Tag: Radhika Apte

  • CNN-News18 brings ‘The Bollywood Roundtables’ fifth edition with Rajeev Masand

    CNN-News18 brings ‘The Bollywood Roundtables’ fifth edition with Rajeev Masand

    MUMBAI: CNN-News18 is coming up with the fifth edition of its special talk show The Bollywood Roundtables. Hosted by entertainment editor Rajeev Masand, the show is a year-end omnibus on Bollywood and features India’s most celebrated and finest directors, actors and actresses who are behind the most talked about films and performances of the year.

    The show will air from 17 December every Saturday at 6 pm and Sunday at 8 pm till 1 January. It features candid, free-wheeling and eye opening conversations with guests discussing their inspiration, influences and challenges they face.

    The first episode will see Sonam Kapoor (Neerja), Alia Bhatt (Udta Punjab), Radhika Apte (Phobia & Parched), Anushka Sharma (Sultan & Ae Dil Hai Mushkil) and Vidya Balan (Kahaani 2) open up about their process. Amitabh Bachchan (Pink), Ranbir Kapoor (Ae Dil Hai Mushkil), Sushant Singh Rajput (MS Dhoni: The Untold Story), Shahid Kapoor and Diljit Dosanjh (Udta Punjab) will discuss their craft in the second episode.

    The Directors Roundtable will feature Karan Johar (Ae Dil Hai Mushkil), Ali Abbas Zafar (Sultan), Ram Madhvani (Neerja), Shakun Batra (Kapoor & Sons), Abhishek Chaubey (Udta Punjab) and Nitesh Tiwari (Dangal) discussing their work.

  • CNN-News18 brings ‘The Bollywood Roundtables’ fifth edition with Rajeev Masand

    CNN-News18 brings ‘The Bollywood Roundtables’ fifth edition with Rajeev Masand

    MUMBAI: CNN-News18 is coming up with the fifth edition of its special talk show The Bollywood Roundtables. Hosted by entertainment editor Rajeev Masand, the show is a year-end omnibus on Bollywood and features India’s most celebrated and finest directors, actors and actresses who are behind the most talked about films and performances of the year.

    The show will air from 17 December every Saturday at 6 pm and Sunday at 8 pm till 1 January. It features candid, free-wheeling and eye opening conversations with guests discussing their inspiration, influences and challenges they face.

    The first episode will see Sonam Kapoor (Neerja), Alia Bhatt (Udta Punjab), Radhika Apte (Phobia & Parched), Anushka Sharma (Sultan & Ae Dil Hai Mushkil) and Vidya Balan (Kahaani 2) open up about their process. Amitabh Bachchan (Pink), Ranbir Kapoor (Ae Dil Hai Mushkil), Sushant Singh Rajput (MS Dhoni: The Untold Story), Shahid Kapoor and Diljit Dosanjh (Udta Punjab) will discuss their craft in the second episode.

    The Directors Roundtable will feature Karan Johar (Ae Dil Hai Mushkil), Ali Abbas Zafar (Sultan), Ram Madhvani (Neerja), Shakun Batra (Kapoor & Sons), Abhishek Chaubey (Udta Punjab) and Nitesh Tiwari (Dangal) discussing their work.

  • Another comic roast raises a storm

    Another comic roast raises a storm

    MUMBAI: Comic Roasts can backfire. Ask the AIB guys. And now you can ask the cast of Comedy Nights Bachao. In an episode that is yet to be telecast, the cast of the Krushna Abhishek-Bharati Singh-led show on Colors resorted to some leg-pulling of an actress during a film promotion on it. The leg-pulling was around the tanned actress’ skin colour. And, it got her goose. So much so, that it has become an issue with women’s organisations getting behind the actress and the channel and the artistes having to issue an apology.

    ‘Parched’ actress Tannishtha Chatterjee was the butt of the skin tone joke during a show to be aired on Colors. “She had no clue about ‘Comedy Nights Bachao’, says the show’s host Krushna Abhishek who has now apologised for the ‘racist’ comments. Both, Krushna and Colors have since apologised to Tannishtha after she expressed disappointment with how her skin tone was made fun of on “Comedy Nights Bachao.” Comedian Krushna defended the programme that he co-hosts, after Tannishtha rued its “blatant and regressive racist” ways of finding humour in her “dark skin tone”.

