Tag: Radio

  • Cabinet clears decks for must provide law

    Cabinet clears decks for must provide law

    NEW DELHI: The Union cabinet today approved the promulgation of an ordinance making it compulsory for private broadcasters to share the feed of sporting events of national importance (read cricket) with the public broadcaster.

    The move comes in the wake of the refusal by India cricket rights holder Nimbus to share the live feed of recently held matches with national broadcaster Doordarshan.

    Additionally, a Bill will be introduced in the coming Session of Parliament to replace the ordinance by an Act of Parliament.

    “The Sports Broadcasting Signals (Mandatory Sharing with Prasar Bharati) Ordinance, 2007 will make it obligatory on every content right owner and TV and Radio broadcasting service provider to share the live telecast signals without its advertisement, for such sporting events as may be prescribed by the Central Government, with the public service broadcasters on such terms and conditions as may be specified,” a posting on the government’s Press Information Bureau website says.

    “This Ordinance would provide access to the largest number of listeners and viewers, on a free to air basis, of sporting events of national importance whether held in India or abroad,” it adds.

    At a briefing this evening, information and broadcasting minister PR Dasmunsi expressed the hope that the ordinance would be notified before the start of the coming India-Sri Lanka series on 8 February, newswire Press Trust of India has reported.

    Nimbus, while welcoming the approval of the ordinance, has threatened to go to court if it would mean telecasting feed on DD’s DTH platform, PTI adds.

    An expert committee has been set up in the I&B ministry to look into the issue of encryption, an official told indiantelevision.com.

    This will have to be sent to the law ministry and their approval procured so that it becomes water tight and face little legal and political challenge, in the court or in Parliament itself, from opposition benches, the official said.

    The Downlinking Guidelines of the government will form the body of the ordinance, though the words will be framed in the form of a statute.

    Sources said that the wording as such is ready and Dasmunsi, who had been incensed with Nimbus getting away with the live telecast of the current ODI series without sharing its live feed with DD, had been the trigger.

    Dasmunsi, however, had to wait to place this with the cabinet and seek its formal announcement. This is what the cabinet today decided: that now there is no option but to go for the harsh measure of promulgating an ordinance.

    The government’s decision will ensure viewers in non-cable houses and radio listeners would receive live feed of Indian team’s one-day matches, wherever it plays. However, for test matches, the government has said live feed would be required only for those matches played in India and highlights would do for the others.

    As a sop to private broadcasters, Dasmunsi has said a technical committee would look into the matter of encrypting the signals being telecast by Doordarshan, which would ensure that the feed is not pirated by broadcasters outside India.

    Earlier in the day, government officials present at the inauguration of the three-day Broadcast Engineering Society Expo 2007 in the capital had told indiantelevision.com that the ministry had come precariously close even earlier to issuing an ordinance ensuring live feed for cricket events in India involving the national team.

    “I think it is because of the court case and ruling on seven minutes delay that the legal experts suggested we don’t go against the ruling, but bring in the bill and settle the issue for once and all, but the anger in the ministry is huge,” a senior official had revealed at the time, naturally asking not to be quoted.

    Giving a not so subtle threat to “broadcasters for not falling in line”, he suggested that this would mean that the minister and the officials may not make it easy for whoever has been hoping for a less ‘draconian’ broadcasting bill.

  • BBC World Service using Wegener to make the transition to a DVB based distribution platform

    BBC World Service using Wegener to make the transition to a DVB based distribution platform

    MUMBAI: Wegener which provides television, audio and data distribution networks worldwide has announced BBC World Service has completed the first phase of a multi-year, multi-phase project for the global distribution of radio and TV broadcasts using its equipment.

    The project involves BBC World Service transitioning to a DVB based distribution platform and the first phase of the transition is live transmissions to affiliates in Europe and the Middle East.

    BBC World Service head of transmission and distribution Nigel Fry says, “We have successfully integrated Wegener’s Compel Network Control system with our existing traffic system to manage distribution schedules and satellite receiver groupings. Operations here at the uplink and at our affiliate stations have been working well and we are very pleased with the first phase of our rollout and Wegener’s involvement. We look forward to continuing to work closely with Wegener throughout the remaining phases of the project.”

    Wegener president and COO Ned Mountain says, “Our job as a dedicated technology partner is to enable the BBC World
    Service to visualize and capitalize on additional opportunities inherent in a deployed Wegener network solution. With each phase of this global rollout Wegener is committed to providing exceptional integration and customer support.”
     

