Tag: Radio

  • NI announces mmWave software defined radio

    NI announces mmWave software defined radio

    MUMBAI: NI, the provider of solutions that enable engineers and scientists to solve the world’s greatest engineering challenges, announced today the world’s first software defined radio (SDR) for the millimeter wave (mmWave) spectrum. The new NI mmWave Transceiver System is a full transceiver that can transmit and/or receive wide-bandwidth signals at an unprecedented 2 GHz real-time bandwidth, covering the spectrum in the E-band, 71-76 GHz. Engineers and scientists have used SDRs ubiquitously in the spectrum below 6 GHz for years. However, with companies investing in mmWave as a potential core technology for 5G, researchers now have a full-featured SDR platform to drive initiatives based on this technology.

    The mmWave transceiver system includes new PXI Express modules that collectively function as an mmWave access point for a user device. Because of the unprecedented flexibility, users can develop mmWave communication prototyping systems or perform channel measurements –necessary exercises for wireless researchers to understand the characteristics of a new spectrum – using the same system.

    The mmWave baseband software delivers a complete mmWave physical layer including channel coding in LabVIEW virtual instrument (VI) source code to expedite system development while alleviating many of the system integration tasks. Researchers can also use the mmWave transceiver system baseband with the E-band mmWave heads or other third-party RF front ends to offer maximum flexibility for exploring other mmWave and microwave frequency bands.

    As a key participant in NI’s RF/Communications Lead User program, Nokia has been working with early versions of the mmWave transceiver system in its 5G research initiatives for over a year.

    “NI’s mmWave transceiver system has been a key research platform for our mmWave research,” said Nokia Bell Labs head of mobile radio research Tod Sizer. “The platform delivers the right combination of hardware and software necessary to expedite our research and has given us confidence that mmWave will indeed be a critical technology for 5G. At this year’s Brooklyn 5G Summit, we are demonstrating a high data rate mmWave system using phased array @ 60 GHz using NI’s platform, thus making 5G a commercial reality.”

    “There’s no doubt that 5G will include frequencies above 6 GHz,” said NI vice president of RF and wireless communications product marketing Charles Schroeder. “The mmWave transceiver system is an essential platform for understanding the propagation models of higher frequency signals and for building real-world prototypes of these new generation 5G systems.”

  • NI announces mmWave software defined radio

    NI announces mmWave software defined radio

    MUMBAI: NI, the provider of solutions that enable engineers and scientists to solve the world’s greatest engineering challenges, announced today the world’s first software defined radio (SDR) for the millimeter wave (mmWave) spectrum. The new NI mmWave Transceiver System is a full transceiver that can transmit and/or receive wide-bandwidth signals at an unprecedented 2 GHz real-time bandwidth, covering the spectrum in the E-band, 71-76 GHz. Engineers and scientists have used SDRs ubiquitously in the spectrum below 6 GHz for years. However, with companies investing in mmWave as a potential core technology for 5G, researchers now have a full-featured SDR platform to drive initiatives based on this technology.

    The mmWave transceiver system includes new PXI Express modules that collectively function as an mmWave access point for a user device. Because of the unprecedented flexibility, users can develop mmWave communication prototyping systems or perform channel measurements –necessary exercises for wireless researchers to understand the characteristics of a new spectrum – using the same system.

    The mmWave baseband software delivers a complete mmWave physical layer including channel coding in LabVIEW virtual instrument (VI) source code to expedite system development while alleviating many of the system integration tasks. Researchers can also use the mmWave transceiver system baseband with the E-band mmWave heads or other third-party RF front ends to offer maximum flexibility for exploring other mmWave and microwave frequency bands.

    As a key participant in NI’s RF/Communications Lead User program, Nokia has been working with early versions of the mmWave transceiver system in its 5G research initiatives for over a year.

    “NI’s mmWave transceiver system has been a key research platform for our mmWave research,” said Nokia Bell Labs head of mobile radio research Tod Sizer. “The platform delivers the right combination of hardware and software necessary to expedite our research and has given us confidence that mmWave will indeed be a critical technology for 5G. At this year’s Brooklyn 5G Summit, we are demonstrating a high data rate mmWave system using phased array @ 60 GHz using NI’s platform, thus making 5G a commercial reality.”

