Tag: Ranvir Shorey

  • JioCinema partners with The International Academy of Television Arts & Sciences

    JioCinema partners with The International Academy of Television Arts & Sciences

    Mumbai: JioCinema, the Indian streaming platform of Viacom18, hosted the Semi-Final Round of Judging for the 52nd International Emmy Awards in Mumbai. The event featured an esteemed panel of industry luminaries, including Tisca Chopra, Ranvir Shorey, Bhavani Iyer, Nitya Mehra, Ranjeet Thakur, Rahul V. Chitella, Suparn Verma, Kirti Kulhari, Sonali Kulkarni, Sameer Saxena, Abhinay Deo, Divya Dutta, Sandhya Mridul, and Oni Sen.

    Commenting on being part of the jury, actor Ranvir Shorey said, “The association with the academy is going to be one of the biggest feathers in my cap. As an actor constantly on the lookout for compelling stories, it’s incredibly rewarding to see deserving content and talent being recognized, no matter their scale. Being part of the esteemed jury panel for the International Emmy® Awards 2024 is an honour, and I’m thrilled to contribute to an association that bridges the gap between local and global storytelling, giving diverse voices a platform to shine.”

    Actor Tisca Chopra added, “As a first-time jury member at the International Emmy® Awards, I am truly honoured to be part of this incredible journey. It’s a privilege to witness the creativity and dedication of such talented individuals and to celebrate their outstanding work. It’s great to see platforms like JioCinema supporting the industry on local and global.”

    Actor Sonali Kulkarni said, “I’m honoured to be a part of the jury for this year’s International Emmy® Awards. As someone rooted in regional cinema, Hindi commercial cinema and international films – I’m proud to see content from across the globe gaining deserved recognition on this prestigious stage. I look forward to contributing to this celebration of excellence and seeing more content shining worldwide.”

    The Semi-Final round of Judging is a key part of the Academy’s annual event which aims to recognize excellence in television produced outside the United States. With categories ranging from Arts Programming to Drama Series, and from Non-Scripted Entertainment to Kids programming, the competition is fierce and celebrated.

     

     

  • JioCinema Premium unveils an exciting line-up for August!

    JioCinema Premium unveils an exciting line-up for August!

    Mumbai: August, brimming with the festive spirit and extended weekends, is the ideal time to dive into some top-notch entertainment, and JioCinema Premium is all set to entertain its viewers with a captivating line-up that has something for everyone.

    The lineup kickstarts with the OTT comeback of Tusshar Kapoor with the comedy-thriller series Dus June Ki Raat, releasing on 4th August, where he plays an unlucky man who can’t seem to catch a break, promising lots of laughs and thrilling moments. The month also brings the highly anticipated detective series Shekhar Home, premiering on 14th August, starring Kay Kay Menon, Rasika Duggal, and Ranvir Shorey. Set in Bengal in the early 1990s, the gripping series is an original work of fiction inspired by literary works by Sir Arthur Conan Doyle, which are in the public domain. Adding to the patriotic fervour of Independence Day will be the youth-centric show Cadets, starring Tanay Chheda and Chayan Chopra, which follows four friends finding their purpose at a fictional tri-services academy, and premieres on 30 August.

     

     

    With a month full of finales, the popular reality show Bigg Boss OTT 3 is all set for its grand finale on 2 August, followed by the exciting finale of House of the Dragon Season 2 on 5 August. That’s not all! Movie fans are in for a treat with the much-awaited release of Dune: Part 2, starring Timothée Chalamet and Zendaya, on 1st August, followed by Godzilla vs Kong on 29 August. For those who love a good rom-com, Ghudchadi, featuring Sanjay Dutt, Raveena Tandon, and Parth Samthaan, is set to entertain on 9 August, with the intriguing film Tikdam starring Amit Sial arriving on 23 August. The documentary Moving Mountains Within, premiering on 7 August, follows runners braving a 555 km race in Ladakh, facing high-altitude challenges and harsh weather. Elevating the entertainment quotient will be the 5 seasons of Bigg Boss Marathi with none other than Riteish Deshmukh, premiering every day at 9 pm, and Khatron Ke Khiladi with Rohit Shetty every Saturday-Sunday at 9.30 pm.

