Tag: PVR

  • PVR to bring 4DX technology to India with CJ 4DPLEX

    PVR to bring 4DX technology to India with CJ 4DPLEX

    MUMBAI: India’s largest multiplex operator PVR has inked a deal with 4D cinema company CJ 4DPLEX to bring 4DX technology to its movie theatres.

     

    PVR will launch the 4DX technology at PVR Cinemas this year at its first Superplex, a 15-screen multiplex at Logix City Centre in Noida, India. This will make the Superplex India’s most advanced cinematic viewing experience, strategically located in the heart of the city, bringing the audience world class formats including Imax, ECX, PVR Premier, PVR Gold Class, PVR 4DX and PVR Playhouse.  

     

    PVR CEO Gautam Dutta said, “We are excited about our association with CJ 4DPLEX. India is a land of cinema lovers. The country has an immense potential to both produce and consume movies in various formats. Introducing 4DX at PVR Cinemas will be another step to offer finest movie experience to our patrons here. PVR has always aimed to give the best to its audiences and we see a promising future for this technology in our country.” 

     

    CJ 4DPLEX CEO Byun Hwan Choi added, “Our partnership with PVR is a great opportunity for 4DX to accelerate expansion in the world’s largest film-producing country. Being loved by the Indian moviegoers is a worthwhile challenge for us, and we are eager to achieve it. We look forward to a successful partnership with PVR.” 

     

    CJ 4DPLEX is also expanding its reach in Japan and has inked deals with two Japanese exhibitors. As of 31 March, it signed with Harima Enterprise to bring a 96-seat 4DX auditorium to a newly built multiplex in Himeji city, Japan. Additionally, another top-tier Japanese exhibitor is scheduled to sign in the last week of this month, becoming 4DX’s sixth partner exhibitor in Japan – the second largest number of partners in a single country thus far, behind only China. 

     

    Since its first 4D screening of Avatar in 2010, CJ 4DPLEX has brought more than 23,000 4DX seats to 170 theatres in 33 countries – opening on approximately one new screen every week as theatres recognize the power of being able to offer a wider range of formats and differentiated movie-going experiences to its patrons. In 2014 alone, 4DX launched 53 new screens compared with 47 in the previous year. Globally, 4DX has attracted more than 20 million attendees as of January 2014, and it is expected to pass 30 million by the end of 2015.

  • PVR opens three-screen multiplex in Bokaro

    PVR opens three-screen multiplex in Bokaro

    MUMBAI: Multiplex chain PVR has opened a three-screen multiplex in Jharkhand’s Bokaro city. 

     

    The multiplex is at the Bokaro Mall and is enabled with state of art technology, 3D technology with 7.1, 3D enabled and a wide range of F&B. It became operational from 17 April, 2015.

     

    With the opening of this multiplex, PVR’s total screens count has gone up to 471 screens at 106 locations across 45 cities in 15 States and 1 Union Territory.

     

    At present PVR boasts of being India’s largest cinema chain.

     

  • Rentrak inks deal with India’s Carnival Cinemas for box office measurement

    Rentrak inks deal with India’s Carnival Cinemas for box office measurement

    MUMBAI: Box office measurement body Rentrak is slowly expanding its footprint in India, where until now box office numbers haven’t had a systematic tracking system. Rentrak, which recently inked a deal with India’s Cinepolis multiplex chain, has now joined hands with the Mumbai based Carnival Cinemas. 

     

    Rentrak will implement its box office reporting system across Carinval Cinemas properties.

     

    Carnival Cinemas with 300 screens currently ranks as India’s third-largest exhibition chain after PVR and Inox. The company plans to increase its screen count to more than 1,000 screens across India by 2017, including theaters in small cities throughout South India.

     

    It may be recalled that last year Carnival Cinemas acquired Big Cinemas, which was the multiplex business of Reliance Mediaworks.

     

    “We are excited to expand our measurement in India and work with Carnival Cinemas as they continue to become one of the top players in the market. Rentrak is committed to expanding our box office measurement throughout India to help their film production be more transparent,” said Rentrak president of global movie services Ron Giambra.

