Tag: Quentin Tarantino

  • Cannes Palme d’Or goes to Turkey’s Nuri Bilge Ceylan for feature and to Simón Mesa Soto for shorts

    Cannes Palme d’Or goes to Turkey’s Nuri Bilge Ceylan for feature and to Simón Mesa Soto for shorts

    NEW DELHI: Renowned Turkish filmmaker Nuri Bilge Ceylan has won the Palme d’or for his film Winter Sleep on the conclusion of the 67th Cannes Film Festival.

     

    The award – to the best of the 18 in competition – was presented to him by the American actress Uma Thurman and the American director Quentin Tarantino. The Jury was presided over by Jane Campion.

     

    Nuri Bilge Ceylan said: “This is a huge surprise for me, I wasn’t expecting it. I don’t know what to say. This year marks the 100th anniversary of Turkish cinema, which is a happy coincidence. I would like to thank the Festival de Cannes for supporting this long project. Thank you to the Jury, to Thierry Frémaux and Gilles Jacob. I would like to dedicate this Palme d’or to the young people of Turkey and to those who lost their lives during the year. Thank you very much”. 

     

    The film also won the top award given by The FIPRESCI (International Association of film critics) jury headed by Esin Kücüktepepinar of Turkey.

     

    While Titli by Kanu Bahl from India was highly lauded, the film that was selected for Un Certain Regard and Gitanjali Rao’s 19-minute animated romance True Love Story in the Critics’ Week failed to make any mark. Behl was also a contender for the Camera d’Or, the award for feature directing debut.

     

    Sergio Leone’s Per un pugno di dollari (A Fistful of Dollars) presented by Quentin Tarantino, was screened at the end of the ceremony.

     

    Le Meraviglie (The Wonders) by Alice Rohrwacher received the Grand Prix award while the best Director Award went to Bennett Miller for Foxcatcher.

     

    The Jury Prize ex-aequo went to Mommy by Xavier Dolan (the youngest winner at 25) and Adieu Au Langage (Goodbye to language) by the renowned Jean-Luc Godard.

     

    The best acting awards went to actress Julianne Moore in Maps to the Stars by David Cronenberg and actor Timothy Spall in Mr Turner by Mike Leigh. Mr Turner also won the award of the Vulcan Award for Technical Artist of the Jury of the CST to Dick Pope, director of photography, for bringing to light the works of Turner.

     

    The Best Screenplay Award was awarded to Andrey Zvyagintsev and Oleg Negin for Leviathan.

     

    The Palme d’Or for Short Films went to Leidi by Simon Mesa Soto.

     

    A Special Mention – Ex-aequo – was made of A?ssa by Clément Trehin-Lalanne and Ja Vi Elsker (Yes we love) by Hallvar Witzo.

     

    The Un Certain Regard Prize went to Fehér Isten by Kornél Mundruczó. FIPRESCI gave the Un Certain Regard award to Jauja by Lisandro Alonso.

     

    The Jury Prize went to Turist by Ruben Östlund while the Un Certain Regard Special Prize was awarded to The Salt of the Earth by the lauded Wim Wenders and Juliano Ribeiro Salgado.

     

    The Ensemble Prize was given to Party Girl by Marie Amachoukeli, Claire Burger and Samuel Theis, and the film also received the Camera d’Or award in the Un Certain Regard, while the Best Actor Award went to David Gulpilil in Charlie’s Country by Rolf de Heer.

     

    In the Cinefondation category for student films, the first prize went to Skunk by Annie Silverstein from the Texas University at Austin in the United States, while the second prize went to Oh Lucy!  by Atsuko Hirayanagi of the NYU Tisch School of the Arts Asia, Singapore and the third prize was given jointly to Lievito Madre by Fulvio Risuleo of Centro Sperimentale di Cinematografia, Italy and The Bigger Picture by Daisy Jacobs of the National Film and Television School in the United Kingdom.

     

    The Nespresso Grand Prize in the Critics’ Award category went to The Tribe by Myroslav Slaboshpytskiy, which also received the France 4 Visionary Award. It additionally got the Gan Foundation Support for Distribution.

     

    The SACD Award went to Hope by Boris Lojkine.