    For wholesome entertainment for the little ones, all-time favourite movies Motu Patlu and Mission KungFu Kid will be available from 2 August, followed by Chikoo Bunty – Bhaagam Bhaag Express on 14 August. New episodes of Golmaal Jr. and Pakdam Pakdai, and seasons of Peppa Pig will keep kids entertained throughout the month. Additionally, viewers can catch up on their Hindi, Marathi, and Kannada shows like Megha Barsenge, Durga, and Drusti Bottu and the movie Koti before TV.

    This August, enjoy new premieres from the extensive library of reality shows, originals, movies, kids & family entertainment, and international content, along with exclusive early access to network content 24 hours before it airs on TV, only on JioCinema Premium at Rs. 29 per month!

  • Colors Tamil brings WTP of Vijay Sethupathi’s thriller drama ‘Mumbaikar’ on 5 Nov

    Colors Tamil brings WTP of Vijay Sethupathi’s thriller drama ‘Mumbaikar’ on 5 Nov

    Mumbai: Colors Tamil is all set to premier a captivating and unconventional tale ‘Mumbaikar’ that puts the focus on the city of Mumbai and its many layers this Sunday, November 5 at 2pm.  Mumbaikar, Powered by ‘Ramraj Cotton Shirts’ with Special Partner ‘Pothysin Deepawali Fashion Rockets’, is part of the channel’s ‘Movie of the Month’ series. Directed by acclaimed filmmaker Santosh Sivan, the thriller drama, which is the official remake of Lokesh Kanagaraj’s ‘Maanagaram’, stars an ensemble cast, including Vijay Sethupathi, Vikrant Massey, Hridhu Haroon, Ranvir Shorey, Tanya Maniktala, and Sanjay Mishra.

    Set against the backdrop of Mumbai’s bustling streets, Mumbaikar follows a hyper-linked plot structure, intertwining the lives of various unrelated characters. The film chronicles the journey of the key characters whose lives suddenly converge across multiple events that take place during a 24-hour period. This, in turn, changes the characters’ perspectives towards the city and life itself. With its compelling narrative, the movie promises to take audiences on an exciting journey and showcase the lesser-known sides of India’s city of dreams. Produced by Jyoti Deshpande and Riya Shibu.

    Vikrant Massey, who portrays a pivotal character, shares his thoughts on the movie’s WTP, “It has been an absolute pleasure sharing screen space with Vijay Sethupathi Sir. I have grown up watching Santosh Sivan Sir’s films. I have always admired his work and now to be directed by him was an experience I will cherish forever. I am sure people of Tamil Nadu will enjoy our super combo”.

    Talking about Mumbaikar, Sethupathi said, “It is an exciting time for Indian actors. We are getting opportunities to work on films across languages. After the love and appreciation, I have received for my web series, this movie marks my first Hindi film debut, I am looking forward to Tamil audiences’ reaction for its Tamil television premiere film. I am sure they will love & appreciate it.”

    Ace director Santosh Sivan further shared his excitement on the trailer release, “It was a great feeling to direct a Hindi film once again. Mumbaikar is a film that gives a perspective of the city through the lives of interwoven characters. Mumbai has its own unique spirit and I have tried to encapsulate it through the film. It was amazing working with such talented actors in one film! I am thrilled for its Tamil TV Premiere on Nov 5th.”

    A special promo has been conceptualised with Channa Patna Toys that tells the story of Mumbaikar from Vijay Sedhupathi’s POV. It has gone viral, creating a huge interest for the movie. Watch this amazing film with your family on Colors Tamil, being aired for the first time on 5 Nov, at 2 PM!

     

     

  • Delhi High Court refuses to stay streaming of Netflix series ‘Hasmukh’

    Delhi High Court refuses to stay streaming of Netflix series ‘Hasmukh’

    MUMBAI: The Delhi high court on Monday dismissed a plea seeking an ad-interim injunction restraining the streaming of the episodes of the web series Hasmukh.

