Tag: Punit Goenka

  • &TV pens successful opening story; industry reacts

    &TV pens successful opening story; industry reacts

    MUMBAI: The past one year has seen oodles of action in the general entertainment channel (GEC) space. New programming, new channels, second and third channel launches from existing players – the highly competitive genre saw it all.  Viacom18 was the first off the blocks.  Just as 2014 was being rung in, it launched Rishtey – a channel it had flagged off in the UK earlier.

     

    It was in June 2013 that Subhash Chandra’s Zee Entertainment Enterprises (Zeel) adopted a new brand positioning with ‘Vasudhaiva Kutumbakam – The World is My Family’. It was this message that the network wanted to spread which led to the launch of Zindagi, on 23 June 2014. With the best of content from Pakistan, the channel was for viewers with a progressive mindset.

     

    A couple of months later, 1 September 2014 to be precise, Multi Screen Media (MSM) launched a third GEC – Sony Pal for the traditional, yet modern Indian woman. While Sony Pal appealed to certain quarters, it did not generate the viewership numbers that were expected. The Sony management reacted quickly, put the plug on the money drain, and repositioned it as a re-run channel airing older successful shows.

     

    A further couple of months later, 19 November 2014, to be exact, came another launch – that of Epic TV, which had billionaires Mukesh Ambani and Anand Mahindra as backers.

    Even as Indian audiences were still absorbing the content of Zindagi, Zeel unveiled a third massier appeal GEC on 2 March 2015. And it chose to deviate from the Zee branding for the new launch; opting for the ‘&’ brand instead.  The choice of programming; the glitzy launch,  the depth of distribution, the marketing overdrive – all drew oohs and aahs from industry observers. The cynics, however, cluck-clucked from the sidelines and hurled gibes stating that  Zeel boss and chairman Subhash Chandra’s son Punit Goenka was throwing away good money. (The group has set aside an estimated budget of Rs 500 crore for &TV).

     

    Came the ratings on 12 March 2015, and the doubting Thomases and naysayers had to bite their tongues and swallow their barbed comments. Reason: &TV reported fabulous opening week viewership numbers of 90,612 GVTs, making it the year’s most successful new channel launch – and that too in the hyper-competitive GEC space. What it made more remarkable is the fact that the first week in the channel’s launch consisted of only five and a half days.

     

    As compared to &TV’s numbers the other debutantes during the year did not fare as well. Sony Pal generated opened with only 11,000 GVTs, as per TAM data. Zee Zindagi reported 28,700 GVTs in week one, overtaking even the 14-year old channel, Sahara One. Epic in its debut week garnered 1,240 GVTs (ratings of four days).

     

    A bet that worked

     

    The channel is the first GEC from Zee’s sub-brand ‘&’, after the launch of &Pictures in August 2013.

     

    It was a challenge for the newbie to make its mark in the tough market where other big broadcasters are already ruling the roost. However, one man who took up the challenge and stood strong was Rajesh Iyer who quit Colors in March 2014 to join Zeel as business head, new initiatives, Hindi broadcast. It was after almost a year of brainstorming and  pitches from producers, management and research meetings on creatives, positioning and execution that &TV’s vision document was finally in place. Iyer’s aim was to further develop and strengthen the Zeel brand with a new offering and the bet has paid off well.

     

    Zeel MD and CEO Punit Goenka had pinned high hopes on the new channel and it seems that his targets have been met. Expressing his happiness on Twitter, Goenka tweeted, “Congratulations team @AndTVOfficial for a successful opening week! First time that a GEC channel has opened at 90612 GVTs!”

     

    With the philosophy ‘Jashn Jeene Ka’ (celebrating the spirit of life), &TV stands for binding people, ideologies and philosophies and aims to mirror the thinking and values of an evolved, ‘new age’ India.

     

    Exploring the same lines, the content of the channel, according to the company, turned out to be contemporary and contextual, depicting viewers’ progressiveness. It started with three and a half hours of content on weekdays with the original programming starting at 7.30 pm.

     

    Be it &TV’s flagship show hosted by Shah Rukh Khan, India Poochega – Sabse Shaana Kaun? or the strong fiction line up with shows like Razia Sultan, Bhaghyalakshmi, Gangaa, Begusarai, Bhabi Ji Ghar Par Hai!, and the weekend offerings with Killerr Karaoke and Tujhse Naaraaz Nahi Zindagi; the programming seems to have irked the curiosity of audiences enough to tune in and spend time on the channel’s fare. 

