday

    ‘Main Atal Hoon’ set to hit theatres this Friday

    Mumbai: In the world of cinema, where stories unfold like magic, Main Atal Hoon emerges as a story that transcends mere entertainment. Directed by Ravi Jadhav and written by Rishi Virmanu, this upcoming Hindi biographical film – slated to release on 19 January 2024 at your nearest PVR INOX outlets – explores the life and legacy of one of India’s most revered leaders – Atal Bihari Vajpayee. Starring the versatile Pankaj Tripathi as Vajpayee, the movie promises an intriguing journey through the political landscape and personal nuances of a man who wasn’t just a politician but also a poet, a gentleman, and a statesman. As anticipation builds, here are five compelling reasons why Main Atal Hoon should be on your must-watch list:

    1.  A glimpse into history

    Main Atal Hoon is not just a film; it’s a time machine that transports you to significant chapters in India’s history. The movie meticulously portrays Atal Bihari Vajpayee’s pivotal role in steering the nation through tumultuous times, including the Kargil War and the Pokhran nuclear tests. By witnessing these historical events on the silver screen, you get a front-row seat to the courage, conviction, and leadership that defined Vajpayee’s tenure as the Prime Minister.

    2. Pankaj Tripathi’s stellar performance

    When it comes to bringing characters to life, Pankaj Tripathi stands in a league of his own. As the enigmatic Atal Bihari Vajpayee, Tripathi’s portrayal is expected to be nothing short of exceptional. Known for his ability to seamlessly slip into diverse roles, Tripathi promises to capture the essence of Vajpayee – the orator, the strategist, and the compassionate leader. Watching him embody the complexities of Vajpayee’s character is reason enough to mark your calendar for the movie’s release.

    3. Insights into Vajpayee’s personal life

    While Vajpayee’s political feats are well-documented, Main Atal Hoon goes beyond the headlines, offering a glimpse into the personal struggles, relationships, and inner workings of the man behind the politician. The film promises to unravel the layers of Vajpayee’s life, showcasing his bonds with family and friends, and revealing the human side of a leader often seen through the lens of politics.

    4. A cinematic ode to poetry and literature

    Atal Bihari Vajpayee wasn’t just a statesman; he was a poet of profound depth and literary finesse. Main Atal Hoon pays homage to this aspect of Vajpayee’s persona, bringing his poetry and love for literature to the forefront. For enthusiasts of both politics and the arts, the film becomes a unique canvas that blends the worlds of governance and poetry, offering a richer and more holistic understanding of the man and his multifaceted legacy.

    5. Inspiring leadership for today

    In an era where political narratives often veer towards divisiveness, Atal Bihari Vajpayee’s leadership stands as a beacon of unity and statesmanship. Main Atal Hoon serves as a timely reminder of a leader who transcended political affiliations to prioritize the welfare of the nation. For those seeking inspiration in today’s complex world, the film becomes a source of hope and a call to uphold the values of integrity, kindness, and commitment to the greater good.

    If you admire Pankaj Tripathi’s unconventional roles and his knack for transforming into the characters he portrays on the big screen, make sure not to miss the premiere of ‘Main Atal Hoon’ this Friday at your nearest PVR INOX outlets.

  • JioCinema’s Taali is a resounding success with 25 million viewers in 2 weeks

    JioCinema’s Taali is a resounding success with 25 million viewers in 2 weeks

    Mumbai: Following the grand parade of hit shows including Asur 2, Kaalkoot, Bigg Boss OTT 2, amongst others, JioCinema has delivered yet another monumental success with its recently released series – Taali. With exceptional performances, the Sushmita Sen starrer biopic-drama on the life of transgender activist, Shreegauri Sawant, has struck a chord with audiences across the nation, within just two weeks of its release. With a staggering 25 million/2.5 crore viewers, Taali reaffirms JioCinema’s position as a clear frontrunner in the digital entertainment landscape.

