Tag: Raj Nayak

  • Colors syndicates ‘Farah Ki Daawat’ to Pakistan’s TV One

    Colors syndicates ‘Farah Ki Daawat’ to Pakistan’s TV One

    MUMBAI: IndiaCast and Hindi general entertainment channel (GEC), Colors have inked a syndication deal for Farah Ki Daawat to Pakistan’s GEC – TV One. With the syndication of this show, 12 Colors programs now air in Pakistan.

     

    Colors CEO Raj Nayak said that entertainment is at the very core of every initiative it undertakes. “The syndication of Farah Ki Daawat to Pakistan boosts our confidence in going beyond the norm to create differentiated content that appeals to viewers not only in India but across the world,” he added.

     

    IndiaCast COO Gaurav Gandhi said, “The content on Colors is a great proposition for international viewers, especially within the Indian sub-continent. It has been our constant endeavor to present the best of Indian entertainment to viewers across the world and this syndication deal with Pakistan’s TV One furthers this promise. We are pleased to present the audience in Pakistan with a unique concept like Farah Ki Daawat for their weekend viewing.”

     

    The show was launched in India on 22 February, 2015 with an episode featuring Abhishek Bachchan and guest Sargun Mehta. The show had received positive feedback from viewers across social media platforms.

     

    Khan said, “I am thrilled by the feedback that viewers have showered Farah Ki Daawat with. The show is gaining popularity and, across various social platforms, viewers are commenting about the ease with which they have been able to replicate the recipes in their own kitchens. Farah Ki Daawat’s syndication to Pakistan’s TV One, gives me the unique opportunity to reach out to Bollywood fans and food lovers across the border.”

  • ‘Balika Vadhu’ becomes the longest running daily drama on Indian television

    ‘Balika Vadhu’ becomes the longest running daily drama on Indian television

    MUMBAI: If there is one thing that everyone wishes for, it is that their children do not go through the hardships that they have faced in their own life. The story will come a full circle on Colors flagship show, Balika Vadhu as an 11-year leap sets the stage for a new era led by Anandi’s daughter, Nimboli whose lost childhood is shrouded by the travails of being a child bride. Leading a chaste life with the only family she has truly known since birth, it is Nimboli’s endearing personality that pulls at the heartstrings of everyone around her.

     

    As the show becomes the longest running daily drama series on Indian television with maximum number of episodes, Nimboli’s journey on Balika Vadhu kicks off starting 4 March, 2015 and will air every Monday to Saturday at 8:00 PM on the channel.

     

    Commenting on the new age dawning in Balika Vadhu, Raj Nayak, CEO – COLORS, said, “The success of Balika Vadhu is synonymous with our success as an entertainment channel because it become a key identifier for our offerings to viewers. Over the years, Balika Vadhu has become a global phenomenon through characters which resonate with viewers across the world. As we now enter a new phase on the show, with the promise to showcase newer entertainment avenues, we are proud to celebrate the milestone of being the longest running fiction drama on Indian television. This landmark achievement could not have been possible without our viewers’ unending love and relentless support and the hardwork of our creative team and our producers”.

    As the story moves forward by 11 years, Balika Vadhu will now highlight the life of Anandi’s daughter Nandini who, unknown to her mother, has been subjected to a thali wedding when kidnapped as an infant. A single mother and widow, Anandi’s heart cries out for her missing daughter. But, she eventually finds solace in becoming a social activist after establishing a gurukul for women who have been wronged in life. Even as Anandi’s yearning for her daughter continues to grow over the years as she prays for her daughter’s welfare, Nandini is rechristened as Nimboli by her tough-to-please in-laws who consider her to be as bitter as the fruit of a neem tree. Nimboli has one dream…to be free and enjoy her life, but her dreams are quashed by her insensitive in-laws and husband.

     

    Growing up in a household where gender bias and inequality are the way of life, Nimboli finds an ally in Mangala Devi who is her guiding light and supporter through every hardship that comes her way.

     

    Commenting on the new era, Manisha Sharma, Programming Head – COLORS, said, “After entertaining viewers through a record-breaking no of episodes, Balika Vadhu is now ready for a brand new chapter to unfurl in the lives of Anandi and her children. The unpredictable journey peppered by sharp twists in Anandi’s journey has enabled us to deliver meaningful content to our viewers every single day. Over the past 7 years, we have not only showcased the story of a child bride, but also touched upon various issues such as adult education, widow remarriage, adoption and many more which have established Anandi as the face of change. And now, as Nimboli’s life as the new Balika Vadhu is about to begin, the story comes a full circle with child marriage being at the helm of a new journey on the show.”

     

    Speaking about the new phase in the show, Toral Rasputra aka Anandi, said, “Balika Vadhu has been all about Anandi for the past 7 years. And now, as Anandi’s daughter finds herself caught in the same situation and history is repeating itself, a new journey is set to begin…from the eyes from Nimboli. Over the years, Anandi’s stature has grown by leaps and bounds, and she has, today, become the voice of reason which the entire country looks up to. Portraying the character of a mother whose child has been snatched from her arms has many emotional nuances which have helped me grow as an actor. I hope that the viewers are supportive of this new undertaking in Balika Vadhu and give as much love to Nimboli as they have to Anandi.”

     

    As the story Balika Vadhu readies to move forward, COLORS has roped in 11-year-old Baroda resident, Gracy Goswami to portray the character of young Nimboli whose life and dreams have been compromised since she was an infant.

     

    Stepping into the shoes of Anandi’s daughter, Gracy Goswami aka Nimboli said, “For more than a year now, I have watched Balika Vadhu with my mother and wondered it is like for young girls who find themselves trapped in this situation. Nimboli is much like me – a mischievous young girl with a whole lot of questions in her mind. Balika Vadhu is an educative show highlighting the wrongs that happen in our society, and I feel extremely lucky to be playing the daughter of an inspirational character like Anandi. I hope that fans of the show enjoy watching me on screen and support my character.”

