Tag: radio channels

  • Podcast Advertising: Opening new doors for marketers

    Podcast Advertising: Opening new doors for marketers

    Mumbai: With ABP Live, Clubhouse, and other similar platforms making the right noise, the long format of audio content has gained popularity, and drawn the attention of marketers too. Previously, podcasts were mostly extended content pieces coming out of radio channels because of their understanding of the medium. However, they have grown immensely over the last few years.

    According to KPMG, India is the third-largest podcast-listening market globally and is expected to be valued at Rs 176.2 million by 2023, growing at a CAGR of 34.5 per cent. The audio was also noted as the most preferred medium among listeners as well as advertisers last year. As per eMarketer’s report from April 2020, 49 per cent of users prefer using audio platforms. According to experts, the age group of 18-25 years has formed an important and growing audience set in the last year for this type of content, while the age group of 35-45 years is positively moving towards consuming podcast content, which is a great platform for brands to be present.

    ABP Live Podcasts: A new favorite for advertisers

    ABP Live podcast has found a loyal listener base too, proving its immense growth potential.  By offering advertising opportunities, the podcast is emerging as an influential platform. The key reason behind brands’ interest and increasing spending on podcast advertising is that it works, and it works more effectively compared to the traditional advertising mediums that have become increasingly less effective. It is a popular medium especially among millennials and GenZ as the medium lets them learn more about self-love, discover something new, cope with anxiety, or simply entertain themselves.

    As one of the leading players in the industry offering a comprehensive platform for advertisers, ABP Live brings a plethora of audio-based content, quenching listeners’ thirst for knowledge, entertainment, sports, news, health, and business. The popular podcast by ABP Live- ‘Car Mein Patrakaar’, has also won wide recognition.

    The podcasts provide a diversity of original content to the listeners that are smart, culturally relevant, highly information-driven, and filled with invigorating conversations. ABP Live has about 30 podcasts under its umbrella as of now which translates into 150 hours of audio content, which further opens doors for advertisers. Furthermore, the ABP Live Podcasts team has also been innovating in the podcasting space by fusing ASMR in their content and audio dramas, to provide the listeners with an immersive storytelling experience.

    Apart from podcasts on Personal Finance, Health, Explainers, Motivation, ABP Live includes “Car Mein Patrakar”– a talk show wherein ABP News’ star anchor Sumit Awasthi indulges in a candid conversation with a popular celebrity. “FYI-For Your Information”– a series of audio explainers which talk about everything under the sun that holds relevance for the common man. “Bollywood, Binge and Beyond”– an English podcast that gives  a detailed hawk eye view about everything from the world of entertainment. “Sange Suman” projects major news and debates from West Bengal, hosted by noted journalist Suman De.

    Opening Doors For Advertisers

    Considering the growing demand for podcasts in India, ABP Live has provided a significant opportunity for advertisers. However, before we decide whether to invest in podcast marketing, we must first understand what, how and what the results could be. Here are the things that make podcasts an ideal medium for advertising:

    ●      Great hosts make great deals : Listeners might skip what a 30-second spot is narrating but they pay high attention to unique, live ad reads narrated by their favorite trusted hosts.

    ●      Higher attention span than radio: Unlike radio listeners, podcast listeners are dedicated enough to tune in at a particular time to listen to their favorite show. Hence, they are much more likely to pay attention. They do not skip ads, simply because they do not want to miss out on any part of the show they’re listening to.

    ●      Hosts make a personal approach: Word of mouth is important in advertising and it becomes 10x more important when it comes from a trusted host. People tend to develop personal relationships with their hosts or podcasts personalities. It’s a psychological process that unknowingly takes place over time. Subsequently, the host becomes an important person to disseminate brands’ messages to the listeners.

    Podcasts like ABP Live podcasts have reached masses and seen tremendous results for early-stage brands who conduct marketing programs that are synergetic to their target profiles. Interestingly the channel has gone too narrow in terms of marketing. It has regional podcasts which allow brands to tap into niche marketing.