     

    “We are delighted to partner with Rentrak, the global leaders in box office measurement to herald an era of precise box office information in the Indian movie industry. Carnival, while striving to provide the best possible movie watching experience to its viewers, also strives to uphold the global best practices in all aspects of film exhibition. I am sure that our synergy will add value to the industry as a whole,” added Carnival CEO Group P.V Sunil.

     

    Rentrak has been measuring box office receipts in India since October 2014. The first film it tracked was Rajkumar Hirani and Aamir Khan’s PK, which recently became the country’s highest-grossing film of all time.

  • PVR launches new multiplex in Bengaluru

    PVR launches new multiplex in Bengaluru

    MUMBAI: PVR has opened a new multiplex at MSR Regaliaa Elements Mall in Bengaluru.

     

    The seven screen multiplex enabled with state of art technology, 3D technology with 7.1 channel sound, plush interiors and a wide range of F&B, became operational today (9 March, 2015).

     

    With the opening of this multiplex, PVR’s total screens count has gone up to 469 at 105 locations across 44 cities in 14 States and 1 Union Territory.

  • Cinema advertising to grow at 20%: Interactive Television’s Ajay Mehta

    Cinema advertising to grow at 20%: Interactive Television’s Ajay Mehta

    MUMBAI: Movie buffs prefer visiting a cinema for the almost minimal number of advertisements that play during the movie run. Advertisers are still somewhat hesitant of opting for these ads since there is a lack of measurement of these ads. Contrary though according to Group M’s biannual advertising expenditure futures report titled ‘This Year Next Year’ (TYNY) cinema advertising closed 2014 with a 25 per cent increase.

    When asked at what rate he expects cinema advertising to grow for this year, Interactive Television CEO Ajay Mehta says that it will grow at 20 per cent.

    Interactive Television specializes in cinema advertising and releases the CAM report. According to Mehta, for the last two – three years cinema has been the second fastest growing medium after the digital. “While digital is on a different growth trajectory, the basic level of cinema in the country is low,” says Mehta. 

    “Even though we are a cinema savvy country, the total cinema spends is less than one per cent, which is even lower than the global average. When you look at global averages there are countries where cinema is hardly part of the consumer’s habit,” he adds.

    There are a few reasons why the segment is seeing a growth. Firstly it is because of the low base number, which is increasing today. Secondly, over the last two to three years there has been the phenomenon of “multiplexisation” of the industry, which is getting reflected because of a whole round of consolidation that will continue in 2015. “As players like PVR, INOX, Cinepolis and Carnival get bigger and stronger, the whole consolidation will further aid growth.”

    The growth can also be attributed to the digitisation process of single screen theaters wherein films are being delivered directly via satellite to theaters as compared to the costlier traditional prints, which has reduced costs and is creating transparency as practically the entire single screen universe (barring an odd 500) is digitised.

    According to industry estimates, a 60 second ad in a multiplex for one week (which is minimum of 21 shows and can go up to 28)  in the top metros would cost Rs 10,000 to Rs 12,000, while the cost for single screens would between Rs 1,500 to 2,000 for the same period. The cost in areas such as South Mumbai and South Delhi multiplexes is much higher than the average figures for multiplexes.

    As per a report by Interactive Television brands such as Choc On, HDFC Life, Vicco Vajradanti, Engage, Vicco Sugarfree, Woodland, TVS Apache, Vicco Shaving Cream, LIC and Bhima Jewellers have been consistently advertising on cinema. The report takes into account their presence on cinema for the period August 2013 to January 2015. Choc On as a brand is totally built on cinema as majority of their spends are on this medium.

    The selection process of including cinema advertising spends depends on the brand’s target audience and cinema space in their priority markets. While a regional brand could select a single screen cinema, for brands with larger pockets it could be an “and” option wherein both multiplexes and single screens are combined.