    Boasting an impressive IMDb rating of 8.6, with a prominent position on the Ormax charts as one of the leading originals in the launch weeks, Taali continues to be hailed by the audience as one of the most loved series, since its launch. The show’s success is a testament to its quality and the positive reception it has received from both critics and viewers. Created by Arjun Singgh Baran and Kartk D Nishandar, directed by National award-winning director Ravi Jadhav, written by Kshitij Patwardhan, and produced by Arjun Singgh Baran, Kartk D Nishandar (GSEAMS Production) and Afeefa Nadiadwala, the empowering biopic-series unfolds over six episodes, showcasing the revolutionary story of Shreegauri Sawant, and her iconic fight for the recognition of the third gender in India.

    With a slew of successful shows under its belt and a growing viewer base, JioCinema continues to demonstrate its prowess in creating content that not only entertains but also leaves a lasting impact on its audience.

  • Banjo…Out of sync

    Banjo…Out of sync

    MUMBAI: Banjo is a musical love story of a young man with a mastery over the stringed instrument. The banjo is said to have its origin in Africa. The instrument is seen to be more popular during festivals in India.

    Riteish Deshmukh is shown in the movie to be excelling in playing banjo and leads a group of friends who play music as a hobby as well as to make some extra money besides their regular jobs. He has three partners, each specializing in playing an instrument. Riteish works for a local corporator collecting haftas (extortion) for him.

    The demand for the musical group is seasonal, but there are a number of such banjo groups. The competition is stiff. However, the rivalry between two such groups is severe, which often leads to fist fights. On one such Ganesh festival, Riteish and his band come up with a number which becomes instantly popular with the local folk.

    Sitting far away in New York, Nargis Fakhri hears the number which catches her attention. Nargis is preparing to participate in a music show and has been scouting for talent. She thinks she found the group she has been looking for. She arrives in India and lands up right near his house.

    Banjo playing is not considered a glorious art and, though appointed as a guide to show her around the settlement and help her search, he does not disclose his identity to Nargis. While he helps her, he also falls in love with her.

    Nargis goes on auditioning group after group, only to be disappointed. She is finally ready to give up and decides to go back. Riteish is heartbroken. He wants to drown his sadness in music, and asks his friends to play though they have just returned from a gig and are tired. Nargis catches the sound from afar and realizes who he was. So close yet so far. Nargis is still sent back in disappointment, for, the group members have parted ways. Riteish has been framed in the murder of the corporator and sent to jail. The happy ending is certain but not so soon.

    Banjo moves on predictable lines of an underdog whose dreams are in the process of being realized as well as the usual underdog falling in love with the first girl showing concern. While the story or scripting don’t inspire much, the main drawback is the lack of good music that is mandatory for a musical. While the songs are good for gully dances due to the heavy beats played to Maharashtrian taste, the Bappa song being the mainstay, the only sober number worth humming is Rahemokaram.

    The cinematography is good. Riteish performs well and Nargis tries. The supporting actors make sincere efforts.

    Banjo could have been made for Marathi audience where the industry is thriving presently. Going for pan-India market has not helped as the opening is poor and so are the prospects.

    Producers: Krishika Lulla

    Director: Ravi Jadhav

    Cast: Riteish Deshmukh, Nargis Fakri, Mohan Kapoor.

    Dil Sala Sanki…God save your soul!

    Another film about UP bahubalis and their love story! Dil Sala Sanki is a love triangle based in the city of Jhansi.  

    Jimmy Shergill is playing the local don in Jhansi. He has inherited the reign from his foster father who wished for Jimmy to share it with his adopted son. But, Jimmy would have nothing of that sort. He kills both, the other heir as well as his father. He wishes to rule alone.

    While the rest of the city is scared of Jimmy and his goons, he has a fan in Yogesh Kumar, the son of a local barber, Avtar Gill, who wants to follow in the footsteps of Jimmy. Yogesh goes around beating up people and expects to be feared for his acts.