    Issues with colorism and race are not new in India. The degradation of dark color and the privileges of whiteness in a post-colonial era is endless. And, jokes on a popular show only help to reinforce the stereotype that dark skin is a subject of ridicule.

    Krushna was not present on the sets of the show when Tannishtha was “roasted” on the show. She was accompanied there by her ‘Parched’ team members — director Leena Yadav and actress Radhika Apte. Soon after shooting for the show,Tannishtha took to social media to criticise the format for its racist attack.

    The creative professionals on the Colors shows believed that calling someone ‘kaali kalooti’ or asking if eating jamuns (blackberries) as a kid is the reason why she is dark-skinned is amusing.

    The National Commission for Women (NCW) has slammed the comedy show for allegedly making fun of the skin tone of the actress, and said it is exploring avenues to initiate action on the “unfortunate episode”.

    After sitting through two segments of the show, the National Award-winning actress walked out of the shoot when jokes like ‘kaali kalooti, baingan looti’ didn’t stop. In the post, Tannishtha wrote, “…in a country where we still sell Fair and Lovely/Handsome and show adverts where people don’t get jobs because of their complexion, where every matrimonial advert demands a fair bride or groom and the colour bias is so strong, in a society which has a deep-seated problem with dark skin, which also has deep roots in our caste system, in a country where dark skin is marginalised — making fun of it is not a roast. Even considering that dark skin is a joke comes from that very deep prejudice”.

    An apologetic Krushna later reacted: “If she (Tannishtha) feels offended by something, I apologise from our side. We never want to hurt anyone deliberately. “Comedy Nights Bachao” is of a roast format. Roast doesn’t mean that we say just anything to anyone… I had asked Tannishtha, if she has seen the show, she said she doesn’t watch TV as such. So, she has no clue about the show. So, I took another example and asked her if she had seen AIB Roast? And she hadn’t seen that either. I told her that since it’s a roast, there will be some leg-pulling, but we don’t insult. Had we been insulting, the show won’t have come so far.”

    The actress has said that she had some idea of a roast through “Saturday Night Live” show, and that with “Comedy Nights Bachao”, she was anticipating to be ‘roasted’ as her perception was that a roast is “a celebratory humour at someone’s expense” and “a mock counter to a toast”.

    Pointing out that the only thing they could roast about a dark-skinned actress was “of course her dark skin”, she said in a Facebook post: “This was an entirely novel understanding of roast that equates itself with bullying. And to my utmost horror, I soon realised that the only quality they found worth roasting about in me was my skin tone. It began with, ‘Aap ko jamun bahut pasand hoga zaroor…?’”

    Krushna said there are actors who take roasts sportingly. “When Varun Dhawan came for ‘Dilwale’, Varun himself came up to me and said that he is very excited and looking forward to the roast. Even Shah Rukh Khan chose to come to our show for ‘Fan’. “I don’t know what hurt Tannishtha, because I wasn’t performing then. But I apologise if it has hurt her, though it wasn’t a deliberate attempt,” he added.

    A PTI report quoted NCW chief Lalitha Kumaramangalam as saying it was “deplorable” and “pathetic” that the TV show “stooped to such a low level to garner TRPs”.

    “This was wrong on so many levels, in gender construct and social construct and it sets a very bad precedent. It is in bad taste and condemnable. In the name of freedom of expression, one should not and cannot allow perpetuation of social prejudice,” Kumaramangalam told PTI, adding NCW has taken cognisance of the incident and is “consulting lawyers” to determine a “course of action.”

    The NCW proposes to issue a letter to the apex authority on monitoring of the broadcast media content to bring to their notice the episode, according to the wire news service report.

    This is not the first time comedians and TV shows have come under scrutiny for content that has been described as objectionable by some.

