Tag: Rang De Basanti

  • A R Rahman to feature on CNN-IBN

    A R Rahman to feature on CNN-IBN

    “The last I want to do is put my voice in a song”- A R Rahman
    Watch the media shy celebrity on Sunday, May 7th at 9:30 p.m. and repeat telecast on Monday at 11 am only on CNN-IBN

    New Delhi, May 3, 2006: He needs no special introduction…He entered the film industry with Roza and created a history. From thereon, A R Rahman has elevated himself from a prodigy to a legend now.

    With his latest blockbuster Rang De Basanti, Rahman is back with a bang on Hindi film scenario. This week CNN-IBN’s Entertainment Editor Rajiv Masand catches up with music whiz kid who turned 40 years this year.

    Following are the excerpt from the interview:

    Rajeev Masand (RM): Rang de Basanti, your most recent work, is a film which really marked a milestone, isn’t it? Apart from the fact it has great music and it’s a great album, it is one of those rare soundtracks where the theme is blended perfectly with the music. Your earlier work Bombay and Taal were also examples of that. Do you agree?

    AR Rahman (ARR): Yes, I think so. The process with Rang De Basanti started when Rakeysh (Rakeysh Om Prakash Mehra, the film’s director) told me the story, which had freedom fighters in it. I was working on Legend of Bhagat Singh with Santoshji at that time. So I said that I would not do another film like this. Of course Rang De Basanti happened four years later. When I started with this film last year, what we decided to do was not to have anything which is preachy and going to bring people down. We wanted to go abstract and go counter point, like people and children are dying there and we have a happy soundtrack, which is Ru ba ru and going to the light and there is more positivity rather than going along with the film.

    RM: You have just signed up as World Ambassador for World Space; tell me this is not the first time that you have endorsed a brand. How long does it take or how do you decide as to what is it that you want to get attached to and don’t?

    ARR: I probably was the first one to get the radio of World Space. I just wanted to check it out first. I was really impressed with the variety and the manner World Space had put up their advertisements. I did not know that here was a policy of not having any hassle in it, which is brilliant. I remember 20 years back, I used to go all the way to Bangalore to pickup my favourite music, and here we have every thing on the touch move button – jazz, classical, pop. So when they ask me I said “Yes, let’s do it!”

    RM: Have you ever been embarrassed by the way a song has been filmed?

    ARR: Yes, a lot of times. But, I guess, the people are intelligent enough now to know all that, what is personal and what is not, and what is done for the movie.

    RM: Do you think Roja is your best work?

    ARR: It’s probably my first good work. Like I said about Mani Ratnam who gave me my first good work. It brings back all those memories. It gave me the urge to go further and maintain quality work, crossing over to the North Indian audience with the film, lyrics which were never imagined before.

    RM: Gulzar saheb once said, “A R Rahman’s greatest achievement is that he didn’t mess around with my lyrics.” Is that something you like to elaborate on?

    ARR: Yes, I do. And where is the need to mess around with the lyrics when somebody writes them so perfectly?

    RM: You have often confessed that you are not so familiar with Hindi.

    ARR: (Laughs) Yes, I can’t talk but my vocabulary is better than what it used to be. I have been learning Urdu. I can’t talk but I can read now and I can understand most of the vocabulary. The thing about words, certain words give you a sound and meaning, if you get the right kind of balance, the song becomes a hit and everybody takes pride in it.

    RM: Let me put you in a tough situation. What do you think of Aamir, Shah Rukh or Amitabh who’ve been singing their own songs? What do you think of them as singers?

    ARR: I think they are intelligent enough to choose songs which go along their own voice. You can’t expect classical songs being sung by kind of actors like Shah Rukh. They don’t want to torture people like that.

    RM: Over the years you’ve sung many songs yourself. Like, Ye jo des hai mera, in Swades, Chale chalo from Lagaan, or Ru ba ru from Rang De Basanti. How do you know when a song requires your own voice?

    ARR: Sometimes I’ve worked from the scratch using my own voice. Like in Dil Se, Mani said why don’t you sing it in your own voice. Or when I did Ye jo des…Ashutosh Gowarikar suggested that I should be singing this song. Initially I was supposed to sing Ek taara but it didn’t match Shah Rukh’s voice.

    RM: Please tell us what do you like when you are not working? What kind of a husband are you? What kind of a father are you?

    ARR: Good question (laughs). I think you should be asking this to my wife and children. My mother, my kids are very supportive of me. They always know what I’m going through. I also try to play my role as best as I can within the limitations of my schedule.

    Complete text of the interview will be available on www.ibnlive.com post the telecast of the episode.