    Yogesh takes up small assignments like settling disputes. On one such case, he is asked to get vacated a house occupied by goons as the landlord’s new tenant, Shakti Kapoor, a school teacher, has rented it out. True to the tradition of goon stories, Yogesh falls in love with Shakti’s daughter, played by Madalsa Sharma. He starts with the usual routine followed by all filmy lovelorn goons: stalk.

    It is raining and Manalsa is shown as going berserk dancing on a lonely road. Jimmy happens to pass by, sees her, and falls in love too although he has a loving wife at home, played by Harshita Bhatt. Being a bahubali who is not answerable to anybody, he simply kills Harshita.

    Jimmy soon realizes that his protégée, Yogesh, also loves Madlasa. The fight to finish begins.

    Dil Sala Sanki is a routine, humdrum love story lacking imagination or the grammar of filmmaking. The casting is curious as the hero, Yogesh Kumar, has zero acting skills or screen presence. Jimmy has a limited role. Madalsa is okay. Rest of the aspects merit no mention.

    Dil Sala Sanki has no prospects despite its limited exploitation at few screens in single show a day.

    Producer: SK Pictures P Ltd.

    Director: Sushi Kailash.

    Cast: Yogesh Kumar, Madalsa Sharma, Jimmy Shergill, Shakti Kapoor, Avtar Gill.

  • Banjo…Out of sync

    Banjo…Out of sync

    MUMBAI: Banjo is a musical love story of a young man with a mastery over the stringed instrument. The banjo is said to have its origin in Africa. The instrument is seen to be more popular during festivals in India.

    Riteish Deshmukh is shown in the movie to be excelling in playing banjo and leads a group of friends who play music as a hobby as well as to make some extra money besides their regular jobs. He has three partners, each specializing in playing an instrument. Riteish works for a local corporator collecting haftas (extortion) for him.

    The demand for the musical group is seasonal, but there are a number of such banjo groups. The competition is stiff. However, the rivalry between two such groups is severe, which often leads to fist fights. On one such Ganesh festival, Riteish and his band come up with a number which becomes instantly popular with the local folk.

    Sitting far away in New York, Nargis Fakhri hears the number which catches her attention. Nargis is preparing to participate in a music show and has been scouting for talent. She thinks she found the group she has been looking for. She arrives in India and lands up right near his house.

    Banjo playing is not considered a glorious art and, though appointed as a guide to show her around the settlement and help her search, he does not disclose his identity to Nargis. While he helps her, he also falls in love with her.

    Nargis goes on auditioning group after group, only to be disappointed. She is finally ready to give up and decides to go back. Riteish is heartbroken. He wants to drown his sadness in music, and asks his friends to play though they have just returned from a gig and are tired. Nargis catches the sound from afar and realizes who he was. So close yet so far. Nargis is still sent back in disappointment, for, the group members have parted ways. Riteish has been framed in the murder of the corporator and sent to jail. The happy ending is certain but not so soon.

    Banjo moves on predictable lines of an underdog whose dreams are in the process of being realized as well as the usual underdog falling in love with the first girl showing concern. While the story or scripting don’t inspire much, the main drawback is the lack of good music that is mandatory for a musical. While the songs are good for gully dances due to the heavy beats played to Maharashtrian taste, the Bappa song being the mainstay, the only sober number worth humming is Rahemokaram.

    The cinematography is good. Riteish performs well and Nargis tries. The supporting actors make sincere efforts.

    Banjo could have been made for Marathi audience where the industry is thriving presently. Going for pan-India market has not helped as the opening is poor and so are the prospects.

    Producers: Krishika Lulla

    Director: Ravi Jadhav

    Cast: Riteish Deshmukh, Nargis Fakri, Mohan Kapoor.

    Dil Sala Sanki…God save your soul!

    Another film about UP bahubalis and their love story! Dil Sala Sanki is a love triangle based in the city of Jhansi.  

    Jimmy Shergill is playing the local don in Jhansi. He has inherited the reign from his foster father who wished for Jimmy to share it with his adopted son. But, Jimmy would have nothing of that sort. He kills both, the other heir as well as his father. He wishes to rule alone.