  • RADIOACTIVE

    Radio Mirchi has it, Red FM has it, so too Big FM, and now Radio City has gone and got itself one too.

    We are talking about radio activation units- the latest buzz word in radio. Although new to Indian airwaves, activation units in media have been a global trend.

    Indiantelevision.com does a quick check to see how ‘active’ is radio?

    According to radio studies conducted internationally, in most markets, radio manages to garner around 4-5 per cent of the mass media spend. Compare that to the latest TAM AdEx study (total media ad market 2006) where radio clocked in at 3 per cent. It‘s important to note that, private radio in India came into being with Radio City in July 2001. That‘s only about six years into its existence and private FM players are already looking at a 58 per cent ad revenue growth across media. (Figures: 2006 versus 2005)

    So what makes radio an attractive option for advertisers?

    Given that Radio is perceived as a personal medium, radio can bring brands closer and speak to the consumer at their level. Radio has a culture of response where listeners frequently interact with their station which they see as accessible. Couple that with the fact that a below the line event would promote both the client‘s brand and the radio station connect with its audience and you have a win-win situation. No wonder then that radio stations are adapting to the expanding market by providing add on services to their advertisers in the form of ‘activations‘ or non traditional revenue (NTR).

    ‘Experiencing a product via radio‘

    While print and television still attract the advertiser, the emphasis is shifting towards activation and non-traditional media, since the clutter level in the television space is very high. Also ad avoidance by listeners in radio is almost nil in comparison with 68 per cent in newspaper and 44 per cent in TV, and local reach makes radio a very effective medium of advertisement.

    Besides, radio offers far tighter targeting which means reducing wastage or spill over. Radio brings brands closer, as listeners identify with their radio station and see it as aimed at people like them; radio is better able to communicate the tone or character of a brand.

    Radio also offers tighter timing – within a particular time band, day of week or even week of month. This time specific character of radio is helpful since listening is highest when shops are open. So one can target a Pizza Hut ad in the afternoon and follow it up with a below the line creative activity around the product and have the consumer reaching over for a pizza takeaway immediately.

    Talking about the trend of setting up activation units by radio stations, Mirchi Activations, head Gautam Shahane says, “Activation units offer a synergy between below the line and above the line advertising. It allows access to multiple touch points through multiple creatives in a focused area. It allows immediacy, and so promoting an event can be in real time. More importantly radio can monitor responses to a particular activity almost instantly and fix it whether it‘s the lack of footfalls at an event or a change in the pitch, creative or running a contest.”

    Mirchi Activations set up as a separate unit in 2005 although the FM station had been providing BTL (below the line) services even prior to this.
    Perhaps the greatest strength of a below the line activity created by radio is its understanding and relationship with a geographical area, its people and its culture.

    He says, “We see that Pune is a booming real estate sector, so we approach clients like real estate developers or builders. We would do that in Kolkatta as well as we see a demand there. But in a Bangalore we would target the BPO or IT sector since that‘s where our client and audience both connect. Similarly, we have properties that showcase different cities in a month long cultural extravaganza.”

    ATL advertsising is more strategic and planned while BTL can be more tactical and with the kind of reach we have within the A and B category towns, our activation can be converted to a pan India initiative.”
    Most radio advertisers include FMCG, durables, auto, telecom, retail, BFI‘s (insurance, tax planning etc.)

    “This quarter will see a lot of BFI‘s clamoring for BTL activities as fiscal year end approaches,” explains Shahane.

    Red FM activation unit is an in house team called Red Active. Red FM COO Abraham Thomas explains, “We approach activations in two ways. There is activation solutions for multiple brands through a single event as long as they are non competing brands. The other approach is the single- client driven ground activation. So we will have the RED FM drive where we partner with several brands. At the same time we have a auto client like Ford who approaches us and we put a spin on that campaign through car displays at a shopping mall and integrated programming around it.”

    Why would an advertiser approach a radio station and not an event management firm for activation?

    The answer is unanimous within radio circles. Most agencies or event management companies only form part of the implementation or execution part of the campaign. An activation programme by a radio station would mean being involved in every stage of the campaign right down to monitoring the footfalls and response for the client.

    Shahane insists that radio stations claim “ownership” for the entire campaign and that is why they are attractive to advertisers.

    Also radio stations own certain unique properties that can be aligned to a brand and maximize opportunities for the client. “We partner with them on each event. It is also an opportunity to showcase our brand, and we are very sensitive to this fact. We know best how to use radio to promote events, and supplement it with other media on a case to case basis. But the strengths of radio are utilized to the optimum to promote events.”