     

    A Ciambra by Jonas Carpignano received the Sony CineAlta Discovery Prize for short film and the Canal+ Award for short film went to Crocodile by Gaëlle Denis.

     

    In the Directors’ Fortnight section, the Europa Cinema Label, the SACD Prize and the Art Cinema Award went to Love At First Fight (Les Combattants) by Thomas Cailley. The film also received the FIPRESCI award.

     

    The Illy prize for short film was given to Heartless (Sem Coraç?o) by Nara Normande and Ti?o.

     

    A special mention was made of It Can Pass through the Wall (Trece si Prin Perete) by Radu Jude.

     

    Ceylan’s film is a 210 minute morality tale about a former actor who runs a hotel in remote Anatolia. As winter approaches, he is alone with his young wife and her sister going through a divorce. The cold weather makes the hotel not only a shelter but a site where the three must confront their growing feelings of animosity.

     

    Mommy, like the films of Jean Luc Godard, has broken ground, and ironically Dolan shared the jury prize with the French New Wave director with the daring hand held camera and jump cuts. Godard’s film Adieu au Langage (Goodbye to Language) in the official competition uses colorized scenes and fragmentation in a rather well shaped non-linear narrative. Dolan’s “Mommy” represents a paradigm shift for cinematic language. Defying established aspect ratios, Dolan and his director of photography André Turpin used a perfectly square 1.1 instead of today’s widescreen formats. Mommy shot on 35mm explores futuristic Canada with new mental-health laws in this film about a mother with a violent son.

  • ‘Pulp Fiction’ anniversary at Cannes, ‘Django’ television series planned

    ‘Pulp Fiction’ anniversary at Cannes, ‘Django’ television series planned

    MUMBAI: To celebrate the 20th anniversary of the cult classic, maverick director Quentin Tarantino along with the stars of Pulp Fiction, John Travolta and Uma Thurman, treated the masses to a public screening of the cult classic on the beach at Cannes. Standing on a makeshift stage in front of a giant screen, Tarantino welcomed his two actors, who, one by one, walked down a sandy aisle before flanking their Pulp Fiction director.

     

    Pulp Fiction was the winner of the 1994 Palme d’Or (Golden Palm) from a jury presided over by Clint Eastwood; Pulp Fiction had its official world premiere at the Grand Theatre Lumiere on 19 May that year. However, although the film had been kept tightly under wraps and was screened for no one in the United States before its Cannes debut, a number of critics did get a secret sneak peek at it the night before.

     

    Prior to the screening, the cast and crew of Pulp Fiction were spot walking on the official red carpet at the Palais De Cannes and then attended a party hosted by Miramax Pictures.

     

    The Oscar-winning director told the audience at the Cannes Film Festival on Friday that he’s looking at a four-hour miniseries version of his acclaimed 2012 pre-Civil War Western Django Unchained.

     

     “I have about 90 minutes’ worth of material with Django [that] hasn’t been seen,” said Tarantino to USA Today. “My idea, frankly, is to cut together a four-hour version of Django Unchained… But I wouldn’t show it like a four-hour movie. I would cut it up into hour chapters. Like a four-part miniseries. And show it on cable television. Show it like an hour at a time, each chapter.”

     

    “We’d use all the material I have and it wouldn’t be an endurance test,” he added. “It would be a miniseries. And people love those.”

     

    Django earned a total of five Academy Award nominations, including for Best Picture. It grabbed the golden statuette for Original Screenplay and Supporting Actor Christopher Waltz.

  • Tarantino to premiere leaked script with an exclusive stage reading

    Tarantino to premiere leaked script with an exclusive stage reading

    MUMBAI: Many of the Film Independent, The New York Times Film Club and Los Angeles County Museum of Art (LACMA) members are geeking out over the news that Film Independent is presenting what’s sure to be one of the most exciting happenings in the film world this year: Quentin Tarantino is going to direct a staged reading of The Hateful Eight for Film Independent at the LACMA!

     

    On Thursday, 24 April at 8:00 pm, the iconic director will show up with a hand-picked cast to LACMA’s Bing Theater for a world premiere reading of the unmade script that’s been causing a ruckus since January, when Tarantino pulled the plug on the picture immediately upon learning that the script had been leaked by someone connected to the small circle of actors he’d circulated it to.