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  • ‘Rang De Basanti’ drives UTV Q4 revenues

    ‘Rang De Basanti’ drives UTV Q4 revenues

    MUMBAI: It is the Aamir Khan superhit Rang De Basanti (RDB) that has propped up UTV Software Communications’ revenues for the last quarter of the fiscal ended 31 March 2006. The company’s consolidated turnover was up 67 per cent at Rs 858 million.

    We have seen good growth in revenues. Our tent-pole production RDB was released to packed audiences and is rated as one of biggest blockbusters of all times. RDB continues its successful run and we see value in its future exploitation,” said UTV CEO Ronnie Screwvala .

    UTV, however, has reported a 21 per cent fall in consolidated net profit at Rs 66 million for the quarter. “Our operating margins were under pressure. We made heavy investments into animation including training and tests for our large order book. Airtime sales business added ten hours a week during the quarter but since they were all start-up shows it takes four to five months to turn a long-term profitability. We took a very large hit and which we believe is a one-off and without that our margins would have been substantially better than the year before,” said Screwvala.

    Even for the fiscal ended 31 March 2006, UTV’s 18 per cent growth in revenues to Rs 2.14 billion was primarily driven by the film segment. It contributed 63 per cent of the company’s revenues.

    Net profit, however, was down by 43 per cent at Rs 93 million. The company faced significant pressure on margins primarily driven by the following factors:
    a. Two films — Deewane Hue Pagal & Shaadi No.1 in distribution business during the third quarter of the fiscal did not fair well at the box office, booking net loss of more than Rs 70 million
    b. UTV moved from a variable cost model to the fixed one and ramped up its facilities to a 250-seater. Initial ramp up costs written off during the quarter was over Rs l5 million.

    Regarding UTV’s performance for the fiscal ended 31 2006, Screwvala said, “Overall, the year has registered growth of 18 per cent. Hungama has really exceeded our own expectations especially when taking on two large media companies in the world as competitors. Going forward, we have one of the most interesting movie line ups under production and have an interesting package of new TV shows on Sun Network that will show profitability in the quarter to come. We also have an interesting animation order book with all the training costs behind us. Last but not the least for Hungama we have just signed John Abraham as brand ambassador, who is a star among kids between 4-14 and his following will add great value to this asset of UTV.”

    The company has consolidated the financials of UTV-US, UTV-UK, UTV-Mauritius and UESL.

    UTV is exploring strategic investors into the company. “We are in talks with strategic investors to jointly exploit growing opportunity in the entire media space and we believe that the partner will drive substantial future growth with synergies to our business model. Another positive development is in the kids broadcasting space, with Hungama TV emerging as clear no. 2 player in a seven-channel kid’s space. As part of our strategy to achieve leadership position in the kids space and expand our overall kids agenda in South India, we also announced our MoU with Astro, a Malaysian Broadcaster for a 26.01 per cent stake in United Home Entertainment Ltd. for $ 7 million.”

    At the end of 31 March 2006, net debt of the company stood at Rs 949 million. Debt was primarily used to meet working capital requirement for films and capital expenditure for animation and post-production businesses. Total capital employed in the operations is Rs 2.35 billion as of the end of 31 March.

    Television Segment
    Television segment primarily consists of all products and services offered for the small screen businesses. This segment constitutes TV content production, airtime sales, animation, ad films and dubbing businesses. During the last quarter, UTV produced over 72 hours of programming across genres, dubbed over 205 hours of content and sold over 100,000 seconds of airtime.

    For the year ended 31 March 2006, television segment has contributed 34 per cent to the company’s consolidated revenues. Due to a significant ramp up in airtime sales operations, the margins remained under pressure. The new slots added during the last two quarters would take about four -five months to mature.

    Introduction of new programmes in content production and matured slots in airtime sales is expected to translate into better margins during the next fiscal.

    TV Content: UTV experienced a churn in its production slate of TV content mainly driven by its key programmes like Bombay Talking (Zee cafe) and Metier going off-air during the quarter under review. But this was coupled with opening up new avenues in content on SET – Kabhi To Nazar Milao, a new daily soap, which is expected to go on-air on 6 May. A new comedy show Arranged Marriage is expected to go on air on Star One during the next quarter. Also on the anvil are four more shows – Sohni Mahiwai and Chamatkar on DD, and a show each on Discovery and Travel and Living.

    In addition to this, one of the most popular bi-weekly show from UTV stable, Shanno Ki Shaadi is expected to be aired tri-weekly from the next quarter. All new additions on various channels are expected to translate into more than 15 hours of content per week as an average for the fiscal 2007.