    Mirchi Activations works with a tagline that reads ‘Not Just Radio‘. With the mammoth Times Group network behind it, it isn‘t just a tall claim. But do established networks necessarily convert to more successful activities?
    Not so says Thomas. “Although we do offer 360 degree solutions to a client and will use multimedia campaigns to promote his product, we are an independent station. Besides, every media utilized by the client would cost him a separate amount. So it would depend on how cost effective we decide to make the event.”

     

    ‘Big Reach‘ for Big FM

    Big FM marketing head Anand Chakravarthy adds, “With television the reach is usually national. Our clients often complain about a spillover on television advertising. So if Surf excel is looking at targeting women in Rajkot – on television they may not find their right target audience mix. But radio can easily manage that.”

    Radio City became the latest FM channel to add ‘activation‘ to its range of brand value services after Red FM‘s Red Activ and Radio Mirchi‘s Mirchi Activation. While Red and Mirchi ‘activations‘ are in house, Radio City has announced its strategic alliance with Vibgyor Brand Services.

    Radio City marketing head Rana Barua says, “Vibgyor has a senior representative on our team and the client meetings and briefs are discussed together. So we offer a one stop solution to the client. Since we act as a one stop window to our client we offer both productivity and speed.”

    Interestingly, ad spends by print houses and television networks are also seeing an increase on radio.

    As stations become more targeted they would also evolve into strong and distinctive brands, and they would deliberately cultivate their brand values in all their on-air and off-air activities – events, contests, helplines, etc. Once the brand values are established, advertisers could leverage them to give a positive effect to their own messages.

    Big FM has lined up an advertising and marketing budget of Rs 450 million across the country until March 2007. The money will be distributed across the various Big FM stations according to their revenue generations. The FM station also plans to use all traditional media, below-the-line activities as well as have used cable and cinema spots.

    Thomas says, “Red Active is a single point contact for the advertiser. Earlier, you‘d have an event taking place in Calcutta and the sales and marketing guys in Mumbai trying to figure out the response or check if the creative was being executed according to the brief. With a Red Active in place we take over the entire process from discussing brief, to providing creative solutions to implementation to measuring response. The aim is to provide an extra bang for the client‘s buck.”

    Chakravarthy says “In Mumbai, we had taken over the entire Inorbit Mall for a month for our client Coke and had a New Year‘s carnival. Our advantage is that we have a very large network of 11 stations.” He also informs us that it is the smaller markets that now look at activations.

    Not all activations are related to advertising alone or so say radio heads. Big FM organized a New Year‘s party for the Indian army and Red FM also ties up with the Tata Cancer Research institute for spreading awareness of breast cancer.

    Then you have a few exceptions to the rule as well.

    Fever FM operating in Delhi and Mumbai used artiste management company ‘Only Much Louder‘ for activations during its own launch but has no plans to set up a separate unit so far.

    Only Much Louder, co founder, Vijay Nair details the kind of campaign they mounted for Fever FM. “Since the idea was ‘less talk, more music‘ we had people donning chef costumes or dressed up as clowns lining the streets in various parts of the city with their mouths sealed shut and placards that read ‘No recipes, only music‘ or ‘No silly jokes, only music‘.”

    Fever FM station director Mumbai Sajjad Chunawala says, “We are a very small team in marketing right now and have no plans to set up a separate activations unit. But as our clients approach us, we may take on the job or outsource it depending on the client needs.

    Judging by latest trends a lot of traditional advertisers are also ready to take the risk and try the medium.

    HLL was a predominant print and television advertiser but has now included radio in its media mix. Chakravarthy tells us that HLL‘s ad spend is now divided at a 50/ 50 mix with radio playing a huge role.

    HLL advertises almost 60 percent of its brands on radio with about 2 to 3 percent dedicated to radio advertising. Mindshare Fulcrum‘s national activations head Himanshu Shekhar opines, “We use media for kinds of effects – Incremental or Impact. Radio is still seen as a ‘impact medium‘.

    Activations help radio stations connect their brands with the audience as well.

    So Radio Mirchi benefits not only in terms of revenues but also in terms of on ground presence, visibility and an opportunity to be at a consumer touch point. Activations have truly demonstrated the power of radio in driving response or footfalls.

    Last word

    Radio offers tremendous opportunities for advertisers and media planners need to explore various options by which they can effectively use radio in their media mix. Conversely, broadcasters need to develop the market by being more responsive to the advertiser‘s needs. This will provide an opportunity for the market to arrive at the final verdict on the effectiveness of the medium.