     

    Innovative ad strategies

     

    The network strategized its ad sales differently for &TV. Rather than choosing to sell spots, the team roped in advertisers as “presenting” or “powered by” or “associate sponsors” for almost all of the new shows and allocated all the FCT to them, depending on the show. A media planner reveals that 40 per cent of ad inventory per episode was reserved for associate sponsors while the rest was for the title sponsor.

     

    For instance, Unilever India’s Rin was signed on as  the presenting sponsor for its flagship property, India Poochega- Sabse Shaana Kaun, while,  Pan Vilas and DHFL opted to become  ‘powered by’ sponsors. Then for  Raziya Sultan, the channel got on board Venus as the presenting sponsor and Clean and Dry as the ‘powered by’ sponsor. Begusarai, meanwhile, is presented by Pan Bahar and powered by Quickheal and Ghadi Detergent. Vicco is the presenting sponsor for Gangaa and the show is powered by Libero and Ghadi.

     

    On the social media front, the &TV team left no stones unturned to create the buzz. The &TV Facebook page had got over 133,253 likes, while its twitter handle @AndTVofficial had more than 11,000 followers, at the time of writing this article. The YouTube landing page had &TV splashed all over it; as did indiantelevision.com on 2 March.
     

    Promos for its shows have been hitting sister channels &Pictures and Zee TV with high regularity. A high decibel out of home campaign across Hindi speaking markets has been working as a strong reminder medium for potential viewers.

    With a distribution and marketing budget of around Rs 100 crore, Zeel managed to get great placement on almost all the major distribution platforms: DEN Networks, Siti Cable, Hathway, Incable, Tata Sky, Videocon d2h and Dish TV. In fact, on most networks it was placed even before Star Plus and Zee TV.

     

     

     

    Industry reacts

     

    Helios Media managing director Divya Radhakrishnan believes that &TV has got a decent combination of reality shows, mythology, regular fiction and comedy shows. “&TV ratings have been exactly what I forecasted. The channel managed to do well and the distribution was excellent. They launched a great marketing campaign and had a key differentiator in the Shah Rukh Khan show. For a person who is going to sample a new channel, there has to be something, which is compelling enough to switch on the TV and watch the new channel. Such experiments obviously bring them initial eyeballs,” Radhakrishnan says.

     

    She further explains that in week 10 of TAM TV in 2015, the viewership ratings in the GEC space have grown by five per cent. According to Radhakrishnan, the channel has clocked around 42 GRPs on a five and a half day basis, which is roughly about 55 GRPs over a seven day prorata basis.

     

     

    “That is exactly the same amount of GRPs the genre has grown by. GECs have grown by 55 GRPs. This doesn’t mean that people switched from one channel to another. It means they also have included 42 GRPs into the consumption and it is quiet acceptable in the GEC space, because the people who watch GECs are the ones who watch a lot of TV and they will happily include something new to their TV mix if the content interests them.”

     

    A senior executive from a rival channel believes that 42 GRPs is a good number to open with. “This shows that there is more elasticity in the sector and it also opens it up  to newer players and gives them hope that the GEC space has legs,” the executive says.

     

    It may be recalled that during the launch Goenka was confident that the channel would break even in three years if it does exceptionally well and five years if it does reasonably well. On the same lines, a senior executive from a rival channel feels that if the channel continues at the same pace it might break even in the next three years.

     

    Going by its opening numbers, it looks like a success story is beginning to be penned in the  Indian television space. And as Colors CEO Raj Nayak puts it, that while the channel has had a decent launch, it is imperative that it builds from here on and carves a continuous mindspace for itself in the cluttered Hindi GEC space.

    Well, that will be team &TV’s next big challenge! Watch this space!

  • Marketing, promotion the &TV way

    Marketing, promotion the &TV way

    And in 2015 a new benchmark has been set on how to launch a new channel in the hyper competitive and challenging Indian TV ecosystem. We are referring to the effort that is being put behind the unveiling of Zee Network’s &TV on 2 March.