    “There’s no doubt that 5G will include frequencies above 6 GHz,” said NI vice president of RF and wireless communications product marketing Charles Schroeder. “The mmWave transceiver system is an essential platform for understanding the propagation models of higher frequency signals and for building real-world prototypes of these new generation 5G systems.”

  • Isobar introduces programmatic radio buying in India

    Isobar introduces programmatic radio buying in India

    MUMBAI: The face of radio and music consumption has changed with the smartphone explosion in India and so has the way advertisers look at the market. With almost all music consumers tuned into their favourite tracks through their choice of over-the-top digital music players, top media agencies too are taking note that radio as a form of mass media could catch up with the rest backed by data and analytics.

    A good example of this is the recently launched initiative from Dentsu Aegis Network’s digital arm, Isobar India, in partnership with AMNET that facilitates programmatic radio buying — a first of its kind in India as per the agency. In order to execute the first ever digital radio, Isobar and AMNET partnered with digital audio companies, Triton Digital and AdsWizz by integrating data with Appnexus.

    Online music consumption enabled by players like Guevara, Tunein, Planet Radio city, AIR Fm Gold and Music Live FM etc. have democratized the music industry in India, making it a lucrative segment for brands to capitalize on. However, until recently, media buys used to happen on these platforms on an ad hoc basis with no clear definition of the audience segment clusters.

    But with introduction of digital radio infusing intelligent targeting through programmatic solution,the new tool from Isobar will be efficient in aiding the process of acquiring new customers and delivering relevant output to existing customers via search, display, native, video and social.

    Breaking the concept down for the layman, Isobar India MD Shamsuddin Jasani AKA Shams explained, “Currently music lovers are consuming most of their music on the Gaanas and Saavns of the world as opposed to traditional radio channels. With the new tool that we are launching we are able to marry the data that we acquire from these digital players and target consumers.This will allow advertisers to programmatically buy audience targeted digital radio units based on the consumer’s’ music listening behaviour. Basically radio commercials that are targeted at digital music consumers.”

    AMNET India business head Salil Shanker said, “At AMNET, we believe in extracting the full potential of our brand offerings by using AMNET Audience Centre to profile new customers, deliver unique messaging to brand loyalists, and connect audiences across channel beats they fall into – i.e. Search, Video, Social and Native. Many brands fail to connect with relevant audiences, who consume audio content on the go (on digital radio).We have managed to bridge this gap by introducing the first ever programmatic digital radio in India. Our recent associations with brands like Microsoft, DS Group and JK Tyres have identified the potential of digital radio like never before and adopted this new-age technology.”

    Similar to how two way communication through digitally addressable system (DAS) on television allows advertisers to run different ads targeted at different audience parallely, programmatic buying of radio units will let advertisers place user specific different communications all playing at the same time.

    “We are creating different profiles for users to be categorised in based on the different campaigns. It’s not like one profile fits all consumers. We are able to target different profiles of consumers with different ad sports at different points in their purchase journey for a particular advertiser. For example at one time 30 different 15 second-er audio spots can run on one of these on demand music players.” Not to mention, being audio, the ad spots are lighter on the advertiser’s pocket as well.

    There are several perks to using audio as a medium of communication for brands. Apart from targeted messaging that saves brands from spraying and praying, and prevents wastage of precious advertising budget, tapping into a whole new market is another advantage that the new tool offers advertisers. “Most of the users who have switched to digital to listen to music are not paid users. In turn they are okay with listeing to advertisements as long as they have access to the huge music libraries players such as Saavan and Gaana.com have to offer.”
    Currently digital agency already has three major clients onboard with the new initiative namely – -DS Group, Microsoft and JK Tyres.Claiming it to be the first of its kind in Asia Pacific, the agency also hopes to get 50 to 60 clients using the service by the end of this financial year.

    Lauding the new initiative Microsoft India CMO Jyotsna Makkar shared her views saying, “We always look for innovative ways to cut-through and are happy to be amongst the first marketers to explore the potential of this format.”

    “Again,” Jasani highlights, “audio consumes less data and therefore consumers seamlessly consume the content.”

    When pointed out that only handful of such digital audio platforms are available to advertisers in India, Jasani assured that by the end of this financial year Isobar has plans allow access to ‘ 45 such apps, both Indian and global’ to its clients.