    While the rest of the city is scared of Jimmy and his goons, he has a fan in Yogesh Kumar, the son of a local barber, Avtar Gill, who wants to follow in the footsteps of Jimmy. Yogesh goes around beating up people and expects to be feared for his acts.

    Yogesh takes up small assignments like settling disputes. On one such case, he is asked to get vacated a house occupied by goons as the landlord’s new tenant, Shakti Kapoor, a school teacher, has rented it out. True to the tradition of goon stories, Yogesh falls in love with Shakti’s daughter, played by Madalsa Sharma. He starts with the usual routine followed by all filmy lovelorn goons: stalk.

    It is raining and Manalsa is shown as going berserk dancing on a lonely road. Jimmy happens to pass by, sees her, and falls in love too although he has a loving wife at home, played by Harshita Bhatt. Being a bahubali who is not answerable to anybody, he simply kills Harshita.

    Jimmy soon realizes that his protégée, Yogesh, also loves Madlasa. The fight to finish begins.

    Dil Sala Sanki is a routine, humdrum love story lacking imagination or the grammar of filmmaking. The casting is curious as the hero, Yogesh Kumar, has zero acting skills or screen presence. Jimmy has a limited role. Madalsa is okay. Rest of the aspects merit no mention.

    Dil Sala Sanki has no prospects despite its limited exploitation at few screens in single show a day.

    Producer: SK Pictures P Ltd.

    Director: Sushi Kailash.

    Cast: Yogesh Kumar, Madalsa Sharma, Jimmy Shergill, Shakti Kapoor, Avtar Gill.

  • Films Division working on docu TV channel & resumption of short films in theatres: Mukesh Sharma

    Films Division working on docu TV channel & resumption of short films in theatres: Mukesh Sharma

    NEW DELHI: A total of 110 films from over twenty countries including India will be screened in four sections at the forthcoming 14th edition of the Mumbai International Festival for Documentary, Short and Animation Films later this month.

     

    Renowned filmmaker Shyam Benegal will be the chief guest for the inauguration on 28 January and the Festival will conclude on 3 February. Actor Jackie Shroff, the first ever brand ambassador for the Festival, will also be present.

     

    A record 825 entries had been received for the competition and 110 shortlisted for the international, National, New Media and Animation categories.

     

    The five-member Jury for the International section is headed by Den Askarian of Germany and other members are: Jesper Andersen from Denmark, Mathieu Roy from Canada, and Siddharth Kak and Gitanjali Rao from India.

     

    The National Jury is headed by filmmaker Mike Pandey and its members are: Biju Dhanapalan and Uma d’Cunha from India, Andrius Stonys from Lithuania and Jane Yu from Taiwan. 

     

    The jury for a special section on Public Service Awareness will be headed by the veteran Ramesh Meer with Sekhar Muklharjee and Ashish Kulkarni as members.

     

    In another major shift, the screenings of the films in the Festival will be held at the Films Division theatres, Russian Culture Centre and Sophia College theatres at Pedder Road, Mumbai. Until now, the Festival has been held at the Tata Centre at Nariman Point.

     

    The inauguration and closing functions will be held at the Ravindra Natya Mandir, Prabhadevi at 5 pm on 28 January and 3 February respectively.

     

    This Festival, which is held every alternate year is organised by the Films Division and is supported by the Maharashtra Government.

     

    There will be a Prism section, which will be non-competitive.

     

    Festival Director Mukesh Sharma told a press meet that the award amount will be Rs 55 lakh, Golden Conches, Trophies and Certificates and included Rs 5 lakh for the V Shantaram Memorial Award given for lifetime achievement. 

     

    Answering a question, he said he was pursuing with the Government the need for a separate channel run by Prasar Bharati on documentaries and shorts and for resuming short films before the feature in all theatres.

     

    Mike Pandey said he would keen to see an educational television channel, which would include all kinds of films.

     

    Answering a question, Sharma said that the Division had now opened up to NGOs and othes to make films for it. 