    Telecom is one category that has started advertising recently on cinema on both single screens and multiplexes as it seek to penetrate its brand campaign in Tier III and rural markets, like the FMCG category. “In 2014 we saw e-commerce brands like Flipkart and Amazon including specific travel verticals like travel websites increase their spends, which will continue,” opines Mehta.

    2014 also for the first time saw luxury brands taking to multiplexes, especially car brands such as Mercedes, Jaguar and Audi. “In 2015, when the economy promises to be better, there are a lot of launches lined up and auto is going to be one interesting category for multiplexes,” says Mehta.

  • “2020 is when digital will command one third of all media spends & that is a significant market to go after”: Rajiv Dingra

    “2020 is when digital will command one third of all media spends & that is a significant market to go after”: Rajiv Dingra

    Even before many knew about social media, let alone analyse the medium’s power, Rajiv Dingra at the age of 22 knew he was entering into something which was only going to grow bigger. Dingra, who founded digital and social media agency WATConsult in 2007 with four employees has today built up a team comprising 160 people across four cities: Mumbai, Delhi, Bengaluru and Kolkata.

     

    Acquired by Dentsu Aegis Network in January 2015, Dingra is looking at not just expanding the business, but also aiming to be one amongst the top tier digital agencies by 2020.

     

    In a span of seven years, the agency has worked with over 100 brands like Warner Bros, PVR, SAP, Nikon, Tata Salt, Godrej, Bajaj Allianz and Mahindra & Mahindra, and others across the world.

     

    In conversation with Indiantelevision.com’s Seema Singh, Dingra talks about the evolution of digital space, life after the Dentsu acquisition, his future plans and more.

     

    Excerpts:

     

    How did you start WATConsult? What gave you the idea to start a digital agency way back in 2007?

     

    I was a blogger first. I used to run a blog called WATBlog. But, I wasn’t making much money through that. Soon after, people started coming to me asking how they could engage with bloggers, so from there, I started the side business of blog consulting. This went on to social media consulting and all of this happened within a couple of months. It wasn’t a revolution of sorts, it is just that one thing led to another.

     

    The initial idea was to create a social media consulting company. WATConsult was formed when I got Rediff onboard, which gave me an advance cheque of  Rs 4 lakh. This was the seed capital for the company.

     

    When I started the company, we were just four people, which included two interns. Today, we are about 160 people, with four offices across country: Mumbai, Delhi, Bengaluru and Kolkata.

     

    One client led to another client, and it kept growing. It took us a lot of time to take off ground in 2007-08, but by 2009 I was pretty clear that we wanted to make this big. It was in 2009 when we started getting retainer client and building a team.

     

    We started moving office, every six months, because we were growing that fast. In the five years from 2009-2014, we doubled our growth, in terms of people, revenue and profits.

     

     

    When you started in 2007, except for the interns, did you have any other partner?

     

    For a long time I had no partner. In fact I registered the company in 2008 alone with my father being the dormant director. So it was pretty much a single man company.

     

     

    How did the acquisition by Dentsu Aegis Network happen? Why did you think of partnering with the agency?

     

    Talks with Dentsu were on for the past two years. What worked for us was that over the past two years, they actually saw us growing. Moreover, we were actually doing whatever we were telling them that we would do. They became more confident in us, as they saw that we had the capability to perform.

     

    We were very confident in them as they have a differentiated model of operating in India with one P&L model, which is unlike any other network.

     

    They wanted to collaborate with us and that is what we liked. You can grow by collaborating, not by competing.

     

    It was very clear for us from the beginning that digital is a platform and not a skill. Eventually everybody will be digital savvy. Over time all advertising will be just advertising and will not be segregated on the basis of print, TV or digital advertising. More and more agencies will be integrated. This could take anywhere between five to 15 years.

     

    We started social media, when people didn’t even know what social media was. We have done the deal with Dentsu when we see the future as integrated. We may be five years early for that, but then that’s fine. The way we look at it is that it will happen eventually and so we wanted to prepare ourselves with the network that works collaboratively to be in the best position to take advantage of that eventuality.

