Tag: Punit Goenka

  • Z marks 33 years since launching India’s private satellite television

    Z marks 33 years since launching India’s private satellite television

    MUMBAI: Thirty-three years ago, on  1 October 1992, Zee TV became India’s first private general entertainment satellite television channel. On its anniversary, Zee Entertainment Enterprises is reminding everyone that it got there first—and that the industry it spawned now turns over Rs 2.5 trillion annually and employs 2.8 million people – through a press release.

    The numbers tell a story of explosive growth. What began as a single channel has mushroomed into 908 private satellite channels, over 70 streaming platforms, close to 40,000 artists, music directors, lyricists and an industry producing 3,400 feature films each year. The media and entertainment sector, Zee notes, has attracted nearly Rs 1 lakh crore in foreign direct investment and is projected to grow 7 per cent to reach Rs 3.07 trillion by 2027.

    “The journey of ‘Z’ is inseparable from the story of India’s M&E industry,” says Zee Entertainment chief executive officer Punit Goenka. The company, he argues, has not merely entertained but “empowered” the nation, whilst creating an ecosystem for artists, creators and technicians across television, digital, films and live entertainment. 

    “As pioneers of this robust industry, we at ‘Z’ view this celebration as a stimulus to power ahead
    and create a robust growth path for the future. We remain committed to shaping the entertainment industry in the years to come, by nurturing an ecosystem that enhances creativity and generates opportunities for progressive growth,” emphasises Goenka.

    Zee Punit Goenka

    The self-congratulation is not entirely unwarranted. Zee pioneered culturally rooted, vernacular content at a time when India’s entertainment landscape was dominated by state broadcaster Doordarshan. Its success paved the way for competitors and transformed how Indians consumed media.

    Yet the sector Zee helped create is now fiercely competitive. Streaming platforms have upended traditional television economics, forcing legacy players to adapt or perish. Zee itself has faced turbulence—regulatory scrutiny, a collapsed merger with Sony, and leadership controversies have clouded its recent years.

    The company says  it is “staying ahead of the curve” by entering short-form content and pursuing an “omni-channel approach.” Whether that proves sufficient in an era of Netflix, Amazon Prime and JioStar remains to be seen. But on its 33rd birthday, Zee is at least entitled to remind the industry who opened the door.

  • Zee turns 33 as satellite TV pioneer keeps India’s screens buzzing

    Zee turns 33 as satellite TV pioneer keeps India’s screens buzzing

    MUMBAI: From Zee-ro to hero, India’s private satellite television industry has come a long way since Zee TV first flickered onto screens in 1992. Thirty-three years later, Zee Entertainment Enterprises Ltd. (‘Z’) is celebrating not just its own journey, but the meteoric rise of an entire industry that now fuels a ~Rs 2.5 trillion economy and supports 2.8 million livelihoods.

    Back then, the story began with a single satellite channel. Today, India boasts 908 private satellite channels, 70 plus OTT platforms, nearly 40,000 artists, lyricists and music directors, and more than 3,400 feature films churned out each year, a content explosion that has transformed living rooms and lifestyles alike.

    Zee Entertainment Enterprises Ltd. CEO Punit Goenka marked the occasion with pride, “The journey of ‘Z’ is inseparable from the story of India’s M&E industry. Collectively, we have entertained and empowered our Nation, engaging and inspiring billions of consumers on every screen. Our success over the last 33 years is not defined only by numbers but by the immense value we have generated and the moments of togetherness we’ve created. As pioneers, we view this celebration as a stimulus to power ahead and nurture an ecosystem of creativity and growth.”

    Over the decades, Zee has mirrored the M&E sector’s transformation from being a catalyst for authentic, multilingual storytelling to enabling a networked ecosystem spanning TV, film, music, digital, and live entertainment. Its latest move: venturing into short-form content to capture evolving consumer habits.

    The industry’s economic footprint is only set to expand. With nearly Rs 1 lakh crore in FDI already attracted and an expected 7 per cent growth to Rs 3.07 trillion by 2027, India’s entertainment sector is being hailed as one of the country’s strongest instruments of soft power.