    Meanwhile, a media report from Karnataka said that a High Court judge made some critical comments on film, TV and print media content.

    Justice Gowda, who has given time to the Central government till 4 October 2016 to respond to a petition, was reported as observing on a case regarding a film content, “In the midst of news, some objectionable contents are introduced on television. Even newspapers carry advertisements about jewellery and lingerie, which are sometimes indecent.”

  • Another comic roast raises a storm

    Another comic roast raises a storm

    MUMBAI: Comic Roasts can backfire. Ask the AIB guys. And now you can ask the cast of Comedy Nights Bachao. In an episode that is yet to be telecast, the cast of the Krushna Abhishek-Bharati Singh-led show on Colors resorted to some leg-pulling of an actress during a film promotion on it. The leg-pulling was around the tanned actress’ skin colour. And, it got her goose. So much so, that it has become an issue with women’s organisations getting behind the actress and the channel and the artistes having to issue an apology.

    ‘Parched’ actress Tannishtha Chatterjee was the butt of the skin tone joke during a show to be aired on Colors. “She had no clue about ‘Comedy Nights Bachao’, says the show’s host Krushna Abhishek who has now apologised for the ‘racist’ comments. Both, Krushna and Colors have since apologised to Tannishtha after she expressed disappointment with how her skin tone was made fun of on “Comedy Nights Bachao.” Comedian Krushna defended the programme that he co-hosts, after Tannishtha rued its “blatant and regressive racist” ways of finding humour in her “dark skin tone”.

    Issues with colorism and race are not new in India. The degradation of dark color and the privileges of whiteness in a post-colonial era is endless. And, jokes on a popular show only help to reinforce the stereotype that dark skin is a subject of ridicule.

    Krushna was not present on the sets of the show when Tannishtha was “roasted” on the show. She was accompanied there by her ‘Parched’ team members — director Leena Yadav and actress Radhika Apte. Soon after shooting for the show,Tannishtha took to social media to criticise the format for its racist attack.

    The creative professionals on the Colors shows believed that calling someone ‘kaali kalooti’ or asking if eating jamuns (blackberries) as a kid is the reason why she is dark-skinned is amusing.

    The National Commission for Women (NCW) has slammed the comedy show for allegedly making fun of the skin tone of the actress, and said it is exploring avenues to initiate action on the “unfortunate episode”.

    After sitting through two segments of the show, the National Award-winning actress walked out of the shoot when jokes like ‘kaali kalooti, baingan looti’ didn’t stop. In the post, Tannishtha wrote, “…in a country where we still sell Fair and Lovely/Handsome and show adverts where people don’t get jobs because of their complexion, where every matrimonial advert demands a fair bride or groom and the colour bias is so strong, in a society which has a deep-seated problem with dark skin, which also has deep roots in our caste system, in a country where dark skin is marginalised — making fun of it is not a roast. Even considering that dark skin is a joke comes from that very deep prejudice”.

    An apologetic Krushna later reacted: “If she (Tannishtha) feels offended by something, I apologise from our side. We never want to hurt anyone deliberately. “Comedy Nights Bachao” is of a roast format. Roast doesn’t mean that we say just anything to anyone… I had asked Tannishtha, if she has seen the show, she said she doesn’t watch TV as such. So, she has no clue about the show. So, I took another example and asked her if she had seen AIB Roast? And she hadn’t seen that either. I told her that since it’s a roast, there will be some leg-pulling, but we don’t insult. Had we been insulting, the show won’t have come so far.”

    The actress has said that she had some idea of a roast through “Saturday Night Live” show, and that with “Comedy Nights Bachao”, she was anticipating to be ‘roasted’ as her perception was that a roast is “a celebratory humour at someone’s expense” and “a mock counter to a toast”.

    Pointing out that the only thing they could roast about a dark-skinned actress was “of course her dark skin”, she said in a Facebook post: “This was an entirely novel understanding of roast that equates itself with bullying. And to my utmost horror, I soon realised that the only quality they found worth roasting about in me was my skin tone. It began with, ‘Aap ko jamun bahut pasand hoga zaroor…?’”