     

    In what could be labelled as an extremely well coordinated exercise, the brand has been in your face everywhere you go… in the streets, on television, in print, on radio, online and in social conversation. Estimates are that the network has laid out an advertising and marketing war chest of more than Rs 100 crore. All that is left is for Prime Minister Narendra Modi to come out and endorse it! Or the once again emerging common man’s political and social poster boy – Delhi’s chief minister Arvind Kejriwal to mention it.

     

    India’s oldest and most successful television and media industry monitor Indiantelevision.com has also been roped in as a partner by India’s oldest television network for the &TV launch. Hence, you will see a coordinated activity on the site. The ‘Indian’ in our masthead has been merged with one of the key messages it is trying to convey: television in our country will now be referred to as &ndiantelevision. Every ‘and’ reference in our stories has been replaced by the channel’s logo. We were more than willing to partake of this marketing and social experiment, as it is only for a day.

     

    It is a messaging and marketing innovation, which we believe has not been done before, and will definitely merit a case study going forward. We believe the more discerning and progressive will see it as such. It is an era of partnerships, and who else but Indiantelevision.com (which has been serving at least two generations of leadership and several more generations of low – and mid-management in the privately run television industry since it started in the early nineties) would dare to venture to take this pioneering step.

     

    Clearly, what was once perceived as a conservative and ‘Lala’ media group has engineered a campaign that would do any of the more experienced marketing mavens in Unilever India or Procter & Gamble or Coke or Pepsi proud.

     

    There is ample reason for the Subhash Chandra promoted and now run by his son Punit Goenka, Zee Network to go into a marketing overdrive for &TV. The channel is launching in the thick of cricket season: the exciting World Cup is on and Dhoni’s team has once again found its form. This is exciting India’s cricket mad TV viewers to start visualizing and wanting another India victory in the prestigious once in four years prize. Ratings for Star Sports have been like never before and around half of the Indian TV viewing audience stayed glued to their TV set to watch our men in blue thrash the boys in green from Pakistan in India’s opening match. Even repeat telecasts were tuned in to later in the evening, as were the analysis and magazine shows on Star Sports.

     

    While the World Cup will culminate end-March, it will soon to be followed by the slam bam version of the gentleman’s game the money spinning Indian Premier League (IPL) on the Sony Entertainment network in April. Even though riddled with controversy, the cricket league has been attracting eyeballs over the years. And should continue to do so in the 2015 season too.

    If one were to be a critic and point out a single flaw in the &TV campaign, it could be the over dependence of the channel on projecting one programme – the Shah Rukh Khan-hosted India Poochega Sabse Shaana Kaun. While it is a good strategy to use arguably India’s best known Bollywood face and the second richest actor in the world, it also means the show will have to measure up and meet the expectations it has raised in the minds of viewers. Yes, two other shows Razia Sultan and Begusarai are also being promoted but the decibel levels are lower than that for the Shah Rukh show. And Shah Rukh has not really set the small screen on fire in his earlier sojourns as the host of shows like Zor Ka Jhatka, Kaun Banega Crorepati or Kya Aap Paanchvi Pass Se Tez Hain, though the telecast of his films on TV has been good reason for viewers to stay put at home in the past.

     

    However, Goenka like his father is emerging as a business executive who is willing to take risks – some may say an expensive one. But the fact is that if the show catches on, he could well end up getting loads of praises and advertising dollars. If it doesn’t it could well prove a driver for other shows on the channel.

     

    Colors used this strategy at the time of its launch: Akshay Kumar became its  face, and though his Khatron Ke Khiladi did not get very high numbers as one would have expected, it worked like a magnet and drew audiences into the channel’s other shows and positioned Colors in the minds of viewers as an edgy and differentiated channel.

     

    If that is the strategy that Goenka and the &TV team lead by Rajesh Iyer are following (Iyer was associated with the Colors launch as well), then the other shows will have to really deliver. Prima facie the Zee Network seems to have raised the bar on production values if one looks at the shows on its new offering. The effort has been to keep the story telling and narrative for its fiction shows differentiated. Hopefully, India’s general entertainment viewers perceive the effort as such with &TV too.

     

    The new GEC is also launching at the time when a new TV viewership measurement system BARC is about to start rolling out its services. Who knows what surprises it may throw up as it has used newer metrics for placing its viewership meters in its 20,000 strong universe. The surprises could well end up working in the Zee Network’s and &TV’s favour.