    The application against the series was filed by lawyer Ashutosh Dubey, who charged that its fourth episode contained derogatory remarks against the lawyer community.

    The series, starring Vir Das, Ranvir Shorey and others, has been produced and owned by Applause Entertainment.

    The web series is a dark comedy thriller revolving around a fictional character named ‘Hasmukh’ (Vir Das), an aspiring comedian and the protagonist. The protagonist in the series possesses a unique compulsion to kill people just before his on-stage stand-up act, which enables him to give a great performance and specifically relates his stand-up comedy act to the person he killed.

    Dubey took objection to the utterance of the protagonist during a stand-up comedy performance from the fourth episode of the web series. The lawyer alleged in his suit that the dialogues in the said scene are highly disparaging, defamatory and bring disrepute to the legal profession and lawyers in the eyes of the general public.

    Netflix lawyers argued that the web series is a work of fiction and explained to the court its brief plot line.

    The defense lawyers also submitted that a class of persons cannot be defamed as a class, nor can an individual be defamed by general reference to a class to which the individual belongs. So, they argued, the lawyers as a community cannot be defamed as a “class of persons”, nor can the plaintiff be defamed by a general reference to lawyers.

    The defendants also submitted that Article 19 (1) (a) of the Indian Constitution guaranteed the freedom of speech and expression which includes the creative freedom to express one's views and opinions and although the said right is not absolute since the present case would not qualify as defamation, it cannot be restricted.

    Dismissing the application for ad-interim injunction, the court observed that the impugned comment is satirical “with regard to the lawyers taken as a class and is not with regard to any determinate definite or identifiable group of lawyers."

    “Further, if an ad interim injunction is granted, it would amount to interference in the freedom of speech and expression guaranteed by our constitution to the defendants,” stated the court.

    The very essence of democracy, observed the court, is that a creative artist is given the liberty to project the picture of the society in a manner he perceives. “One of the prime forms of exposing the ills of the society is by portraying a satirical picture of the same. Stand-up comedians perform that very purpose. In their portrayal they use satire and exaggerate the ills to an extent that it becomes a ridicule. In the humorous portrayal of the ills of the society the stand-up comedians use satire.”

    Applause Entertainment, the IP owner of the web series, was represented by senior counsel Sandeep Sethi, briefed by a team from ANM Global Inc comprising Nidhish Mehrotra, Anushree Rauta, Piyush Joshi and Chirag Luthria. 

  • TIGMANSHU DHULIA IN ZEE5’S UPCOMING ORIGINAL, RANGBAAZ

    TIGMANSHU DHULIA IN ZEE5’S UPCOMING ORIGINAL, RANGBAAZ

    MUMBAI: Acclaimed director, producer and actor Tigmanshu Dhulia, has joined the cast of ZEE5’s upcoming Original, Rangbaaz. Tigmanshu essays the role of Ram Shankar Tiwari, who has an intimidating personality and is a master class politician.

    Tigmanshu joins Saqib Saleeb, Ranvir Shorey, Aahana Kumra and Ravi Kishan in Rangbaaz, which is set against the rustic background of the UP of the 90s. The story revolves around a man engaging in the dark and dirty world of crime and shows the human side of one of the most feared gangsters of the region from the '90s.

    Talking about the same Tigmanshu Dhulia said, “Rangbaaz has a great narrative and the team working on it is excellent. I am excited to be a part of this project with ZEE5. I was attracted to my character Ram Shankar Tiwari – he is a sharp, relatable politician with power.”

    Manish Aggarwal, Business Head, ZEE5 India said, “Rangbaaz, with a promising storyline and a creative bunch of actors will surely create excitement in the minds of viewers. It is not your regular gangster-cop drama. It is a story inspired by real-life events. With a veteran creative mind like Tigmanshu Dhulia joining the show, this time as an actor, it adds to the overall expectation from the audience. This is one of our biggest Originals at ZEE5 and we will reveal the launch date soon.”