    Krushna said there are actors who take roasts sportingly. “When Varun Dhawan came for ‘Dilwale’, Varun himself came up to me and said that he is very excited and looking forward to the roast. Even Shah Rukh Khan chose to come to our show for ‘Fan’. “I don’t know what hurt Tannishtha, because I wasn’t performing then. But I apologise if it has hurt her, though it wasn’t a deliberate attempt,” he added.

    A PTI report quoted NCW chief Lalitha Kumaramangalam as saying it was “deplorable” and “pathetic” that the TV show “stooped to such a low level to garner TRPs”.

    “This was wrong on so many levels, in gender construct and social construct and it sets a very bad precedent. It is in bad taste and condemnable. In the name of freedom of expression, one should not and cannot allow perpetuation of social prejudice,” Kumaramangalam told PTI, adding NCW has taken cognisance of the incident and is “consulting lawyers” to determine a “course of action.”

    The NCW proposes to issue a letter to the apex authority on monitoring of the broadcast media content to bring to their notice the episode, according to the wire news service report.

    This is not the first time comedians and TV shows have come under scrutiny for content that has been described as objectionable by some.

    Meanwhile, a media report from Karnataka said that a High Court judge made some critical comments on film, TV and print media content.

    Justice Gowda, who has given time to the Central government till 4 October 2016 to respond to a petition, was reported as observing on a case regarding a film content, “In the midst of news, some objectionable contents are introduced on television. Even newspapers carry advertisements about jewellery and lingerie, which are sometimes indecent.”

  • ‘Kabali’… For loyal fans only

    ‘Kabali’… For loyal fans only

    MUMBAI: One might wonder what exactly does ‘Kabali’ mean? But who cares what it means literally—as long as Rajinikanth portrays the role of Kabali, that itself gives the word and the film a meaning. A Rajini film has to have action. It must make him look infallible, a larger than life human being. It must project him as a family loving and caring man. The film should also project his philanthropic side and as a man who is always ready to do his bit for the downtrodden and suppressed.

    While Kabali makes sure to incorporate all these (from what could be gathered from its Hindi dubbed version), it also has to keep in mind that Rajini is in his mid-60s and his action has to be so designed as to not show his age. The makers also need to keep in mind the fact that the recent Rajini films have not quite met with the expectations of his fans and, hence, of the box office. To give the film a more universally acceptable look and feel, the story and all the action takes place in Malayasia.

    As the film opens, Rajini is being set free from a jail after serving a 25-year sentence. And, you lose half the confidence in your super hero for as far as you are concerned, he is not the kind to be locked up behind cell doors!

    There was a gang war where a huge massacre was taking place but, when the police arrive, Rajini is caught red-handed while his opponents vanished from the scene just in time to avoid being caught. Now that Rajini is coming out, it is time to resume the gang wars. Rajini has made it to this status from a union leader at a rubber plantation where circumstances made him take to crime. Mainly, he had to safeguard his own Dalit people. He starts with breaking taboos by dressing up in a smart suit and shoes. That is his idea of defiance.

    Rajini’s mentor, Naser, is killed by the Chinese gangsters because while the Chinese indulged in drugs and flesh trade, Naser was against it. Rajini takes over his place to continue the crusade. Meanwhile, Rajini also wants to avenge the deaths of his wife, Radhika Apte, and daughter, Dhansika who was yet to born.

    The first half of the film passes with little happening save for a couple of gang shootouts as both parties take turns to raid their opponent. It is at the close of first half that Rajini meets the daughter he presumed dead. She is a grown up lady now who has been shadowing her father with an intent to protect him if need be.

    As the second half starts, most parts are devoted to reuniting the family after which, the Chinese gang resumes its attacks. Each time, Rajini either manages to survive or outsmart the enemy. This goes on till the final showdown where, at a terrace party, Rajini is caught unarmed and alone. But, as it turns out, he is not alone and most of those around pretending to be the catering staff at the party are his men! The crossfire starts and you can’t make out who is shooting who, nor do you care. The last duel between the Chinese villain, Winston Chao (a Taiwanese actor) and Rajini also avoids hand to hand which used to be the hero’s forte. After all, you can’t challenge age. Our audience love Pakistan-bashing and, with this movie, it seems they will also come to love some Chinese bashing!