     

    “I like the fact that people like my shit, and that they go out of their way to find it and read it,” an outraged Tarantino told Deadline. This staged reading could be an once-in-a-lifetime opportunity to see something that has never been seen before and probably won’t be seen again. It will not be recorded or live-streamed. Also, the cast is likely to remain secret until they appear on stage that night at the Bing.

     

    The Hateful Eight follows the steadily ratcheting tension that develops after a blizzard diverts a stagecoach from its route, trapping a pitiless and mistrustful group, which includes a competing pair of bounty hunters, a renegade Confederate soldier and a female prisoner in a saloon in the middle of nowhere.

  • Quentin Tarantino to publish script of ‘The Hateful Eight’ after it gets leaked online

    Quentin Tarantino to publish script of ‘The Hateful Eight’ after it gets leaked online

    MUMBAI: Quentin Tarantino, who won the Best Original Screenplay Oscar last year for Django Unchained, is extremely upset that the script of The Hateful Eight has leaked online and now instead of making the film; he will publish the script.

     

    The filmmaker reportedly is “depressed” as he didn’t want to shoot it until next winter and had just given the first draft to six people from where it got out.

     

    Tarantino learned of the leak after his agent started getting calls from other agents trying to get their clients in the film. Tarantino doesn’t know who leaked the script, but he has his suspicions.

     

    But the filmmaker’s fans shouldn’t be upset as now they will have a well-published script from him.

  • Quentin Tarantino’s next: ‘The Hateful Eight’

    Quentin Tarantino’s next: ‘The Hateful Eight’

    MUMBAI: Right around the time of the Golden Globe, rumor has it that Quentin Tarantino will complete his new script, which will be a western; the working title of the film right now is The Hateful Eight. “I had so much fun doing Django, and I love westerns so much that after I taught myself how to make one, it’s like ‘OK! Let me make another one now that I know what I’m doing,’” Tarantino told Jay Leno in November when he appeared on The Tonight Show.

     

    Tarantino has finished a draft, and is in the process of showing it to a handful of actors he wants for the picture. Nothing has been confirmed yet, however the title suggests Tarantino could be stepping up his game, playing off the title of John Sturges’ 1960 film The Magnificent Seven, which in turn was a remake of Akira Kurosawa’s 1954 Seven Samurai.

     

    No one has been cast yet, but Tarantino has reached out to veteran casting director Victoria Thomas, who worked on Django, to work with him on casting for the flick, say several insiders. A part has been written for Christoph Waltz, who starred in Tarantino’s Django and Inglourious Basterds. As rumor has it, another part has been written for Hollywood veteran Bruce Dern who, at the age of 77 and after a career worth of distinguished mostly supporting performances, has emerged as a Best Actor frontrunner in Alexander Payne‘s Nebraska.

     

    Pilar Savone, who served as a producer on Django and was also an associate producer on Tarantino’s Inglourious Basterds and Death Proof after being his assistant, is producing Hateful Eight.

  • China Oscars to see Hollywood fraternity

    China Oscars to see Hollywood fraternity

    MUMBAI: China’s Huading awards are set to see some high profile Hollywood actors such as Quentin Tarantino, Nicole Kidman and Nicholas Cage. The award night is to be held at Macau on 7 October.

     

    The award show is based on voting for top athletics and entertainment talent and is a type of Chinese Oscars. Sam Worthington from Avatar, Jeremy Irons and Matthew Perry from F.R.I.E.N.D.S are the other stars that are to be seen at the event.

     

    Hong Kong auteur Wong Kar Wai and Jackie Chan will be the representatives of China.

     

    The awards event was set up in 2007 by Media Company Global Talents Media group in Beijing and is held many times a year to honour talents in various fields.

  • Quentin Tarantino mulls rewriting history in next

    Quentin Tarantino mulls rewriting history in next

    MUMBAI: Following the success of his film Django Unchained, director Quentin Tarantino has said that he wants to make another film in which ‘history is re-written‘.

    It has been reported Tarantino is planning the new film in the style of Django Unchained and Inglourious Basterds. “This rewritten history theme begs a trilogy, it begs to have a third movie on this theme. I haven`t decided about what yet, but I wouldn`t be surprised to do another,” he has been quoted.