     

    Speaking about the leap, producer Sunjoy Waddhwa from Sphere Origins said, “When we launched Balika Vadhu, little did we know that the show will become the phenomenon that changed the face of Indian television to what it is today. It is extremely satisfying for us to see the show’s popularity continue soar as Balika Vadhu becomes the longest running drama on television. Balika Vadhu has been a beacon of change in the society and we hope that the fresh perspective through the eyes of Nimboli will continue to find mass appeal amongst viewers across the country.”

  • Colors bets big on cookery show with Farah Khan as host

    Colors bets big on cookery show with Farah Khan as host

    MUMBAI:  Food is an important part of general entertainment channel’s (GEC) programming line-up these days and this time round Colors is adding the entertainment quotient to it.

    Colors is all set to bring to the table a variety of dishes with the launch of its new cookery show – Farah Ki Daawat, which will be hosted by filmmaker Farah Khan.

    After her successful stint in the channel’s reality TV show, Bigg Boss Halla Bol, Khan is set to return to the small screen with the new series. Produced by Wizcraft Entertainment, the new programme will see Bollywood and television celebrities showcasing their culinary skills by tossing up some delectable dishes. What’s more, Khan will be seen breathing down their neck and emphasizing on perfection as the judge cum host.

    Talking about the concept of the show, Colors CEO Raj Nayak feels that the new offering will provide viewers with an uninhibited glimpse into the kitchen of their favourite celebrities – a concept which has never been seen on television before.

    Nayak says, “At Colors, it is our constant endeavour to present differentiated content, which adds to our bouquet of offerings while making the channel a one-stop entertainment destination for our viewers.”

    The show will see celebrities from different walks of life sharing their favourite food recipes and memories from their kitchen. The series will also feature challengers who, teamed up with the celebrities, to raise the entertainment quotient while engaging in quirky tasks and activities.

    Nayak is of the opinion that apart from the novel concept, Khan – a multi-faceted personality, who is a closet foodie, will be the cherry on the cake. “The combination of good food and great conversations convinced us that the concept could be a potential attention grabber amongst viewers,” asserts Nayak.

    According to Nayak, currently the plan is to shoot 15 episodes. However, that could change on the basis of viewer feedback towards the episodes. As of now, five-six episodes have already been canned.

    If industry sources are to be believed, keeping in mind the celebrity quotient on the show, a 10-sec ad slot on Farah Ki Daawat demands anywhere between Rs 1 – 1.2 lakh per episode.

    Apart from the promos on-air, Khan herself has been aggressive about promoting the show on the social media platform – Twitter. From posting pictures while shooting with celebs to inviting people for the ‘dawaat’ on 22 February, she has created a lot of buzz.

    The celebs that have shot with Khan till now are Abhishek Bachchan, Alia Bhatt, Riteish and Genelia Deshmukh, Avinash Gowariker, Manish Paul, Boman Irani, Sonu Sood, Malaika Arora Khan. What’s more Bigg Boss 8 winner Gautam Gulati and housemates like Pritam Singh, Diandra Soares, Sambhavna Seth, Rahul Mahajan, Ajaz Khan and Praneet Bhat will also be seen on the show.

    For Farah Ki Daawat, the channel has already got thumbs up from advertisers. Colors has roped in a volley of sponsors including Videocon as presenting sponsor, Kenstar as associate sponsors and Everest Masala as taste sponsors. The show will be powered by Mahakosh Cooking Oil.

    According to a media planner the cookery chat show will manage to grab some eyeballs with the celebrity quotient factor. “Initially, the show will have a certain audience, but in the end content is king. Let’s see if Farah is able to pull off her host element well and secondly if an hour-long session is entertaining enough.”

    It may be recalled that channels have for long experimented with food based cooking shows. From brief cookery episodes on Surabhi (DD) to Zee TV’s Khana Khazana, which launched Sanjeev Kapoor as a celebrity chef, the small screen has had a lot of shows revolving around producing gastronomic delights, apart from dedicated food channels like Zee Khana Khazana, Food First and Food Food.

    Competition is hotting up in this space too. Post MasterChef India’s (Star Plus) launch in 2010, a plethora of cookery talent hunt shows followed suit, including Kitchen Champion, with celebrity chef Gauti (Colors), Cook It Up with Tarla Dalal (Sony), Zaike Ka Safar (Zee TV), Mirch Masala (Star Plus) and Shipra Khanna Cookery Show (Star Plus), amongst others. What’s more, in a renewed attempt at the segment in 2013, Sony had launched Sanjeev Kapoor Ke Kitchen Khiladi, its first cookery-based competition show. Star Plus too continued its MasterChef series with MasterChef Junior.

    Today’s broadcasters realise that there is a show for every segment of the audience, from kids to grand-parents, from a 10-year old to health conscious corporate executives, house wives, working men and women to a 70-year old grandmother, is discussing food and tuning into food shows on television for recipes and more. It remains to be seen whether Farah Ki Daawat is able to tingle the audiences’ taste buds.

    Farah Ki Daawat will air from 22 February every Sunday at 8 pm and will see competition from shows like Private Investigator on Star Plus, Adaalat on Sony, Peterson Hill on Sab, Neeli Chatri Waale on Zee TV and Savdhaan India on Life OK.

  • India Vs Pakistan: A match ‘Not to be missed’

    India Vs Pakistan: A match ‘Not to be missed’

    MUMBAI: Whether it is Kashmir, Baluchistan, football, hockey or cricket; India vs Pakistan is always big news. This time the battlefield is the Adelaide Oval in Australia and war is ICC Cricket World Cup 2015.