    Jasani is also optimistic that this new aspect of digital audio ads will push the envelope of digital ad spends within the country. “It’s only a matter of time before advertisers take better notice as the majority of consumers have already shifted to digital, especially when it comes to music. And it’s only going to grow as the data price becomes cheaper and cheaper in the next few months. What holds them back is a proper mechanism that will allow them to systematically use to power of digital in their campaigns and that is exactly what programmatic radio buying will allow them,” Jasani signed off.

  • Isobar introduces programmatic radio buying in India

    Isobar introduces programmatic radio buying in India

    MUMBAI: The face of radio and music consumption has changed with the smartphone explosion in India and so has the way advertisers look at the market. With almost all music consumers tuned into their favourite tracks through their choice of over-the-top digital music players, top media agencies too are taking note that radio as a form of mass media could catch up with the rest backed by data and analytics.

    A good example of this is the recently launched initiative from Dentsu Aegis Network’s digital arm, Isobar India, in partnership with AMNET that facilitates programmatic radio buying — a first of its kind in India as per the agency. In order to execute the first ever digital radio, Isobar and AMNET partnered with digital audio companies, Triton Digital and AdsWizz by integrating data with Appnexus.

    Online music consumption enabled by players like Guevara, Tunein, Planet Radio city, AIR Fm Gold and Music Live FM etc. have democratized the music industry in India, making it a lucrative segment for brands to capitalize on. However, until recently, media buys used to happen on these platforms on an ad hoc basis with no clear definition of the audience segment clusters.

    But with introduction of digital radio infusing intelligent targeting through programmatic solution,the new tool from Isobar will be efficient in aiding the process of acquiring new customers and delivering relevant output to existing customers via search, display, native, video and social.

    Breaking the concept down for the layman, Isobar India MD Shamsuddin Jasani AKA Shams explained, “Currently music lovers are consuming most of their music on the Gaanas and Saavns of the world as opposed to traditional radio channels. With the new tool that we are launching we are able to marry the data that we acquire from these digital players and target consumers.This will allow advertisers to programmatically buy audience targeted digital radio units based on the consumer’s’ music listening behaviour. Basically radio commercials that are targeted at digital music consumers.”

    AMNET India business head Salil Shanker said, “At AMNET, we believe in extracting the full potential of our brand offerings by using AMNET Audience Centre to profile new customers, deliver unique messaging to brand loyalists, and connect audiences across channel beats they fall into – i.e. Search, Video, Social and Native. Many brands fail to connect with relevant audiences, who consume audio content on the go (on digital radio).We have managed to bridge this gap by introducing the first ever programmatic digital radio in India. Our recent associations with brands like Microsoft, DS Group and JK Tyres have identified the potential of digital radio like never before and adopted this new-age technology.”

    Similar to how two way communication through digitally addressable system (DAS) on television allows advertisers to run different ads targeted at different audience parallely, programmatic buying of radio units will let advertisers place user specific different communications all playing at the same time.

    “We are creating different profiles for users to be categorised in based on the different campaigns. It’s not like one profile fits all consumers. We are able to target different profiles of consumers with different ad sports at different points in their purchase journey for a particular advertiser. For example at one time 30 different 15 second-er audio spots can run on one of these on demand music players.” Not to mention, being audio, the ad spots are lighter on the advertiser’s pocket as well.

    There are several perks to using audio as a medium of communication for brands. Apart from targeted messaging that saves brands from spraying and praying, and prevents wastage of precious advertising budget, tapping into a whole new market is another advantage that the new tool offers advertisers. “Most of the users who have switched to digital to listen to music are not paid users. In turn they are okay with listeing to advertisements as long as they have access to the huge music libraries players such as Saavan and Gaana.com have to offer.”
    Currently digital agency already has three major clients onboard with the new initiative namely – -DS Group, Microsoft and JK Tyres.Claiming it to be the first of its kind in Asia Pacific, the agency also hopes to get 50 to 60 clients using the service by the end of this financial year.

    Lauding the new initiative Microsoft India CMO Jyotsna Makkar shared her views saying, “We always look for innovative ways to cut-through and are happy to be amongst the first marketers to explore the potential of this format.”