    As Zee celebrates 33 years of keeping audiences glued, its story is more than a corporate milestone, it’s a chapter in how India learned to tell, stream, and scale its stories for the world.

  • Zee rebrands as a content and tech powerhouse with ‘Yours Truly, Z’ promise

    Zee rebrands as a content and tech powerhouse with ‘Yours Truly, Z’ promise

    MUMBAI: Zee Entertainment Enterprises Ltd (Zee) has unveiled a fresh, tech-infused brand universe as it repositions itself as a content and technology powerhouse. With a sharp focus on blending content with cutting-edge technology, the company has set its sights on enhanced performance, profitability, and global reach.

    Zee’s new brand identity, headlined by the promise ‘Yours Truly, Z,’ is a blend of bold design, vibrant colours, and heartfelt storytelling. It’s not just a facelift; it’s a complete transformation aimed at offering immersive experiences across entertainment platforms. The sleek, adaptive design reflects Zee’s legacy of three decades while embracing the aspirations of young India.

    Zee brandA letter from the brand to its stakeholders adds a personal touch: “I promise to make you laugh louder, dream bigger, and feel more deeply in every moment.” This emotional connect isn’t just fluff – it’s a strategic move to deepen consumer loyalty and brand affinity.

    The transformation was unveiled at the Zee Cine Awards 2025, where CEO Punit Goenka highlighted the brand’s mission to leverage technology for content creation, distribution, and monetisation. “Our new look is futuristic, dynamic, and agile, reflecting our team’s capability to capitalise on emerging opportunities,” Goenka said. “The brand promise of ‘Yours Truly, Z’ captures our consumer-centric approach and commitment to delivering meaningful experiences.”
    Zee Brand architectureUnderpinning this transformation are Zee’s core brand pillars: a purpose-driven existence, a vision to bring positive change through purposeful entertainment, and a mission to consistently deliver value to stakeholders. The company aims to enrich lives by creating extraordinary moments of optimism and togetherness.

    From its pioneering role in Indian media to becoming a global player, Zee has been an entertainment juggernaut. Now, with its fresh brand universe, it’s not just keeping up with the times – it’s setting the pace. 

    As the brand’s new identity rolls out on  8 June 2025, during the telecast of Zee Cine Awards, all eyes will be on how ‘Yours Truly, Z’ shapes the future of Indian entertainment.

  • Zee names Rohit Suri as chief human resources officer, bets on a people-powered future

    Zee names Rohit Suri as chief human resources officer, bets on a people-powered future

    MUMBAI: Zee Entertainment Enterprises Ltd. (Zee) has roped in Rohit Suri as its new chief human resources officer, effective 12 May 2025. Suri, who will be based in Mumbai and report directly to chief executive officer Punit Goenka, is tasked with turbocharging Zee’s human capital strategy.

    Armed with over 25 years of experience across consumer internet, technology, and media companies, Suri most recently led talent management at Netflix India. His CV boasts leadership roles across South Asia, APAC, and Europe, where he drove HR transformation, leadership development, and cultural integration.

    Goenka hailed the appointment, stating, “Human capital remains the cornerstone of our success at Zee as we progress to achieve our targeted goals for a robust future. I am glad to welcome Rohit, who joins us at a pertinent juncture, as we aim to strengthen the HR operations, people strategy and overall organisational culture to build a future-ready workplace. With his strong expertise and understanding in talent development and cultural integration especially within the media & entertainment sector, we look forward to fostering an environment of higher innovation and collaboration.”

    Suri, in his statement, said, “I am pleased to join Zee at a pivotal time as it marches forward with clear, strategic goals to define the future of the media & entertainment industry. Across the sector, Zee has always been recognized for nurturing an entrepreneurial culture and building leaders for tomorrow. I am excited to drive this momentum forward and cultivate a more performance-oriented environment that contributes meaningfully to its  overall strategic growth plans.”
    .
    The media powerhouse has made it clear — with Suri in charge, it’s all systems go for a high-performance, innovation-driven work culture.