     

     

    Has it impacted the work culture at WATConsult? Has your role changed?

     

    It hasn’t impacted the work culture but it has definitely increased the amount of work we are expected to deliver. The good news is that the group has a lot of opportunities for WATConsult. We are being invited to pitches. They are business and client focused and so are we.

     

    As for my role, it is still the same. While I was initially talking to external clients, now my role is to also talk to stakeholders within the network.

     

     

    Are you looking at expanding your office or employees?

     

    We were always looking at expanding our office. That has got nothing to do with the acquisition. We will be moving into a larger office for close to 250 people. Our vision is to have 300 – 350 people in the next two – three years. We plan to expand in Delhi and Bengaluru since we are winning a lot of clients there.

     

    Beyond people, we would want to work with larger clients with larger mandates. We are currently participating with Dentsu Aegis Network on global pitches as well. We are very excited.

     

     

    What do you look for people when you hire them?

     

    I would hire a humble person anytime. There is a very clear reason for that: if you are not humble, you don’t think you want to learn too much. If you don’t want to learn, you can’t be a part of a growing organisation, which we are. The next quality I see is the person’s passion to learn.

     

     

    How have you seen the digital space change and grow since 2007?

     

    I remember in 2007, we had to think before putting a budget in lakhs in our presentations. Today, client comes and says that they want a plan in one week for Rs 1.5 crore. So, number wise it’s mind boggling.

     

    I have to, at times, unlearn what I had learnt when I started my career. Beyond the numbers, it is just the breadth of the space. Today, we are doing digital video commercials, shoots, websites and social media, all for the same client. What I am seeing is that clients are embracing digital and once you start embracing the medium you start spending as well.

     

    Digital is starting to get a lot of respect and attention even at the CMO level, which is a big difference from 2007-2011. Today, I have not seen a pitch where the CMO is not present for signing on the digital agency.

     

    The future is coming from digital. According to reports, digital advertising currently is at Rs 3500 crore. In another five years, another Rs 6000 crore will be added, thus making it a Rs 9500-10000 crore market. It is a 150 per cent growth in next five years.

     

     

    What is the ROI on digital?

     

    People have been advertising on TV, even without knowing the exact return on investment. Just because you can calculate numbers in digital doesn’t make that a scapegoat, which it has been for very long. I think a lot of marketing is gut and feel. Yes, there are surveys, analysis, TRPs and numbers to back the feel, but I have known marketers who know this as an art.

     

    Digital is going to grow. So either you do more of it and figure out the ROI mechanism or you sit at the fence and wait for the ROI. And maybe when the ROIs come, you will be too late in the learning curve. The earlier you start, the better asset you can create for your product.

     

     

    GroupM estimates digital growth at 37 per cent. Do you agree with it?

     

    I think every year it is between 30-40 per cent, but agencies like ours, which is focused on social, mobile and video, will be growing at at least 80-100 per cent. In fact what is pulling down this growth is search and display.  

     

     

    Is there a set format for digital advertising? What works on digital?

     

    There is no format. Even advertising, which is a 100 year old profession, has no format of making a creative or TVC. As a brand you want to elicit a certain response from the audience so you create content, videos, infographics etc.

     

    Format doesn’t matter. What we know is video, social or mobile is going to through the roof. So what we are trying to find is how we, as an agency, can integrate all this in our campaigns while keeping true to the brand requirement and brief and the creativity on that.

     

    As for what works on digital, it is storytelling and novelty. If you haven’t seen or heard something before, it works on digital. Getting good storytellers is a struggle, but then as the space evolves gems come up.

     

     

    Is there a research, which is done to find what clicks with the TG? What is the duration?

     

    We do closed group research, online team monitoring and also create our own dashboards to understand the working for the brand, comparing against other competitors.

     

    Quantitative research, which is driven by digital happens within a week. But qualitative could take 10-15 days.

     

     

    What do you feel about the ‘Digital India’ campaign launched by Prime Minister Narendra Modi?

