Tag: Radio

  • Guest Column: The new gods of digital newsrooms

    Guest Column: The new gods of digital newsrooms

    Modern journalism began in the early 1600s, triggered, as any new vocation or market usually is, by technology, ie, the invention of the printing press. At first, a very crude community narrow-sheet was born, which was circulated to a few households in the vicinity. It took almost a hundred years of slow evolution for today’s broadsheet daily to acquire shape, with a large distribution footprint, photographs and advertising. It took another century for the next innovation in news journalism, the birth of radio broadcasting. But evolution was quicker after that, with television news appearing just a few decades after radio.

    Nearly 400 years later, around 1990, internet news disrupted the whole landscape. And that was a seminal turning point for mainstream journalism.

    Technology only changes the practices, never the principles of any established vocation – this was the irrefutable wisdom until the Internet turned a million axioms on their heads. Simply put, the principles of journalism – who, what, why, where, when, how, integrity of facts, stringent adherence to the truth, always giving the right of response to the accused/aggrieved – remained inviolable, even as the dissemination medium changed from ink on paper to sound on analogue waves to sound with moving pictures on electronic satellite signals. Technology could never change the principles, only the methods and practices, of telling a news story.

    But the Internet did the unthinkable, forcing mainstream journalism to modify its principles. I like to describe the pre-digital era of news as “the voice of God journalism” – the Gods, of course, were the all powerful editors. Since I won my editorial spurs in that bygone era, I too belong to that Tribe of Gods, where every morning, a bunch of stiff guys would troop into the conference room, with pencils and notepads, and decide the order of news stories for the day. It was such a unilateral exercise! “Let’s lead with Gandhi, then do that parliament debate … and just stuff a bit of sports and movies towards the end”. Done. The viewer was a complete “outsider”, her interests were peripheral, because “Gods” had the divine right to mandate the run order of news stories.    

    I grope for the correct adjective here. Archaic? Anathema? Anachronistic? Absurd? Perhaps all four of these, and a billion more, could be justifiably used if “the voice of God journalism” were to invade and dominate a digital newsroom today. Why? Because a digital newsroom is not a unilateral, linear, one way transmission of stories. In the nanosecond after you publish anything, readers and viewers pounce at it with their likes, hates, shares, comments, denials, corrections, updates, meme tweaks on WhatsApp, cartoon caricatures on Instagram, vociferous protests, loud applause etc etc etc … an intelligent or distasteful cacophony gets lit, and you have to respond to it, agree with it, deny it, debunk it, decorate it, ie do something, anything with it or to it, but you simply can’t ignore it. Because if you choose to be the unmoved, stoic, non-responsive “Godly” editor of the early 90s, you will be out of a job. Pronto.

    Let me illustrate with a simple choice that we had to make the other day. We were dealing with two big “demonetization stories” – one was a rather complex unraveling of the tax rules enshrined in the new Income Disclosure Scheme, wherein you would have to pay X% tax/penalty if illegal cash was deposited by Y date; and if you failed to do that, you would be liable for Z additional penalties. The other was a heart rending story of a 75-year old woman, the youngest sister of five brothers.

    For the last 50 years, she had kept 250 precious envelopes in her safe, containing cash given to her on bhai dooj. In her world view, that cash was a sacred gift from her brothers, not to be ever spent. Her heart was broken when her son forced her to open each envelope, take out nearly Rs 1.50 lac in notes of various denominations, and deposit them in banks. Her faith was rattled, shaken. What an astonishing human story, capturing the unusual pathos that demonetization has inflicted on ordinary people. In the unilateral, Godly days of yore, the tax rules would have played upfront, while the human interest story would be tucked towards the end, to be soon forgotten. But in today’s digital newsrooms, the story of this rudely disenfranchised 75-year-old woman would gain unrelenting velocity on social media, would whiz around cyber space, getting Facebooked, WhatsApped and Instagrammed, touching the hearts of a million people, instigating thousands of comments/shares/likes.