  • Zeel CEO Punit Goenka’s wife and son help increase promoter stake in the firm

    Zeel CEO Punit Goenka’s wife and son help increase promoter stake in the firm

    MUMBAI: He has been saying that the promoters are keen to increase their shareholding, so confident are they of Zee Entertainment Enterprises Ltd’s (Zeel’s) prospects.  And the family of Zeel CEO Punit Goenka is backing him to the hilt, if one goes by a Reuters report which said that the family has acquired 0.29 per cent Zeel shares at a price of Rs 27 crore. The company disclosed this to the stock exchanges through a regulatory filing on Thursday.

    Goenka’s wife Shreyasi bought 13,83,500 securities worth around Rs 13.46 crore (0.14 per cent of shareholding), while Goenka’s son Udayan bought 14,15,450 securities also worth around Rs 13.46 crore (0.15 per cent of shareholding). Earlier, the promoter family held  3.99 per cent stake in Zeel. The promoter shareholding has now increased to 4.28 per cent following the share purchase, the Reuters report stated.

    (Picture courtesy: Shreyasi Jain Goenka’s  Facebook account)

  • Punit Goenka: “I am focused on bringing back the original Zee way of working, with 20 per cent margins”

    Punit Goenka: “I am focused on bringing back the original Zee way of working, with 20 per cent margins”

    MUMBAI: Punit Goenka, chief executive of Zee Entertainment, has weathered a storm of challenges during his five-year tenure at the helm of the once-dominant Indian media powerhouse. From offloading stakes to resolve debt issues and battling with major shareholder Invesco, to the spectacular collapse of the Sony merger and facing scrutiny from market regulator SEBI, Goenka’s career has resembled something of a corporate soap opera – perhaps befitting for a man who runs a television empire.

    Despite seeing the company’s value plummet from Rs 40,000 crore to less than Rs 10,000 crore and losing his board position, the embattled executive remains undeterred in his mission to revive the struggling media giant, in an interview he gave to the BusinessLine newspaper.

    “I have always treated myself as a professional promoter,” said Goenka, explaining his continued dedication despite now holding less than four per cent stake in the company. “I could have just sat at home and enjoyed my dividends,” he quipped, though one imagines those dividends are considerably smaller these days.

    Reflecting on past decisions, Goenka acknowledged he might have approached Zee’s digital transformation differently. “I would have probably invested in Zee5 in a more staggered manner,” he admitted, suggesting his “entrepreneurial mindset” may have led to over-investment in anticipation of the ill-fated Sony merger.

    Despite industry challenges, Goenka reports having increased EBITDA margins from 10 per cent to 16 per cent over the past year – “60 per cent growth in profitability is not a small task,” he noted, with the subtle pride of a man who would very much like to keep his job. 

    “The industry is bound to grow at 10 per cent CAGR. It may happen in six months or it may take a year or so more. But it is bound to happen. And this market is going to be television AND digital. It will not be an OR market,” he said.

    When questioned about competing with deep-pocketed rivals like Netflix and Jio, Goenka maintained that Zee’s strategy focuses on ideas rather than extravagant budgets. “Fortunately for me, I don’t need deep pockets,” he claimed, in what might be the understatement of the year given the company’s current market position.

    As for his future strategy, Goenka aims to position Zee as a “content and tech company” while targeting a return to 20 per cent profit margins. “Even today, at 16 per cent, I can confidently say that we are amongst the best in class on margins, compared to anyone else in the industry. FY25 was a year to get our cost optimisation in place. Before that, we were scaling the company for a merger. In that situation, a lot of our costs got inflated. Plus, we had one-time costs of the merger itself. So in FY25, we spent the first six to eight  months trying to prune all the costs and bring it back to the original Zee way of working, which we have successfully done, and now our focus is purely on growth.” 

    Whether he can successfully navigate the company back to its former prominence remains to be seen, but one thing is certain – in the entertainment business, everyone loves a comeback story.

  • Zee gets thumbs up on ESG from S&P;  leads media sector in ESG rankings

    Zee gets thumbs up on ESG from S&P; leads media sector in ESG rankings

    MUMBAI: Even as certain government bodies are investigating Zee Entertainment for lack of transparency and for misuse of corporate funds in India, a global rating provider S&P Global’s Corporate Sustainability Assessment has given it a score of 44, placing it among the top 10 per cent of global media companies and well above the industry average of 20. 