     

    The war of bat and ball, of mental strength and temperament, will start at 9.00 am Indian Standard Time (IST) with the national anthems of the respective countries followed by 100 overs of nail biting cricketing action. It will be pride for some and agony for others, but whatever the result may be, it will end with handshakes and hugs. That’s what makes this battle so exciting and one of the most watched rivalries in sports history.  

     

    Commenting on the magnitude of India vs Pakistan match, Colors CEO Raj Nayak said, “It’s indeed a big match and I will obviously cheer for India. But we have to understand the fact that it’s just a match and the team that plays better cricket will win. The timing is very good and hence I will obviously watch the match.”

     

    Multi Screen Media president Rohit Gupta opined, “Though I don’t get to follow the 50 overs format, I will certainly try to watch the India – Pakistan bout. My support is always with India but may the best team win.”

     

    “India vs Pakistan is a big match and it’s great that India is starting their campaign against Pakistan. It will decide the tone of the tournament and build immense interest in the country,” added NDTV executive vice-chairperson K. V. L. Narayan Rao.

     

    Madison Communications COO Kartik Lakshminarayan said, “I am surely going to watch the match and have already made my plans. Around 150 of us will book a place and watch the match live. It is indeed a time to celebrate and obviously India’s victory is what we will be cheering for.”

     

    Maxus managing partner head of the north and east regions, Navin Khemka asserted, “It’s a big day for India, and I would say it’s a super Sunday. The match starts at 9.30 in the morning and it can’t be any better. And as an advertiser I must say this match is very important in context to the tournament. Fans and spectators in India will be looking forward to this match and a good start here can make the tournament a very special one.”

     

    Hats Off Productions founder J D Majhetia said, “India – Pakistan match is a never miss game for me, since the time I started understanding cricket I don’t think I have missed an Indo – Pak match. Last time I flew to Chandigarh with my family when the two teams met in the semifinal of 2011 edition. This time we are planning a mass gathering in one of the studios. I have already announced that there will be no shoots on 15 February because of the match.”

     

    The match is also big in terms of commercial aspect. If sources are to be believed then Star, the official broadcaster of World Cup in India, has hiked its ad rate by around 200 per cent for the India – Pakistan match. However, if an advertiser wants to buy a slot only for this particular match, then the hike is around 350 to 400 per cent. During a normal league match, the ad rate fluctuates between Rs 5 to 10 lakh for a 10 second spot depending on the magnitude of the match. For the India vs Pakistan match, Star is selling a slot for Rs 20 to 25 lakh.

     

    Any cricket lover would not like to miss a single minute of a match of such substance. And this season there are a number of options for a cricket fan to catch the action.

     

    Television: One can sit with a hot cup of tea and breakfast in front of the TV and enjoy every moment of the match. Star has already roped in a number of innovations to make the broadcasting a worthy treat. One can opt for high quality pictures by tuning to HD channels. Amitabh Bachchan will also be there as a commentator to entertain viewers in Hindi. Panel of experts and legends of the game will be in the commentary box to bring detailed analysis of the live action. Additionally, as a never before treat, Star gives viewer choices of opting for regional languages too. But what if one is not subscribed to Star? Not to worry, thank to the Supreme Court of India, DD will telecast the India vs Pakistan match and will be available on cable and DTH platforms.

     

    But what if one has to travel? Will he or she have to miss the match? That brings the digital platforms in the game.

     

    Starsports.com: Gone are the days when television was the only source of audio visual entertainment. One can log in to starsports.com and catch ball by ball action live. Star India’s sports VOD platform will stream all the World Cup matches live and India vs Pakistan is certainly one of them.

     

    But India is a country with a lot of VOD platforms and less bandwidth, 3G is expensive and can take a hefty chunk out of one’s pocket. In case a user does not have access to 3G services to stream the matches live, there are various apps available that can give updates about the match.

     

    Cricbuzz: Times Internet’s sports venture Cricbuzz gives the opportunity to relive the nostalgia. One can opt for audio commentary through that app and it works fine in 2G too. It is quite similar to how radio is, one can plug in earphones and enjoy the audio commentary.

     

    EspnCricinfo: The cricket dedicated app does ball by ball text commentary, updates scores and statistics. The app also enables the opportunity to tune into pre match and post match video analysis.

     

    ICC Cricket World Cup App: The Official ICC Cricket World Cup 2015 app for the first time one can access to live scores, in-match clips, fixtures, exclusive videos, real-time statistical updates and more – all in the palm of their hand.

     

    Besides these apps, one can also log in to any news website to know the score of the match.

     

    This world cup International Cricket Council (ICC) gives fans exclusive opportunity to connect with the marquee tournament. One can easily become a commentator or expert and share their views and opinions in the social media platforms through the following mediums:

     

    Facebook: www.facebook.com/ICC & www.facebook.com/CricketWorldCup 

    Twitter: www.twitter.com/ICC & www.twitter.com/CricketWorldCup 

    Instagram: www.instagram.com/ICC & www.instagram.com/CricketWorldCup 

    Google+: www.google.com/+ICC & www.google.com/+CricketWorldCup

    YouTube: www.youtube.com/ICC       

  • ‘The mantra of new age loyalty is employability’: Abhinav Chopra

    ‘The mantra of new age loyalty is employability’: Abhinav Chopra

    Abhinav Chopra is a people’s man. At Viacom18 as executive vice president – human resources – he is responsible for talent engagement, talent acquisition and training and development initiatives across the organisation.

     

    An HR practitioner since 1998, he has held several key positions within the domain at Taj Hotels, Resorts and Palaces, previously, where he began his career. He joined Viacom18 in 2006, making a transition from the hospitality industry to the media and entertainment sector.

     

    An alumnus of the Tata Institute of Social Sciences (TISS), Chopra hopes to infuse fresh energy and thought brought in by young talent that yields innovation. Recently, the organisation returned to campuses across the country with the third edition of its Future Leadership Program.