    Air Time Sales: During the year under review, number of hours marketed by UTV on South Indian channels have grown by more than 100 per cent as compared to the previous year. During the quarter, the company managed an average of over 22 hours per week across various South Indian channels. The company expanded its operations to Kannada language in addition to its presence in Tamil, Telugu and Malayalam markets in South India. Margins witnessed pressure due to sudden ramp-up of operations during last two quarters.

    Animation: UTV is investing a total of Rs 85 million in animation facilities, which is expected to be fully operational during the first quarter of fiscal 2007. These investments will enable the company to execute present outsourcing order book over a period of next 24 months and venture into creation of its products for domestic and international markets, the company said in a release.

    During the quarter under review, it has added an output deal of over $3 million to its order book from Mike Young. This will be a combination of co-production and outsourcing deal. Due to ramp up in operations to 250 seats in animation business and fixed overheads on training and manpower resulted in lower profitability in the segment by over Rs l5 million.

    Film Segment
    Film segment comprises all products and services resulting in the big screen exploitation and directly related activities. Hence, it comprises all film production and distribution related activities in India and abroad. During the year, this segment has contributed 63 per cent of the company’s revenues and has grown by about 70 per cent as compared to the previous year.

    “The quarter for films started on a very strong footing with RDB storming the theatres on 26 January. The movie has grossed record-breaking numbers at the box office, which is reflected in the growth in the film segment revenues. Film distribution revenues have also added to the top line with the release of successful movies – Bluffmaster and Taxi 9-2-11. Bluffmaster, which was released in the latter part of December 05, has been accounted for in this quarter,” the company said.

    During the year, UTV produced / distributed over nine films and all of them but two proved successful for the company. Two films namely Shaadi No. 1 and Deewane Hue Pagal did not fair well at the box office, thus translating into a net loss during the third quarter.
    “UTV remains cautious in film acquisition strategy and will continue to develop its own IPR in the long run for better efficiencies,” the release said.

    During the quarter under review, UTV Home Entertainment released Bluffmaster, Rang De Basanti and Taxi 9-2-11 in the overseas markets through its DVD label. In line with the Company’s strategy, UTV has tied up with Madhur Bhandarkar (two films), Vishal Bhardwaj (two films), Annez Bazmi (two films), Prakash Jha (two films), Milan Luthria and is in talks with others as well.

    Allied Content Services
    This business segment comprises of post-production activities, which contributed 3 per cent of UTV’s consolidated revenues. The planned expansion of facilities in special effects and digital Intermediary is expected to be operational during May 2006.

    Hungama TV
    The capital employed in United Home Entertainment Ltd is Rs 840 million, which is used to fund Hungama TV’s /operations. UTV has made investments of Rs 680 million into the channel so far.

    With an overall view to expand kids space and establish leadership position not only in India but Asia, Astro, a Malaysian TV content and distribution major, entered an agreement with UHEL to invest $7 million for a 26.01 per cent stake in the company. Promoter’s holding post Astro equity infusion is expected to dilute accordingly.

    Business outlook
    UTV is working towards strengthening its film slate for the next two years. “The company is using marketing and distribution learning from RDB to de-risked and high return model. Led by Namesake, International co-production remains to be an integral part of film business. The company is working towards finalizing a significant co-production deal, which will establish itself a truly global player in filmmaking business in India. Film business in South India looks to be an attractive opportunity for the company. It will shortly announce its foray into regional film space and associations with key talent in those markets,” the release said.

    As part of the strategy to move up the value chain in the animation business, UTV is currently working on 14 DVD home video titles in addition to the TV series order book to be executed over next 24 months.

  • Inox acquires six new films for distribution

    Inox acquires six new films for distribution

    MUMBAI: The multiplex player Inox Leisure Ltd., has acquired six new films for distribution in the Bengal, Mysore, Rajasthan and Mumbai territories for the next one month.

    The films – Gangster, 36 Chinatown, Ankahee, Tom, Dick & Harry, Killer and Jaaneman will be released in the above territories.

    Inox Leisure Ltd head distribution Aroon Sharma says, “Inox entered the distribution business in September 2005 and since then we have steadily associated ourselves with quality banners in bringing popular content to the theatres. Thanks to our professional approach most film makers prefer to deal with Inox for their distribution requirements. We hope to strengthen our distribution foray in the coming months.”

    The company had earlier acquired exclusive distribution rights to heavyweight titles such as Garam Masala, Rang De Basanti, Apharan, Ek Khiladi, Ek Hasina, Hamko Deewana Kar Gaye, informs an official statement.