    Ironical is it not? A prophet is not recognised in his own country, but is venerated elsewhere.

    The Indian media powerhouse recorded a 16-point improvement from 2023, reaching the 93rd percentile in the global media, movies and  entertainment sector. The company achieved top marks in transparency and reporting, whilst scoring above the 90th percentile in business ethics, cybersecurity, labour practices, and customer relations.

    “Sustainable growth remains key to driving long-term success”, said Zee CEO Punit Goenka,  emphasising the company’s focus on environmental sustainability and governance frameworks.

    The assessment evaluated Zee’s management of material ESG risks through company disclosures, stakeholder analysis, and detailed corporate engagement. The score reflects Zee’s enhanced commitment to responsible business practices as it seeks to maintain its position as a leading entertainment provider in Asia’s third-largest economy.

     

  • “Any proposal for strategic partnership will receive careful consideration”- Zeel’s Punit Goenka

    “Any proposal for strategic partnership will receive careful consideration”- Zeel’s Punit Goenka

    If there are a couple of things that are noticeable about Zee Entertainment Enterprises CEO Punit Goenka, then it is his receding hairline and his continued optimism in his strategy to turn around the firm and bring it back under the family’s control. He has been rather reticent and aloof from media focusing on running the company. But he took time out to speak to Zee Business’ editor Anil Sanghavi on all things related to Zeel. Indiantelevision.com decided to share it with other Zee-o-philes so that they get a perspective on the way forward for the indigenous media major. Excerpts: 

    On how his  role has changed since stepping down from the board 

    The fundamental dynamics remain unchanged. The entire operational structure continues exactly as before, with all teams reporting to me. The only significant change has been stepping down from the board, which has actually streamlined my role by eliminating various compliance obligations. This has proven to be quite beneficial as it allows me to channel my complete attention towards business operations and strategic initiatives. The reduction in administrative responsibilities has created space for more focused leadership.

    On whether this  transition has impacted company performance 

    The impact has been notably positive. We’ve seen a remarkable improvement in our financial performance, with profits climbing from 10.2 per cent to 16.1 per cent in December 2024. This growth isn’t merely coincidental – it’s a direct result of our enhanced focus on core operations and systematic cost optimisation efforts. The team’s ability to concentrate on business fundamentals without merger-related distractions has been instrumental in this improvement.

    On whether another merger, perhaps with Sony, is  still possible 

    We maintain an open and pragmatic approach to strategic opportunities. Any proposal, whether from Sony or other potential partners, will receive careful consideration. However, our criteria are clear and non-negotiable – any such arrangement must definitively benefit our company, create value for our shareholders, and safeguard our employees’ interests. It’s worth noting that we’ve amicably resolved our previous dispute with Sony, with both parties withdrawing all claims. This professional resolution keeps all future possibilities open.
     

    Punit Goenka

    On Zeel’s  strategy for growth

    Our growth strategy rests on three robust pillars: content creation, content monetisation, and fiscal prudence. We’ve invested about six to seven months in optimising our cost structure, which had become somewhat inflated during the merger preparations. This wasn’t just about cost-cutting – it was about creating a more efficient, agile organisation. Now, with that foundation in place, we’re actively pursuing growth opportunities across multiple fronts, with a particular focus on creating compelling content that resonates with our diverse audience base.

    On how the group is addressing the digital transition

    We recognise that the OTT space represents a distinct ecosystem with its own unique audience – viewers who have consciously moved away from traditional television. We’re responding with a sophisticated, multi-layered approach, developing specialised content specifically for this demographic. However, it’s crucial to note that traditional television remains robust in India, with reach growing by three to four per cent annually, currently standing at 70 per cent. This dual-track growth presents exciting opportunities for content development and audience engagement across both platforms.

    On whether the promoter group will  increase its stake from the current 3.99 per cent 

    The promoter group is actively exploring various options to enhance our shareholding position from the current 3.99 per cent. While this is fundamentally an internal matter, I can say that we’re evaluating multiple pathways to increase our stake in a manner that aligns with regulatory requirements and serves the best interests of all stakeholders. The timing and mechanism of such an increase will be carefully considered to ensure optimal value creation.