     

    Indiantelevision.com’s Meghna Sharma spoke to the man to know how he searches for the ‘right’ talent and what makes an organisation an ideal place to work at.

     

     

    Excerpts…

     

    What makes Viacom18 a dream company to work for? Could you illustrate with examples?

     

    At Viacom18, just as we pride ourselves on our disruptive and differentiated content, we’re also proud of our differentiated and progressive people practices.

     

    The levels of dedication sought from employees blurs the boundaries between the professional and personal space. Creativity lends itself to the most unexpected spaces and times and it is tough for an employee to switch on and off his role in the professional capacity. Therefore it is necessary that the workplace is at least as inspiring, supportive and comfortable as the home environment.

     

    We facilitate success of our employees by constantly connecting and engaging with, and responding to employee needs through our comprehensive practices which are not just for them, but also by them, and of them.

     

    After every heart to heart conversation with a Viacom18 employee, I reflect upon the steps we have taken over the years to evoke so much passion that it is infectious. On every floor, in every bay, one is met with compelling energy and high positivity, which sets the tone for all the endeavours we undertake at Viacom18. Individual and organisational aspirations find a common expression in this electrifying environment. We not only forge strong bonds with our colleagues, but also with the organisation.

     

    We have worked towards nurturing this unique space by reversing some age old concepts like a boss transcends the formal relationship into being a friend here; the workplace is more a playground where fun and profitability go hand in hand; the high possibility of one’s ideas seeing the light of day is far more precious than just pay here; initiatives at Viacom18 respect the uniqueness of an individual; every opinion is considered before arriving at a conclusion, to which we are rewarded with a lot of passion, dedication, integrity, ingenuity, and hard work.

     

    How different are your HR policies from the others?

     

    Viacom18’s people policies are tailor-made to offer the unique proposition to our employees. They are progressive, in that they are flexible and move with people’s needs and allow space for reactions and opinions to evolve them.

     

    We try and implement this feedback by ensuring that individual needs are catered to while addressing career needs as well, leveraging every employee’s circle of influence.

     

    At the individual level, we have best in class policies in place for rewards, employee benefits such as insurance, leaves etc. We also present our employees with avenues for growth via the internal careers opportunity policy, which allows for people within the ecosystem to apply for vacancies internally. And finally, a set of perks and services are on offer to the employee, which helps them reach out to their loved ones as well as the things they love to pursue in their leisure.

     

    We also pride ourselves in our ability to communicate employee benefits of our HR policies creatively across the organisation. Creative minds are exposed to and constantly bombarded by highly entertaining stimuli. We realize that their attention spans are limited and block out anything that does not captivate them within a few seconds. Our innovative communication channels therefore engage all senses – visual, auditory, kinesthetic – ensuring that the right messages reach the right employees in the right manner.

     

    For instance, we invited employees to donate through the annual charity initiative – the Viacommunity Day. The quirky emailer, made and disseminated internally, backed up with charity boxes on every floor brought out the giver in every individual. We concluded the finale with a sale that provided people the chance to buy from non-profit organisations that support a cause.

     

    Do employees enjoy any special benefits or incentives? We’ve heard of incentives like a tattoo and pet allowance…

     

    In the hectic world of media and entertainment industry, where most of our businesses run on a 24×7 schedule, we take special care to ensure that employees are made to feel cared and valued, as well as they get enough quality time with their loved ones. This message is practised by employee-centric policies that accommodate flexible time schedules, provide facilities that lessen the burden of day to day personal tasks of the employee, provide special interests/hobby/fitness facilities on-site as well as a continuous connect with the employees and families by sharing and celebrating their significant life events with them. Therefore, we came up with a list of benefits that would make their everyday life easier and give them extra time to spend with their loved ones.

     

    Our Viacom 18 Employee Benefit Manual – the Greed Guide is a bundle of 38 extraordinary series of benefits and services to offer a world of perks in celebration of our employees and their loved ones:

     

    * For the employee, we have one of a kind unique perks, which range from creative perks such as an allowance to get a tattoo or buy a musical instrument, weight loss allowances, to wellness related perks such as reimbursements for yoga/kickboxing classes, on-site counsellor, doctor and nutritionist, free annual health check-ups. We also have a concierge service to help our employees better balance their work-home responsibilities.

     

    * It’s not all work and no play for our employees as our Greed Guide also includes fun perks that they can share with their co-workers such as sending a bad day at work gift to cheer up a colleague, a time out allowance to party with their team or a favourite co-worker day where we send out gifts to their best friend in office. We have perks that extend to friends outside office as well with the Viacom18 Coup Card – a shareable perk, which gives our employees and their friends up to 15 per cent discount at restaurants and clubs.

     

     

    How well-functioned is the grievance cell?

     

    At Viacom18, core HR functions are performed by our Centres of Excellence, who are custodians of people processes and responsible for driving these processes in the organisation. Recognising the fact that we need to create more touch points for candid and informal interactions with our young, intelligent and articulate employees, we have a dedicated HR partner for each business. Since HR partners interact with employees day-in and day-out to understand their needs, they represent the ‘voice of employees’ in the truest sense. This proximity that they share with the employees allows them to pre-empt their concerns and address them even before they become grievances.

     

    We believe in developing the organisation to help itself. It is our constant endeavour to empower our managers to connect with their teams and address their concerns.

     

    We realise that many concerns arise due to lack of information. To manage this, we ensure that our policies are transparent, well communicated and easily accessible. Our people polices have been made available on our Intranet, designed in-house as a social, information sharing platform, which won Bronze in web category at the Indian Digital Media Awards 2012.

     

    However, we understand that some concerns are confidential where the employees are not comfortable in using an open platform. As part of our Whistle Blower policy, we provide a 24*7 dial-in service that is operated by a third party, where employees can voice their concerns in complete confidence.