    Aparna Acharekar, Programming Head, ZEE5 India said, “Rangbaaz has a unique flavour and will surely catch the viewers’ attention. Whether it is all the actors essaying their respective characters with full conviction or the fantastic storytelling, Rangbaaz is sure to stand out. The ZEE5 content team led by Nidhi Mishra has done a commendable job of putting this show together. While we already have a fantastic cast, with Tigmanshu Dhulia joining the team as an actor, his inputs and creative expertise will further raise the expectation for the audience.”  

    Produced by JAR Pictures with Creative Director Nishikant Kamat & directed by Bhav Dhulia, written by RJ Siddharth (Siddharth Mishra), Rangbaaz premieres on ZEE5 this December.

  • Tarun Katial fuels ZEE5’s audacious ‘mission 100 million’

    Tarun Katial fuels ZEE5’s audacious ‘mission 100 million’

    MUMBAI: Team ZEE5 returned from its Russian sojourn last month, checking into a new office address in Andheri East. The move away from ZEEL’s Lower Parel headquarters is the latest in a slew of changes being effected at the media conglomerate’s OTT business. Interestingly, a parallel can be drawn from the reforms in 1980s Russia to highlight the shift occurring at ZEE5 India. Perestroika (restructuring) and glasnost (openness) – have been key change drivers of brand ZEE5 under boss Tarun Katial.

    Manish Aggarwal’s promotion to business head was followed by an injection of high-profile talent in the form of Rajneel Kumar – as business head expansion projects and head of products – and Taranjeet Singh – chief revenue officer and business head – new projects; the nucleus around which the brand will now be built.

    ZEE5 has been an effective communicator of its vision as a brand, and has so far been in control of the narrative. From articulating the rationale behind partnerships with Airtel TV and Reliance Jio to being open to dialogue over other low-key deals, the company’s engagement strategy has been simple, effective and on point.

    Another significant development at the company’s congregation in Moscow was the clarion call of ‘mission 100 million’ Tarun seems to have given his team, setting the agenda for the future. Having clocked 41 million monthly active users on last official count; the next big goal now seems to be breaching the three-figure MAU mark.

    If Q2 numbers are anything to go by, then ZEE5 appears to have made significant gains with a 190 per cent growth in users, who spend an average of 31 minutes per day on the streaming app, with a 340 per cent rise in video views since April 2018.

    This can be largely attributed to Tarun’s aggression and instinctive genius in creating unique but mass content. The focus now needs to shift towards stepping up the technology in terms of user experience and robustness, if a serious challenge to Star India’s OTT Hotstar has to be mounted.

    With the impending leadership change at Hotstar, and competition dialing up their investments and fostering new partnerships, the very nature of India’s OTT landscape could alter.

    As the super streamers jostle for second spot in the OTT sweepstakes, here are some insights from one the central figures – Tarun Katial – to this exciting high-stakes play

    There’s a significant upsurge in user engagement. Were Originals the major driver? What was catch-up content’s role?

    Content in regional languages is the clear protagonist of the story we have charted out. Not just have we curated original content in six languages (Hindi, Marathi, Tamil, Telugu, Malayalam, Bengali), but made that content available across all these languages in dubbed versions. In addition, we offer great options of searchability in eleven languages – by text and voice – a first for any OTT platform. These include Gujarati, Punjabi, Bhojpuri, Kannada and English in addition to the six mentioned above. Thus, a subscriber is never at a loss on the platform on account of the language of maneuverability.

    We, at ZEE5, also make the most of the inherent strength of the Group in terms of the rich portfolio of viewing content that ZEE has developed over time. And we bring that entire repertoire of content on the platform so as to encourage viewers across the globe who have missed out on any of their favourite shows to get up-to-speed. ZEE5 provides subscribers the choice to binge watch from 1 lakh hours of On Demand Content and 90+ live TV channels.

    The OTT audience is a very unique one and recognising the evolved nature of the sensibility, we have developed innovative marketing tools that has kept them on the platform. In addition to this, we also have discount offers for the price-sensitive first-time user.