    Kabali is all about Rajinikanth and nothing else. The script is routine while the direction is patchy. Dialogue loses much of its appeal and claps in Hindi as do songs. Photography is good. Performances are okay.

    Kabali created hype and expectations being a Rajinikanth movie. The Hindi audience has never cared much for his stardom even if the media keeps painting him on par with top actors in Hindi. Kabali will go down as just another dubbed South movie after a couple of days’ curious watchers, mainly the South Indian pockets in rest of India.

    Producer: Kalaipuli S. Thanu.
    Director: Pa. Ranjith.
    Cast: Rajinikanth, Winston Chao, Radhika Apte, Dhansika.

  • ‘Kabali’… For loyal fans only

    ‘Kabali’… For loyal fans only

    MUMBAI: One might wonder what exactly does ‘Kabali’ mean? But who cares what it means literally—as long as Rajinikanth portrays the role of Kabali, that itself gives the word and the film a meaning. A Rajini film has to have action. It must make him look infallible, a larger than life human being. It must project him as a family loving and caring man. The film should also project his philanthropic side and as a man who is always ready to do his bit for the downtrodden and suppressed.

    While Kabali makes sure to incorporate all these (from what could be gathered from its Hindi dubbed version), it also has to keep in mind that Rajini is in his mid-60s and his action has to be so designed as to not show his age. The makers also need to keep in mind the fact that the recent Rajini films have not quite met with the expectations of his fans and, hence, of the box office. To give the film a more universally acceptable look and feel, the story and all the action takes place in Malayasia.

    As the film opens, Rajini is being set free from a jail after serving a 25-year sentence. And, you lose half the confidence in your super hero for as far as you are concerned, he is not the kind to be locked up behind cell doors!

    There was a gang war where a huge massacre was taking place but, when the police arrive, Rajini is caught red-handed while his opponents vanished from the scene just in time to avoid being caught. Now that Rajini is coming out, it is time to resume the gang wars. Rajini has made it to this status from a union leader at a rubber plantation where circumstances made him take to crime. Mainly, he had to safeguard his own Dalit people. He starts with breaking taboos by dressing up in a smart suit and shoes. That is his idea of defiance.

    Rajini’s mentor, Naser, is killed by the Chinese gangsters because while the Chinese indulged in drugs and flesh trade, Naser was against it. Rajini takes over his place to continue the crusade. Meanwhile, Rajini also wants to avenge the deaths of his wife, Radhika Apte, and daughter, Dhansika who was yet to born.

    The first half of the film passes with little happening save for a couple of gang shootouts as both parties take turns to raid their opponent. It is at the close of first half that Rajini meets the daughter he presumed dead. She is a grown up lady now who has been shadowing her father with an intent to protect him if need be.

    As the second half starts, most parts are devoted to reuniting the family after which, the Chinese gang resumes its attacks. Each time, Rajini either manages to survive or outsmart the enemy. This goes on till the final showdown where, at a terrace party, Rajini is caught unarmed and alone. But, as it turns out, he is not alone and most of those around pretending to be the catering staff at the party are his men! The crossfire starts and you can’t make out who is shooting who, nor do you care. The last duel between the Chinese villain, Winston Chao (a Taiwanese actor) and Rajini also avoids hand to hand which used to be the hero’s forte. After all, you can’t challenge age. Our audience love Pakistan-bashing and, with this movie, it seems they will also come to love some Chinese bashing!

    Kabali is all about Rajinikanth and nothing else. The script is routine while the direction is patchy. Dialogue loses much of its appeal and claps in Hindi as do songs. Photography is good. Performances are okay.

    Kabali created hype and expectations being a Rajinikanth movie. The Hindi audience has never cared much for his stardom even if the media keeps painting him on par with top actors in Hindi. Kabali will go down as just another dubbed South movie after a couple of days’ curious watchers, mainly the South Indian pockets in rest of India.