     

    However, recent efforts to innovate in India’s Hindi general entertainment genre with linear channels have met with a rather tepid response. Star’s Life OK shone briefly, Zee TV’s Zindagi got critical acclaim but limited audiences and Sony Entertainment’s Pal was not well received by viewers.

     

    We will know soon enough whether &TV has what it takes. For that, it’s over to the audience.

  • “Indian M&E sector is on the cusp of a strong growth phase”: Punit Goenka

    “Indian M&E sector is on the cusp of a strong growth phase”: Punit Goenka

    MUMBAI: Sharing his views on the theme ‘India: Delivering the Dream’, Zee Entertainment Enterprises Ltd (Zeel) managing director and CEO Punit Goenka delivered a keynote at the 19th Wharton India Economic Forum (WIFE) on 21 February.

     

    Held at The Wharton School, University of Pennsylvania, Goenka spoke about the changed business environment in India with initiatives by the new government and the current state of the media and entertainment industry in India.

     

    He also discussed Zeel’s journey over the past 20 years and the opportunities and challenges he foresees over the next few years.

     

    Speaking on the media and entertainment industry in India, Goenka said that widespread technological advances in the ecosystem and the digital experience driven mainly by aspects like digitization of cable industry, has brought a new mindset to make business – quicker, targeted, transparent and collaborative.

     

    He believed that this industry is the “sunrise sector” for the nation’s economy. Proving its resilience to the world, the Indian M&E sector is on the cusp of a strong phase of growth.

     

    “With most industry firsts to our credit, we as a global entertainment conglomerate have always been at the crest of innovation and leadership. We take immense pride in the fact that, unlike other global media companies which have travelled to India to set up their operations, Zee has travelled against the flow and has successfully set up its presence across 169 countries, entertaining over 730 million viewers across the globe,” Goenka said.

     

    The other keynote speakers were Reliance Industries’ Hital Meswani, Abbott India’s Rehan A. Khan, Microsoft’s Sanket Akerker and Bank of India’s V.R. Iyer.

  • Punit Goenka to deliver keynote on M&E sector at Wharton

    Punit Goenka to deliver keynote on M&E sector at Wharton

    MUMBAI:  Zee Entertainment Enterprises Ltd (Zeel) managing director and CEO Punit Goenka will deliver a keynote at the 19th Wharton India Economic Forum (WIEF) to be held at The Wharton School, University of Pennsylvania on 21 February, 2015.

     

    The theme of the conference is – ‘India: Delivering the Dream.’ Goenka will address the changed business environment in India with initiatives by the new government and the current state of the media and entertainment industry in India.

     

    He will also discuss Zeel’s journey over the past 20 years and the opportunities and challenges he foresees over the next few years.

     

    The other keynote speakers at the Forum are Reliance Industries Limited’s Hital Meswani, Abbott India’s Rehan A Khan, Microsoft’s Sanket Akerker and Bank of India’s V.R.Iyer.

     

    WIEF is a student-led business conference to discuss the opportunities and challenges faced by India. Started in 1996, it is a leading India-focused business forum held annually at The Wharton School, University of Pennsylvania which is among the top three institutions in the world for business education.

     

    The WIEF attracts business leaders, policy-makers, professionals and students to engage in fruitful dialogue and is attended by over 400 delegates including Wharton MBA, Penn Graduate and Undergraduate students, Wharton alumni and industry representatives and professionals. 

  • IBF is not ending TAM subscription: Punit Goenka

    IBF is not ending TAM subscription: Punit Goenka

    MUMBAI: The sword has been hanging on Television Audience Measurement’s (TAM) head for a long time now. From NDTV Group’s $1.3 billion lawsuit (though dismissed by courts) to Broadcast Audience Research Council India (BARC) likely to start releasing television ratings data by April, as reported earlier by Indiantelevision.com, things haven’t been hunky-dory for the measurement body for a while now.

     

    However, not only did the agency fight tooth and nail the allegations of poor quality TAM research data, it also complied with the guidelines set by Information and Broadcasting Ministry for a TV ratings agency in order to exist. For instance, TAM continues to increase the size of the panel to fulfill the minimum peoplemeter sample size of 20,000 homes guideline, set by the I&B Ministry.

