Tag: Raghvendra Singh

  • TV storytelling needs same passion as films, says Sooraj Barjatya; to launch four shows in ’17

    TV storytelling needs same passion as films, says Sooraj Barjatya; to launch four shows in ’17

    MUMBAI: After a year, Rajshri Production is venturing again into television but this time not just with a single show. Rajshri plans to produce four shows in 2017 for Hindi general entertainment channels (GECs). Celebrating the courage and pride of a strong willed mother with which she empowers her daughter, Sooraj Barjatya recently launched its new offering with Colors, Ek Shringaar.. Swabhimaan.

    Speaking to Indiantelevision.com, Barjatya said, “I firmly believe that television needs the same passion as film-making. It is just that we all were busy with Prem Ratan Dhan Payo. So now, we are back to storytelling on television.”

    He further added, “This show on Colors is one of ours most progressive shows, in which we are trying to show the part of the society which all parents face. This is a story of a middle-class Indian mother, who wants to prove through her daughters, who are IIM and IIT toppers, that today’s girls can be chairmen of companies and also run their household with equal pride and prowess. It’s time we encouraged them.”

    The story of the finite show has been written by Sushil and Shilpa Choubey, the screenplay is by Nishikant and Pranjal and dialogues are Manu Sharma’s. The music has been directed by Udbhav and Dony while lyrics have been penned by Raghvendra Singh.

    Produced by Rajshri, the show will start from 19 December at 9.30pm time slot from Monday to Friday. The show is replacing Rashmi Sharma Telefilms’ Swaragini which was launched in March 2015.

    The show highlights a mother’s determination in not only providing the best education for her daughters, but also in finding a suitable match for them in a family that values upbringing over materialistic pleasures. A household that will allow her daughters’ careers to flourish rather than tie them down to domesticity. Swabhimaan traces the story of two sisters as they pledge to fulfill their mother’s dream of becoming self-reliant and society’s expectations of being married at an acceptable age.

    According to a source, the estimated per episode production cost of the show is in the range of Rs 9 -10 lakh. On the ad rates, Swabhimaan commands Rs 1 lakh for a 10-second slot, the source said.

    Speaking about this new offering, Colors CEO Raj Nayak said, “We, as a society, often do not give enough credit to the women for the value they add to our lives. Though now we have opened up about educating the girl child, but still, when it comes to marriage, we find people wanting to clip their wings and confine them to a measly role. Our latest offering attempts to change that mindset. The show highlights the importance of being self-reliant and at the same time uphold the tradition and values of our culture. With Sooraj Barjatya’s magical touch and a platform such as Colors, Ek Shringaar…Swabhimaan with its vibrant backdrop is sure to strike a chord with the viewers.”

    Further Colors programming head Manisha Sharma added, “The concept is unique simply because it questions the contrasting principles of our society. We are all about educating our daughters but how many households are actually open to letting their daughter-in-law’s pursue their careers? Here’s a strong willed mother who just has one request to the world – Allow my daughters to work. Don’t let their education go to waste. The show addresses this thought head-on by laying focus on values like self-respect and self-worth which have been inculcated through a mother’s upbringing. The show marks our first collaboration with Rajshri Productions whose penchant for beautiful storytelling and powerful narratives has gripped audience attention on television and in films; we look forward to a long and fruitful partnership.”

    “The show looks promising and the storyline is good but the critical question to get ratings, do they have what it takes? Ratings comes only with certain things or you cut across emotionally with the audience. That connections needs to be there and they might change the track halfway down the line when they realize that something is not working. Also, Colors has struggled a lot between 9- 10pm time slot. They are doing extremely well in 8-9pm and 10-11pm time band,” said a senior media planner on the condition of anonymity.

    On other Hindi GECs, Colors’ new show Swabhimaan at 9.30 pm slot will be pitted against &TV’s Badho Bahu which airs at 9.30 pm from Monday to Friday, Zee TV’s Ek Tha Raja Ek Thi Rani, Star Plus’ one of the longest running show Yeh Rishta Kya Khelta Hai, Life OK’s May I Come in Madam and Sab’s Trideviyaan. On the other hand, Sony Entertainment Television airs its one of its rated show Kuch Rang Pyaar ke Aise Bhi.

  • TV storytelling needs same passion as films, says Sooraj Barjatya; to launch four shows in ’17

    TV storytelling needs same passion as films, says Sooraj Barjatya; to launch four shows in ’17

    MUMBAI: After a year, Rajshri Production is venturing again into television but this time not just with a single show. Rajshri plans to produce four shows in 2017 for Hindi general entertainment channels (GECs). Celebrating the courage and pride of a strong willed mother with which she empowers her daughter, Sooraj Barjatya recently launched its new offering with Colors, Ek Shringaar.. Swabhimaan.

    Speaking to Indiantelevision.com, Barjatya said, “I firmly believe that television needs the same passion as film-making. It is just that we all were busy with Prem Ratan Dhan Payo. So now, we are back to storytelling on television.”

    He further added, “This show on Colors is one of ours most progressive shows, in which we are trying to show the part of the society which all parents face. This is a story of a middle-class Indian mother, who wants to prove through her daughters, who are IIM and IIT toppers, that today’s girls can be chairmen of companies and also run their household with equal pride and prowess. It’s time we encouraged them.”

    The story of the finite show has been written by Sushil and Shilpa Choubey, the screenplay is by Nishikant and Pranjal and dialogues are Manu Sharma’s. The music has been directed by Udbhav and Dony while lyrics have been penned by Raghvendra Singh.

    Produced by Rajshri, the show will start from 19 December at 9.30pm time slot from Monday to Friday. The show is replacing Rashmi Sharma Telefilms’ Swaragini which was launched in March 2015.