     

    And on an average, how long does an employee stay with the organisation?

    Over the last five years we have had an industry beating attrition of about 10-12 per cent. We currently stand at six – seven per cent, which is far below the industry average.

     

    With our strong brand positioning and innovative work practices, Viacom18 gained the status of the preferred employer of choice in a short span of time. In 2010, Viacom18 participated in the Great Places to Work survey which recognizes organisations that create and sustain great workplaces. We competed with the best across industries and attained top ranking in Media and 26th across industries followed by 7th position across companies with employees less than 1000 in 2012.

     

    In the recent Aon Hewitt All India Best Employer Survey, we surpassed the Global Media Top Quartile score.

     

    What are the various capability-building initiatives undertaken by the organisation? What is the frequency of such initiatives?

     

    Our capability building initiatives operate on two levels: one at an individual and team level to and second at an organisational level.

     

    At an individual and team level, the focus is on enhancing knowledge and understanding of the business environment, developing functional skills and maximising leadership potential.

     

    All learning and development initiatives at Viacom18 are anchored under the umbrella of “Bodhi Tree” – Viacom18’s Learning Academy, a one shop stop, integrated learning and development academy that includes select Standard Programs that every employee of Viacom18 has to necessarily go through including the Business Orientation program, which helps a new joiner understand how the media and entertainment industry functions, our Foundation Program, which prepares individuals to become wholesome media professionals to many Innovative and Differentiated Programs starting with Business Focused Interventions such as the Production Workshop for Content and programming teams, Script to Screen workshop for deeper understanding of how to evaluate and appreciate a script and Self-Learning Platforms in the form of Back to School that enables employees to pursue higher education and Base Camp which is a self-study centre consisting of a physical library and an online library.

     

    We nurture leaders at every level – whether among fresh entrants, or those who bring with them a body of experience – through our various leadership development initiatives. From Entry-level Programs to Structured Leadership Development Programs conducted year on year for leaders across levels, we provide opportunities to our leaders to become top notch global media professionals in the creative and business domain.

     

    We have a specially designed Future Leadership Programme for fresh Graduates and post Graduate Creative Trainees called ‘Unlife’ and ‘What’s Your Story’ respectively.

     

    The Young Leadership Development Program is specifically slated as the first step of climbing the leadership ladder at both management and personal level. It is focussed on the leadership skills for first time leaders.

     

    The Senior Leadership Development Program is devised specially to focus on enhancing overall strategic leadership capabilities of the Leadership Team at Viacom18.

     

    We will also launch a Leadership Development Program for functional managers soon.

     

    At an organisational level, we drive a set of key change initiatives to enhance the effectiveness of the organisation that would thereby enable achievement of our goals in the long term. Whether it is about articulating and cascading our Organisational Values or deploying our People Promise, we plan our efforts systematically to build a future ready organisation.

     

    How do you select talent?

     

    At Viacom18, the priority is to build upon existing talent. As a result, we ensure we have searched for a relevant vacancy within the organisation first, promoting existing talent.

     

    We hire fresh talent from top colleges across the country through a rigorous selection process as well as laterals who fit the bill from across industries. We ensure a healthy diversity of backgrounds and experiences to inject fresh thought and energy in the organisation.

     

    In addition, we also seek cultural fits, for Viacom18’s own culture is unique. People with an attitude of openness, edge to excel, high energy and passion thrive here. Our selection process is intuitive as well as backed by scientific insight to select individuals with these traits.

     

    Any examples of people who started their career with Viacom18 and still continue to work with the organisation?

     

    It is a matter of great pride for us here at Viacom18 that more than half our leadership team has been associated with the organisation since the inception. They have partnered the organisation’s exponential growth story over the last seven years, and also provided the opportunity to several leaders in their teams and the wider organisation to boast of soaring careers. Most of our Function heads too began their careers with Viacom18 and, over time, have grown to drive important functional synergies in the organisation apart from sustained profitability.

     

    In today’s world when there are too many opportunities available, how do you retain talent?

     

    The mantra of new age loyalty is employability. At Viacom18, we enhance this very virtue of our talent pool through learning and development initiatives – whether for entry level or veteran employees.

     

    That said, novel opportunities are not the exclusive domain of places outside the company. We appreciate the wish of our talent to seek change. An exciting world of new learning on the job awaits within the organisation as well. As a growing organisation, we constantly offer new and challenging opportunities to our talent who wish to pursue something new.

     

    How does the appraisal system work in the organisation?

     

    Building a high performance culture has been a constant area of focus for us over the years. Performance appraisal system is an effective instrument that allows us to offer a fair, transparent, equitable system to evaluate the efforts of employees and provide transparent linkage to rewards.

     

    However, there are two sides to Performance Management: the system that drives it, and the intent that makes it work.

     

    We have shifted significantly towards a more objective and measurable performance management system. Driven primarily by a uniform scorecard approach as its fundamental building block, the system presents a unique proposition in a creative business like ours. The approach allows for clearly defined responsibilities, demarcating role accountabilities and performance indicators.

     

    What is the one HR policy at the company that you are really proud of and why?

     

    Having been around since inception, it would be a task to pick and choose one policy that triumphs over others, especially because we have constantly tried to evolve each one to suit the organisation’s larger growth objective.

     

    The very philosophy of this organisation that governs our policies fills me with immense pride – we respect the ‘I’ in You. Individuality is the cornerstone of the nature of our business. As the very germ of creativity, we recognise that it is the reason for our success. Every policy we evolve therefore carries this ethos forward.

     

    According to you what is the biggest HR issue at present?

     

    The big issue in the area of human resources revolves around skills development. However, this issue is multifaceted.