    Tarantino won the award for best original screenplay at the BAFTA awards.

  • Tarantino mulls film on mistreatment of black soldiers in US Army

    Tarantino mulls film on mistreatment of black soldiers in US Army

    MUMBAI: Quentin Tarantino has expressed that he could make a new film that would feature black soldiers fighting back against mistreatment in the US Army.

    The director of Django Unchained said that the revenge plan, on which the film is in plans, was long in the works.

    In his first historical rewrite Inglourious Basterds, Tarantino set a unit of Jewish soldiers off to kill Adolf Hitler in Nazi Germany. According to him, the final product was just a fraction of what he had intended initially to be a miniseries. Now, the remaining parts of the original project could make for a whole new film.

    "My original idea for Inglourious Basterds way back when was that this [would be] a huge story that included the [smaller] story that you saw in the film but also followed a bunch of black troops, and they had been f—ed over by the American military and kind of go apeshit," Tarantino has been reported to have said.

    "They basically — the way Lt. Aldo Raines [Brad Pitt] and the Basterds are having an ‘Apache resistance‘ — [the] black troops go on an Apache warpath and kill a bunch of white soldiers and white officers on a military base and are just making a warpath to Switzerland," he added. 

  • Quentin Tarantino hints at retirement after 10th film

    Quentin Tarantino hints at retirement after 10th film

    MUMBAI: Filmmaker Quentin Tarantino, whose eighth directorial project Django Unchained is all set to hit theatres soon, has hinted of his retirement after his tenth film.
    The 49-year-old has directed cult films like Inglourious Basterds, Kill Bill, Pulp Fiction and Reservoir Dogs, it is reported.
    "You stop when you stop, but in a fanciful world, 10 movies in my filmography would be nice. I‘ve made seven. If I have a change of heart, if I come up with a new story, I could come back. But if I stop at 10, that would be okay as an artistic statement," Tarantino has been quoted to have said.
    "I just don‘t want to be an old-man filmmaker. I want to stop at a certain point. Directors don‘t get better as they get older. Usually the worst films in their filmography are those last four at the end. I am all about my filmography, and one bad film ruins up three good ones," he added.
    Tarantino‘s upcoming western Django Unchained will release across the US on 25 December. The film stars Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Samuel L Jackson, Walton Goggins, Kerry Washington and Jonah Hill.

  • Sony releases 2012 line-up

    Sony releases 2012 line-up

    MUMBAI: After ending 2011 on an encouraging note with the success of The Adventures of Tintin, Sony Pictures has announced the line-up for next year with five major franchises being brought back along with awaited films from directors of the likes of David Fincher and Quentin Tarantino.

    The year begins with the already critically acclaimed and award-nominated The Girl with the Dragon Tattoo, the first of a trilogy starring Daniel Craig and Rooney Mara on 6 January, and ends with Quentin Tarantino‘s Django Unchained starring Leonardo DiCaprio on 28 December.

    Said Sony Pictures India managing director Kercy Daruwala, “After completing 75 years as a studio in India, and ending this past year on a high with the tremendous success of The Adventures of Tintin, I can say without a doubt that the best is yet to come. 2012 has a dream line-up with five major franchises coming back. Together these franchises have made over Rs. 261 crore at the box office in India.”

    The line-up includes the Will Smith and Tommy Lee Jones-starrer Men in Black 3 in 3D that will releases in May, The Amazing Spider-Man in 3D in July, Skyfall, the next film in the Bond franchise in November.

    Also releasing would be the Kate Beckinsale-starrer Underworld: Awakening, the fourth installment of the Underworld series in 3D in January and Milla Jovovich‘s Resident Evil: Retribution in 3D in September.

    Also in the line-up are a remake of 1991 blockbuster Total Recall (releasing worldwide in August), Adam Sandler‘s comedy I Hate You Dad, Premium Rush starring Joseph Gordon Levitt, The Vow starring Rachel McAdams, claymation comedy The Pirates! Band of Misfits, 3D animated film Hotel Transylvania and 21 Jump Streeti, a revival of the cult 80‘s TV serie,s now as a major motion picture.