     

    Growth of internet is going to help our business tremendously. With internet connectivity, several clients’ rural budget will go up. The reason for collaborating with Dentsu is that they have a rural agency and they have a huge footprint in rural India. We, over the five years, are making the bet that the change will happen sooner rather than later.

     

    I want to take WATConsult to top tier of digital agency in the next five years. I see 2020 as a big year where digital will be closer to one third of all media spends and that is a significant market to go after.

     

     

    How has pitching to a client changed over the years?

     

    Clients do not look at us as just an execution agency anymore. Earlier, the brand would only think of the campaign and digital leg had to be set up just a day or so before the launch of the campaign. This has changed now. We are now being called when the idea brainstorming is happening collaboratively with mainline agencies. We are planning on the digital campaign two months prior to the launch of the campaign.

     

    Money wise also there is a lot of change, but for me this is a significant change.

     

     

    The year started on a good note for the agency. How do you see the year panning out for you?

     

    2015 is a key year for us as we are looking at a bigger office, investing in talent, setting into gear our achievement of vision 2020, which we have internally set. It is also a year where we look to more closely collaborate with Dentsu and become a part of the family and leverage that to grow WATConsult.

     

    I genuinely feel that the vision that we had independently, both in terms of achievement of numbers and clients, we have surpassed that this financial year. We are seeing some great positive response from our clients for our work. I am extremely bullish and for me the GroupM’s 37 per cent digital growth prediction looks a little small. We would like to look at 50 per cent or more growth this year.

  • PVR upgrades to Thinspace’s application delivery technology

    PVR upgrades to Thinspace’s application delivery technology

    MUMBAI: PVR Cinemas has chosen Thinspace TSE for cost-efficient application delivery technology. Thinspace Technology Inc is a global provider of reliable, scalable and affordable application delivery, virtualization, and cloud client technology.

     

    PVR’s cinema circuit comprises 462 screens at 104 locations across 44 Indian cities. Prior to upgrading to Thinspace TSE, PVR had been using a version of Citrix that was outdated and too costly for its growing user base. Moreover, some applications required different server OS for different type of apps and not all platforms were supported with that version.

     

    The IT team found Thinspace TSE to be a cost effective alternative to Citrix to deliver Microsoft Navision ERP application delivery to its distributed user base. TSE displayed similar functionality as Citrix with the support of latest Windows server OS at a fraction of the cost. Thinspace also provides PVR with a dedicated customer support and easy-to-use web-based management console, which is simpler to manage than Citrix.

     

    Thinspace CEO Chris Bautista said, “PVR is one of our fastest deployments. We had more than 100+ users switched from Citrix to Thinspace within a day. The simplicity of the solution enabled PVR to see a direct value in our product. PVR also appreciated our dedicated customer support and web-based management console which is easier to manage than our competition.”

     

    Thinspace Technology operates in high growth B2B markets of desk top virtualization and cloud computing solutions – which make it easier, more flexible and more affordable for companies and IT managers to conduct and streamline computing operations securely from any server – anywhere in the world. 

     

    Thinspace achieved third quarter 2014 revenue of $2.322 million, and nine months ended 30 September, 2014 revenue of $5.701 million, representing year-over-year improvements of 464 per cent and 479 per cent, respectively.

     

    Gartner research predicts the global desk top virtualization market to surpass $65 billion in 2015.

  • PVR to buy back L Capital’s 10% stake in company

    PVR to buy back L Capital’s 10% stake in company

    MUMBAI: Multiplex chain PVR has entered in a share purchase agreement with private equity (PE) fund L Capital Asia to buy back its entire investment in PVR. L Capital Asia, the PE arm of Louis Vuitton Moët Hennessy (LVMH), owns a 10 per cent stake in the company.