    What have been the major reasons for the rise in MAU?

    Content has been our mainstay, and our edgy, relatable content line-up has found a huge audience not just in the main metros, but also tier II and III cities of the country. Our audience has developed great affinity with our originals across Malayalam, Tamil, Telugu, Marathi and Bengali. This is in addition to all the content via our partner channels and fed onto the platform for those who may have missed the programmes during the airing time.

    This, complemented by the state-of-the-art technology we have deployed on the platform, offers our audience a winning combination. Tools such as Variable Bit Rate, P2P CDN and Latest Content Encoders have reduced the data usage for content consumption. For example – a film that required 2 GB data to watch earlier, now consumes a maximum of 200-300 MB data only. With a view to making our systems smarter, we have partnered with CDN providers to transmit data to the user’s phone basis his / her location so as to render an experience without impacting viewing quality.

    Our marketing team has been aggressively forging innovative partnerships and alliances to add value to the digital journey of our subscribers. This includes partnerships with travel portals including makemytrip.com considering the immediate synergy, as also EZMall.com and payment gateways such as PhonePe, considering their online behavior.

    How will you keep up the pace of this upsurge?

    For digital entertainment players like us, there’s huge scope in this data-rich consumer landscape. Industry reports and data clearly shows that the demand and propensity to consume exists.

    In the coming months, you will see us better engaging with OEMs to facilitate embeds into the handsets, while the association with Airtel, Amazon Fire Stick and Xiaomi continue. This will be in addition to our tie-ups with payment wallets such as PhonePe for additional benefits, value-adds for our subscribers with other digital players as listed above. Thus, our subscribers have enough and more reasons to come back to us, in addition to the exciting content line-up.

    Our content line-up with the additional uploads every month and an improved experience of recommendations using AI and Machine Learning will be an added incentive for subscribers to explore the platform and stumble on hitherto undiscovered content pieces.

    After Karenjit, what's going to be your flagship show?

    Our strong content library has shows ranging across crime, thriller, comedy, biopic, family drama genres in different languages. One of our marquee shows releasing this year is the Saqib Salim and Ranvir Shorey-starrer Rangbaaz. Set against the rustic background of Gorakhpur, the crime/ thriller series is inspired from a true story. 

    We are releasing a mix of originals across languages to keep the users entertained and wanting for more. Some of our big ongoing and upcoming properties include the ZEE5 Film Festival, Malayalam Shorts – comprising three Malayalam short films, Row No. 26 – a web series on renowned author Priya Kumar’s book, etc. Thus, there will be an entire set of shows on the platform on a monthly basis.

    Can you talk a bit about content pipeline for next 6 months?

    Our upcoming Bengali original Paoli Dam starrer Kaali, Row No. 26 – an adaptation of Priya Kumar’s novel, Saie Tamhankar starrer ‘Date with Saie’ are few of the exciting shows to watch out for. This, in addition to some big 2018 blockbuster digital releases and much more.

    Recently ZEE had a film festival. Are consumers showing enough interest in original films?

    The response to the ZEE5 Film Festival has been phenomenal. The views generated by the Indian and Pakistani movies have reinforced our belief that the OTT audience is looking for engaging content. Stories said interestingly will always draw an audience.

    ZEE5 is now available in 150 markets. Which international markets will be prioritized?

    We have recently announced our plan for international expansion for ZEE5. Under this, the mobile application will be released in more than 190 countries across the world in Android, iOS and web formats. Starting from next April, we will start reaching out to our audiences in countries such as Indonesia, Thailand and Russia where we will have originals made in accordance to their taste and preferences along with dubbed content. We will design our strategies keeping in mind that the audience is not the same everywhere. While the developed markets will entirely be on the subscription model, Middle East and North Africa will have a combination of AVoD and SVoD.

    Subscriber growth in terms of percentage.

    The number of ZEE5 active users have gone up by 190% per cent since April 2018. Considering that we have clocked in these numbers in just eight months of launching the platform, we are very proud of our performance. Statistics also indicate that our video views have grown by 340 per cent as compared to the last month indicating significant improvement in user engagement.