    Producer: Kalaipuli S. Thanu.
    Director: Pa. Ranjith.
    Cast: Rajinikanth, Winston Chao, Radhika Apte, Dhansika.

  • Cultural Machine with Sonu Nigam on streets of Juhu, Mumbai

    Cultural Machine with Sonu Nigam on streets of Juhu, Mumbai

    MUMBAI: Culture Machine after launching campaigns like The Printing Machine, a poetical satire by Kalki; Radhika Apte voicing against body shaming through You’re beautiful, or ‘The Indian’ series describing the Indian Sikhs, Muslims and Dalits voicing various social issues. This time the company has launched a social experiment titled “The Roadside Ustaad” featuring Bollywood playback singer Sonu Nigam as disguised old man.

    The video has been released on Culture Machine’s digital channel Being Indian. The video is an experiment with Sonu Nigam as an old man singing by the road in the busy lanes of Juhu, Mumbai. The pedestrians take notice of an old man singing in melodious voice with many pausing to enjoy a few moments but are forced to continue to hurry and move on with their lives.  ‘The Roadside Ustaad’ captures mixed reactions of Mumbaikaars ranging from individuals stopping by and enjoying the old man’s singing to those who nonchalantly walk away. Inspired by the magical impact that music has on individuals, Sonu Nigam and Culture Machine sought to capture joyful moments that music has on our mechanical and monotonous lives.

    Cultural machine says that this video is its attempt to make people realize that they can spare some time from busy lives and appreciate beautiful things inside. Expressing the same Cultural Machine creative director Karl Katgara said, “The whole idea behind this experiment was to inspire people to take a moment out of their busy lives and appreciate the beauty of music. To appreciate the many tiny miracles we pass every day and ignore, while we stare at our phones or lost in thought. To do this, who better than Sonu Nigam. He is one of the most sought after singers in the country, and the most recognizable voice. What was interesting to see at the time was, he created the same magic singing, just disguised as an old man, and people could not recognize him at all.

    Sonu Nigam said, “I went without any expectations, totally bereft of any awkwardness for the way I was looking and what I was about to subject myself to. For the first time, I was not me, the make-up was so good and authentic,people standing so close to me, couldn’t recognise me. I was carrying the harmonium that my parents bought when I was born. It was all so humbling. And from such an unfamiliar zone, I managed to procure something. Gratitude, Grace and appreciation for what we have.”

  • Cultural Machine with Sonu Nigam on streets of Juhu, Mumbai

    Cultural Machine with Sonu Nigam on streets of Juhu, Mumbai

    MUMBAI: Culture Machine after launching campaigns like The Printing Machine, a poetical satire by Kalki; Radhika Apte voicing against body shaming through You’re beautiful, or ‘The Indian’ series describing the Indian Sikhs, Muslims and Dalits voicing various social issues. This time the company has launched a social experiment titled “The Roadside Ustaad” featuring Bollywood playback singer Sonu Nigam as disguised old man.

    The video has been released on Culture Machine’s digital channel Being Indian. The video is an experiment with Sonu Nigam as an old man singing by the road in the busy lanes of Juhu, Mumbai. The pedestrians take notice of an old man singing in melodious voice with many pausing to enjoy a few moments but are forced to continue to hurry and move on with their lives.  ‘The Roadside Ustaad’ captures mixed reactions of Mumbaikaars ranging from individuals stopping by and enjoying the old man’s singing to those who nonchalantly walk away. Inspired by the magical impact that music has on individuals, Sonu Nigam and Culture Machine sought to capture joyful moments that music has on our mechanical and monotonous lives.

    Cultural machine says that this video is its attempt to make people realize that they can spare some time from busy lives and appreciate beautiful things inside. Expressing the same Cultural Machine creative director Karl Katgara said, “The whole idea behind this experiment was to inspire people to take a moment out of their busy lives and appreciate the beauty of music. To appreciate the many tiny miracles we pass every day and ignore, while we stare at our phones or lost in thought. To do this, who better than Sonu Nigam. He is one of the most sought after singers in the country, and the most recognizable voice. What was interesting to see at the time was, he created the same magic singing, just disguised as an old man, and people could not recognize him at all.