    Chakravarthy says, “In a country size like India, it is not necessary to touch every market but everybody in a certain market. What radio activation manages to do is amplify the effect of advertising. The advantage of radio is that any ground level activity or below the line marketing becomes amplified.”
    Thomas says, “Red Active is a single point contact for the advertiser. Earlier, you‘d have an event taking place in Calcutta and the sales and marketing guys in Mumbai trying to figure out the response or check if the creative was being executed according to the brief. With a Red Active in place we take over the entire process from discussing brief, to providing creative solutions to implementation to measuring response. The aim is to provide an extra bang for the client‘s buck.”

    Barua concurs, “Advertisers no longer want just plain vanilla advertising. It‘s important that the consumer is able to feel and touch the product. Activation allows for that experiential marketing.” Although declining to discuss specific clients Barua says that briefs have been discussed and the newest player in the activation field will soon launch events and properties associated with its station.

    Shekhar brings in the planning perspective when he says, “If we had to divide the HLL radio advertising spend according to ATL and BTL advertising it would have to be 3/7. The trend is to allow for more integrated programming and content led advertising rather than just plain vanilla advertising. The Surf excel campaign which we conducted across all stations was one of the single biggest campaigns where each radio station adapted it with a different creative. In that sense, it was unique. The power of the medium to cut across all target groups and appeal to both emotions and humour is immense and this is where its strength lies.”

  • Ofcom faults BBC’s download plans

    Ofcom faults BBC’s download plans

    MUMBAI: UK pubcaster The BBC’s plans to offer all its TV and radio shows on-demand via the internet and cable TV have been criticised by the media watchdog Ofcom. Ofcom said that certain aspects of the BBC’s on-demand service, which is due to start later this year, could have a negative effect on commercial rivals.

    The BBC’s proposed on-demand services consist of:

    – catch-up TV – offering viewers the chance to watch any BBC programme from the last seven days over NTL:Telewest, Homechoice and the internet at a time of their choosing. This would also allow series stacking – the ability to store and view an entire series of programmes;

    – simulcast TV – BBC channels that are broadcast on television would be made available at the same time over the internet; and

    – audio downloads – BBC radio programmes (excluding full-track commercial music) would be available to download from the internet.

    Ofcom conclusions are that the new services could account for almost four billion viewer and listener hours by 2011. A proportion of these hours – over half in the case of simulcast and audio download services – could represent additional viewer and listener activity over and above current levels.

    The proposed services are therefore likely to stimulate considerable interest in other new media services to the benefit of all UK consumers and businesses. They offer significant potential value to licence fee payers.

    However concerns have been expressed:

    Series stacking could discourage investment in commercial on-demand services and is likely to have an adverse effect on related markets such as DVD rentals and sales. Ofcom believes the scale of series stacking should therefore be substantially reduced or excluded altogether.

    In the case of catch-up TV on the internet, the ability to store programmes for up to 13 weeks could have negative effects on competition and therefore investment in consumer choice. Ofcom believes that this storage window should be reduced or removed. In the event of removal, viewers would still have up to 14 days to download and view the content.

    The ability to download free BBC audio content might have a serious adverse impact on specific markets; notably commercial classical music recordings and audio books. Ofcom believes the latter should be excluded from the proposed services and the availability of classical music recordings should either be constrained or removed; and the cost of providing extra broadband capacity to deliver the BBC’s proposed services to consumers is likely to be high, though any additional capacity would also be available for use by a wide range of other services including commercial on-demand services.

  • Sirius Satellite Radio launches urban comedy channel

    Sirius Satellite Radio launches urban comedy channel

    MUMBAI: SIRIUS Satellite Radio announced the launch of its ‘exclusive urban comedy, entertainment and lifestyle channel’ The Foxxhole with actor and comedian Jamie Foxx.

    Foxx will take on the role of an executive producer, on-air host and contribute content for the channel. Marcus King who has worked with Foxx on many television series will also serve as executive producer.

    An official press release states that the 24/7 channel will feature urban comedy hits from a large number of comedians, and will create groundbreaking approaches to presenting comedy to radio listeners, as well as showcase music, skits, radio theater and more. The Foxxhole will launch on SIRIUS channel 106.

    “The Foxxhole will break new ground in comedy, blurring the lines between stand-up, sketch, and music,” said Foxx. “SIRIUS Satellite Radio gives me the opportunity to create urban entertainment and programming like you have never heard on the radio.” An added attraction is that Foxx will be heard on the channel daily with a segment featuring dispatches from Jamie no matter where he is in the world. Also, Foxx and his team of contributors will host a weekly show on the channel. The show will feature original comedy bits and explore new approaches to radio theater.