    An Opportunity To Tap Into Regional Market

    ABP Network has a language-first approach. Starting from the culturally rich state of West Bengal, the network serves regular content in Hindi, English, and Bangla and is equipped to handle content in all Indian major languages. In the past, ABP Live has created innovative audio content in Marathi and Bangla too. Also for a brand or advertiser, they get to deliver their message directly to their target audience in the language they speak and understand. This opens a big door of opportunities for regional podcasters who can leverage this by keeping a ‘language first’ approach.

    This format of regional language content creation is beneficial for the podcaster in terms of reach maximisation and also revenue growth. Regional podcasters can create their own set of loyal audience bases and can attract brands and advertisers to be associated with them. Going forward, we expect podcasters to grow by exploring innovation in the audio content space.

     

  • Govt urges TV and radio channels to publicise ‘Swachhta’ campaign

    Govt urges TV and radio channels to publicise ‘Swachhta’ campaign

    NEW DELHI: Private television and FM channels and radio stations have been requested to give adequate attention to the ‘Swachhta ki Seva’ campaign launched by the prime minister Narendra Modi in his ‘Mann ki Baat’ broadcast on 27 August 2017.

    “Keeping in view the public interest and importance of the matter,” the ministry of information and broadcasting has requested the media to “build the idea of the campaign in their programming so as to bring the message home to the maximum viewers.”

    In his broadcast on All-India Radio, Modi had called upon the nation to undertake the SHS campaign from 15 September 2017, culminating on Gandhi Jayanti, that is, on 2 October 2017.

    The aim of the campaign, he said, was to intensify the focus on cleanliness and create an environment of cleanliness across the country in the spirit of a ‘Jan Andolan’ (public movement).

    The ministry, in its request, said: “(The) media has a strong social and cultural impact on (the) society because of its inherent ability to reach out (to) a large number of people in the shortest possible time. (The) media, therefore, can play an important role in building public opinion and awareness in favour of the campaign.”

    The request was sent to seven different organisations of TV, FM and community radio channels. These are: News Broadcasters Association (NBA), the Indian Broadcasting Foundation (lBF), Association of Regional Television Broadcasters of India, Association of Radio Operators for India (AROI), Community Radio Association (CRA), Federation of Community Radio Stations (FCRS), and Community Radio Forum of India.

  • 2014-15 Interim Budget: Prasar Bharati gets enhanced grants-in-aid

    2014-15 Interim Budget: Prasar Bharati gets enhanced grants-in-aid

    NEW DELHI: The grants-in-aid for Prasar Bharati has been raised marginally to Rs 2,331.58 crore for 2014-15 from the revised estimates of Rs 2,089.56 crore in 2013-14. There is no separate investment by the government in the pubcaster for the second year in a row.

     

    In the interim budget (vote-on-account) for 2014-15 presented in Parliament in view of general elections later this year, the government has made a provision of Rs 200 crore from Internal and Extra-budgetary resources for Prasar Bharati and the total plan outlay for broadcasting of Rs 641.58 crore.

     

    The explanatory memorandum says the grants-in-aid are for meeting the salary and salary-related expenditure of Prasar Bharati. Prasar Bharati sources told indiantelevision.com this had been done to meet the extra expenditure on salaries which has fallen on the shoulders of the Government since all Prasar Bharati employees who were in employment as on 5 October 2007 have been given deemed deputation status.

     

    The allocation under ‘Secretariat – Social services’ covering centenary of cinema celebrations and digitisation of cable television among other things has gone up to Rs 129.55 crore from revised estimates of Rs 79.72 crore in the current year. Other subjects under this head include the National Film Heritage Mission, anti-piracy measures, promotion of Indian cinema overseas, production of films and documentaries, and setting up a centre of excellence for animation, gaming and visual effects. The explanatory note says Secretariat – Social services also covers expenses on development of community radio, and development support to the north-east as well as Jammu and Kashmir and ‘other identified areas’.

     

    The total budget of the Information and Broadcasting Ministry has been raised to Rs 3,216 crore for 2014-15 from the revised budget of Rs 2,855.03 crore (against the initial allocation of Rs 3035.65 crore) for the year 2013-14.

     

    The allocation under the Film Sector has, unlike last year, been increased to Rs 135.81 crore for 2014-15. The budget for the film sector for 2013-14 was Rs 117.17 crore while the revised estimates had put this figure at Rs 116.42 crore. There is an additional outlay of Rs 7.18 crore towards certification of cinematographic films.