    On  the pending SEBI investigation
    We’re still awaiting the regulator’s comprehensive report, which was originally due in April 2024. It’s important to note that the Securities Appellate Tribunal’s order contained no adverse findings against Zee promoters. We maintain a position of complete transparency and cooperation with Sebi, recognising and respecting their authority as a regulator to conduct thorough investigations. Our commitment to regulatory compliance remains unwavering, and we’re confident in our governance standards.

    On the  handling of corporate governance concerns.
    We’ve implemented substantial measures to reinforce our corporate governance framework. Perhaps uniquely in our industry, we’ve established a board composed entirely of independent directors. This structure ensures robust oversight and independent decision-making. I’m proud to note that we haven’t faced any compliance-related complaints since 2018-19. Our governance practices often exceed industry standards, particularly in terms of ensuring comprehensive compliance across all operational aspects.

    On how he  views competition  from international players 

    In the media industry, success isn’t purely a function of financial resources – it’s fundamentally about establishing an emotional connection with your audience. Our experience shows that when you genuinely resonate with viewers’ aspirations and cultural sensibilities, the commercial aspects naturally follow. We compete through deep understanding of local preferences, agile content creation, and cost-effective delivery of premium programming. International competition actually validates our market’s potential and drives innovation across the industry.

    On his plans for content monetisation. 
    We’re developing a sophisticated, multi-tiered approach to monetisation that recognises the distinct characteristics of different audience segments. For our OTT platforms, we’re creating premium content while maintaining cost efficiency. In traditional broadcasting, we’re leveraging our deep market understanding to deliver content that maximises advertiser value while meeting viewer expectations. The key is maintaining quality while optimising production costs, ensuring sustainable profitability across all platforms.

  • Bodhitree Multimedia to launch new drama series Beintehaan Chahatein on Zee TV

    Bodhitree Multimedia to launch new drama series Beintehaan Chahatein on Zee TV

    MUMBAI: The Sukesh Motwani-Mautik Tolia promoted production house Bodhitree Multimedia is pushing the envelope on TV dramas. Come 27 January, and its latest series Beintehaan Chahatein  will premiere on Zee TV. The series delves into the intricacies of relationships, ambition, and love, exploring the tension between personal desires and family values.

    The storyline follows Mugdha, a woman caught between her aspirations for a luxurious lifestyle and her mundane middle-class existence with her honest husband, Siddharth, and their son, Vansh. When Siddharth meets Devika, the emotionally fragile daughter of his wealthy boss, a complex web of desires and moral dilemmas emerges, leading to heightened emotional stakes.

    Beintehaan Chahatein promises an engaging journey of self-discovery, greed, and the challenges that define marital bonds.

    Bodhitree Multimedia  co-founder & chief creative officer Sukesh Motwani remarked, “With Beintehaan Chahatein, we present a narrative rich in layers of love, morality, and ambition, forcing characters to make choices that could irrevocably alter their lives. The series aims to provoke thought about the cost of ambition and the sacrifices we make for love.”

    Zee TV chief channel officer Mangesh Kulkarni noted, “As audience preferences evolve, storytelling must adapt. This mini-series format addresses the demand for engaging, snackable content across diverse genres, presenting stories that explore new themes not yet seen on Hindi general entertainment channels.”

    Kulkarni is just following the mandate of Zee Entertainment Enterprises CEO Punit Goenka to create standout content which appeals to viewers. 

    Beintehaan Chahatein promises a captivating blend of drama and emotional depth, drawing viewers in from the outset. 

  • Zeel shows smart bottom line, despite a slippage in its top line IN Q3 FY 25

    Zeel shows smart bottom line, despite a slippage in its top line IN Q3 FY 25

    MUMBAI: A sharp focus on its expenditure and tight cost controls have resulted in Zee Entertainment Enterprises Ltd (Zeel)  notching up a respectable showing in its latest quarter FY2025 results as well as for the nine months of FY2025.  The net result: there has been a growth in profitability despite revenues slipping because of a challenging advertising environment.

    The company’s operating revenue for Q3 2025 ended 31 December 2024 stood at Rs 19,788 million, reflecting a three per cent  decline year-over-year (YoY) due to a weak festive season and lower advertising revenues.