    Sonu Nigam said, “I went without any expectations, totally bereft of any awkwardness for the way I was looking and what I was about to subject myself to. For the first time, I was not me, the make-up was so good and authentic,people standing so close to me, couldn’t recognise me. I was carrying the harmonium that my parents bought when I was born. It was all so humbling. And from such an unfamiliar zone, I managed to procure something. Gratitude, Grace and appreciation for what we have.”

  • Shirish Kunder’s ‘Kriti’ to release exclusively on Muvizz.com

    MUMBAI: Kriti  a short film produced by Muvizz.com and presented by actor Manoj Bajpayee, will be launched exclusively on Muvizz.com a video on demand platform. The poster which was released recently is a prelude to the 18-minute psycho-thriller which is scheduled to release in the month of June. Shirish Kunder’s debut short film will showcase the three leading actors, Manoj Bajpayee, Radhika Apte and Neha Sharma in a very mysterious and spine-chilling manner as portrayed in the poster.

    Manoj Bajpayee who will be seen in a completely unusual role as compared to his previous short films, Taandav, and Jai Hind, commented, “Acting in short films gives me an opportunity to work with different film makers and the digital medium offers such creative satisfaction”.

    The film is an intriguing mix of drama and suspense which will keep the audience hooked throughout. It revolves around a writer (Manoj Bajpayee), who after an unexpected set of events finds himself in the middle of a psychological drama. Radhika Apte and Neha Sharma’s characters will further add to this mental whirlpool. Manu Rishi, who will be seen also in the film, will play a pivotal role as a police officer. 

    Piiyush Singh, Co-Founder, Muvizz.com says, “We are very excited to work with such immensely talented actors. Shirish has done a great job and we hope to create such amazing content with him again. ‘Kriti’ has been written in such a way that it will not only have a lasting impression but will also keep you thinking about the film long after it ends. We are sure the audience will enjoy the film and get to know about the work that a portal like Muvizz is trying to accomplish.”

    Muvizz.com is a platform which aims to assist innovative filmmakers and quality cinema to gain global exposure as it is doing with ‘Kriti’.

     

  • Shirish Kunder’s ‘Kriti’ to release exclusively on Muvizz.com

    MUMBAI: Kriti  a short film produced by Muvizz.com and presented by actor Manoj Bajpayee, will be launched exclusively on Muvizz.com a video on demand platform. The poster which was released recently is a prelude to the 18-minute psycho-thriller which is scheduled to release in the month of June. Shirish Kunder’s debut short film will showcase the three leading actors, Manoj Bajpayee, Radhika Apte and Neha Sharma in a very mysterious and spine-chilling manner as portrayed in the poster.

    Manoj Bajpayee who will be seen in a completely unusual role as compared to his previous short films, Taandav, and Jai Hind, commented, “Acting in short films gives me an opportunity to work with different film makers and the digital medium offers such creative satisfaction”.

    The film is an intriguing mix of drama and suspense which will keep the audience hooked throughout. It revolves around a writer (Manoj Bajpayee), who after an unexpected set of events finds himself in the middle of a psychological drama. Radhika Apte and Neha Sharma’s characters will further add to this mental whirlpool. Manu Rishi, who will be seen also in the film, will play a pivotal role as a police officer. 

    Piiyush Singh, Co-Founder, Muvizz.com says, “We are very excited to work with such immensely talented actors. Shirish has done a great job and we hope to create such amazing content with him again. ‘Kriti’ has been written in such a way that it will not only have a lasting impression but will also keep you thinking about the film long after it ends. We are sure the audience will enjoy the film and get to know about the work that a portal like Muvizz is trying to accomplish.”

    Muvizz.com is a platform which aims to assist innovative filmmakers and quality cinema to gain global exposure as it is doing with ‘Kriti’.