     

    For the fifth year in a row, the government has not announced any investment in the National Film Development Corporation.

     

    The allocation for Press Information Services which includes grants to the Press Council of India has been marginally increased to Rs 65.44 crore from last year’s revised estimates of Rs 57.56 crore to meet the expenses for the Press Information Bureau, the Press Council of India, and to the Press Trust of India for running the non-aligned countries news pool.

     

    The allocation to the Electronic Media Monitoring Centre has been increased to Rs 13.75 crore for 2014-15 from the revised estimates of Rs 7.17 crore in 2013-14. The EMMC was set up for monitoring television and radio channels for violation of programme and advertising codes.

     

    The allocation for advertising and visual publicity has been lowered to Rs 227.37 crore against the revised estimates of Rs 241.6 crore and budget allocation of Rs 239.06 crore for 2013-14, covering expenditure incurred by the Directorate of Advertising and Visual Publicity for publicity campaigns through advertising and other printed materials, as well as through radio, television, exhibitions and other outdoor campaigns.

     

    Interestingly after several years, the allocation for research and training in mass communication has been doubled to Rs 33.54 crore as against the revised estimates of 15.91 crore and the budgetary allocation of Rs 17.85 crore for 2013-14. This covers the Indian Institute of Mass Communication and the Research and Reference Division of the I and B Ministry which collects and collates basic information on subjects of media interest for providing assistance to the Ministry and to its media units, Indian missions overseas, and newspapers and news agencies.

     

    There is a major increase in the lump sum provision for projects/schemes for development of North-eastern areas including Sikkim to Rs 90.5 crore for 2014-15. The budgetary allocation had been the same in the 2013-14 but had come down in the revised estimates to Rs 74 crore.

  • Avian Media further strengthens leadership team in Mumbai

    Avian Media further strengthens leadership team in Mumbai

    MUMBAI: With an aim to further strengthen its consumer practice in Mumbai, Avian Media has appointed Shalmana Tendulkar as Group Business Director, Consumer practice.

     

    Shalmana brings wealth of knowledge and domain experience of over 17 years. Having worked as an independent consultant and with agencies, Shalmana has in-depth knowledge of the media and broadcast industry having consulted general entertainment channels (GEC), news channels, radio channels, as well as niche channels in the action, movie, music and kids genre. Shalmana has also led publicity of feature films and managed celebrity brands.

     

    Over the years, Shalmana has also worked on consumer brands, having handled campaigns for large FMCG companies like HUL, Kellogg’s and Colgate. Adding to her dynamic portfolio, Shalmana has a number of special events like the tours of Def Leppard, Ricky Martin and Elton John to her credit.

     

    Nitin Mantri, CEO, Avian Media, said: “We are very pleased to have Shalmana join our growing Mumbai office. With her vast experience and expertise, we hope to boost the capability of our already successful consumer practice. Over the years, while working with some of the leading consumer brands, we have built the right talent and expertise to deliver successful PR campaigns for our clients. Under Shalmana’s tutelage, we will continue to accelerate this growth and deliver impactful campaigns for our clients.”

     

    Commenting on the appointment, Shalmana Tendulkar, said, “I am really excited to be a part of Avian Media and its talented team that has a proven track record of delivering successful PR campaigns and servicing standards. Avian Media is currently well positioned to write a new chapter in the growth story and I look forward to contribute to the augmentation of the firm by expanding the Consumer practice offerings.”

     

    In her role as the Group Business Director of the consumer practice at Mumbai office of Avian Media, Shalmana will bring in a renewed focus and direction to the existing client campaigns, harnessing the in-house talent and growing client base in the vertical.

  • ‘The discerning Hindi viewer has moved away to English news channels’ : Anurradha Prasad – B.A.G Films & Media Ltd managing director

    ‘The discerning Hindi viewer has moved away to English news channels’ : Anurradha Prasad – B.A.G Films & Media Ltd managing director

     When she started Bhagwan Allah God Films, a television content production company, many thought she was out of her mind. The company (known better by the acronym B.A.G Films) has moved far above what it had initially stepped out to achieve. Today, it is a full-blown media house and a public limited company, with stakes in content production, TV broadcasting, radio channels and mobile content development.