    Jamie Foxx is a triple threat in the world of entertainment and we are thrilled to have him make his radio home at SIRIUS,” said SIRIUS Satellite Radio president entertainment and sports Scott Greenstein. “SIRIUS has established itself as a leader in groundbreaking exclusive programming. The Foxxhole adds yet another compelling element to our channel lineup.”

    The Foxxhole joins a powerful lineup of comedy, music, variety and entertainment channels on SIRIUS, including Raw Dog: Comedy Uncensored, Blue Collar Comedy, Laugh Break, Eminem’s Shade 45, Hip-Hop Nation, and SIRIUS Hits 1.

  • CFOs to play bigger role in media and entertainment business: E&Y

    MUMBAI: Media and entertainment companies are redifining the role of their finance executives in the changing landscape of convergence and competition, according to a report by Ernst & Young.

    “As companies scale up, the chief financial officer’s role is becoming increasingly critical both in capital raising for growth and management of risks,” the survey said.
    Driving this change are the advances in mobile technologies and increasing public expectations as on-demand content gains in the marketplace. The key agents for change in the industry are changing content and distribution models as well as mobile entertainment devices.

    The survey, “Center Stage: CFOs and Finance Executives In The Spotlight Of An Industry In Transition,” was released in Mumbai today by Ernst & Young global head – media & entertainment practice John Nendick. The interview covered over 200 finance executives including views of 46 CFOs (six from India) and 140 online participants from major media and entertainment (M&E) companies across the world.

    Says John Nendick, “We are delighted to release this global survey in Mumbai, which is home to one of the most vibrant and fastest-growing M&E markets in the world today. Several Indian M&E players are in the midst of rapid transition, brought on by a booming consumer base and the twin forces of convergence and competition.”

    Finance executives are playing a larger role in the media and entertainment industry, which includes moving beyond handling the plain vanilla finance function to assisting the CEO in strategic decision-making, including scenario analysis, customer product analysis and investment optimisation.

    “Maintaining a risk-reward balance, rapid changes in the M&E industry have made it more complex and unpredictable. While this has brought many opportunities, there are risks that also have to be considered. This has placed the CFO function in a critical position. CFOs in the M&E space have to analyse how enterprise can derive more value from existing investments and operations,” the study points out.

    CFOs play a key role in mergers and acquisitions activity, starting from assessment, evaluation and integration. This includes post merger performance tracking of an acquired entity against original investment criteria.

    CFOs interviewed in the study also feel that they are prone to missing out on opportunities to reduce taxes. According to the study, 76 per cent of the CFOs believe tax planning should be a key priority for executives.

    Anytime Anywhere Entertainment

    Changing content and distribution models will have a severe impact on the industry over the next two to three years, 86 per cent of participants felt.

    Adoption of personal entertainment and communication devices (MP3 players, mobile telephones etc.) will have the greatest impact, according to 79 per cent of the participants. Expanding global universe of mobile wireless subscribers ensures that the ‘anytime, anywhere’ entertainment will continue.

    According to the study, finance executives of global M&E companies believe that the businesses that will emerge as winners are those that welcome the new distribution channels and are capable of identifying the right content for the specific delivery vehicle.

    The Future is Internet

    To the question of business models for media and entertainment companies most likely to thrive in future, 77 per cent of the study participants consider Internet media providers as the most likely market winners, whereas only 24 per cent view cable operators as thriving businesses in the future. New (independent or cable channel) content creation and electronic gaming are rated as second and third business models in a best position to thrive.

    Radio broadcasting, newspapers and periodical publishing are not thriving business models, CFOs and finance heads of global M&E companies said. Whiler only 11 per cent favoured radio, 13 per cent were keen on publishing businesses as best positioned to thrive in next two to three years.

    The survey is a continuation of Ernst & Young’s series of studies exploring strategic issues and trends transforming the media and entertainment industry worldwide.

  • Radio players place bulk order for transmitters

    Radio players place bulk order for transmitters

    MUMBAI: The second wave of FM privatization will see Sun TV and four other private broadcasters launching their FM channels. In preparation for this Sun and the other private broadcasters planning to launch 57 frequencies ordered new transmitters from Broadcast Electronics (BE) in the past month.

    These orders are in addition to the BE FM transmitters previously ordered as a result of privatization, which will eventually bring new FM licenses to 90 markets in India.