    The show highlights a mother’s determination in not only providing the best education for her daughters, but also in finding a suitable match for them in a family that values upbringing over materialistic pleasures. A household that will allow her daughters’ careers to flourish rather than tie them down to domesticity. Swabhimaan traces the story of two sisters as they pledge to fulfill their mother’s dream of becoming self-reliant and society’s expectations of being married at an acceptable age.

    According to a source, the estimated per episode production cost of the show is in the range of Rs 9 -10 lakh. On the ad rates, Swabhimaan commands Rs 1 lakh for a 10-second slot, the source said.

    Speaking about this new offering, Colors CEO Raj Nayak said, “We, as a society, often do not give enough credit to the women for the value they add to our lives. Though now we have opened up about educating the girl child, but still, when it comes to marriage, we find people wanting to clip their wings and confine them to a measly role. Our latest offering attempts to change that mindset. The show highlights the importance of being self-reliant and at the same time uphold the tradition and values of our culture. With Sooraj Barjatya’s magical touch and a platform such as Colors, Ek Shringaar…Swabhimaan with its vibrant backdrop is sure to strike a chord with the viewers.”

    Further Colors programming head Manisha Sharma added, “The concept is unique simply because it questions the contrasting principles of our society. We are all about educating our daughters but how many households are actually open to letting their daughter-in-law’s pursue their careers? Here’s a strong willed mother who just has one request to the world – Allow my daughters to work. Don’t let their education go to waste. The show addresses this thought head-on by laying focus on values like self-respect and self-worth which have been inculcated through a mother’s upbringing. The show marks our first collaboration with Rajshri Productions whose penchant for beautiful storytelling and powerful narratives has gripped audience attention on television and in films; we look forward to a long and fruitful partnership.”

    “The show looks promising and the storyline is good but the critical question to get ratings, do they have what it takes? Ratings comes only with certain things or you cut across emotionally with the audience. That connections needs to be there and they might change the track halfway down the line when they realize that something is not working. Also, Colors has struggled a lot between 9- 10pm time slot. They are doing extremely well in 8-9pm and 10-11pm time band,” said a senior media planner on the condition of anonymity.

    On other Hindi GECs, Colors’ new show Swabhimaan at 9.30 pm slot will be pitted against &TV’s Badho Bahu which airs at 9.30 pm from Monday to Friday, Zee TV’s Ek Tha Raja Ek Thi Rani, Star Plus’ one of the longest running show Yeh Rishta Kya Khelta Hai, Life OK’s May I Come in Madam and Sab’s Trideviyaan. On the other hand, Sony Entertainment Television airs its one of its rated show Kuch Rang Pyaar ke Aise Bhi.

  • Government keen to resolve issues facing M&E industry

    Government keen to resolve issues facing M&E industry

    NEW DELHI: While exuding confidence in the Media and Entertainment industry in the country, Information and Broadcasting Minister Prakash Javadekar today said it was important for the stakeholders to keep the welfare of the citizens in mind.

     

    He said he knew the sector had immense opportunities and the world “is fascinated by our culture and Indian cinema is becoming very popular.”

     
    “Education and entertainment are the primary needs after roti, kapda and makaan (food, cloth and shelter),” Javadekar added.

     

    The Minister said that his attempt in keeping with the mandate of the new government would be to take decisions on pending issues as soon as possible as “delay is out, decision is in.”  The work of the government is not to create roadblocks but to give impetus to entrepreneurship and industry. 

    Addressing the ASSOCHAM meet on media and entertainment, SCREENS 2014, the Minister, said the path-breaking initiatives on digitisation were bound to improve the quality of television broadcasting in the country. Both the government and the industry should work together for the welfare of the consumers. “There are issues of distribution, there are issues of taxation,” he added.

    “We, both the industry and the government, have to think about the final consumer. Government and industry have to think about the welfare of common citizen and to that end we are partners, we are the facilitators,” he said. 

     

    Later, Additional Secretary (Films) Raghvendra Singh said that the government was in the process of revamping the Cinematograph Act 1952 which had been drafted when there was no television or other media,

     

    Realising that media and entertainment was the biggest market in terms of consumer needs; the government is also on the threshold of announcing a major initiative for curbing piracy.

     

    He was conscious that entertainment tax being a state subject was not uniform, and that there was a grievance about service tax. He hoped all these issues would be subsumed in the proposed Goods and Sales Tax, which the government hopes to bring forward soon.

     

    He said that the government was very keen to upgrade the Film and Television Institute of India and the Satyajit Ray Film and Television Institute, also to set up a centre of excellence for animation and special effects as soon as possible.

     

    He also informed that the government was finalising its work on the National Film Heritage Mission for assessment of preservation and restoration of film material.

     

    “Funds have already been provided in the Ministry’s allocations for anti-piracy measures but this was not possible without collaboration from the industry itself,” said Singh.

     

    Telecom Regulatory Authority of India member Vijayalakshmy K Gupta stressed that addressability has led to better television and online video viewership has grown 13 per cent between December 2012 and December 2013.

     

    It has also led to reduction of carriage fee, she claimed on the basis of the first two phases of digital access system.

     

    She said that TRAI was firm on its decision not to permit state or central government units in private radio or television broadcasting.

     

    She felt that as far as cinema was concerned, there was need for a Film Commission for dealing with various issues.

     

    TRAI advisor N Parameshwaran said, “One major problem is that all multi-system operators are ‘pulling in different directions’ and therefore it is difficult to resolve their problems.”  

     

    He agreed that there was need for rationalisation of taxes in the country as far as media and entertainment were concerned.

     

    He said TRAI was already working on the issue of increasing bandwidth in view of 4G technologies coming in after HD.

     

    He denied charges by cable operators that broadcasters or MSOs were being protected as he said they had also been prosecuted for violating rules.