     

    It is a widely acknowledged fact that skilled manpower is hard to come by in India. While a large section of the youth population is qualified, most remain unemployed. On the other hand, several vocations await vacancies to be filled. However, much social stigma is attached to these vocational skills, and very few institutions of education are dedicated to imparting skill development training. These last two factors demand redressal at the earliest.

     

    In addition to this, as much as it is important for a HR personnel to keep their ears to the ground, it is equally imperative that decisions are led by hard analytics-driven insight and not just the gut.

     

    What is your take on – HR policies need revision to cater to employees’ needs? Have any of the policies changed to suit the employees?

     

    The key question to ask about revision of HR policies is not so much whether or not they should be revised, but when. They need to suit the requirements of the lifecycle of the business just as much as those who contribute to its progress.

     

    At Viacom18, our people practices are agile, responsive and constantly evolving. We ensure that they cater to the changing needs of the business as appropriately as the employees. An obvious example is our rather quirky Greed Guide, which we review year on year. With unique perks and services that offer flexibility to our employees to expand their circle of influence through the year.

  • Double dose of action in ‘Khatron Ke Khiladi 6’

    Double dose of action in ‘Khatron Ke Khiladi 6’

    MUMBAI: It seems to have become an unwritten rule of the game. Now-a-days broadcasters have started to realise that reality shows can run by getting celebrity hosts to garner more eyeballs. 

     

    A big celebrity host is a prerequisite to launch a reality show in India. Celebrity participants, though important, are not mandatory; but the bigger the host, the better. 

     

    From Salman Khan and Farah Khan in Big Boss to Shah Rukh Khan for a game show – India Poochega – Sabse Shaana Kaun in the yet-to-be launched general entertainment channel (GEC) ‘&TV’ under the Zee Entertainment Enterprises Ltd (Zeel) stable. Likewise, there are many more names in the basket. 

     

    After having popular celebrity faces like Priyanka Chopra and Akshay Kumar as hosts for its adventure based reality show – Fear Factor Khatron Ke Khiladi, last year the show got a new face on-board. 

     

    The director, who is known for reviving the action genre on the celluloid, Rohit Shetty who hosted the fifth edition of the series, will continue to host the sixth season as well. 

     

    According to Colors CEO Raj Nayak casting in this season is the best so far. “All faces are popular. Moreover, the number of stunts has increased and you will see a lot of variations. Last year, it was the best season ever and this time we hope it surpasses that.”

     

    The show, which goes on air from 7 February every Saturday and Sunday at 9 pm, will see Ashish Choudhary, Hussain Kuwarjerwala, Harshad Arora, Iqbal Khan, Sana Khan. Sagrika Ghartge, Rashami Desai, Asha Negi, Ridhhi Dogra, Meiyang Chang, Rakesh Kumar, Siddharth Bharadwaj, Nathalia Kaur and Archana Vijaya battling it out.

     

    The contestants will stay in a ‘Darr ka Ghar’ this time to keep the entertainment quotient up. Adding a twist to the take and urging the contestants to push their boundaries will be last year’s finalist Salman Yusuff Khan who will be seen as a challenger.

     

    Endemol MD Deepak Dhar said, “Khatron … will be riveting for the viewers as it has been taxing for the contestants. We have doubled the dose of danger, action and entertainment this season while introducing new concepts and themes to make the show a truly engaging watch. Rohit Shetty’s contribution in making the show a complete blockbuster has been unparalleled and as the show prepares for launch, we are all set for the true action to begin.”

     

    According to sources, the budget has also gone up by about 25 per cent as compared to the last season. While last season the production of the non-fiction show was pegged at Rs 50-55 crore, this season media planners estimate it to be around Rs 60-65 crore. 

     

    Media planners believe that the show will definitely continue to work wonders for the channel, thanks to the celebrity power status and power packed stunts that will keep viewers hooked onto the show.

  • Colors bets big on historical ‘Chakravartin Ashoka Samrat’

    Colors bets big on historical ‘Chakravartin Ashoka Samrat’

    MUMBAI: History repeats itself… or so they say. From the time Indian television was born, historical and mythological shows have been an integral part of it. In the early 90s, Sunday mornings were dedicated to Mahabharata and Ramayana and today prime time slots are dedicated to the numerous gods and kings, as they battle it out for the ratings.

     

    Colors, the channel synonymous with edgy content and reality shows, is once again dabbling with historical show with Chakravartin Ashoka Samrat. Through the tale of a great emperor who charted the course of Indian history, the channel aims to write its own saga in the genre.

     

    “It is one of the biggest shows of 2015 from Colors stable,” said Colors CEO Raj Nayak at the dusty yet magnanimous sets of the show at ND Studios in Karjat. The idea of launching another historical show after Veer Shivaji was always on the cards, but the actual work on the new series started six months back.

     

    “We took Veer Shivaji off air because it gave us low ratings as compared to other shows on the same time band across channels. But in hindsight, we realised that we shouldn’t have. Hence, we have always been toying with the idea but it has taken us a lot of time to build on it. And we are glad that we have been able to put a great team together,” said Nayak.

     

    The one hour long historical, which goes on air from 2 February, is produced by Contiloe Entertainment and will see set designers Omung Kumar and Nitin Desai collaborating.

     

    “Our brief to the production house was simple – the show needs to be the best ever,” proclaims Nayak.

     

    Contiloe Entertainment, which has numerous genres to its credit, isn’t new to historic shows as well. After creating shows like Jhansi ki Rani, the production house is optimistic about the latest show on its platter. “Everybody knows about Ashoka the emperor and the story will resonate with urban as well as rural India. The show is about creation and will inspire viewers too,” said Contiloe Entertainment CEO Abhimanyu Singh.

     

    The show will follow the story of young Ashoka’s journey in a dramatised manner. “There are always gaps in history, which need to be filled and we’ve made sure that the dots are joined in a responsible way,” said Singh.