    “Again,” Jasani highlights, “audio consumes less data and therefore consumers seamlessly consume the content.”

    When pointed out that only handful of such digital audio platforms are available to advertisers in India, Jasani assured that by the end of this financial year Isobar has plans allow access to ‘ 45 such apps, both Indian and global’ to its clients.

    Jasani is also optimistic that this new aspect of digital audio ads will push the envelope of digital ad spends within the country. “It’s only a matter of time before advertisers take better notice as the majority of consumers have already shifted to digital, especially when it comes to music. And it’s only going to grow as the data price becomes cheaper and cheaper in the next few months. What holds them back is a proper mechanism that will allow them to systematically use to power of digital in their campaigns and that is exactly what programmatic radio buying will allow them,” Jasani signed off.

  • Goafest Creative Abby jury chairs announced for Print, Radio and Brand Activation

    Goafest Creative Abby jury chairs announced for Print, Radio and Brand Activation

    MUMBAI: The Goafest Creative Abbys, the highly coveted advertising awards that recognize the best in advertising and marketing has announced the second set of jury for the coveted awards. The Awards Governing Council of Goafest 2016 has declared the jury chairs for print, radio/radio craft advertising and brand activation verticals. While  Publicis Communications  managing director & chief creative officer Bobby Pawar will chair the print communication jury of Creative Abby, Contract Advertising national creative director Ashish Chakravarty  will chair the radio/ radio craft jury and Scarecrow Communications  director and founder Manish Bhatt  will chair the jury for brand activation vertical.

    Jury chair of the print category  Bobby Pawar is reckoned amongst peers as one of the most influential professsionals in advertising. Before joining Publicis, he was the CCO at JWT, where he curated some iconic campaigns. Prior to that he spent 4 years as the chief creative officer of the DDB Mudra Group. He was instrumental in transforming the agency into a top rated creative solution destinations in the country. Bobby was earlier creative director at Ogilvy, New York and group creative director at BBDO, Chicago.

    Ashish Chakravarty with over 2 decades of experience has created some of the biggest brands in the country and is recognized as amongst the top 10 creative directors in India and amongst the top 50 creative Ddrectors in the world, according to a latest global ranking. Ashish’s work has won him several metals across the biggest creative fests across the world including Cannes and D&AD. He is credited with winning more than 200 national and international awards across categories and brands.

    Manish Bhatt  started his career as a Civil Engineer at Gujarat State Fertilizer Corporation. But, soon he decided to enter the world of advertising and went on create one of India’s most sought after independent ad agencies Scarecrow.  He has worked in Ad World for more than 15 years and has been associated with agencies like Contract, Ogilvy & Mather (Delhi, Mumbai & Malaysia), Ambience Publicis and McCann Erickson. Bhatt has received recognition for his creative work across platforms like Cannes Lions, D&AD London, The One Show, Clios and the Abbys.

  • Goafest Creative Abby jury chairs announced for Print, Radio and Brand Activation

    Goafest Creative Abby jury chairs announced for Print, Radio and Brand Activation

    MUMBAI: The Goafest Creative Abbys, the highly coveted advertising awards that recognize the best in advertising and marketing has announced the second set of jury for the coveted awards. The Awards Governing Council of Goafest 2016 has declared the jury chairs for print, radio/radio craft advertising and brand activation verticals. While  Publicis Communications  managing director & chief creative officer Bobby Pawar will chair the print communication jury of Creative Abby, Contract Advertising national creative director Ashish Chakravarty  will chair the radio/ radio craft jury and Scarecrow Communications  director and founder Manish Bhatt  will chair the jury for brand activation vertical.

    Jury chair of the print category  Bobby Pawar is reckoned amongst peers as one of the most influential professsionals in advertising. Before joining Publicis, he was the CCO at JWT, where he curated some iconic campaigns. Prior to that he spent 4 years as the chief creative officer of the DDB Mudra Group. He was instrumental in transforming the agency into a top rated creative solution destinations in the country. Bobby was earlier creative director at Ogilvy, New York and group creative director at BBDO, Chicago.

    Ashish Chakravarty with over 2 decades of experience has created some of the biggest brands in the country and is recognized as amongst the top 10 creative directors in India and amongst the top 50 creative Ddrectors in the world, according to a latest global ranking. Ashish’s work has won him several metals across the biggest creative fests across the world including Cannes and D&AD. He is credited with winning more than 200 national and international awards across categories and brands.

