ITV

Tag: Raju Kher

  • Yeh Mohalla hai Navrangi Re!

    Yeh Mohalla hai Navrangi Re!

    Most of the times, we don’t #GiveAShit about shit. But starting February 2, 2019, we won’t be able to ignore it any more, as a one-of-a-kind drama series is coming to our living rooms to make us laugh, cry, wonder, question and fall in love. In an industry first, Viacom18 has partnered with the world’s largest philanthropic organization Bill & Melinda Gates Foundation, and development communications specialists, BBC Media Action to create a Hindi general entertainment fiction series called Navrangi Re!with an underlying behaviour change message on sanitation.Laced with high drama, wit and satire, Navrangi Re! is a finite series that will make us all sit up, take responsibility and #GiveAShit this New Year.

    Produced by Swastik Productions, Navrangi Re! is the story of a lively mohalla (a neighbourhood) in a town in Northern India full of quirky and endearing characters. Navrangi Re! has a gamut of colourful characters- from a talking wall to a rich and ruthless diva to a spoilt brat to a strong female lead that refuses to give in, and an underlyingmonster that’s growing underground. It is the laugh-a-minute story of a community living on the edge, teetering from one crisis to another and then deciding to take control of their lives. Vishwaas, the hero of this 26-episode television drama series, played by actor Aamir Ali, is a struggling TV journalist always looking for career-defining ‘breaking news’. In this hunt for one story, he discovers something bigger- the gateway to bring about change in his mohalla!It is entertainment all the way using an ensemble cast made up of thespian actors such as Susmita Mukherjee and Raju Kher, and promising new talent like Vaishnavi Dhanraj, Manmohan Tiwari and others.

    Sudhanshu Vats, Group CEO & MD, Viacom18, said “Today, 70% of urban India’s sewage is left untreated and it’s an issue that needs immediate attention. As a media and entertainment company we have realized that you connect with the viewers better when you marry social messaging with an interesting narrative.  Viewers identify and resonate with such content very well and we have seen this with our film, Toilet: EkPrem Katha. Navrangi Re! therefore is not a PSA but a 13 weeks’ series which aims to showcase the various challenges faced in a community due to lack of proper sanitation facilities. Along with BMGF and BBC Media Action this is our humble effort to spread awareness and lead to behaviour change.”

    Nina ElaviaJaipuria, Head- Hindi Mass Entertainment & Kids TV Network, Viacom18, elaborates, “At Viacom18, we are storytellers, and we believe in harnessing the power of stories to bring about change. Navrangi Re! is a product of that philosophy. It is a powerful story narrated entertainingly with the idea to mainstream a topic as important and nuanced as Faecal Sludge Management. Given the wide audience we are targeting through this social impact programming, Navrangi Re! is an apt fitment as the first ever Rishtey Original.”

    Devika Bahl, Creative Producer, BBC Media Action, adds, "It's quite tricky to engage viewers with an issue like faecal sludge management. The challenge is to convert technical information into full-blown entertainment – a story that's full of romance, drama humour and aspirations. Navrangi Re! is an attempt to achieve that balance."

    This finite series promises to make you laugh while raising critical questions around ‘flush kebaadkikahaani’, thus making it a challenging experience because how does one make shit prime-time and fun? Siddharth Kumar Tewary, Founder, Producer, Creative Director, Swastik Productions agrees, “Sanitation is a serious issue and the challenge for us was to merge this topic with entertainment and create a light-hearted show which 

    entertains yet gets a strong message across to our viewers. The partnership of the Bill & Melinda Gates Foundation, BBC and Viacom18 and Swastik is a great step on Indian Television as we bring forth content on a mass medium which shall have viewers laughing and learning simultaneously.”

    But the USP of the show doesn’t end here! There is a special guest who joins the Mohalla one day as well, and it’s none other than Anil Kapoor, the superstar himself, who is known to take roles he truly believes in. But what made him do a cameo on TV? Says Anil Kapoor, “Most people believe that talking about the cause of sanitation is boring. But Viacom18, being the powerful storytellers that they are, took it upon themselves to add a quirky twist to a seemingly mundane topic and made it funny. The cause is aligned with Sri Narendra Modi ji’s vision of Swacch Bharat Abhiyan, and also very close to my heart. I agreed to do a cameo, because I believe every small step brings change.”