     

    A huge research team under the guidance of Srikant Sharma worked on the show. “A number of books have been written on it and we have read almost everything on the era to get story as real as possible,” added Singh.

     

    The young Ashoka is played by Dhoom 3 star Siddharth Nigam and will see Pallavi Subhash (Dharma), Sameer Dharmadhikari (Bindusara), Manoj Joshi (Chanakya), Tej Sapru (Seleucus Nicator), Suzanne Bernert (Helena), Sumit Kaul (Justin) and Ankita Sharma (Noor Khorasan) among others etching the roles.

     

    It wasn’t an easy task to get the cast right. According to Nayak, if the cast is right then a show will work. After numerous auditions, Nigam was shortlisted and had to undergo a three-month long training to play the part with ease.

     

    So far, 10 episodes have been canned. Shot with three Alexa cameras, an episode takes almost four to six days to shoot. “We shoot from 7 am till 10 pm, depending on the demand of the script. However, things have improved now as we have all got a hang of it,” said Prasad Gawandi, who has directed the show.

     

    Planned to be a finite show, which will be on air for six months, the channel will take a call on extending it based on audiences’ reaction. “At Colors we are very clear; if something doesn’t work, we kill it. But that doesn’t stop us from experimenting and taking a risk,” points out Nayak, when asked if the show will get an extension or if the one hour time slot would be shortened in the future.

     

    With Ghari Detergent as its title sponsor, Nayak is confident that many will follow suit once the show is up and running. “In case of fiction shows, one doesn’t have to bother about sponsors as they come on their own as ratings scorch unlike non-fiction where one has to get sponsors on board beforehand as they are expensive,” highlighted Nayak.

     

    The channel, which has a premium charge attached to it, expects Rs 1.5 to Rs 1.8 lakh for a 10 second ad slot.

     

    Media planners too believe that since the story has not been told on the small screen before, it will tend to work in favour of the show and the channel. “Other stories have been told and retold but the story of Ashoka on small screen with modern technology should work,” said a media planner.

     

    To market the show, Colors is routing through unconventional methods. For instance, Mumbai metro travellers are in for a surprise as they will get a coin used in the Mauryan era rather than the usual ticket token for a week. Apart from this, a special school contact programme will be executed in close to 200 schools in 50 towns in tier II markets where students will, in an interactive way, learn about Emperor Ashoka and his life.

     

    “A number of melas and yatras are on in the country and we are tapping in to these as well to give viewers a real life feel of the characters. For instance, people can engage through archery to get a feel of the era gone by,” said Nayak.

     

    One of the most expensive fiction shows apart from 24, the channel is betting high on the story of the young emperor and only time will tell how it fares.

  • Prashant Bhatt to join Sony Pal as programming head?

    Prashant Bhatt to join Sony Pal as programming head?

    MUMBAI: It was in early January this year when Indiantelevision.com was the first one to report that Sony Entertainment Television’s (SET) sister channel Sony Pal would soon be undergoing a revamp. 

     

    And it seems that Pal has already taken the first step towards it. If sources are to be believed, the former Colors weekday programming head Prashant Bhatt will take in charge as the programming head for Pal. 

     

    It was in October 2014 when this website broke the news of Bhatt had put down his papers at Colors. When contacted Colors CEO Raj Nayak, wished him luck for his future and said, “He is a good guy and I sincerely wish him all the best.”

     

    Recently, the network also got on-board a new commercial head in Raaj Gupta who would be taking care of SET’s sister channels – Sab and Sony Pal. 

     

    However, when contacted, Bhatt denied the development and said, “I will definitely keep you posted about my next step latest by next week.”

  • TV channels line up special programming for 66th Republic Day

    TV channels line up special programming for 66th Republic Day

    MUMBAI: The broadcast industry is all set to awaken the masses with ample dose of patriotism coupled with entertainment. An array of special programs have been lined up across channels to celebrate the spirit of India’s 66th Republic Day.

     

    This time round, Hindi general entertainment channel Colors is gearing up to simulcast the historic event with nationalistic zeal and fervour. The channel will telecast live the much awaited parade and Prime Minister Narendra Modi’s message for Indian and international audiences.

     

    This is the first time Colors and Rishtey will simulcast the celebrations along with the national television channel Doordarshan. The telecast will also reach out to the international markets i.e. MENA, US (Aapka Colors) and UK. Colors CEO Raj Nayak believes that the iconic Republic Day parade and the PM’s message to the nation is the content that drives cohesive viewing in families.

     

    “Being able to bring to our audience the much awaited parade and message from our Prime Minister Narendra Modi LIVE is a privilege and a source of pride for the team at Colors and Rishtey. This is our way to celebrate our 66th Republic Day, by bringing it closer to our audiences, in India and the world. Telecasting this event in markets other than India – and to the US MENA and UK is also a milestone for the network as a whole,” Nayak said.

     

    On the other hand, Zee TV is taking a different route. The channel will be premiering the Shah Rukh Khan starrer – Happy New Year – from 1 pm onwards.

     

    Sony Entertainment Television’s (SET) longest running show – CID completed a milestone of 17 glorious years on 21 January, 2015 and celebrating the landmark this year, CID is all set to entertain its fans with a daylong CID special feature on 26 January.

     

    From 8 am to 10 pm, viewers will get to see the most exciting episodes of CID over the years. In fact, the first episode of the show will also be aired on 26 January. What’s more, the CID team will also spend the day with children and share their experience and memories. These interactions will be showcased in between episodes throughout the day.

     

    SET chief creative director Ajay Bhalwankar said, “Our flagship show CID has over the years responsibly entertained generations of young viewers to recognize and act upon the incidence of crime around them. This Republic Day we want to commemorate this memorable journey with our daylong celebration through a special programming initiative called Jashn-e-CID.”