    A total of 70 BE transmission systems have been ordered by private FM broadcasters so far, putting BE in the lead according to Technomedia Solutions managing director P.S. Sundaram which represents Broadcast Electronics in India. BE is a turnkey provider of RF and studio systems and provides local, ongoing service for complete transmitter sites.

    Of the 57 BE transmitter systems ordered in the past month Sun TV ordered 38 BE FM systems for its Kal Radio Ltd and South Asia Ltd operations. Sri Puran Ltd ordered eight BE transmitter systems, Malar Publications Ltd ordered six, Malayala Manorama ordered four and Purvy Ltd ordered one BE transmitter system.

    These recent orders are in addition to the nine BE FM systems ordered by Entertainment Network India Limited (ENIL) for its Radio Mirchi brand, which broadcast the first private FM signals in April 2006 using BE transmitters. Kal Radio Ltd and South Asia Ltd, part of Sun TV, also set up BE transmitters in three centers and went on-air in Nov 2006. Malar Publications Ltd launched an FM service at Chennai, Hello FM, with a BE transmitter.

    ‘Privatization of the FM band is going to have a wide-reaching impact on the people of India, and we’re obviously very honored that so many of these private broadcasters are putting their trust in BE products, said Broadcast Electronics Asia Pacific sales manager Frank Massa.

    Transmitter models vary from BE’s ultra-efficient solid state C series to its reliable, cost-effective single-tube T series, with output powers ranging from 3 kW to 10 kW.

    Every BE transmitter system has an FXi digital FM exciter which is the only exciter with direct-to-channel RF generator for superior RF and audio performance.

  • Horlicks ‘Wiz Kids Exam Ka Bhoot Bhagao’ initiative helps Mumbai kids to cope with exam pressure

    MUMBAI: GlaxoSmithKline’s health food drink, Horlicks has kicked off an on ground initiative to provide Mumbai students with exam and health tips as part of the ‘Horlicks Wiz Kids Exam Ka Bhoot Bhagao’ interactive sessions that prepares kids to cope with exam stress. The session commenced on 17 January and will be held for the entire week in other schools in Mumbai.

    This initiative by Horlicks, aims to help kids prepare better for exams, also provided parents, teachers and principals with ‘Exam Time Tips’ booklet on how to support children practically and emotionally during exam time – to ensure that children feel encouraged and get the right nourishment and atmosphere to study.

    Experts interacted with students at the ‘Exam Ka Bhoot Bhagao’ event throwing light on the importance of studying, modes of thinking and ways to recognize one’s study patterns for producing effective results. Exam tips were related to attention and concentration, concept of memory, tips and techniques on how to improve memory, methodology of reading text books better and test taking strategy. Health tips laid emphasis on diet, nutrition, sleep, exercise and relaxation, informs an official release.

    The week long event begun at Ramniranjan Podar School, however, students of the Naval Public School (Colaba), Cambridge school (Kandivali) and Oxford Public school will also be among the other schools to benifit from the ‘Exam Ka Bhoot Bhagao’ interactive session.

    GlaxoSmithKline Consumer Healthcare vice president marketing Shubhajit Sen said, “There is an ever increasing pressure of exams amongst students. This may also lead to declining results and self confidence in them. To cope with exam stress and fear, and to help students become sharper at studies, we have undertaken this initiative for students in India. Students can now prepare better for their exams by adopting exam tips online, on TV, radio, newspapers, magazines and through our ‘Exam Ka Bhoot Bhagao’ interactive sessions in schools.”

     

  • Reality comes to Radio

    Picture this: D-day is set.The trousseau finalised. Guests invited, food and music taken care off, and yes the local FM station and radio jockeys have confirmed their presence.You got that right. If the latest trends in radio programming are to be believed, reality could well be inching its way from television towards radio.

    Radio Mirchi experimented with the reality format when it invited couples in the city to send in their entries so that the FM station could be part of their big day. Mirchi Haain Baraati had the listener tuned into all the tips and trends one needs to know to make the ceremony a special event. But the highlight of the show was the on air wedding.

    Mirchi decided to cash in on the wedding season frenzy and invited one lucky couple to tie the knot “on air”. The station shadowed the couple as they went shopping, drew up guest lists and shared all the joys and anxieties with its listeners.

    Wedded to reality : Mirchi Hain Baarati contest

    Radio Mirchi vice president and regional head programming Riya Mukherjee is excited as she talks about this new format. But she is wary of calling it ‘reality radio‘ and prefers the term ‘participatory radio‘. Obviously referring to the slew of ‘bare all‘ reality television shows she says, ‘As a radio station, Mirchi doesn‘t endorse invading into people‘s privacy or the hidden camera approach. As long as it is with the consent of the people involved it is perfectly viable to do this kind of participatory radio.‘

    Purists may take offence to the term ‘reality radio‘, which hasn‘t really been coined or bandied about, at least in the Indian context. To put things into perspective let‘s begin with what is reality television before switching to a wholly different medium.