    No God could stem the viral force of this venerable lady’s touching story, which would simply obliterate the dry prose of tax rules, and reign supreme in the world of digital news.   

    public://unnamed_2.jpg The author is the co-founder and chairman of Quintillion Media, including BloombergQuint. He is the author of two books, viz ‘Superpower?: The Amazing Race Between China’s Hare and India’s Tortoise’, and ‘Super Economies: America, India, China & The Future Of The World’. The views expressed are personal and Indiantelevision.com need not necessarily subscribe to them

     

  • Guest Column: The new gods of digital newsrooms

    Guest Column: The new gods of digital newsrooms

    Modern journalism began in the early 1600s, triggered, as any new vocation or market usually is, by technology, ie, the invention of the printing press. At first, a very crude community narrow-sheet was born, which was circulated to a few households in the vicinity. It took almost a hundred years of slow evolution for today’s broadsheet daily to acquire shape, with a large distribution footprint, photographs and advertising. It took another century for the next innovation in news journalism, the birth of radio broadcasting. But evolution was quicker after that, with television news appearing just a few decades after radio.

    Nearly 400 years later, around 1990, internet news disrupted the whole landscape. And that was a seminal turning point for mainstream journalism.

    Technology only changes the practices, never the principles of any established vocation – this was the irrefutable wisdom until the Internet turned a million axioms on their heads. Simply put, the principles of journalism – who, what, why, where, when, how, integrity of facts, stringent adherence to the truth, always giving the right of response to the accused/aggrieved – remained inviolable, even as the dissemination medium changed from ink on paper to sound on analogue waves to sound with moving pictures on electronic satellite signals. Technology could never change the principles, only the methods and practices, of telling a news story.

    But the Internet did the unthinkable, forcing mainstream journalism to modify its principles. I like to describe the pre-digital era of news as “the voice of God journalism” – the Gods, of course, were the all powerful editors. Since I won my editorial spurs in that bygone era, I too belong to that Tribe of Gods, where every morning, a bunch of stiff guys would troop into the conference room, with pencils and notepads, and decide the order of news stories for the day. It was such a unilateral exercise! “Let’s lead with Gandhi, then do that parliament debate … and just stuff a bit of sports and movies towards the end”. Done. The viewer was a complete “outsider”, her interests were peripheral, because “Gods” had the divine right to mandate the run order of news stories.    

    I grope for the correct adjective here. Archaic? Anathema? Anachronistic? Absurd? Perhaps all four of these, and a billion more, could be justifiably used if “the voice of God journalism” were to invade and dominate a digital newsroom today. Why? Because a digital newsroom is not a unilateral, linear, one way transmission of stories. In the nanosecond after you publish anything, readers and viewers pounce at it with their likes, hates, shares, comments, denials, corrections, updates, meme tweaks on WhatsApp, cartoon caricatures on Instagram, vociferous protests, loud applause etc etc etc … an intelligent or distasteful cacophony gets lit, and you have to respond to it, agree with it, deny it, debunk it, decorate it, ie do something, anything with it or to it, but you simply can’t ignore it. Because if you choose to be the unmoved, stoic, non-responsive “Godly” editor of the early 90s, you will be out of a job. Pronto.

    Let me illustrate with a simple choice that we had to make the other day. We were dealing with two big “demonetization stories” – one was a rather complex unraveling of the tax rules enshrined in the new Income Disclosure Scheme, wherein you would have to pay X% tax/penalty if illegal cash was deposited by Y date; and if you failed to do that, you would be liable for Z additional penalties. The other was a heart rending story of a 75-year old woman, the youngest sister of five brothers.

    For the last 50 years, she had kept 250 precious envelopes in her safe, containing cash given to her on bhai dooj. In her world view, that cash was a sacred gift from her brothers, not to be ever spent. Her heart was broken when her son forced her to open each envelope, take out nearly Rs 1.50 lac in notes of various denominations, and deposit them in banks. Her faith was rattled, shaken. What an astonishing human story, capturing the unusual pathos that demonetization has inflicted on ordinary people. In the unilateral, Godly days of yore, the tax rules would have played upfront, while the human interest story would be tucked towards the end, to be soon forgotten. But in today’s digital newsrooms, the story of this rudely disenfranchised 75-year-old woman would gain unrelenting velocity on social media, would whiz around cyber space, getting Facebooked, WhatsApped and Instagrammed, touching the hearts of a million people, instigating thousands of comments/shares/likes.