     

    With a few months left for BARC to begin rolling out its data, there have been various speculations making rounds in the industry. “There is the cost issue. Why would one pay for both TAM and BARC subscription? Also, since both the measurement bodies have a different way of functioning, one needs to take a break before adopting the new one,” says an industry source on the reason for the ratings blackout, if indeed it ever happens.

     

    So much so, a few media reports have gone on record to say that the Indian Broadcasting Foundation (IBF) is planning to end its subscription with TAM leading to a period sans ratings. This in turn has created panic in the industry, as it awaits two major events namely the ICC Cricket World Cup 2015 and the eighth edition of the Indian Premiere League (IPL). As per sources, ad rates for WC are touted to be around Rs 4 lakh for 10 seconds and ad rates for IPL have seen an increase of around 10-15 per cent generating huge ad revenue for broadcasters.

     

    When questioned on the reports doing the rounds and how it would impact the industry in case the IBF decides to end its subscription from TAM, Kantar CEO Eric Salama laughs saying, “I don’t know about the intentions.”

     

    What’s more, an industry source  close to the development clarifies that so far the ratings agency had not heard from the IBF or anyone from the industry on the matter.

     

    To get further confirmation on the matter, Indiantelevision.com contacted IBF board member and BARC chairman Punit Goenka and he denied the report as well. “There is no such decision taken by the IBF,” he asserted.

     

  • &TV announces time slot for shows ‘Razia Sultan’ and ‘Begusarai’

    &TV announces time slot for shows ‘Razia Sultan’ and ‘Begusarai’

    MUMBAI: One of the newest entrant in the general entertainment channel (GEC) space from the Zee Entertainment Enterprises Limited (ZEEL) stable, &TV has announced the time slot for two of its shows: Razia Sultan and Begusarai. The channel which goes on air starting 2 March, will see Razia Sultan being aired every Monday to Friday at 7:30 pm and Begusarai at 10 pm.

     

    With two completely different genres and setups, a historical show Razia Sultan and a show based on a quirky small town Begusarai, the channel is looking at engaging its target audience.

     

    Talking about the shows, &TV business head Rajesh Iyer said, “Both the shows have been strategically designed to appeal to the new age mindset of viewers. While historical shows in the past have re-told a story already known, we have consciously tried to present an untold progressive narrative of the 13th century slave dynasty with Razia Sultan. On the other hand with Begusarai, we bring to television a fresh new dialect and flavour which is again a first on TV. We are certain that the audience will relate to the contemporary aspect of these shows.”

     

    Razia Sultan is an enamoring tale of Princess Razia who was the first and the only woman emperor of the Delhi Sultanate and rose in ranks on her own merit. Produced by Swastik Production, the show will portray the progressiveness in the thought process and the grandeur of the era highlighting every nuance and intricacy involved. The set of this period drama has been designed and created by Omung Kumar.

     

    Produced by Saregama Productions Begusarai, is a land beyond the law of the land. Prosperous in its own right, living within the boundaries of age-old traditions, this almost forgotten township of  today’s India, has a powerful story to tell—of Thakurs, outlaws of the land. A larger than life canvas with characters full of quirks, Begusarai will bring out a whole lot of drama, refreshing dialect with a preview into the real and rustic India!

  • Ad Cap: Broadcasters buoyed by Arun Jaitley’s comment

    Ad Cap: Broadcasters buoyed by Arun Jaitley’s comment

    MUMBAI: While delivering speech at the first Justice J. S Verma Memorial lecture Information and Broadcasting Minster of India Arun Jaitley opposed the concept of Ad Cap in channels. He termed this concept as a contradiction to the Article 19 (i) A of Indian constitution. 

     

    Jaitley had said, “With the growth of digital platforms, news channels are going to find it immensely difficult to survive. The definition of news has changed; it was accuracy then and spontaneity now.” 

     

    With this Jaitley stressed on the fact that as news is now immediately available on the digital platforms, lesser people will tune into the television for the same.

     

    NDTV executive vice-chairperson KVL Narayan Rao said, “If this development turns real it will put an end to the lengthy sustaining debate. We will be extremely delighted and grateful to the government as we have been campaigning for this since a long time now. It will strengthen the development and bring a balance as the distribution charge is very high and the major source of revenue is advertisement.”