    Reality television programming or non-scripted programmes comprise reality TV entertainment, game shows and talent shows where the main events within the programme are not pre-determined by writers and producers but are the result of actual events happening during the show.

    Television producers first started looking at reality shows as an alternate means of programming which would be cost effective as they are based on ‘real‘ people in ‘real‘ circumstances. No scriptwriters, no paid actors or extravagant sets and the plot thickens as viewers can alter the course of the show with votes through calls and text messages.

    In terms of a programming innovation, television networks lapped it up. Reality entertainment like dance shows, talent hunts and game shows ruled across channels.

    Reality on radio though is a different ball game. Partly because of the nature of the medium, the first refrain one is likely to hear is ‘But all of radio is reality‘. Red FM COO Abraham Thomas laughs and takes a long pause before he decides to tackle the issue. “Radio is not scripted. So in that sense most of radio is reality. If it is about a RJ hunt, campus hunt or a Children‘s day special with a kid RJ hunt then yes, the concept of reality in radio is catching up. What make shows like American Idol or Indian Idol interesting are the judges trading insults, shocked expressions, participants crying in despair or relief. Now that‘s a challenge for radio to emulate. So if we can capture the full essence of a reaction on radio, we would be open to it.”

    Radio City programming head Vikas Varma adds, “A show like Bigg Boss works great on TV, however on radio the same format transplanted would not work. It would need to be heavily modified and simplified. Having said that, the basic hook of Bigg Boss is very strong, using that hook as the seed and planting it in the fertile soil of radio would create a new plant called ‘radio ka big boss‘.

    While reality hunts are used by FM stations to make auditions for its RJs more interactive, reality challenges are now creating a buzz. Radio One 94.3 FM had its Mumbai RJ Jaggu take up a weight loss reality challenge on air. The idea was a promotion pitch for Saffola Gold called Mission 10k where Jaggu would have to lose 10 kgs within a span of 3 months. Since Jaggu along with Tarana hosts the morning segment, daily updates on his challenge were available to listeners. Jaggu also maintained a print diary of sorts on his column in the daily Mid-Day.

    Weight Watchers on Radio One 94.3FM

    The highs and lows of his weight loss programme were followed by listeners who could call in to share their own experiences or goad him on to his rather strict diet. Lapses on his part were analysed and criticized.

    Similarly, Red FM RJ Malishka threw the perennially crowded Mumbai city a challenge when she asked the listeners to travel in a packed Virar-train at peak hours and get off at Andheri station. The radio production crew waited at the station to capture the emotions of those who completed the task.

    But is reality radio limited to promotional campaigns and gauntlets thrown out by radio jockeys? “I think this is just the tip of the ‘reality ice-berg‘. Reality formats are not only about contests or do-and-dare or reporting live from an event. The art of creating good reality radio is about creating a story out of reality that plays itself out without a script and the end cannot be easily predicted. Its main hook should be the emotional connect with the listener,” says Varma.

    Out of studio: Red RJ Nitin takes a spin on Delhi roads

    Mirchi‘s Mukherjee endorses the view that radio jockeys are the real stars on radio. “Today it is easy to touch the star called RJ. You can meet him, invite him home or share a cup of tea. But if you look at the Mirchi Haain Baarati format, the radio jock was just an anchor or a stringer of events. The real focus was on the couple Gaurav and Priya.”

    Big 92.7 FM decided to stretch the concept a little further when it launched ‘Big Break‘, the first of its kind Bollywood reality hunt on radio.

    Big FM national creative director Vishal Mull asserts, “Big FM decided to go the reality way with two new concepts – Big Break and Nakli No.1. Big Break invites applications nationally for the next hero in a Bollywood movie called ‘Who will be Shekhar‘, the station will track the chosen hero through the making of the movie. No identities will be revealed until the completion of the movie. The idea is to create a mystery and drama around the lead of the film and capture this on air. Little snippets about the ‘hero‘ will be revealed to whet the listener‘s appetite.”

    Of course, this ensures a sizeable buzz around the film as well. With judges like Raj Kumar Santoshi, Vishal Bharadwaj, Anurag Basu and Ajay Devgan, a mystery ‘lead actor‘, highs and lows of making a movie reported right from the sets and an unknown character catapulted to stardom – what could be a better recipe for reality radio.