    No God could stem the viral force of this venerable lady’s touching story, which would simply obliterate the dry prose of tax rules, and reign supreme in the world of digital news.   

    public://unnamed_2.jpg The author is the co-founder and chairman of Quintillion Media, including BloombergQuint. He is the author of two books, viz ‘Superpower?: The Amazing Race Between China’s Hare and India’s Tortoise’, and ‘Super Economies: America, India, China & The Future Of The World’. The views expressed are personal and Indiantelevision.com need not necessarily subscribe to them

     

  • Pvt FM channels yet to touch 300; AIR targets another 115 locations

    Pvt FM channels yet to touch 300; AIR targets another 115 locations

    NEW DELHI: After almost two decades of introduction of the scheme, there are only 267 private FM channels operational in the country. Even the second batch of Phase III auctions was stopped before all the channels were auctioned and there was no bid for 44 cities.

    Information and broadcasting ministry sources had earlier told Indiantelevision.com’s sister company that the aim was to continue till all the channels slated in the second batch were auctioned, but breaks will have to be taken for weekends and national holidays.

    The first phase in 1999 saw the start of 21 FM channels in 12 cities although 37 were sold in 19 cities. The auction was for 108 channels in forty cities.

    The second phase in 2005 saw the operationalisation of 219 channels in 86 cities although 245 channels were sold in 87 cities. The auction was for 337 FM channels in 91 cities.

    In view of the third phase covering 839 FM channels, it was decided to hold the auction in batches.

    The first batch between July and September last year led to the operationalisation of 27 channels in 21 cities although a total of 97 channels were sold in 56 cities (one channel is awaiting security clearance). The batch was to cover 135 channels in 69 cities.

    The second batch meant to auction 266 channels in 92 cities commenced on 26 October 2016 and was stopped on 13 December.

    In all, 14 bidding companies had been shortlisted for taking part in the second batch but only M/s South Asia FM Ltd was allotted FM channels in Surat, Amritsar, Patna, Chandigarh and Jammu.

    However, the ministry sources said that a full report would be released shortly.

    While All-India Radio has around 416 FM channels at present, it has plans for targeting another 115 locations in the near future. Besides FM Rainbow and FM Gold, Vividh Bharati has already come on FM and several other channels are planned to be put on FM even as they continue to be beamed on Medium Wave.

    In the second batch of Phase III, Hyderabad and Dehradun remained at top with Rs 23,43,48,266 and Rs 15,61,00,590 respectively on the 26th day with the completion of three rounds taking the total to 100.

    Other than Hyderabad and Dehradun, the top 16 cities remained static with bids of more than Rs 32 million. The bids at Alappuzha (Alleppey), Erode, Hubli-Dharwad, Nellore, Salem, Vellore and Vijaywada remained at just over Rs 70 million while bids for Tiruchy was just above Rs 50 million and Tirupathi, Puducherry and Muzaffarpur to a little over Rs 40 million. Amravati, Bhavnagar, Jamnagar and Ujjain bid a little over Rs 35 million and Mysuru a little over Rs 32 million.

    Also Read :

    South Asia FM bags five channels in first round of the second batch of FM Batch III

  • Pvt FM channels yet to touch 300; AIR targets another 115 locations

    Pvt FM channels yet to touch 300; AIR targets another 115 locations

    NEW DELHI: After almost two decades of introduction of the scheme, there are only 267 private FM channels operational in the country. Even the second batch of Phase III auctions was stopped before all the channels were auctioned and there was no bid for 44 cities.

    Information and broadcasting ministry sources had earlier told Indiantelevision.com’s sister company that the aim was to continue till all the channels slated in the second batch were auctioned, but breaks will have to be taken for weekends and national holidays.

    The first phase in 1999 saw the start of 21 FM channels in 12 cities although 37 were sold in 19 cities. The auction was for 108 channels in forty cities.

    The second phase in 2005 saw the operationalisation of 219 channels in 86 cities although 245 channels were sold in 87 cities. The auction was for 337 FM channels in 91 cities.

    In view of the third phase covering 839 FM channels, it was decided to hold the auction in batches.

    The first batch between July and September last year led to the operationalisation of 27 channels in 21 cities although a total of 97 channels were sold in 56 cities (one channel is awaiting security clearance). The batch was to cover 135 channels in 69 cities.

    The second batch meant to auction 266 channels in 92 cities commenced on 26 October 2016 and was stopped on 13 December.

    In all, 14 bidding companies had been shortlisted for taking part in the second batch but only M/s South Asia FM Ltd was allotted FM channels in Surat, Amritsar, Patna, Chandigarh and Jammu.