     

    In an interview with Sujit Chakraborty, B.A.G Films & Media Ltd managing director Anurradha Prasad talks about the steps the company is taking to emerge as an integrated media company.

     

    Excerpts:

    Now that you have got FDI (foreign direct investment) clearance, how much does it ease your investment plans?
    We had already raised substantial money earlier for our broadcasting venture. Now what we are getting is Rs 600 million from Fidelity. We are also going in for FCCBs (foreign currency convertible bonds) in two tranches.

    With the funding in place, what are your launch plans?
    We are launching E24 in the first week of March. It is not a GEC (general entertainment channel). It has snacky entertainment content – like glamour, lifestyle, Bollywood. We shall not have fiction and soaps. No saas bahus for us, though my content division is doing saas bahus for others (laughs). Moreover, there are already three new GECs and others coming in. My TG is different even within the entertainment genre.

     

    Our next launch will be Bliss24, a wellness channel, after 4-5 months. Life24, the fourth channel, will come up after a similar time lag, and we are firming up the content for that.

     

    Once we are over with the channel launches, we will look at the film production business more seriously as it is an area of expansion.

    What has been the progress of the Hindi news channel which was launched over a month back?
    As far as market position goes, News24 is behind NDTV India but we have a long way to go. We have to sort out distribution problems and go far beyond the channel’s 19 per cent reach. As connectivity grows, we will also grow.

     

    The encouraging thing, though, is that audience stickiness to the channel is high when big news like the Narendra Modi (Gujarat chief minister ) issue breaks. Our stickiness has been as high as the top three Hindi news channels. This strengthens our belief that credibility is valued. Even as one realises that we are operating in a cluttered market, we are also convinced that our stance towards news coverage pays. Otherwise, the credibility of Hindi TV news has eroded.

    Trends show that you might get lower ratings than the rival news channels that have a preponderance of sex, violence and the supernatural. Would you say people in the Hindi belt prefer nonsense to news?
    That is a misnomer. The discerning Hindi viewer has moved away to English news channels. There is definite demand for proper news in Hindi.

    The government has a problem with repetitive shots of violence and abuse – the mainstay of Hindi news. Are you doing the same?
    No we are not. But if it is news, it will be on my channel. Two years back, you could not have thought of one Indian Test win in a series getting an eight-column banner headline in newspapers. But this is happening. So the way people are viewing news is changing. It is a young, vibrant India, and if we do not reinvent at every stage, we shall be out. But it is not that people want only bhoot-pret and sex. If that is so, why should NDTV, CNN IBN or IBN 7 work? And they are working.

    There has been a demand that such channels be termed ‘tabloid channels’ and not news channels. But if people want to see these things, they will. Does any change in definition make any difference?
    Let them. It is for the government to decide what goes on air – whether people are becoming more superstitious or not. I am saying that I shall not go for that kind of news content. Besides, there is a span of time that certain things sell. The same old thing does not last long. Proper news has lasted and will last.

    You created the Hindi news crime show Sansani but are now doing away with sensationalism in your own news channel?
    People have missed the point about Sansani, as it was much more than a show where people with problems would come to us rather than go to a police station. It was a socially important show. We stopped doing Sansani last July because we were coming up with our own news channel.

    Are you planning something on those lines for News24?
    We are going to do something. Crime against women is a big issue for me. We are working on that, after launching the campus programme in which students from across the country report for us.

    Good method of increasing penetration?
    Yes, of course. It works very well.

    Which economic or social segments does your news channel target?
    A and B category viewers. But as I see it, the real problem is with the ratings system. The economic definitions of A and B are not correct. If the criterion is the ownership of a fridge and a TV, then in the last five years a whole lot of lower strata people have moved up in economic terms but not in cultural terms. The system by which weightage is given is flawed. Some channels are taking advantage of that because it is their business model. As a strategist, I would rather trace out the need gap, which I have, and put things that way.

     

    Ultimately as a content person, I must do what I believe is the need and that has to be based on scientific studies. My analysis shows that news was losing credibility. Secondly, a whole lot of channels were not reinventing themselves. There was a strong need for a young, vibrant and credible brand… that’s why News24.