     

    The Minister, during his speech also noted how distribution costs were “phenomenally high.” He was of the opinion that low revenues in the media industry is a threat as it leaves direct effect on quality in terms of news gathering and reporting. “Low revenue will result in numerous amalgamations and takeovers,” Jaitley had said.

     

    Speaking to Indiantelevision.com on Jaitley’s remark on Ad Cap, Multi Screen Media president Rohit Gupta said, “We were never in favour of ad cap and see this comment of the Minister as a positive step. This will enable us to develop and hence I appreciate and welcome the statement.”

     

    The I&B Minster had also mentioned that many a times he come across speeches that he actually never delivered. According to him, these things happened due to two reasons: 1) Misinterpretation by the reporter in charge, and (2) In order to generate more TRP both are directly proportional to revenue. “If adequate revenue is generated then companies will have better reporters and there will be less thrive for TRP and hence the final product will be more credible,” he said.

     

    Appreciation also came from India TV editor in chief and chairman and News Broadcaster’s Association president Rajat Sharma. “News broadcasters have been raising this issue for more than a year now, I am happy that Arun Jaitley has understood the problem. He has realised that ad cap will make news channels unviable but more important is the minister’s view that the ad cap is against freedom of expression provided in the Constitution of India.”

     

    Focus News managing editor Shailesh Kumar termed it as a move in the right direction. He said “If the remark of I&B Minister on Ad Cap turns into a decision, it will be a blessing for the channels. Most of the channels are going through a tough time and need to generate more revenue.”

     

    On the other hand, Zeel MD and CEO Punit Goenka was of a slightly different opinion. While speaking to Indiantelevision.com, Goenka said, “It is a good move for news and music channels.” Separating his channel from the others, he further added, “Zee will continue to follow the ad cap. The ministry comes up with such statements and many fall for the trap.” 

     

    Jaitley concluded his speech by saying, “It will be music to Rajat (Sharma) and other media person’s ear on hearing this view from me. My I&B Ministry, a couple of years ago came out with a statutory amendment to law saying no channel will telecast advertising beyond so many minutes, since then I am struggling in my own mind as how this meets the challenge of Article 19 (i) A (of Indian Constitution). Is the government suppose to say how much news and how much advertisement or it should be viewers prerogative to switch when it turns monotonous.”  

     

    The controversial law was invoked by the Authority in May 2012 and it was disputed by television broadcasters, who had also challenged the jurisdiction of Telecom Regulatory Authority of India (TRAI) in this regard before the Telecom Disputes Settlement & Appellate Tribunal (TDSAT).

     

    The News Broadcaster’s Association (NBA) along with others had challenged the ad cap rule, contending that TRAI does not have jurisdiction to regulate commercial air time on television channels. The Delhi High Court panel led by Chief Justice G Rohini and Justice Rajiv Sahai adjourned the petition till 24 March, 2015. 

     

    Meanwhile TRAI gave assurance of taking no action against any channel till the matter is resolved in court. The regulator’s instance, directed all channels to keep a record of the advertisements run by them. It can be noted that the ad cap case was adjourned to 21 January, 2015 when it last came up for hearing on 20 November, 2014.

     

  • &TV to hit airwaves on 2 March

    &TV to hit airwaves on 2 March

    MUMBAI: Zee Entertainment Enterprises Limited’s (Zeel) new GEC under the ‘&’ bouquet, which is christened &TV, will launch on 2 March.

     

    As was first reported by Indiantelevision.com last week, &TV has acquired the rights of an Iranian quiz show. The Indian version, which will be called India Poochega: Sabse Shaana Kaun?, will see Shah Rukh Khan as the host. The gameshow will be aired from Monday to Friday at 9 pm.

     

    Rajesh Iyer is the business head while Doris Dey is head of fiction, Sunanda Gupta Jenna is head of non-fiction and Rachin Khanijo is marketing head.

     

    &TV, with the tagline – ‘Jashan Jeene Ka,’ will showcase a diverse mix of relatable fiction, high voltage non-fiction, marquee events and blockbuster movies.

     

    The promos of the shows will hit the television screens tonight (24 January).