     

    The Festival will have retrospectives as tributes of Harun Farocki of Germany and Michael Glawogger of Austria, and a special screening of the films of Fernando Melgar of Switzerland.

     

    Homage will be paid through film screenings to K K Chandran, Krishna Mohan, Nirand N Mohapatra, Idessa Sathya, Prem Vaidya, and Ravi Jadhav who died in the last two years.

     

    Other sections include a retrospective of films by Jury members, and special packages such as Artists Cinema, CMS Vatavaran, Public Service Broadcasting Trust, Mexican Institute Films, Italian and Latvian animation, Serbian Films, NFB Animation by Torril Kove, and Wadia Movietone; students workshops and Master Classes; apart from workshops, a seminar, and a daily Open Forum. 

     

    Rajiv Kumar who heads the Films Division office in Delhi said simultaneous screenings will be held in Delhi from 29 January to 1 February. 

      

    Buoyed by the warm reception to the MIFF zone screening of competition films in National category in cities other than Mumbai during the 13th MIFF, screenings will be held simultaneously in New Delhi, Chennail, Bangalore, Kolkata, Bhubaneswar, Guwahati, Lucknow, Nagpur and Thrissur. MIFF zone is aimed at taking the competition films to film lovers who are unable to travel to Mumbai for the MIFF. Screenings will also be held at the University auditorium Kalina, Mumbai.

  • Eros to co-produce Marathi film with Ravi Jadhav

    Eros to co-produce Marathi film with Ravi Jadhav

    MUMBAI: Eros International has joined hands with Ravi Jadhav Films to co-produce a Marathi movie titled &.

     

    An emotional family drama, & is being directed by Prakash Kunte, who has earlier directed Coffee Ani Barach Kahi.

     

    The new film is a touching tale of a family caught in the whirlpool of emotions; a dilemma to choose between the mind and the heart.

     

    Eros International producer Krishika Lulla says, “We are happy to be associating with one of the finest film makers from the Marathi film industry, Ravi Jadhav for the upcoming movie &. We at Eros, believe that Marathi entertainment is witnessing a continual growth and the audiences are now open to new and fresh concepts and by joining hands with leading film makers like Ravi Jadhav and Prakash Kunte, we only want to strengthen this thought further.”

     

    Jadhav added, “& is a heartwarming tale of the complicated human relationships between a mother and daughter and a son and the father. The title, aptly named so defines the connection between the myriad of emotions of individuals and how that affects their life further on. It is an absolute pleasure to be associated with Eros International, who have shown belief in my vision and my content.”

     

    The movie features Mrinal Kulkarni, Siddharth Menon, Shivani Rangole and Indraneil Sengupta, who now makes his foray into Marathi entertainment. The film is set to go on floors on 5 November, 2015 in Mumbai.

  • Essel Vision releasing its musical love story

    Essel Vision releasing its musical love story

    MUMBAI: After an epic and record-breaking release – Duniyadaari, Essel Vision is all geared up for its upcoming release – Time Pass (TP). The film is directed by Ravi Jadhav – who has given three continuous block buster films in a row – Natarang, Balgandharva and Balak Palak (BP).

     

    Along with Essel Vision, Ravi Jadhav’s Time Pass (TP) has been produced with Athansh Communications productions and Zee Talkies. It is a that will be a special treat for the viewers.

     

    “We have created various benchmarks in Marathi industry. In fact the last film Duniyadari broke all the records at the box office collection of last 80 years in Marathi Cinema. Now, the film is entering in its the 25th week on 3 Jan, 2014when even our new venture Time Pass will hit the screens in Maharashtra. With Time Pass, we take this trend to another level as we are releasing TP in 200 plus theatres across Maharashtra, Goa, Belgaum etc. And this becomes our 5th film set to release on the eve of New Year which in itself is another unique trend for Marathi cinema,” says Essel Vision Productions Business Head Nikhil Sane.