    There is a concern that with tabloid news channels getting more TRPs, advertisers might swing their way. Does that worry you?
    Going forward, it can’t be like that. Any good advertiser will check out whether he is reaching only the masses, or hitting the target consumer or not. As an advertiser, I would be asking my media buying department, Boss, jismey dalaa hai uska return kya hai? (what is the return from the channel where you have placed my ad)? Right now, the returns are all hedged because they are all enmeshed in the whole issue of TRP and GRP.

    E24 shall not have fiction and soaps. No saas bahus for us, though my content division is doing saas bahus for other channels
    In the FM radio business, you were talking of leading a consortium of smaller operators. Since that has not taken place, how has it affected your revenue flows?
    Our revenues are not affected as it was not based on consortium selling. Besides, we now have a network to sell across TV channels and radio.

    Does it make better business sense going to the smaller towns?
    Definitely, because that is where new buying power is coming from. We are now in places like Hissar, Karnal and Patiala, and these stations can be looped. We have still to launch in Simla, Jalgaon and Jabalpur out of the 10 FM stations we have won the bid for.

    Don’t you think metros offer bigger opportunities?
    Metros will be there, but they are saturated markets. The psyche is different in the smaller towns and the push is happening from there. We are not afraid of competing in the bigger cities. But we saw the saturation coming, so it was a conscious business decision to go the small-town way. This will give us better penetration and better revenues.

    How are you differentiating your content from the others?
    Firstly, in most of these cities, we have the first mover advantage. Then interactivity is a huge thing for those towns, and we have fully interactive studios. Besides, we are a content company from the beginning and our content is different. The songs may be the same, but in our case interactivity is huge. And we are geared towards the youth.

    But isn’t every radio operator doing that?
    Yes, I am sure they are, but in these small B and C class cities, the youth is massively aspirational.

    What are the regulatory issues that concern radio operators?
    The government has opened up radio licences but not done those other things that need to make radio a successful industry. They are not allowing news. They have irrationally capped the FDI in radio at 20 per cent. These are crucial issues. In advertising and films, you have 100 per cent FDI.

    When you first forayed into the Film City and started your venture, a lot of newspaper circuit people said it was crazy to shift to media production. So, what was the idea then?
    I did not change. I was just working for someone else. A newsperson in the television arena, I decided to do it for myself instead of doing it for others. I was just quitting the Observer Channel. True, since there was hardly anyone else there, people might have thought “she is crazy.” Television business was not like what it is today. But by the time I started in 1994, Zee TV had launched, and satellite TV had come in. So I could see that things were changing. I felt that if one has to learn about it, why not do so by being with oneself?

    What would you say were some of the landmarks in that phase?
    Every show had been a landmark in its own genre, whether it was Zaikay Ka Safar which was a food and travel show that went on for eight years, or Chitrahaar, in which we radically changed the format and many others. They all were landmarks.

    What, according to you, had been the most important step from the government to boost the industry over the years?
    Actually the best thing is that the government did not do anything for a long time, which ensured that we grow on our own. But the government ought to have done something on the distribution area in the initial stages. Of course, now they have started doing certain things.

    You mean Cas (conditional access system) as one of them?
    Cas is one, and then there are various DTH (direct-to-home) players coming in. But there seems to be no desire to push digitisation forward in a big way.
  • UK’s Ofcom OKs sponsorship of TV, radio channels

    UK’s Ofcom OKs sponsorship of TV, radio channels

    MUMBAI: UK regulator Ofcom is amending its Broadcasting Code to allow the sponsorship of commercial television channels and radio stations, subject to specific safeguards intended to preserve editorial independence, protect the under 18s and ensure audiences are made fully aware of the sponsorship relationship.

    Modifying a regulation in place for over 50 years, Ofcom announced yesterday that sponsorship of commercial television and radio programmes has been permitted for 15 years.

    Restrictions on certain programmes and channels
    The Ofcom Broadcasting Code prohibits the sponsorship of news and, for television, current affairs programmes. It also prohibits specific product categories from sponsoring certain kinds of programmes. For example, alcohol brands are not allowed to sponsor children’s programmes and gambling companies may not sponsor programmes aimed at under 18s.
    Ofcom intends to allow the sponsorship of any channel, so long as the amount of programming that cannot be sponsored is limited.