    Aamir Ali as Vishwaas said “I couldn't have asked for a better start to the year. Navrangi Re! is very close to my heart because the character of Vishwas is very relatable. He is fun and games yes, but he also has this hunger of doing something for the betterment of the society.”

    Vaishnavi Dhanraj as Chitralekha said, “Navrangi Re! urges you to #GiveAShit and take responsibility. It's actually my New Year resolution as well.  I think everyone who watches this show will enjoy it,and take a message at the end of it. I couldn't have asked for anything better.”

    Susmita Mukherjee as Rajrani said “I've been part of many TV shows in my career, but this one will always be close to my heart. It's a finite series for once, something I've never done before, which means we have the added challenge of establishing our character in a shorter period of time. Also, the character is very “Navrangi” herself.”

    Raju Kher as Gajraj Singh said, “Navrangi Re! gives me the opportunity to explore lots of emotions while passing on the message of sanitation. It's a very creative concept, with a host of actors that are balls of energy themselves. Every day at the sets is unique and rejuvenating. I can't wait for the audience to feel the same love for Navrangi Re! that we have felt while acting in it.”

    Navrangi Re! will launch on February 2nd, 2019 and will be telecaston Saturday and Sunday at 9:30 pm on Rishtey.It will also air on COLORS Gujarati and COLORS Odia at 6:30 p.m. on Saturdays and Sundays starting February 9th. Viewers can also watch it anytime on VOOT.
     

  • ‘Main Tera Hero’: David & Dhavan

    ‘Main Tera Hero’: David & Dhavan

    MUMBAI: When watching a David Dhavan film, remember he is a Manmohan Desai fan and believes in making films to entertain. Ergo, don’t look for logic or argue about the last scene and the next being not connected. As long as the film gives you ‘time pass’ his agenda has been met. A father directing his son is a rare privilege enjoyed by very few filmmakers. Here, David directs his son, Varun Dhavan.

    Varun is a good-for-nothing boy studying in Coonoor and, obviously, finds it hard to get through his class. Many of his fellow students go to Bengaluru to study and come back with better results. Varun also decides to do that. Once in a Bengaluru college, the inevitable happens. He spots Ileana D’Cruz and, for him, it is love at first sight. Since this is a remake of the Telugu film, Kandireega, what follows is bizarre! It happens only in South Indian films and that is, Ileana is being watched over by a bunch of goons delegated by Arunoday Singh, a local cop who is in love with her and overtly possessive about her so no one dare look at her, let alone come anywhere near her or love her. Arunoday is always accompanied by a fellow cop and his sidekick, Rajpal Yadav.

    Well, Varun has already fallen for her and is not scared of Arunoday which he proves at first opportunity by thrashing his goons. Next he should be thrashing Arunoday and that would be the end of the story. But that would also mean the end of the film less than hour into it. For the sake of affording the film its full 2-hours-plus run, Arunoday challenges Varun to win over Ileana in the next three days or else face his wrath.

    Varun wins over Ileana even before he starts and Arunoday should not be a hurdle anymore.  And he is not, but there is a bigger challenge for Varun now. His lady love, Ileana is kidnapped and the man behind it is the father of a girl who fell for Varun when he was on his way to Bengaluru. It so happened that he fought some rowdy boys on the way and a girl, Nargis Fakhri, who captured his actions on her handycam had fallen for him. She happens to be the daughter of the biggest don operating between Asia and Africa, Anupam Kher. Ileana has been kidnapped by the don’s man so that Varun follows her and Kher can then make him marry his daughter, Nargis!

    Producers: Ekta Kapoor, Shobha Kapoor.

    Director: David Dhavan.

    Cast: Varun Dhawa,Ileana D’Cruz, Nargis Fakhri, Arunoday Singh, Anupam Kher, Evelyn Sharma, Raju Kher.

    Anupam is supposed to be sinister, pulling out a gun at the drop of a hat. But for the sake of entertainment, he is more of a caricature, with Saurabh Shukla as his sidekick. As if that were not enough, Arunoday, along with his sidekick, Rajpal, has also followed Varun to Anupam’s den. Varun has ten days to marry Nargis. Meanwhile, he has to pretend to be in love with Nargis while trying to get her out of his hair so he can romance with his true love, Ileana. The only help he has is from lord Ganesh and Jesus Christ, their statues talking back to him. Finally, Nargis finds her true love in Arunoday with some help and prodding from Varun.

