Tag: Rajshri Productions

  • Rajshri Productions to make OTT debut with  Bada Naam Karenge on Sony Liv

    Rajshri Productions to make OTT debut with Bada Naam Karenge on Sony Liv

    MUMBAI: Rajshri Productions and the Barjatya family have regaled us with family-oriented movies for decades now. Whether it was Nadiya ke Paar or Jeevan Mrityu or Maine Pyar Kiya or Hum Aapke Hain Koun or the more recent Uunchai, families flocked to the cinema halls knowing what they were going to get: squeaky-clean-emotional-yet-entertaining- and-very rooted-in-Indian-culture fare.

    Now, the production house is  set to make its highly anticipated OTT debut with the series Bada Naam Karenge premiering on 7 February on Sony Liv. This heart-warming tale explores themes of love, family, and self-discovery, perfectly timed for the season of romance.

    Directed by Palash Vaswani, known for Gullak, and helmed by legendary showrunner Sooraj R. Barjatya, Bada Naam Karenge infuses a modern twist into traditional storytelling, remaining true to Rajshri’s legacy of heartfelt narratives.

    The series follows Rishabh and Surbhi, a Gen Z couple navigating their dreams while embracing the warmth of family values. Their journey intertwines love, tradition, and self-identity, aiming to evoke laughter, tears, and introspection.

    Showrunner Sooraj R. Barjatya remarked:  “Bada Naam Karenge is a labor of love that celebrates family and respect for tradition in a modern world. It bridges generational gaps, showing that Gen Z can be ambitious yet deeply rooted in values.”

    Director Palash Vaswani added:  “I believe the innocent romance that once graced our screens is missing from modern entertainment. This show aims to revive that beloved genre, offering a family-friendly experience that resonates with all ages.”

    The stellar cast includes Ritik Ghanshani, Ayesha Kaduskar, Kanwaljeet Singh, Alka Amin, and Jameel Khan, among others. 

    Bada Naam Karenge invites viewers to rediscover love and family values, showcasing moments that inspire and uplift.

  • Netflix gets competition as Hooq enters Singapore market

    Netflix gets competition as Hooq enters Singapore market

    MUMBAI: Team Netflix, please take note. Video streaming service Hooq is now available in Singapore. It launched in the Philippines early last year, and has since expanded to Thailand, India and Indonesia. In India, Hooq plans to invest $2 million on home-grown content.

    Hooq is a joint venture by Singtel, Sony Pictures Television and Warner Bros. Entertainment.

    The platform has a catalogue of over 20,000 movies and television shows, comprising both Hollywood and regional content. Apart from Hollywood content, Hooq has presently sourced Indian films and shows from studios like Rajshri Productions, Reliance Entertainment, Shemaroo Entertainment, Balaji Telefilms and Whacked Out Studios. With the cost of making original English language shows high, the platform is considering Hindi and other Indian language content.

    It gives users access to Hollywood, Filipino, Indonesian and Indian content but there are plans to add Korean, Malay and Chinese content within the next 90 days.

    In Singapore, a subscription costs from $8.98 a month, to $78.98 for 360 days ($6.58 a month). Discounts are available for longer subscriptions. Hooq has also partnered with Singtel to offer prepaid streaming data bundles starting at $7 for 1 GB of streaming. More bundles will be available for the customers in the next few months.

  • Netflix gets competition as Hooq enters Singapore market

    Netflix gets competition as Hooq enters Singapore market

    MUMBAI: Team Netflix, please take note. Video streaming service Hooq is now available in Singapore. It launched in the Philippines early last year, and has since expanded to Thailand, India and Indonesia. In India, Hooq plans to invest $2 million on home-grown content.

    Hooq is a joint venture by Singtel, Sony Pictures Television and Warner Bros. Entertainment.

    The platform has a catalogue of over 20,000 movies and television shows, comprising both Hollywood and regional content. Apart from Hollywood content, Hooq has presently sourced Indian films and shows from studios like Rajshri Productions, Reliance Entertainment, Shemaroo Entertainment, Balaji Telefilms and Whacked Out Studios. With the cost of making original English language shows high, the platform is considering Hindi and other Indian language content.

    It gives users access to Hollywood, Filipino, Indonesian and Indian content but there are plans to add Korean, Malay and Chinese content within the next 90 days.

    In Singapore, a subscription costs from $8.98 a month, to $78.98 for 360 days ($6.58 a month). Discounts are available for longer subscriptions. Hooq has also partnered with Singtel to offer prepaid streaming data bundles starting at $7 for 1 GB of streaming. More bundles will be available for the customers in the next few months.