     

    In August 2012, PVR had issued 28,85,000 equity shares of face value of Rs 10 each at a premium of Rs 190 per share of aggregating to Rs 57.70 crore to L Capital Eco, a subsidiary of L Capital Asia. In addition, L Capital Eco had also invested a sum of approximately Rs 50.09 crore in PVR Leisure, which is a subsidiary company of PVR. Thus, the total investment by the company in the multiplex chain was Rs 108 crore.

     

    PVR Leisure houses mall entertainment, gaming arena, food courts and other leisure entertainment formats. PVR’s investment in the bowling company – PVR bluO Entertainment – is also through PVR Leisure. PVR bluO is a 51:49 joint venture between PVR and Major Cineplex Group of Thailand.

     

  • Q3-2015: PVR reports almost four fold Q2-2015 PAT

    Q3-2015: PVR reports almost four fold Q2-2015 PAT

    BENGALURU: Last fiscal (FY-2014), Indian motion picture exhibition, production and distribution house PVR Limited (PVR) entered the Rs 1000 crore club by posting operating income (TIO) of Rs 1351.23 crore for the year. The company’s PAT in Q3-2015 almost quadrupled (went up 3.88 times) to Rs 31.59 crore from Rs 8.15 crore and was 2.27 times the PAT of Rs 13.91 crore in the corresponding quarter of last year (Q3-2014). However, year to date (TTD) PAT for 9M-2015 at Rs 47.2 crore was 15 per cent less than the Rs 55.33 crore in 9M-2014.

     

     Note: 100,00,000 = 100 Lakhs = 10 million = 1 crore.

     

     In Q3-2015, the company recorded a rise in TIO of 5.3 per cent to Rs 419.35 crore from Rs 399.30 crore in the immediate trailing quarter and recorded a 24.8 per cent jump from the Q3-2014 TIO of Rs 336.66 crore. In 9M-2015, PVR reported TIO of Rs 1182.77 crore, up 14.1 per cent from the Rs 1037 crore in 9M-2014.

     

    Let us look at the other Q2-2015 and HY-2015 numbers reported by PVR:

     

     PVR reported a drop in Total Expenditure in Q3-2015 of 0.6 per cent at Rs 369.47 crore as compared to the Rs 372.66 crore for Q2-2015, and 19.9 per cent more than the Rs 308.24 crore in Q3-2014. For 9M-2015, TE was 18.1 per cent higher at Rs 1078.81 crore against Rs 913.54 crore in 9M-2014.

     

     The company’s Film Exhibition Cost (FEC) in Q3-2015 went up 5.6 per cent to Rs 98.49 crore from Q2-2015 FEC of Rs 93.25 crore and was 18.2 per cent more than the Rs 83.34 crore in Q3-2014. 9M-2015 FEC at Rs 279.22 crore was 7 per cent more than the Rs 260.89 crore in 9M-2014.

     

     The cost of Food and Beverages consumed (food) in Q3-2015 at Rs 30.05 crore was 4.9 per cent more than the Rs 28.65 crore in Q2-2015 and was 37.3 per cent more than the Rs 21.89 crore in Q3-2014. For 9M-2015 food costs rose sharply by 23.5 per cent to Rs 86.33 crore from Rs 69.92 crore in 9M-2014.

     

     PVR’s other expense (OE) in Q3-2015 at Rs 39.85 crore also increased by 9.5 per cent from Rs 32.78 crore in Q2-2015 and was 22.7 per cent more than the Rs 32.49 crore in Q3-2014. OE in 9M-2015 was up by 21.6 per cent at Rs 116.88 crore as compared to the Rs 96.1 crore in 9M-2014.

     

    Segment Revenue

     

     Three segments add to PVR’s numbers – movie exhibition, movie production and distribution and others that comprises bowling, gaming and restaurant services.

     

     Movie Exhibition

     

     The largest contributor to PVR revenues is movies exhibition. Revenue from this segment increased 7.1 per cent to Rs 393.48 crore from Rs 367.28 crore in Q2-2015 and increased 24.7 per cent from Rs 315.59 crore in Q3-2014. For 9M-2015, revenues from the movies exhibition segment increase 13.1 per cent to Rs 1099.89 crore from Rs 971.90 crore in 9M-2014.