     

    TP is a love story of Dagadu and Prajakta set in the 1980s. It is a light hearted, innocent story of teen age love, sacrifice, passion and values.

  • Shah Rukh debutes with Shekhar Ravjiani for a Marathi musical

    Shah Rukh debutes with Shekhar Ravjiani for a Marathi musical

    MUMBAI: Venturing into a new foray Bollywood‘s Baadshah Shah Rukh Khan (SRK) is about to make a musical debut in the regional language space with a Marathi movie. It is confirmed that SRK will shoot for a song with the music composer and singer Shekhar Ravjiani. Apparently it didn‘t take a lot of convincing for Ravjiani for his music single, Saanvlias the proceeds from this song will be donated to an NGO.

    Saanvli will also feature Sunidhi Chauhan and the songs refreshes the concept of first love which is why SRK has been roped in since he is synonymous with romance.

    A source from the industry revealed “Shekhar met him (SRK) at a studio and played out the single for him. He connected with the song instantly and agreed to feature in the video.”

    The music video has been directed by Ravi Jadhav (who has won a National Award forNatrang) and the lyrics are written by Amitabh Bhattacharya. The song video will feature Shah Rukh reciting the verse that reads ‘Parchhayi Teri Saanvli SiNatkhat Thodi Baavli Si‘.

    When contacted, Shekhar who is also one of the judges for Indian Idol Junior confirmed the story and said, “His thoughtfulness and love has made this video very special to me.” Shekhari‘s credibility in the regional language was much appreciated last year in his album Saazni.

  • Virtual premier of Balak Palak on 3 Jan

    Virtual premier of Balak Palak on 3 Jan

    MUMBAI: Marking a first for Indian cinema, UFO Moviez along with Valuable Edutainment, will pioneer the interactive ‘Virtual Premier‘ of actor-producer Ritesh Deshmukh‘s Marathi film ‘Balak Palak‘ at UFO digital theatres in five different locations – Mumbai, Thane, Nalasopara, Pune and Latur simultaneously.

     

    The event will take place on 3 January, at Sona Gold in Borivali East, Fun Fiesta in Nalasopara, Gold Digital in Thane West, Prabhat in Pune and Big Rama theatre in Latur.

     

    Audiences in each of these UFO digital theatres will also witness the cinegoers located in the other theatres in different cities asking questions. Deshmukh along with co-producers Uttung Hitendra Thakur and Ravi Jadhav, who is also the director of the film, music directors Vishal – Shekhar, and the children of Balak Palak, will all be stationed at the Valuable Edutainment central studio, to watch and interact with the audiences in all UFO digital theatres at the same time. The session is expected to last an hour followed by the screening of the film.

     

    Deshmukh said, “I am overjoyed that ‘Balak Palak‘, a sensitive drama that will help parents realise how important it is to communicate transparently with your child, will create history with the first-of-its-kind Virtual Premier facilitated by UFO Moviez and Valuable Edutainment. Marathi films have created a mark throughout the world and with this unique technology, they will unite Marathi film going audiences in remote locations. I‘m confident that Balak Palak will not only break box office records but also enter many books of record with this unique feat.”

     

    UFO Moviez India & Valuable Edutainment MD Sanjay Gaikwad added, “In a fitting tribute to the 100th year of Indian cinema, a home-grown company, UFO Moviez, will show the world how it is possible to unite film lovers in different locations of this large country with popular film personalities at the same time. UFO Moviez, which is already a world leader, will now demonstrate how its unique satellite technology will help the aam admi achieve the impossible. We are happy to provide our technology to Ritesh Deshmukh for starting a new trend in mainstream cinema with Balak Palak and hope that the film breaks box office records.”

     

    Thakur said, “The Indian cinema is witnessing first ever virtual premier of the movie, starting from BP (Balak-Palak) we hope that we could reach maximum number of people through virtual premier and convey the message on sex education to the society. By talking about this taboo subject to the audience we feel that the communication gap between parents and children would get filled up and they will freely talk with each other on the sensitive subject like sex.”