  • Hooq plans to invest $2 million on original Indian content

    Hooq plans to invest $2 million on original Indian content

    MUMBAI: Hooq plans to invest $ 2 million in Indian original content in India. This is part of its APAC strategy to start sourcing local original content in Asian countries.

    A joint venture of SingTel, Sony Pictures TV and Warner Bros., Hooq entered the Indian market back in May this year with a catalogue of over 10,000 movies and TV series.

    “We are in talks with a few other (production) studios in India but nothing finalised yet. As we are still in an observation phase, we are seeing a gap in local language content available on broadcasters’ apps. Such content or programming is not available on other neutral platforms too. That is the gap we are looking (at filling),” said Hooq India managing director Salil Kapoor.

    Though Kapoor refused to comment on investment plans, entertainment industry sources indicated that in the first phase Hooq is likely to spend up to $ 2 million in Indian original content, a plan that’s similar to what the company proposes to do in some other Asian countries too.

    Apart from Hollywood content, Hooq has presently sourced Indian films and shows from studios like Rajshri Productions, Reliance Entertainment, Shemaroo Entertainment, Balaji Telefilms and Whacked Out Studios. With the cost of making original English language shows high, the platform is considering Hindi and other Indian language content.

    For the OTT platform, consumption of its service in the four south Indian states of Kerala, Andhra Pradesh, Tamil Nadu and Karnataka is high and an area of focus in terms of content and expanding subscriber base.

    Though the Indian OTT market is still in an early stage in terms of revenue generation and subscriber base, Hooq has priced its monthly subscription at Rs 199 in a price sensitive market where high data charges and indifferent bandwidth are also major challenges for an OTT player. New subscribers are offered a seven-day trial package for free.

    Interestingly, all the investors of Hooq have other investments too in India. SingTel is a major investor in telco Bharti Airtel, while both Sony Pictures TV and Warner Bros. have separate businesses running in India. Hooq presently operates in the Philippines, Thailand and India with a population footprint of over 1.4 billion people.

    India, which as per a Media Partners Asia report could gain in APAC online video segment owing to China’s restrictive policies, has seen some global digital players setting up shop with significant initial investments in the OTT/VOD eco-system.

    Netflix, for example, has earmarked $5 billion for content creation and acquisition for 2016 calendar period. Chinese Internet conglomerate LeEco is likely to invest nearly $1.5 billion in media-entertainment industry for content aggregation. Amazon Prime, according to media reports, plans to invest $300 million in funding movies and television series in India and is in talks with Bollywood studios.

    Apart from global players, local players too have lined up significant investments in content for online video services. This includes Star India, Viacom18, Sony India, Savvn, Zee, Times of India group and Arre. Mukesh Ambani-controlled Reliance Industries has plans to pump in $17 billion in the Reliance Jio eco-system to build a platform that is aimed at taking Indians to live the digital life with cutting-edge services and quality content.

  • Hooq plans to invest $2 million on original Indian content

    Hooq plans to invest $2 million on original Indian content

    MUMBAI: Hooq plans to invest $ 2 million in Indian original content in India. This is part of its APAC strategy to start sourcing local original content in Asian countries.

    A joint venture of SingTel, Sony Pictures TV and Warner Bros., Hooq entered the Indian market back in May this year with a catalogue of over 10,000 movies and TV series.

    “We are in talks with a few other (production) studios in India but nothing finalised yet. As we are still in an observation phase, we are seeing a gap in local language content available on broadcasters’ apps. Such content or programming is not available on other neutral platforms too. That is the gap we are looking (at filling),” said Hooq India managing director Salil Kapoor.

    Though Kapoor refused to comment on investment plans, entertainment industry sources indicated that in the first phase Hooq is likely to spend up to $ 2 million in Indian original content, a plan that’s similar to what the company proposes to do in some other Asian countries too.

    Apart from Hollywood content, Hooq has presently sourced Indian films and shows from studios like Rajshri Productions, Reliance Entertainment, Shemaroo Entertainment, Balaji Telefilms and Whacked Out Studios. With the cost of making original English language shows high, the platform is considering Hindi and other Indian language content.

    For the OTT platform, consumption of its service in the four south Indian states of Kerala, Andhra Pradesh, Tamil Nadu and Karnataka is high and an area of focus in terms of content and expanding subscriber base.

    Though the Indian OTT market is still in an early stage in terms of revenue generation and subscriber base, Hooq has priced its monthly subscription at Rs 199 in a price sensitive market where high data charges and indifferent bandwidth are also major challenges for an OTT player. New subscribers are offered a seven-day trial package for free.