     

    Though this segment reported an 82.6 per cent growth in operating profits to Rs 50.55 crore in Q3-2015 from Rs 27.14 crore in Q-2015 and growth of 83.3 per cent from Rs 27.58 crore in Q3-2014, its operating profit fell 15.9 per cent in 9M-2015 to Rs 104.06 crore from Rs 123.74 crore in 9M-2014.

     

    Movie production and distribution

     

    Revenue from PVR’s MPD segment in Q3-2015 fell 37.2 per cent to Rs 11.85 crore from Rs 18.87 crore in Q2-2015 and was 75 per cent more as compared to the Rs 6.77 crore in Q3-2014. In 9M-2015, revenue from the MPD segment went up 2.01 times to Rs 37.71 crore from Rs 18.72 crore in 9M-2014.

     

    This segment returned an operating profit of Rs 0.43 crore in Q3-2015, Rs 1.34 crore in Q2-2015 and an operating profit of Rs 2.54 crore in Q3-2014. For 9M-2015, this segment reported a lower operating profit of Rs 1.21 crore versus an operating profit of Rs 1.59 crore in 9M-2014.

     

    Others

     

    PVR’s Others segment reported a 4.5 per cent increase in revenue in Q3-2015 to Rs 19 crore from Rs 18.19 crore in Q2-2015 and an increase of 10.2 per cent from Rs 17.24 crore in Q3-2104. For 9M-2015, this segment’s revenue at Rs 56.69 crore was 3.3 per cent more than the Rs 54.86 crore in 9M-2014.

     

    Loss from PVR’s Other segment was lower at Rs 0.13 crore in Q3-2015 as compared to the Rs 0.96 crore in Q2-2015 and loss of Rs 1.65 crore in Q3-2014. For 9M-2015, loss from this segment was lower at Rs 1.34 crore as compared to a loss of Rs 1.67 crore in Q3-2014.

  • Higher expenses, loss from F&B and gaming curb PVR Q2-2015 PAT

    Higher expenses, loss from F&B and gaming curb PVR Q2-2015 PAT

    BENGALURU: Last fiscal (FY-2014), Indian motion picture exhibition, production and distribution house PVR Limited (PVR) entered the Rs 1000 crore club by posting operating income (TIO) of Rs 1351.23 crore for the year. In Q2-2015, the company recorded a jump in TIO of 10.5 per cent to Rs 400.20 crore from Rs 362.26 crore in the immediate trailing quarter and recorded a 9.4 per cent increase from the Q2-2014 TIO of Rs 365.77 crore. In HY-2015, PVR reported TIO of Rs 762.46 crore, up 8.8 per cent from the Rs 700.96 crore in HY-2014.

     

    The company’s PAT in Q2-2015, however did not quite keep up with the PT reported in the corresponding quarter of last year. Q2-2015 PAT at Rs 9.2 crore, though 20.1 per cent more than the Rs 7.66 crore in Q1-2015, was just a third of the PAT of Rs 27.55 crore reported in Q2-2014. For HY-2015, PVR’s PAT at Rs 16.86 crore was 59 per cent lower than the Rs 41.15 crore in HY-2014.

     

    Note: 100,00,000 = 100 Lakhs = 10 million = 1 crore.

     

    Its movie exhibition segment’s HY-2015 numbers were poor as compared to HY-2014. Further, higher total expenditure, higher loss from its ‘Others segment’ that comprises of bowling, gaming and restaurant services were partly responsible for erosion of the lower HY-2015 operating profits generated by PVR’s Movie exhibition segment.

     

    PVR’s Others’ segments loss widened to more than double in Q2-2015 to Rs 5.04 crore from Rs 2.46 crore in Q1-2015 and Rs 2.42 crore in Q2-2014. Loss in HY-2015 also widened to Rs 1.21 crore from Rs 0.02 crore in HY-2014.