    Are you going to tie up with any local cable broadband providers?

    We will soon announce our alliances with renowned cable broadband providers. This will further enhance our reach and connectivity.

    Given that your leadership style is pretty aggressive, how are you expanding the ZEE5 operations going forward?

    At ZEE5, we are a very passionate team that is driven by the desire to succeed.

    While this is the team that puts together the platform, we are also consumers of OTT content. And hence, we become the best judge of the efficacy of the experience that our subscribers are privy to. So, outdoing our own expectations is what drives us, and we have loads of fun doing it day in and day out!

    Our aim eventually is to make ZEE5 a platform that is extremely intelligent in predicting consumer tastes and preferences, such that the home screen is a bespoke version for every subscriber.

    You say ‘ZEE5 is the second most popular OTT platform’. On what parameters is this based?

    According to public numbers and data, we are the second largest OTT platform in the country.

    You’ve now had some time to settle down in your new role. What are the holes that need to be plugged?

    The past eight months have been an absolute roller-coaster ride for us at ZEE5, and this has been possible only on account of the forward-looking and dynamic team we have here. As a Group, we have always believed in nurturing internal talent, while continuing to attract the best in the industry.

    As we continue on our journey, we will continue to build the platform with a focus on consumer, technology, data and content as its pillars.

  • Nondescript films got much coveted play time

    It is unimaginable. The week had 10 new Indian films releasing along with two foreign films. Yet, it was not the time for the exhibitors to rejoice. These 10 films included a variety from thriller to horror adapted from Hollywood, to a kid’s film.

    No major film is released during the Muslim holy month of Ramzan. Once upon a time, these film lovers made a major film going population. However, the things have changed since the advent of multiplexes.

    Yet, this year, the fasting month also coincides with the Champions Trophy 2017 being played in UK where the eight major cricket playing nations are participating. And, cricket has long replaced films as the most popular medium of entertainment.

    In this event, small, nondescript films got their much coveted play time at the cinema halls which, otherwise, is rationed out to them as gap fillers during shows when the footfall is scarce.

    *To start with, A Death In The Gunj boasted of a familiar star cast. It starred Om Puri, Tanuja along with Ranvir Shorey, Tillotomma Shome, Kalki Koechlin alongwith lesser known but talented names such as Gulshan Devaiyah and Vikrant Massey. The film was directed by yet another well-known name, Konkona Sensharma. What failed the film was its sadistic idea for a story and poor promotion. There was no awareness about the film. As a result, the film failed to attract footfalls.

    *The other noticeable film was Dear Maya if only for it being a comeback film for the yesteryear star, Manisha Koirala. It was a feeble attempt, concentrating at the limited histrionics of Koirala again, with nil promotion. The result was disastrous.

    *The animation film, Hanuman Da’ Damdaar was one more film trying to cash in on the childhood exploits of Hanuman (the other popular character being childhood stories of Ganesh). Here, Hanuman was made to mouth today slangs through the voice of Salman Khan. The film also boasted of voices of Raveena Tandon, Javed Akhtar, Makrand Deshpande and Kunal Khemu. This kind of stuff works in Hollywood. Here, in India, it has yet to work. The film was lost in the crowd.

    *The other releases were Sweetiee Weds NRI, Dobaara- See Your Evil (which boasted of a Hollywood film adaptation), Bachche Kachche Sachche), Lakme, Little Sholay, Mirror Game-Ab Khel Shuru, Black Future, etc were all losers.

    *Sachin: A Billion Dreams, coming as it did in the footsteps of another cricketer biopic, M K Dhoni: An Untold Story, failed to make a mark. It turned out to be just a dull documentary. The film depicted Sachin, the cricketing legend, as a man full of self-pity, whining about his struggles rather than success. The film failed to be an example for the new generation

    The film, which collected Rs. 23.4 crore for first three days, managed to finish its first week with just another 10 crore accounting for its first week total of Rs. 33.5 crore. . The film’s second weekend is not encouraging.