    However, the ministry sources said that a full report would be released shortly.

    While All-India Radio has around 416 FM channels at present, it has plans for targeting another 115 locations in the near future. Besides FM Rainbow and FM Gold, Vividh Bharati has already come on FM and several other channels are planned to be put on FM even as they continue to be beamed on Medium Wave.

    In the second batch of Phase III, Hyderabad and Dehradun remained at top with Rs 23,43,48,266 and Rs 15,61,00,590 respectively on the 26th day with the completion of three rounds taking the total to 100.

    Other than Hyderabad and Dehradun, the top 16 cities remained static with bids of more than Rs 32 million. The bids at Alappuzha (Alleppey), Erode, Hubli-Dharwad, Nellore, Salem, Vellore and Vijaywada remained at just over Rs 70 million while bids for Tiruchy was just above Rs 50 million and Tirupathi, Puducherry and Muzaffarpur to a little over Rs 40 million. Amravati, Bhavnagar, Jamnagar and Ujjain bid a little over Rs 35 million and Mysuru a little over Rs 32 million.

    Also Read :

    South Asia FM bags five channels in first round of the second batch of FM Batch III

  • From a barber’s shop to a tea stall: BBC Urdu looks at the lives of India’s young Muslims

    From a barber’s shop to a tea stall: BBC Urdu looks at the lives of India’s young Muslims

    MUMBAI: India’s young Muslims, their views, hopes and concerns, are the subject of the new series of BBC Urdu, a part of BBC World Service — From a barber’s shop to a tea stall (Nai Ki Dukan Se Chai Ki Dukan Tak) going live on TV, radio and online on Monday 14 November.

    The six-part TV and radio series and special content for the website bbcurdu.com is produced and presented by Mirza AB Baig. As he visits New Delhi, Lucknow, Kolkata, Hyderabad, Bangalore and Mumbai, Mirza Baig talks to Muslim youths who, due to high unemployment, are used to socialising in barber shops and tea stalls in their communities.

    Each episode focuses on issues that young men and women were keen to discuss with the BBC: unemployment, the divorce practice of “instant triple talaq”, terrorism, LGBT, the high number of Muslims in India’s prisons and the uniform civil code (the proposal to replace the family laws exercised by religious communities with a common set of laws governing all India’s citizens).

    Mirza Baig said: “In this series, for the first time, we have placed India’s Muslim youth at the very centre of our narrative. Talking to them, we wanted to bring to the fore their views, needs and worries.
    From a barber’s shop to a tea stall is about them – and as we roll out this content, we hope that, along with BBC Urdu’s audience in Pakistan, Urdu-speakers in India will join the conversation via the BBC Urdu social media channels to continue and expand the debates we started in India’s Muslim communities.”

    Indian experts join the discussion in the BBC Urdu series. Dr Tanweer Fazal of the Department of Sociology, Jawaharlal Nehru University, New Delhi, comments on unemployment among the country’s Muslims. Renowned scholar, Prof Tahir Mehmood examines the issues surrounding the application of the uniform civil code. Prof Vija Raghawan of Tata Institute of Social Sciences in Mumbai looks at the reasons for large numbers of Muslims in India’s jails. Dr Shaista Yusuf and Prof Sabiha Zubair in Bangalore explain the challenges presented by the continued practice, in some Sunni Muslim communities, of instant divorce known as “triple talaq”.

    From a barber’s shop to a tea stall (Nai Ki Dukan Se Chai Ki Dukan Tak) will feature as part of the BBC Urdu programme, Sairbeen, on TV and radio every Monday starting from 14 November. The series’ text, audio and video content will also roll out on the website bbcurdu.com. The issues will be discussed with social-media audience via Facebook Lives on BBC Urdu Facebook.

    The TV programme, Sairbeen, is broadcast live from London by Aaj News TV channel in Pakistan and streamed on bbcurdu.com at 19.30 PST (14.30 GMT) Monday to Friday. Each edition of Sairbeen is repeated on Aaj News at 11.00 on the following day and is available on bbcurdu.com on demand. The programme is also available via the BBC Urdu channel on YouTube. The radio programme, Sairbeen, is broadcast on shortwave at 20.00 PST (15.00 GMT) every day and is available via bbcurdu.com.