    In the investor call which followed, CEO Punit Goenka confessed  that “the green shoots we witnessed during the beginning of the quarter did not pick up the required pace to drive a positive growth momentum. This, coupled with muted spending by FMCG brands in a festive quarter, further slowed the pace of growth for the industry at large, although there was a marginal pickup in the rural recovery. The lacklustre sentiment in the urban market led to weaker demand November and December.  This, in turn, also impacted our advertising revenue during the quarter.” 

    Punit, however, expressed optimism of a recovery in the coming months. Said he: “Going forward, we are hopeful that the upcoming union budget will encompass pertinent steps by the honorable finance minister to revive the consumption cycle in order to spur growth. On the back of these factors, we remain optimistic about a gradual recovery in the new fiscal that will enable us to capitalise on the increased spending by advertisers.”

    Added deputy CEO &  CFO Mukund Galgali: “The TV industry landscape remains healthy, and the overall industry wide TV viewership has increased by 1.4 per cent further. We continue to be strong, number two entertainment network in India, and we have gained 40 BPS share to 16.9 per cent as  compared to the same period last year. And as Punit mentioned again, Zee  Marathi has shown a consistent progress four car intervention. And Zee  Tamil has also gained healthy share on a year on year basis compared to the same period last year. on the digital side, Zee5 has further narrowed its operating losses in this quarter. Its EBITDA loss is lower by Rs 22.6 crores in QoQ and Rs 107.8 crore YoY basis. A B2B deal which is still being discussed and was not renewed impacted our top line for Zee5.” 

    In contrast to ad revenues, subscription revenues grew by  seven per cent year on year to Rs 9,406 million driven by linear TV and digital platform Zee5. EBITDA for Q3 FY25 increased by 52 per cent YoY to Rs 3,184 million, with a margin of 16.1 per cent  (up from 10.2 per cent in Q3 FY24). Profit after tax (PAT) from continuing operations rose by 207 per cent YoY to Rs 1,636 million, underscoring effective cost management and operational efficiency. Total expenditure decreased by 10 per cent  YoY to Rs 16,604 million, driven by optimised programming and technology costs.

    For the nine month period ended 31 December for FY25, total revenue was at Rs 61,100 million a six per cent decline YoY, while expenditure decreased 10 per cent, reflecting disciplined cost control.  EBITDA for 9M FY25 rose by 31 per cent  YoY to Rs 9,110 million, with margins improving to 14.9 per cent  (up 410 basis points YoY). PAT from continuing operations increased by 167 per cent  YoY to Rs 4,988 million.

    Zee Network’s TV viewership share grew by 40 basis points YoY, driven by strong performances in Hindi movies and Marathi content. New show launches like Jaane Anjaane Hum Mile (Zee TV) and Lakshmi Nivas (Zee Marathi) contributed to the viewership growth. Zee5 recorded an eight per cent  YoY revenue growth in Q3 FY25, releasing 14 shows and movies, including seven originals. EBITDA losses for Zee5 reduced significantly YoY, reflecting better cost structures. Zee Music Company remained the second-largest music label with 160 million YouTube subscribers, adding 3.6 million during the quarter. The channel clocked 43 billion video views during Q3 FY 2025. Zee Studios released five films in Q3, including two Hindi and three regional movies.

    The company spent a lot more this quarter on promoting its shows as well as on building its brand following the collapse of the merger with Sony. Its advertisement and promotion expenses stood at Rs 2826 million  in Q3FY25 as against Rs 2275 million  in the previous quarter and Rs 2065 million Q3 FY 2024.  In the 9 months in FY2025, it has spent Rs 7725 million as against Rs 6963 million in 9m FY2024. 

    The company also announced the appointment of media veteran Divya Karani as an additional director in the category of independent director for three years with effect from 23 January 2025  based on the recommendation of the nomination & remuneration committee and subject to the approval of the ministry of information and broadcasting and shareholders of the Company.  Finally, Zeel’s sustainability efforts saw a 33 per cent  reduction in waste sent to landfills and an 11 per cent decrease in daily carbon emissions during FY24.