    *Hallf Girlfriend does little to improve its lot as the film manages to add Rs. 8.1 crore in its second week to take its two week total to Rs. 52.9 crore. The film still stands to lose on Indian domestic market.

    *Hindi Medium goes on to become a mini budget major hit. The film matched its first week collections by almost 80% which is a rare feat. The film collected 19.1 crore in its second week, the film took its two week total to Rs. 42.6 crore.

    *Bahubali 2: The Conclusion (Hindi-Dubbed) is not yet fading away. The film added Rs. 12.2 crore in its fifth week to take its five week total to Rs. 492.1 crore.

  • YRF and DBP’s ‘Titli’ wins Best First Foreign Film Prize

    YRF and DBP’s ‘Titli’ wins Best First Foreign Film Prize

    MUMBAI: Directed by Kanu Behl and co-produced by YRF and DBP, Titli has won the Best First Foreign Film Prize by the French Syndicate of Cinema Critics on 1 February 2016.

    The film stars newcomers like Shashank Arora, Shivani Raghuvanshi, Ranvir Shorey, Amit Sial and Lalit Behl. It is a story of dysfunctional family and young boy’s struggle to escape his oppressive family.

    The film ‘Titli- har family, family nahi hoti’ was released across India on 30 October 2015.

    On this achievement, Behl said “It’s a huge honour. The French Critics Syndicate has a long and ongoing relationship with recognising cinema that looks to push boundaries. To be in the company of other eminent films of the year, is heartening as a filmmaker. This belongs to the whole team of Titli, and we hope to continue the good work.”

    The FSCC awards 4 prestigious prizes each year including Best French Film, Best International Film, Best First Film and Best Short Film.

  • YRF and DBP’s ‘Titli’ wins Best First Foreign Film Prize

    YRF and DBP’s ‘Titli’ wins Best First Foreign Film Prize

    MUMBAI: Directed by Kanu Behl and co-produced by YRF and DBP, Titli has won the Best First Foreign Film Prize by the French Syndicate of Cinema Critics on 1 February 2016.

    The film stars newcomers like Shashank Arora, Shivani Raghuvanshi, Ranvir Shorey, Amit Sial and Lalit Behl. It is a story of dysfunctional family and young boy’s struggle to escape his oppressive family.

    The film ‘Titli- har family, family nahi hoti’ was released across India on 30 October 2015.

    On this achievement, Behl said “It’s a huge honour. The French Critics Syndicate has a long and ongoing relationship with recognising cinema that looks to push boundaries. To be in the company of other eminent films of the year, is heartening as a filmmaker. This belongs to the whole team of Titli, and we hope to continue the good work.”

    The FSCC awards 4 prestigious prizes each year including Best French Film, Best International Film, Best First Film and Best Short Film.

  • YRF to release Kanu Behl’s directorial debut ‘Titli’ on 30 October

    YRF to release Kanu Behl’s directorial debut ‘Titli’ on 30 October

    MUMBAI: Yash Raj Films and Dibakar Banerjee Productions’ co-production titled Titli, which is the debut directorial vehicle of Kanu Behl, will release across India on 30 October, 2015.

     

    The film’s tagline ‘har family, family nahi hoti’ (every family is not a family) has been given by YRF head honcho Aditya Chopra.

     

    Banerjee said, “We were all struggling to find a befitting tagline for the poster but nothing good was coming out. I was feeling a bit stuck when Adi very casually came up with this line and I realised that he just gave me the tagline. It came out very naturally from him.”

     

    “This came from a man who has a deep, gut level understanding of the Indian audience. Moreover, I felt that this tag line translated in any language anywhere in the world would be as kickass. Any person who has a family and has understood the pain and the pleasure of the complex dynamics of a family will get this,” he added.

     

    Director Kanu Behl’s father – Lalit Behl plays Titli’s father, whereas Shivani Raghuvanshi plays Titli’s wife, Neelu in the movie.

     

    Titli is a tale of a dysfunctional family and a young boy’s struggle to escape his oppressive family. It also stars Shashank Arora, Ranvir Shorey and Amit Sial.