    Interestingly, all the investors of Hooq have other investments too in India. SingTel is a major investor in telco Bharti Airtel, while both Sony Pictures TV and Warner Bros. have separate businesses running in India. Hooq presently operates in the Philippines, Thailand and India with a population footprint of over 1.4 billion people.

    India, which as per a Media Partners Asia report could gain in APAC online video segment owing to China’s restrictive policies, has seen some global digital players setting up shop with significant initial investments in the OTT/VOD eco-system.

    Netflix, for example, has earmarked $5 billion for content creation and acquisition for 2016 calendar period. Chinese Internet conglomerate LeEco is likely to invest nearly $1.5 billion in media-entertainment industry for content aggregation. Amazon Prime, according to media reports, plans to invest $300 million in funding movies and television series in India and is in talks with Bollywood studios.

    Apart from global players, local players too have lined up significant investments in content for online video services. This includes Star India, Viacom18, Sony India, Savvn, Zee, Times of India group and Arre. Mukesh Ambani-controlled Reliance Industries has plans to pump in $17 billion in the Reliance Jio eco-system to build a platform that is aimed at taking Indians to live the digital life with cutting-edge services and quality content.

  • What’s in store for Life OK in the coming months?

    What’s in store for Life OK in the coming months?

    MUMBAI: It was in late 2011 when viewers were introduced to one more general entrainment channel (GEC) and who had thought that in a short span of three years, Star Network’s Life OK would challenge the established ones.

     

    After climbing to the third spot in the TAM TV ratings chart and staying there for long now, the channel has proved its might. It created a niche for itself because of its path breaking content like ‘Saubhagyavati Bhava’, ‘Savdhaan India’ and ‘Devon Ke Dev…Mahadev’.

     

    The man behind the success, the channel’s general manager Ajit Thakur is a humble man who believes in delivering results rather than talking about it.

     

    Thakur who took the path less taken, in an earlier interview to indiantelevision.com, had said that before 2014 ends the channel will have new offerings for its viewers.   

     

    And keeping to his words of giving viewers a never-before-seen experience, the channel has announced its newest property. A dance reality show, ‘Dance to Dance’ will see Akshay Kumar mentoring the contestants as well as hosting it.

     

    Thakur had earlier said in a statement expressed that he has no aversions in doing what other channels are already doing, be it dancing, singing or saas-bahu soaps, but his focus will be on how to do it differently.

     

    The reality programme will see the dancers perform in challenging venues rather than on a stage or a set. One would dance on a narrow wall or even under water. Kumar will first demonstrate the format to each contestant in the dance format with a commitment of a ‘first of its kind’ show.

     

    Produced by SOL Productions, it is open to trained dancers from across the globe rather than just celebrities. Thakur informed that around 30 per cent of the budget of the series will be spent on marketing. Since, there will be several foreign participants, apart from advertising on channels, newspaper, hoardings and radio announcements, social media will be used heavily to reach the viewers overseas.

     

    Apart from this, there are two more new fiction shows that will grace the small screen, soon. The channel is open to work with new producers and agencies and take the channel to the next level.

     

    It has already joined hands with Rajshri Productions, Balaji Telefilms and producer Vipul Amrutlal Shah. Sources close to the development reveal that all the shows are currently at the planning stage and will have clarity in the next two months.

     

    “The series will be on-air post Diwali,” adds the source.

     

    Thakur intends to maintain the momentum by continuing with non-traditional content on the channel. Ekta Kapoor’s programme tentatively titled – Bade Dhoke Hai Is Raah Mein Pyaar Ke marks the fiction debut of Sonali Bendre on television.

     

    Reported to be a story with a political backdrop, Bendre is supposed to play the protagonist, who will be forced to develop a career of her own after her husband would get caught in charges of corruption.

     

    Talking about the channel’s second upcoming property, Shah needs no introduction. The man who started off his career with the soap opera Ek Mahal Ho Sapno Ka has given the industry many successful movies in Aankhen, Namastey London, Singh Is Kingg, and many more. After the success of the game-changer show 24 on Colors, Shah’s show is touted to be another big success story.

     

    Tentatively titled Force, it will be an action-thriller series. It has also roped former Roadie Rannvijay Singh as the lead.

     

    Last but not the least, Rajshri Productions, which currently has ‘Pyaar Ka Dard Hai…’ on Star Plus, is set to narrate one more love story but in a different manner. The show that was tentatively titled Khel Khel Mein has got its final title in Mere Rang Mein Rangnewali.