    For example, channels and stations that broadcast short hourly news bulletins will be allowed to be sponsored. However, an alcohol brand would not be allowed to sponsor a children’s television channel.
    General restrictions: 
    Specific safeguards will be put in place to preserve editorial integrity and protect children.

    These include: 
    * Viewers must be made aware of the sponsorship arrangement and the sponsor’s credits must be separated from all other editorial and advertising content on the channel; credits for the channel sponsor must not appear in or around programmes that cannot be sponsored and credits should not suggest that these programmes are included in the sponsorship arrangement;

    * The sponsor’s presence on the channel should not be unduly prominent;

    * Broadcasters will be unable to name channels after the sponsor. However, as at present, a company with a brand known in another field – for example, Hallmark or Saga – may be granted a Broadcasting Act licence in its own right, with editorial responsibility for all programme output.

    Next steps
    Channel sponsorship represents a new opportunity for broadcasters; however it is important that transparency, editorial independence and appropriate protection for the audience are maintained. Ofcom will therefore publish guidance for broadcasters to go alongside the new Code rules, to ensure full compliance.

  • Kappa TV asks viewers to shoot an idea

    Kappa TV asks viewers to shoot an idea

    MUMBAI: First, it dared to go off the beaten track with a programming mix in four languages including Tamil, Malayalam, Hindi and English. And now, Kerala Mathrubhumi Group’s youth-centric music channel – Kappa TV – will telecast a new contest show for a month starting end-November.  

    The contest is about being creative with your mobile gadgets and though a date and time hasn’t been fixed yet, it will be a half an hour show with 24 minutes of content and 6 minutes of advertising during prime time from Monday to Friday with repeats over the weekend.

    Participants will be required to click/record a short film or photo gallery/music album and submit online to the channel, with entries of not more than 3 minutes’ duration. The second level will see 30 people selected from each category, whittled down to 10 each. Three winners will be chosen from each category in the third and final level, with prizes worth Rs 3.5 lakh distributed among the nine winners, who will be featured on Kappa TV. Of the three levels, the first has no particular theme while the second and third rounds will be more specific.

    “We want to see to what extent people can extend their imagination,” says Mathrubhumi TV CEO Mohan Nair, who is helming the eight-strong in-house team producing the show.

    What about the authenticity of the clips being received? Nair says they won’t know in the first round but for the next two rounds, a separate team will monitor the participants.

    While the show host and three judges are being finalised, it is certain they will be popular local personalities. Each episode, shot in Malayalam at the Mathrubhumi TV Studio, will feature six people demonstrating not only their creativity but also delving into their work, family and aspirations.

    Promotions are on since 22 October, and will go on till 21 November, involving the Mathrubhumi Group’s strong media line up of news and radio channels, newspapers and website, as also outdoor hoardings and college activities in the form of game shows.

    “The contest is open to all but we are getting the youth involved because they are very much in tune with mobile phones and they are also keen to be involved with channels. Our research revealed that not just students but also parents are watching Kappa TV,” says Nair.

    Not surprisingly, Kappa TV has 22,773 subscribers on YouTube while its Facebook page boasts 31, 632 likes. In keeping with the concept of the show, Kappa has roped in Idea Cellular as on-ground and on-air sponsor.

    Hope this ‘idea’ works for Kappa TV gets in youngsters as well as elders to spin their creative ideas.

  • Worldspace unveils new satellite radio receiver Diva II

    Worldspace unveils new satellite radio receiver Diva II

    BANGALORE: Worldspace Satellite Radio has launched a new satellite radio receiver – the Diva II. The company promises enhanced sound quality and features to ensure a truly enriched satellite radio experience to the listeners with the launch.

    The Diva II is available in Elegant Black or Chic Silver and has a suggested retail price at Rs. 4,790 with a special introductory offer price of Rs. 2,499 only. Subscription packages are available in three options – Rs. 1000 for six months, Rs. 1800 for 12 months, and Rs. 3250 for 24 months, said an official release.

    The new satellite radio receiver is a stand-alone system that is also compatible with most music systems, presenting listeners an opportunity to tune in to over 40 radio channels playing the widest range of music, entertainment and news in uncluttered and distinctive programming formats, the release adds.