     

    Big Magic, which is positioned as the one stop destination for humour,  is geared up to celebrate the day with actor Ayushmann Khurrana, as he engages the audience from 7 to 10 pm. The channel has partnered with his upcoming movie – Hawaizaada to celebrate the spirit of ‘Made in India’. The movie releases on 30 January, 2015.

     

    Pumped with fun, humor and patriotism, all the shows on Big Magic will celebrate Republic Day with the special episodes wherein Khurrana will be the anchor link. The actor will also share anecdotes about his movie and will be imparting a distinctive message of believing in oneself.

     

    Reliance Broadcast Network COO Lavneesh Gupta said, “To salute Republic Day, a momentous occasion for Indians, the Big Magic family will come together to entertain our audience with fun-filled episodes. We’re glad to be sharing this special day with Ayushmann Khurrana , lead actor of Hawaizaada, where the film salutes Indianness and will together impart an inspiring message to our viewers.”

     

    History TV18 will host a line-up of shows from 12 to 7 pm. From 12 to 3 pm, the channel will air Gandhi, a series that charts Mahatma Gandhi’s establishment beginnings, his move into politics and his campaign to bring independence to India. Hosted by journalist Mishal Husain, this first definitive series on the life of Gandhi examines his relationship with his wife and his role on the path to Indian independence.

     

    From 3 to 5 pm, the channel will showcase a series called – India on Four Wheels. As the Indian economy booms, the latest must-have accessory is the car. With increasingly affordable models on the market, and growing demand for cars as a status symbol and sign of social development, people’s lives are becoming intertwined with car ownership. Justin Rowlett and Anita Rani join the chaos of India’s roads on a madcap road trip across the country, to find out the truth behind the dream. Whether it’s breaking down by the side of the road, facing suicidal peacocks or tasting luxury in a Maharaja’s vintage Rolls Royce, this is a surprising look at a country on the move.

     

    Last but not the least, from 5 to 7 pm, the channel will air The Birth of Empire: East India Co, a series that reveals how the behemoth that was the East India Company grew into an imperial power and became the hotbed of corruption and greed that led to its downfall.

     

    Comedy Central will commemorate Republic Day by showcasing a one hour special episode of the news spoof The Other Week That Wasn’t at 8 pm. Viewers will get a chance to enjoy more of Cyrus Broach’s tongue-in-cheek spoofs and mouthful of puns.

     

    Kids genre is also leaving no stone unturned to celebrate the spirit of nationality. A puppet show, relevant to the day’s theme and an explorative session with Dora the Explorer will be aired on the channel from 5.30 to 7 pm.

     

    Vh1 celebrates yet another moment of patriotism with a countdown to the top Indian videos that have emerged in recent times from 10 am to 5 pm. On the other hand, 9X Jalwa will play a special playlist of all patriotic songs between 7 to 10 am on the band Hits Forever. The repeat telecast be aired on the same day from 7 to 10 pm.

     

    #fame, a multi channel network, will dedicate the day to womanhood. Orville Richard Burrell CD, best known by his stage name Shaggy, once chanted, “So amazing how this world was made I wonder if GOD is a woman; the gift of life astounds me till this day; I give it up for the woman.” Taking cue from the song, singer Abhiruchi Singh has penned down and sung an awe inspiring song ‘Ud Chali’ to celebrate womanhood, which will be aired on #fame.

  • Colors to showcase darkest stories through ‘Code Red’

    Colors to showcase darkest stories through ‘Code Red’

    MUMBAI: After a year of successful non-fiction properties in 2014, Colors is back with some more action in 2015.

     

    Taking the premise of showcasing meaningful entertainment and shows that are a reflection of our society, the channel is all set to launch a new show titled Code Red, which is a beacon of hope addressing issues of human frailty. It will depict the inner conflict a human being goes through when faced with a crisis of conscience.

     
    Each week, six episodes featuring stories based on various human frailties, will be presented through three prominent themes under the brand umbrella of Code Red.

     

    1) ‘Umeed’ – focusing on stories who are on the verge of ending their lives.

    2) ‘Awaaz’ – focusing on violence against women and children.

    3) ‘Chakravyuh’ – focusing on various forms of entrapment – physical and psychological.

     

    Each theme will be brought to life by a different production house and the stories will be presented by Sakshi Tanwar who will embody the inner voice and be the voice of reason. The episodes will be produced by FremantleMedia India, Sun Shine Rise Productions and Optimystix India.

     

    Actors Manish Chaudhari, in the role of an NGO representative, and Yash Sinha, as a crime reporter, will take the viewers through various instances where circumstances and conditions pushed a person to the wall. The series will attempt, not only to showcase these stories but to make people believe that there is hope, only if they choose to break the silence.

     

    Colors CEO Raj Nayak believes that it’s not just a show but a movement to get people to believe that hope can be found, even in the darkest of times, if only one reaches out and breaks the silence. “At Colors, we have always emphasised on creating shows that are meaningful and which can bring about some kind of a conceivable change in the society. With Code Red, we are going a step further by showcasing stories of human frailties and urging people to break their silence on issues that are disturbing them and the people around them. In order to drive home this message, it gives me immense pleasure to announce that we have a prominent face from the world of TV – Sakshi Tanwar – who I believe has the right blend of empathy and sensitivity that is required for a show such as Code Red. I hope we are able to make a positive difference to peoples’ lives through this humble effort of ours,” Nayak said.

     

    Colors programming head Manisha Sharma added, “This is a genre on television that needs to be explored a lot more where stories inspired by real instances are mounted to create a show relatable to audiences. As human beings we all face dilemmas in life while choosing between right and wrong. Code Red is a show that explores these dilemmas and gives voice to the conscience of the people facing them. It’s a journey through their mind and their decisions and how their choices affect their lives. I hope our audiences find the show and these stories riveting.”

     

    The show will air from 19 January every Monday to Saturday at 10.30 pm.