    Manish Bhatt  started his career as a Civil Engineer at Gujarat State Fertilizer Corporation. But, soon he decided to enter the world of advertising and went on create one of India’s most sought after independent ad agencies Scarecrow.  He has worked in Ad World for more than 15 years and has been associated with agencies like Contract, Ogilvy & Mather (Delhi, Mumbai & Malaysia), Ambience Publicis and McCann Erickson. Bhatt has received recognition for his creative work across platforms like Cannes Lions, D&AD London, The One Show, Clios and the Abbys.

  • New iGameLeague allows advertisers to sponsor individual players

    New iGameLeague allows advertisers to sponsor individual players

    MUMBAI: iGameLeague – a platform through which mobile games for all age groups can be played offline or online professionally anytime and anywhere, aims at revolutionizing the industry as it allows advertisers to become sponsors of individual players.

    The platform has been created by four experts – serial entrepreneur Devesh Gupta, sales and marketing maverick Nilesh Thakkar, animation and VFX industry veteran Susanta Dutta and Nishith Maheshwari. “IGameLeague is first and sole professional mobile gaming platform in India. How YouTube is a platform for video the same we are for gaming industry with monopoly,” said co-founder NIlesh Thakkar.

    “Apart from print, TV, outdoor, radio and online, IGameLeage will add as yet another medium for advertising, where users not only play and win cash, the media partners and advertiser also reach their target audience,” Thakkar shared, adding, “Being a sole platform, brands like Citrus will give our users Rs 50 per players as sponsors. So we bring ready advertiser with us.”

    As per Thakkar, the startup is already valued at Rs 70 crore after investment from venture capitals.

    Bringing alive the idea of ‘Play Mobile games –Win Real Cash’, the platform has more than 20 popular mobile games on the platform. With a very simple and easy to use interface, players can download, register and start winning cash from their favourite games.

    After testing the waters through a beta launch in Mumbai where more than 2300 students from 18 top colleges including HR, Nationals, Thakur, KJ Somaiya, etc participated,  iGL is in the process of doing a massive national launch of the platform through Brand, Media and Celebrity partnerships.

    Various business houses have evinced interest in buying the territorial rights of various regions of the platform.

    Since it has brought to the fore a completely new age medium for mass engagement, it is expected to be lapped up by the Smartphone and IT industry. 

  • New iGameLeague allows advertisers to sponsor individual players

    New iGameLeague allows advertisers to sponsor individual players

    MUMBAI: iGameLeague – a platform through which mobile games for all age groups can be played offline or online professionally anytime and anywhere, aims at revolutionizing the industry as it allows advertisers to become sponsors of individual players.

    The platform has been created by four experts – serial entrepreneur Devesh Gupta, sales and marketing maverick Nilesh Thakkar, animation and VFX industry veteran Susanta Dutta and Nishith Maheshwari. “IGameLeague is first and sole professional mobile gaming platform in India. How YouTube is a platform for video the same we are for gaming industry with monopoly,” said co-founder NIlesh Thakkar.

    “Apart from print, TV, outdoor, radio and online, IGameLeage will add as yet another medium for advertising, where users not only play and win cash, the media partners and advertiser also reach their target audience,” Thakkar shared, adding, “Being a sole platform, brands like Citrus will give our users Rs 50 per players as sponsors. So we bring ready advertiser with us.”

    As per Thakkar, the startup is already valued at Rs 70 crore after investment from venture capitals.

    Bringing alive the idea of ‘Play Mobile games –Win Real Cash’, the platform has more than 20 popular mobile games on the platform. With a very simple and easy to use interface, players can download, register and start winning cash from their favourite games.

    After testing the waters through a beta launch in Mumbai where more than 2300 students from 18 top colleges including HR, Nationals, Thakur, KJ Somaiya, etc participated,  iGL is in the process of doing a massive national launch of the platform through Brand, Media and Celebrity partnerships.

    Various business houses have evinced interest in buying the territorial rights of various regions of the platform.

    Since it has brought to the fore a completely new age medium for mass engagement, it is expected to be lapped up by the Smartphone and IT industry.