    So what is holding back radio stations from exploring this format further?

    Most of the programming heads we spoke to want to play it safe and make sure that the programming doesn‘t take away from the music. While Radio One vice president programming and brand Vishnu Athreya is doubtful about the medium‘s ability to catch the finer nuances of reality shows he also agrees that if a particular situation is tweaked to suit the demands of the medium, reality on radio can be explored. “Currently, most radio stations focus on music as their key driver. Also packaged radio is an alien concept. By that yardstick, everything on radio is real,” he says.

    Red FM‘s Thomas concurs, “Today radio is a music driven entertainment proposition in India.” That pretty much sums up why most radio stations flirt with this format but are not willing to go the whole hog just yet. But with reality television in India having come of age this is a success formula too tempting to pass up.

    Meanwhile …. who wants to hear Big Boss go on air?

    INDUSTRY SPEAK

    Radio City programming head Vikas Varma – I strongly believe that one of the way forward in creating great entertainment on radio will be ‘reality radio‘. This needs to be created in context of the radio medium and not be transplanted directly from TV.

    Red FM COO, Abraham Thomas – If we can make it relevant to the medium, reality on radio can work.

    Radio One, vice president programming and brand Vishnu Athreya Shows need to be structured to suit the radio medium. Unlike television, where a special segment can be created, in the case of radio, circumstances will have to be tweaked to fit the audio medium.

    Radio Mirchi vice president and regional head programming Riya Mukherjee – All you require is a portable audio instrument or a recorder and you can have an interaction right outside the studio. In that sense, working on a reality radio format requires lot less in terms of production and costs.

    Big FM national creative director Vishal Mull – It is difficult to create personalities on radio but reality in radio is a strong possibility if we can manage to convert visual imagery into interesting audio formats.

  • Baajate Raho Awards by Red FM

    Baajate Raho Awards by Red FM

    MUMBAI: Radio now gives its listeners a chance to vent their anger, frustration and disgust at the some of the craziest acts and people of 2006.The Baajate Raho Awards are a RED FM programming property.Last year the awards were aired only in Mumbai.This year the channel has taken the awards to all three cities-Mumbai, Delhi and Kolkatta.

    The idea behind the Baajate Raho awards is to celebrate excellence in stupidity. Suresh Menon who mimics a Bollywood actor as the theme voice for the Bajate Raho Awards kickstarted the Bajaoo! campaign on 7 January RED FM.
    Listeners can vote for their pick amongst some hilarious nominations by calling or through sms. Lucky voters can win prizes through the day and will be called back on each show for a chat with the FM station’s RJs.

    The voting process started on 7 January and will go on till 17 January.Each category will be promoted on air over two consecutive days and the winner will be declared at the end of the second day.

    Some of the nominees include:

    Cricketer of the Year Award

    Navjot Singh Siddhu – Unke tv aur news shows ke liye..
    Bhaji – unka voh sexy quarter walla ad ke liye Ganguly – Unke lambi Holiday Ke Liye Yuvraj – Unke Dhamakedar Bud-day Patti Ke Liye..

    Sabse Zyaada Mehnat Karne Walla Music Director Award

    Shantanu Moitra – Angrezi Gayak Cliff Richards ke “Theme for a Dream” gana ke liye Pritam – “Saudi band Guitara ke Ya Ghali” gana ke liye Pritam Chakraborty – Indonesia se “Peter Pan” karke ek band ka gana “Tak bishak” ke liye Neend Ki Goli Award Umrao Jaan – Mattress lao !

    Vivah – Actress lao !

    Kabhi Alvida Na Kehna – Light Band Karo ! Babul ( last minute entry )

    Mumbai ki Shaan Award

    Will also extend to Dilli ki Shaan and Kolkatta Ki Shaan Matunga railway workshop ke paas voh unofficial sauchalay.
    Andheri East – Saki Naka ka voh ek hazar saatva walla (1007th) paathole.Local train ki Video Coach ! – jahan video mein ladies compartment dikhai deta hai

    Ajeeb “O” Gareeb Harkatein Award

    Aryaan Vaid ka vote out hone ke baad rona Anu – Ek Ladki Anjani Si – Plastic Surgery ke Baad sirf Muh Nahin, poora Body change hota hai..height , weight , awaaz aur acting bhi change ho jata hai.Manav Aur Shweta ka sim card khareed kar baatna , contest jeetne ka naya tareeqa.. Mr. Khana Pakana – Sanjeev Kapoor ka Nachna.