  • From a barber’s shop to a tea stall: BBC Urdu looks at the lives of India’s young Muslims

    From a barber’s shop to a tea stall: BBC Urdu looks at the lives of India’s young Muslims

    MUMBAI: India’s young Muslims, their views, hopes and concerns, are the subject of the new series of BBC Urdu, a part of BBC World Service — From a barber’s shop to a tea stall (Nai Ki Dukan Se Chai Ki Dukan Tak) going live on TV, radio and online on Monday 14 November.

    The six-part TV and radio series and special content for the website bbcurdu.com is produced and presented by Mirza AB Baig. As he visits New Delhi, Lucknow, Kolkata, Hyderabad, Bangalore and Mumbai, Mirza Baig talks to Muslim youths who, due to high unemployment, are used to socialising in barber shops and tea stalls in their communities.

    Each episode focuses on issues that young men and women were keen to discuss with the BBC: unemployment, the divorce practice of “instant triple talaq”, terrorism, LGBT, the high number of Muslims in India’s prisons and the uniform civil code (the proposal to replace the family laws exercised by religious communities with a common set of laws governing all India’s citizens).

    Mirza Baig said: “In this series, for the first time, we have placed India’s Muslim youth at the very centre of our narrative. Talking to them, we wanted to bring to the fore their views, needs and worries.
    From a barber’s shop to a tea stall is about them – and as we roll out this content, we hope that, along with BBC Urdu’s audience in Pakistan, Urdu-speakers in India will join the conversation via the BBC Urdu social media channels to continue and expand the debates we started in India’s Muslim communities.”

    Indian experts join the discussion in the BBC Urdu series. Dr Tanweer Fazal of the Department of Sociology, Jawaharlal Nehru University, New Delhi, comments on unemployment among the country’s Muslims. Renowned scholar, Prof Tahir Mehmood examines the issues surrounding the application of the uniform civil code. Prof Vija Raghawan of Tata Institute of Social Sciences in Mumbai looks at the reasons for large numbers of Muslims in India’s jails. Dr Shaista Yusuf and Prof Sabiha Zubair in Bangalore explain the challenges presented by the continued practice, in some Sunni Muslim communities, of instant divorce known as “triple talaq”.

    From a barber’s shop to a tea stall (Nai Ki Dukan Se Chai Ki Dukan Tak) will feature as part of the BBC Urdu programme, Sairbeen, on TV and radio every Monday starting from 14 November. The series’ text, audio and video content will also roll out on the website bbcurdu.com. The issues will be discussed with social-media audience via Facebook Lives on BBC Urdu Facebook.

    The TV programme, Sairbeen, is broadcast live from London by Aaj News TV channel in Pakistan and streamed on bbcurdu.com at 19.30 PST (14.30 GMT) Monday to Friday. Each edition of Sairbeen is repeated on Aaj News at 11.00 on the following day and is available on bbcurdu.com on demand. The programme is also available via the BBC Urdu channel on YouTube. The radio programme, Sairbeen, is broadcast on shortwave at 20.00 PST (15.00 GMT) every day and is available via bbcurdu.com.

  • PEMRA suspends ARY’s Nickelodeon licence for airing Indian content

    PEMRA suspends ARY’s Nickelodeon licence for airing Indian content

    MUMBAI: It wants to signal it means business. And, that it is not going to tolerate any laxity on its diktat to totally ban Indian content on television, radio and cinema in Pakistan. The Pakistan Electronic Media Regulatory Authority (PEMRA) yesterday suspended the landing licence of Viacom TV channel Nickelodeon for airing animation shows dubbed in Hindi.

    PEMRA made the announcement via a tweet from its twitter handle late last evening.

    The channel is distributed in Pakistan via the Ary Digital Network which has its headquarters in Dubai. ARY runs a clutch of channels including ARY News, Zindagi, QTV, Muzik, Digital etc.

    ARY is broadcast in several Asian countries through the services of Samacom’s uplinking earth station based in the UAE. The network has Mohammed Iqbal as its chairperson; Salman Iqbal being its president & CEO.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/PEMRA-800x800.jpg?itok=ODPsZJQu

    The authority had issued an order last month directing Pakistani channels to reduce Indian content to six per cent, and followed it up with another notice forcing them to reduce it to zero by 21 October. It has stated that those violating its order would face dire consequences, among which could include cancellation or suspension of downlinking (read: landing) and uplinking permissions that it grants.