     

  • Zee will continue to follow 12 mins ad cap: Punit Goenka

    Zee will continue to follow 12 mins ad cap: Punit Goenka

    MUMBAI: Reacting to the statement that the Information and Broadcasting minister Arun Jaitley was not in favour of the 12 minute ad cap for television channels, Zeel MD and CEO Punit Goenka has said that though he was happy with the views of the minister, his company Zee will continue to follow the ad cap.
     
     
    Speaking to Indiantelevision.com, Goenka said, “It is a good move for news and music channels but Zee will continue to follow the ad cap.”
     
     
    “The ministry comes up with such statements and many fall for the trap,” he added.
     
     
    On the current inventory system for news and niche channels, Goenka believes that if ad cap is not followed, the channels will continue to work on minimalistic rates.
     
     
    It may be recalled that Jaitley had said that while the government was not inclined to interfere in the content or the business of media entities, he was not in favour of a cap on advertising for TV or print media. He said that essentially, ad cap conflicts with fundamental rights.
     
     
    The ad cap law brought in by the Telecom Regulatory Authority of India (TRAI) has been legally challenged and the matter is pending in court. As was reported earlier by Indiantelevision.com, the Delhi High Court today adjourned the petition by the News Broadcasters Association (NBA) and others challenging the advertising cap of 12 minutes per hour sought to be imposed by the government to 24 March.
  • Shah Rukh Khan to host show on Zeel’s new GEC ‘&TV’

    Shah Rukh Khan to host show on Zeel’s new GEC ‘&TV’

    MUMBAI: Zee Entertainment Enterprises Limited’s (Zeel) new GEC under the ‘&’ bouquet, which is christened – &TV, will see Shah Rukh Khan making a comeback on the small screen.

    As was first reported by Indiantelevision.com last week, &TV has acquired the rights of an Iranian quiz show. The Indian version, which will be called India Poochega: Sabse Shaana Kaun?, will see Khan as the host.

    &TV, with the tagline – ‘Jashan Jeene Ka,’ will showcase a diverse mix of relatable fiction, high voltage non-fiction, marquee events and blockbuster movies.

    Commenting on his association with the new channel Khan said, “It is a unique show that gives merit to the street smart ones. You might not be a scholar or a master in any field but if you are smart then this game show is for you.”

    Zeel MD and CEO Punit Goenka added, “&TV will offer a more substantial viewing experience to an audience that is always seeking fresh and relevant content. The channel extend our Hindi entertainment portfolio under the “&” bouquet and will add to the consolidation of our leading position in the entertainment industry.”

    He further added that with this launch, the network would be able to capitalize further on opportunities to build a robust entertainment bouquet.

    In order to engage further with the audiences, the channel will launch three brand films created by Infectious.

    Content Mix

    India Poochega: Sabse Shaana Kaun?, is adapted from an international format Who’s Asking? by Israel based Armoza. The show will have a common man donning the role of the ‘asker’ as well as that of the contestant. While the askers shall pose questions, the contestants will be seen demonstrating their street smartness to win the prized money. It is produced by Siddhartha Basu of Big Synergy.

    The channel will hit the primetime slot with a host of fiction properties. As reported earlier by this website, Begusarai, a quintessential quirky land set in the hinterland of Bihar; not less than a Bollywood blockbuster, has been produced by Saregama Production and filmmaker Tigmanshu Dhulia has been roped in to design the first look of the new multi starrer film on TV.

    Razia Sultan, an untold story of the 13 century, will be produced by Swastik Productions. The story has been written by Mihir Bhuta and the grandeur of that era has been brought to life by Omung Kumar.

    Produced by Edit II Productions, Bhabiji Ghar Par Hai! will bring to life the lively lanes of Kanpur, and introduce two neighbouring couples. It will also launch a contemporary story that anyone can easily relate to titled – Badi Devrani. Produced by Shashi Sumeet Productions, this family drama brings out the essence of relationships.

    &TV business head Rajesh Iyer believes that the ‘&’ symbol stood for revaluation and the channel has been conceptualized to depict change, stay contextual and contemporary.

    “We intend to be a power house of entertainment, by tapping into and harnessing the powerful changes in the thinking, mindset and belief sweeping through this country of billions. As a new channel we will lead with innovation, try new things and new ways to meet the challenges of an increasingly competitive environment,” Iyer said.

    The network will be announcing the launch date of the channel on 24 January. According to Iyer, it will have 20-21 hours of original content.