     

    Let us look at the other Q2-2015 and HY-2015 numbers reported by PVR

     

    PVR reported Total Expenditure of Rs 372.66 crore for Q2-2015, which was 10.7 per cent more q-o-q than the Rs 336.68 crore and 19.5 per cent more y-o-y than the Rs 311.88 crore. For HY-2015, TE was 7.1 per cent higher at Rs 709.34 crore against Rs 605.92 crore in HY-2014.

     

    The company’s Film Exhibition Cost (FEC) in Q2-2015 went up 6.6 per cent in Q2-2015 to Rs 93.25 crore from Rs 87.48 crore in Q1-2015 and was 0.9 per cent more than the Rs 92.39 crore in Q2-2014. HY-2015 FEC at Rs.180.73 crore was 1.8 per cent more than the Rs 177.55 crore in HY-2014.

     

    Movie production expense (MPE) in Q2-2015 was Rs 12.68 crore versus Rs 3.32 crore in Q1-2015 and Rs 0.21 crore in Q2-2014. For HY-2015, MPE at Rs 16 crore was 4.4 times the Rs 3.66 crore in HY-2014.

     

    The cost of Food and Beverages consumed (food) in Q2-2015 at Rs 28.65 crore was 3.7 per cent more than the Rs 27.63 crore in Q1-2015 and 14.3 per cent more than the Rs 25.07 crore in Q2-2014. For HY-2015 food costs fell 15.3 per cent to Rs 47.65 crore from Rs 56.28 crore in HY-2014.

     

    PVR’s other expense (OE) in Q2-2015 at Rs 32.78 crore was 16.2 per cent more than the Rs 28.2 crore in Q1-2015 and 5.2 per cent more than the Rs 31.15 crore in Q2-2014. OE in HY-2015 was almost flat (up by 0.5 per cent) at Rs 60.98 crore as compared to the Rs 60.70 crore in HY-2014. 

     

    Segment Revenue

     

    Three segments add to PVR’s numbers-Movies Exhibition, Movie production and distribution and Others that comprises of bowling, gaming and restaurant services.

     

    Movie Exhibition

     

    The largest contributor is Movies Exhibition. Revenue from this segment increased 8.9 per cent to Rs 368.18 crore in Q2-2015 from Rs 338.23 crore in Q1-2015 and by 7.2 per cent from Rs 343.36 crore in Q2-2014. For HY-2015, revenues from the Movies Exhibition segment increase 7.6 per cent to Rs 706.41 crore from Rs 656.44 crore in HY-2014.

     

    Though this segment reported a 2.9 per cent growth in operating profits to Rs 27.14 crore in Q-2015 from Rs 26.37 crore in Q1-2015, its operating profit was just half of the Rs 54.22 crore reported in Q2-2014. For HY-2015, operating profit fell 44.3 per cent to Rs 53.51 crore from Rs 96.13 crore in HY-2014.

     

    Movie production and distribution

     

    Revenue from PVR’s MPD segment in Q2-2015 was 2.7 times at Rs 18.87 crore as compared to the Rs 6.99 crore in Q1-2015 and 3.1 times the Rs 6.12 crore in Q2-2014. In Hy-2015, revenue from the MPD segment went up 2.1 times to Rs 25.86 crore from Rs 12.44 crore in HY-2014.

     

    This segment returned an operating profit of Rs 1.34 crore in Q2-2015 versus a loss of Rs 0.56 crore in Q1-2015 and a small profit of Rs 01 crore in Q2-2014. For HY-2015, this segment reported an operating profit of Rs 0.78 crore versus a loss of Rs 0.95 crore in HY-2014.

     

    Others

     

    PVR’s Others segment reported a 6.7 per cent drop in revenue to Rs 18.19 crore in Q2-2015 from Rs 19.5 crore in Q1-2015 and a drop of 2.8 per cent from Rs 18.72 crore in Q2-2104. For HY-2015, this segment’s revenue was almost flat at Rs 37.69 crore versus Rs 37.62 crore in HY-2014.

     

    Other numbers for this segment has been mentions avove.