     

    The serial stating true to Rajshri’s taste will see a joint family with three generations staying together. The show is touted to be a complete family drama with a ‘slice of life’ story about young love.

     

    “We have set a benchmark for new genres. We want to find more new stories and that as time goes by, will become the next level for Life OK. We have always taken pride in working with new people, both inside Life OK and the people we work with outside, our producers and agencies,” Thakur had said in an earlier statement.

     

     

     

     

  • Kaushik Ghatak to direct Samrat And Co for Rajshri Productions

    Kaushik Ghatak to direct Samrat And Co for Rajshri Productions

    MUMBAI: Rajshri Productions‘ Kavita Barjatya is all set to produce Hindi cinema‘s first detective saga filled with suspense and adventure. Titled Samrat And Co, the movie will be directed by Kaushik Ghatak.

    What‘s more, the movie may also see Rajshri Productions branching off a new wing under which the movie will be produced. Rajshri is looking at making Samrat And Co a dedicated detective franchisee in Bollywood.

    Specially targeting India‘s young audiences, Barjatya has embarked on bringing to Bollywood, the first of its kind detective franchisee, wherein the very nuances of crime solving, human nature and the world of standalone private investigators will be presented on the big screen.

    Barjatya said, "Today is a wonderful time for cinema… People are ready to accept different stories, different genres, different characters and a different treatment. Today we can tell the story which we wish too and not be caught up in boundaries of formulas… We have also seen that the uniqueness of the concept is the driving force in today‘s films. When Kaushikji narrated me a couple of subjects, this one really excited me. I have known and worked with Kaushik ji since 2004. He has directed most of my TV shows and they were all landmarks. Hope to create the magic on big screen now. It‘s going to be a challenge to cater to the typical Rajshri‘s family audiences as well as today‘s youth".

    Ghatak added, "Sherlock Holmes, Hercule Poirot, Feluda, Byomkesh Bokshi, etc were my best friends since childhood, of course through their books… I have grown up with this genre. Their adventures always fascinated me… For a very long time I wanted to create a detective in our very own Bollywood cinema…but in our own style which is apt for our entertainment – loving hindi movie goers. Thanks to Kavitaji, with whom I have shared a long and wonderful working relationship, for understanding this new kind of cinema and making it happen".

  • Rajshri’s Jaana Pehchana bombs at the box office

    Rajshri’s Jaana Pehchana bombs at the box office

    MUMBAI: Jaana Pehchana, Rajshri Productions‘ experiment of a sequel to its 1978 hit Ankhiyon Ke Jharokhon Se, has not worked despite a single screen, four shows release; after drawing some curious watchers in the opening show, the film has fizzled out.


    Rivaaz is an also ran.
     
    Mere Brother Ki Dulhan has collected about Rs 380 million in its first week; it benefited from the postponement of Mausam release, leaving the week open. The film netted another Rs 120 million in its second weekend.


    Bodyguard mopped up Rs 215 million in its second week, taking its net collections to Rs 1.36 billion. The collection figure in the third weekend is Rs 58.5 million.

  • Rajshri breaks distribution practice for Jaana Pehchana release

    Rajshri breaks distribution practice for Jaana Pehchana release

    MUMBAI: Breaking away from the current practice of releasing a film with more that 1,500 prints, Rajshri Productions has decided to release its upcoming film Jaana Pehchana with a single print in Mumbai on 16 September. It will have 29 prints distributed in other parts of the country.

    Moreover, the production house is planning to release the print in the good old reel format instead of the present-day digital style. “It makes better sense to release a film this way. We believe its content is good and if we get positive feedback from the audience, we will increase the number of prints,” Rajshri‘s head of distribution and marketing P S Ramanathan said in a statement.

    It may be recollected that Rajshri‘s Hum Aapke Hain Kaun had a similar distribution plan: It released in Mumbai with one print and had 29 prints sent across the other parts of the country.

    “The rationale behind the limited release of that film was that most cinema halls at that time didn‘t have the stererophonic sound systems that we needed for the film. Salman Khan‘s Maine Pyaar Kiya was also released with just 18 prints in 1989 and we ended up releasing the film in more than 1,800 screens,‘” Ramanathan added.

    Jaana Pehchana is a sequel to the Sachin-Ranjeeta-starrer Ankhiyon Ke Jharoke Se that released way back in 1978. The film starts off where Ankhiyon Ke Jharoke Se ended, with Ranjeeta‘s character‘s death due to cancer. The second installment has been directed by Sachin himself and tells the story of middle-aged Arun Mathur, who is still grieving for his high-school love.