    A clutch of broadcasters under the Pakistan Broadcasters Association has been contemplating taking PEMRA to  court for its hard stance on the Indian and foreign content issue.

    Related stories:

    Pakistan gets tough on Indian DTH & content

    Pak bans Indian TV content, films from being screened

    PEMRA Indian content ban to impact broadcasters

    “Let India open its market, we will open ours” – PEMRA chairman Absar Alam

    Pakistan Broadcasters Association to oppose PEMRA Indian content ban

  • PEMRA suspends ARY’s Nickelodeon licence for airing Indian content

    PEMRA suspends ARY’s Nickelodeon licence for airing Indian content

    MUMBAI: It wants to signal it means business. And, that it is not going to tolerate any laxity on its diktat to totally ban Indian content on television, radio and cinema in Pakistan. The Pakistan Electronic Media Regulatory Authority (PEMRA) yesterday suspended the landing licence of Viacom TV channel Nickelodeon for airing animation shows dubbed in Hindi.

    PEMRA made the announcement via a tweet from its twitter handle late last evening.

    The channel is distributed in Pakistan via the Ary Digital Network which has its headquarters in Dubai. ARY runs a clutch of channels including ARY News, Zindagi, QTV, Muzik, Digital etc.

    ARY is broadcast in several Asian countries through the services of Samacom’s uplinking earth station based in the UAE. The network has Mohammed Iqbal as its chairperson; Salman Iqbal being its president & CEO.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/PEMRA-800x800.jpg?itok=ODPsZJQu

    The authority had issued an order last month directing Pakistani channels to reduce Indian content to six per cent, and followed it up with another notice forcing them to reduce it to zero by 21 October. It has stated that those violating its order would face dire consequences, among which could include cancellation or suspension of downlinking (read: landing) and uplinking permissions that it grants.

    A clutch of broadcasters under the Pakistan Broadcasters Association has been contemplating taking PEMRA to  court for its hard stance on the Indian and foreign content issue.

    Related stories:

    Pakistan gets tough on Indian DTH & content

    Pak bans Indian TV content, films from being screened

    PEMRA Indian content ban to impact broadcasters

    “Let India open its market, we will open ours” – PEMRA chairman Absar Alam

    Pakistan Broadcasters Association to oppose PEMRA Indian content ban

  • Colors Naagin II  to slither in on 8 October

    Colors Naagin II to slither in on 8 October

    MUMBAI: Who ever thought that the traditional age-old contrived tale of snakes taking human form to avenge their parents death? Well Ekta Kapoor, Raj Nayak and Manisha Sharma did. And the trio had a runaway Naagin on their hands last year on Colors, which ran on weekends on the channel for eight months. So much so that it reached numero uno status even in Pakistan.

    Nayak and Sharma decided to give it a break to accommodate other weekend programmes. Three months later, it is ready to make a comeback in Naagin season II on 8 October at 8 pm.. Season I saw it became the No1 show across television channels within 30 episodes of debut. The show proved to be a game-changer for Colors.

    In the first week of the launch itself, the fiction show ‘Naagin’ overtook the top five programmes on Hindi general entertainment channels (GECs). Additionally, ‘Naagin’ also became one of the first weekend shows which totted more ratings than the top-rated weekday shows.

    Says Colors CEO Raj Nayak: “Naagin has been a gloriously successful proposition for us, whose precise casting, gripping narrative and flawless execution has found appeal with audiences across the country, and has redefined the 8pm slot on weekends. As content creators, our challenge with a show like this was to weave the perfect narrative connecting childhood folklore to its real-life projection on screen, thus making Naagin a landmark show. It has been the numero uno show amongst Hindi GECs, and the feedback that the rushes have received gives us confidence that the second edition will surpass all previously set benchmarks.”

    Naagin, in its first season, highlighted a saga of love laced with revenge. As the story drew to a close, Naagin claimed triumph over evil. Ritik (Arjun Bijlani) and Shivanya became parents to a young girl, Shivangi. And, as time passes, Naagin 2 will progress by 24 years, now focusing on Shivangi’s life as she blossoms into a young woman, against the scenic backdrop of Dehradun.