    While the first half is fun and dance and battles of one-upmanship with Arunoday, the film gathers more pace in second half as more characters are added in the form of Anupam, Saurabh and Nargis. Being a Telugu remake, some aspects may seem farfetched: like the character of Arunoday, a mere inspector who terrorises a girl and her parents as he plans to marry her, that too in a metro like Bengaluru.

    David Dhavan directs his son and has rightly chosen to make a light entertainer which usually don’t backfire and fit the slot of a typical David film. As usual, he also does not get carried away with length and restricts the film to 128 minutes. The film has peppy music and provides scope for Varun to showcase his dancing prowess. However, the background score is full of pieces from RD Burman and Bappi Lahiri repertoire. Cinematography is good. Varun has an easy job of playing a carefree young man with the role requiring no drama. But why is he imitating Govinda and Anil Kapoor? Ileana is okay while Nargis has little to do. Anupam and Saurabh are in their element providing much of the fun. Shakti Kapoor in guest role lends his presence.

    On the whole, Main Tera Hero is a fair entertainer with a reasonably good opening response. While the T20 may affect its collections on Friday and Sunday (if India qualifies for the finals), in many parts it will have the advantage of Ram Navami and election day holidays.

    Jal: Dry run…

    Kutch, the deserted district of north-west Gujarat, seems to have become the flavour of the season for both commercial as well as offbeat films. Jal is the latest film based in Kutch, dealing with its water problems. The film is about a clairvoyant who can pinpoint a spot where a well can be dug to find water. Now that Narmada waters have reached far-flung corners of Kutch including the borders manned by the army, the subject may seem a bit out of sync but mattered a lot not very long ago.

    Producers: Puneet Singh, Girish Malik, Sumit Kapoor, Yogesh Mittal.

    Director: Girish Malik.

    Cast: Purab H Kohli, Kirti Kulhari, Saidha Jules, Mukul Dev, Tannishtha Chatterjee, Yashpal

    Sharma, Ravi Gossain, Vicky Ahuja.

    Purab Kohli is Bakka who is gifted with this instinct of spotting water underground with the help of his two brass sticks. He is right 60 per cent of the time by his own admission and his village counts on him in the absence of an alternative. When he isolates a spot, they just dig! This is his livelihood. On a personal front, Bakka loves the daughter of the mukhiya of the neighbouring village, Kirti Kulhari, with which his village has a running feud because that village has abundant water while his village has no source of water. Bakka is also loved by his best friend’s sister in his own village, Tannishtha Chatterjee.

    Things change for Bakka and his villagers when a researcher, Saidha Jules, arrives. She sets up her base on the waterfront where thousands of flamingos arrive each year. Soon she notices that the young ones of these flamingos die because of excess salt content in the water. The salt dries up in their wings rendering them flightless. She realises that sweet water needs to be added to this flow of water. Drilling machines are brought in and spots isolated where water could be found. This also provides labour to villagers who are engaged to take the dug sand away. However, despite the drill and the computer, the team fails to find water.

    Bakka’s skills are called upon to identify spots with water. All the three spots he earmarks give water. Bakka becomes a small celebrity and also gets employment from the government. Now the neighbouring village mukhiya is ready to give his daughter to Bakka in marriage. All is going well when his own villagers expect Bakka to borrow the drilling machine from Saidha and her colleague Gary Richardson. But, before he could raise the subject with Saidha she has left having finished her job. Gary also feels he has no use for Bakka now and ignores him. It is while Gary and his team are away that Bakka lures their middleman, Yashpal Sharma, with gold collected from the villagers. But, tragedy strikes, the machine breaks down and all hell breaks loose.

    The happy days are over for Bakka. His efforts to manually dig for water fail. The gold is stolen and he is blamed and thrown out of the village along with his heavily pregnant wife. When, finally, good news comes in the form of an article on his skills and a cheque as a reward, Bakka is nowhere around to collect it.

    While the first half is light with a lot of bonhomie and humour among the villagers, the second half, especially towards the end, becomes heavy with some forced tragedy. Direction is generally good. Background score as well as the choice of folk songs is effective. The highlight of the film is cinematography by Sunita Radia who captures vast vistas of the desert beautifully while also excelling otherwise. Purab is impressive with another good performance coming from Tannishtha. The rest, cast as village folk are natural.

    Jal will find a lot of appreciation from critics as well as on the festival circuit but not find many takers in cinema halls.