    Says Colors programming head Manisha Sharma: “With Naagin, we opened up another genre of entertainment for the viewers. Naagin created history with its compelling storyline to become the unprecedented No 1 show on Indian television. And now, as we kick off Naagin 2, here’s another tale with a shape shifting snake at its helm that will once again make fantastical characters television’s newest stars.”

    Balaji Telefilms producer Ekta Kapoor adds: “Naagin is a very special show for me. The show marked my first foray in the mystical genre, and empowered us to explore a different kind of storytelling altogether. As we march ahead, we bring together not only the show’s original cast, but also a volley of newer faces who will narrate Shivangi’s tale, as she takes the mantle of being the Nagmani’s protector forward. This season we are raising the bar on visual effects to incorporate newer technologies, and will put together a tight and engrossing narrative to heighten viewer experience and build intrigue like never before.”

    To promote Naagin 2, Colors has devised an extensive integrated marketing campaign across mediums including print, cable and DTH, radio, news channels, OOH, cinema, etc. This will be complemented by a robust digital campaign incorporating multiple social media platforms like Facebook, Twitter, Instagram. . The channel has also planned on-ground activations aligned with the Colors Golden Petal Club across multiple markets. Sources indicate that a marketing budget of round Rs 2 crore has been kept aside for the show.

  • Colors Naagin II  to slither in on 8 October

    Colors Naagin II to slither in on 8 October

    MUMBAI: Who ever thought that the traditional age-old contrived tale of snakes taking human form to avenge their parents death? Well Ekta Kapoor, Raj Nayak and Manisha Sharma did. And the trio had a runaway Naagin on their hands last year on Colors, which ran on weekends on the channel for eight months. So much so that it reached numero uno status even in Pakistan.

    Nayak and Sharma decided to give it a break to accommodate other weekend programmes. Three months later, it is ready to make a comeback in Naagin season II on 8 October at 8 pm.. Season I saw it became the No1 show across television channels within 30 episodes of debut. The show proved to be a game-changer for Colors.

    In the first week of the launch itself, the fiction show ‘Naagin’ overtook the top five programmes on Hindi general entertainment channels (GECs). Additionally, ‘Naagin’ also became one of the first weekend shows which totted more ratings than the top-rated weekday shows.

    Says Colors CEO Raj Nayak: “Naagin has been a gloriously successful proposition for us, whose precise casting, gripping narrative and flawless execution has found appeal with audiences across the country, and has redefined the 8pm slot on weekends. As content creators, our challenge with a show like this was to weave the perfect narrative connecting childhood folklore to its real-life projection on screen, thus making Naagin a landmark show. It has been the numero uno show amongst Hindi GECs, and the feedback that the rushes have received gives us confidence that the second edition will surpass all previously set benchmarks.”

    Naagin, in its first season, highlighted a saga of love laced with revenge. As the story drew to a close, Naagin claimed triumph over evil. Ritik (Arjun Bijlani) and Shivanya became parents to a young girl, Shivangi. And, as time passes, Naagin 2 will progress by 24 years, now focusing on Shivangi’s life as she blossoms into a young woman, against the scenic backdrop of Dehradun.

    Says Colors programming head Manisha Sharma: “With Naagin, we opened up another genre of entertainment for the viewers. Naagin created history with its compelling storyline to become the unprecedented No 1 show on Indian television. And now, as we kick off Naagin 2, here’s another tale with a shape shifting snake at its helm that will once again make fantastical characters television’s newest stars.”

    Balaji Telefilms producer Ekta Kapoor adds: “Naagin is a very special show for me. The show marked my first foray in the mystical genre, and empowered us to explore a different kind of storytelling altogether. As we march ahead, we bring together not only the show’s original cast, but also a volley of newer faces who will narrate Shivangi’s tale, as she takes the mantle of being the Nagmani’s protector forward. This season we are raising the bar on visual effects to incorporate newer technologies, and will put together a tight and engrossing narrative to heighten viewer experience and build intrigue like never before.”

    To promote Naagin 2, Colors has devised an extensive integrated marketing campaign across mediums including print, cable and DTH, radio, news channels, OOH, cinema, etc. This will be complemented by a robust digital campaign incorporating multiple social media platforms like Facebook, Twitter, Instagram. . The channel has also planned on-ground activations aligned with the Colors Golden Petal Club across multiple markets. Sources indicate that a marketing budget of round Rs 2 crore has been kept aside for the show.