Tag: programme

  • Havas Group India concludes the Havas Spark 2.0 internship programme with Gen Z Report 2022

    Havas Group India concludes the Havas Spark 2.0 internship programme with Gen Z Report 2022

    Mumbai: Havas Group India has recently concluded the second edition of its flagship internship programme, Havas Spark, and launched the intern-led Havas Spark 2.0 Gen Z Report 2022.

    One of the advertising industry’s biggest internship programmes, Havas Spark 2.0, which kicked off in April 2022, saw 21 bright, young interns transform into integral members of the Havas Group India network. Launched in 2021, Havas Spark is a one-of-a-kind, six-month intensive training programme that gives aspiring industry entrants an opportunity to explore various career paths in a structured yet flexible manner.

    In a graduation ceremony conducted on 11 October, which marked the completion of Havas Spark 2.0, a report called Gen Z Report 2022 was launched. The study presented in the report was conceptualised and executed by the interns as part of their curriculum. The purpose of the study was to provide insights about the newest generation of Indian consumers by exploring how they perceive brands, what drives their purchase decisions, their media consumption patterns, and more.

    To get a more defined and representative view of gen-z within the Indian context, individuals aged 16–24 years across nine metro and tier-1+ cities formed the sample. An additional layer of insight was added by virtue of the researchers, i.e., the Havas Spark interns, belonging to generation-z themselves. The final report, which included both quantitative as well as qualitative analysis approaches, shed light on several interesting outcomes that help us better understand gen-z and bust commonly held misconceptions about them.

    One of the top insights of the study was that 70 per cent of gen-zs are more willing to consider buying from a brand that stands up for environmental and social causes that they believe in. The revelation that gen-z prefers brands whose values align with their own raises questions about the presumption that they are careless and voracious consumers. Furthermore, sustainability, for gen-z, transcends the label of “environmental cause” to encompass a more conscious, mindful mindset that is manifested in small actions as well as larger, more institutional-level ones; for example, not littering, carrying one’s own bag to the market, or even reusing plastic containers, all inform the concept of sustainability.

    Another interesting insight is that when it comes to attracting gen-Z’s attention, the humour factor (27 per cent) works best, followed by luxurious (26 per cent), emotional (17 per cent), and with satire and serious tones each taking 15 per cent. This may be indicative of why instant and meme marketing are so popular.

    From the perspective of brands, sustained brand loyalty from consumers is prized. Inability to adapt to changing times emerges as one of the key reasons gen-z (according to the study, 60 per cent) lose interest in a brand. Other reasons include poor user experience (54 per cent), poor customer service (49 per cent), a limited product range (42 per cent), false celebrity endorsements (32 per cent), and, finally, unjustified product prices (21 per cent).

    Brands that are digitally savvy, adopt the latest tech to make the consumer journey more seamless, and effectively leverage social media platforms are the go-to choice for gen-z. When it comes to digital consumption, social media is where gen-z expresses themselves the most (18 per cent), with Instagram and YouTube being the most popular platforms.

    On average, 29 per cent of gen-z spend one-two hours per day on these two platforms. When it comes to influencers, gen-z feels that influencers represent their own values and beliefs and reflect what they aspire to be.

    In addition to generating insights, the study served the dual purpose of busting some preconceived notions about gen-z. One of the most misunderstood aspects about them is their relationship with money. Contrary to the belief that they do not handle their finances responsibly, results reveal that gen-z is an extremely money-savvy generation. They actively discuss and educate themselves on wealth growth and management, redefining money as a means of elevating quality of life.

    As per the report, some other observations about gen-z are:

        Gen Z is a stressed and anxious generation, but at the same time, they are proud advocates of mental health and wellbeing.

        Gen Z prefers smart work that stimulates growth as opposed to hard work. Additionally, gen-z believes organisational structure is important, but hierarchical boundaries should be porous, allowing them the ability to impact final decision-making.

        Gen Z continues to demand transparency and authenticity from brands over big claims and celebrity endorsements.

    Havas Group India chief human resource officer Vandana Tilwani said, “The programme is meticulously designed so that the newcomers are actively involved in the day-to-day operations of their respective disciplines as well as challenged to go the extra mile by engaging with clients via live projects. This experience not only gives the interns a taste of how the industry operates but is also a conscious effort on the part of Havas Group India to pump fresh voices and perspectives back into the industry.”

    She added, “The experience of working on the gen-z 2022 report has been a key element in the overall learning journey of the Spark. Our effort is to provide as much real experience as possible in these six months, which is why the whole programme has been designed to ensure that the transition into a full-time role is seamless and natural.”

    Commenting on the findings of the Gen-Z 2022 Report, Havas Media Group India head of strategy Sanchita Roy said, “Gen-Z is perhaps one of most misunderstood generations of our times and probably the most enigmatic at the same time. In keeping with our philosophy of finding meaningfulness in everything we do, we launched the second edition of our gen-z study with the Havas Spark interns this year. The study, divided into two parts, not only explores gen-z’s relationship with brands and the media but also busts some of the myths surrounding them. The report will help brands not only make a meaningful difference but also plan more effectively as they try to forge stronger and better connections with this digitally native audience with a natural penchant for quick changes.”

  • Much-awaited Hindi GEC ‘Atrangii’ launched by Vibhu Agarwal

    Much-awaited Hindi GEC ‘Atrangii’ launched by Vibhu Agarwal

    Mumbai: The much-awaited Hindi GEC (general entertainment channel) ‘Atrangii’ has been launched on Monday. Backed by Vibhu Agarwal, the channel will feature a programme line-up from 7 pm to 11.30 pm.

    The channel is now available across all pay platforms namely Tata Sky, Airtel, D2H, Dish TV as well as on all cable networks like Hathway, Den and GTPL.

    The eclectic content line-up will also have some of the most-watched shows from OTT platforms and production houses that will be brought to the television screens of the audiences. ‘Atrangii’ is targeted toward engaging with the Hindi speaking market across the length and breadth of the country with a slate encompassing an expansive gamut of genres.

    The channel will begin with a show titled Bheja fry at 7 pm, followed by Dil-E-Ghumshuda from 7.30 pm to 8.30 pm. The unheard story of the greatest sage warrior Parshuram will be aired from 8.30 pm to 9 pm. Hara Sindoor, follows the extraordinary journey of a young girl Rani, who stands against the monarchy of the village dictator to liberate the villagers from the shackles of the monarch. This prime-time show will be telecast at 9 pm. The 9.30 pm slot will showcase disruptive, quality content from the web, to be enjoyed by the audiences from the convenience of their homes and that too without any subscription fee with the show titled Bestseller

    From 10.30 pm to 11 pm Parshuram will be repeated. The show Jaghanya will alert audiences, showcasing some of the soul-trembling, heinous crimes that have plagued our society and will air from 11 pm to 12 am.

    Speaking on the launch of the channel, Atrangii CEO and founder Vibhu Agarwal shared, “We are elated to roll out our first Hindi general entertainment channel Atrangii. We have been curating gripping content for the channel for the past couple of months now and we take pride in launching it with four hours of programming. From here on, we aim to further bolster the original content line-up. We have invested heavily in expanding our creative pool, bringing talent both behind and on-screen to put out shows that resonate with the Hindi heartland. Our concerted focus with ‘Atrangii’ is to partner with established production houses and independent creators to showcase content that will give us a definitive edge over currently produced shows in the Hindi GEC space. We aim to emerge as the go-to destination for entertainment across both satellite and digital space.”

  • New Australian TV studio Dreamchaser aims to showcase Australian content to the world

    New Australian TV studio Dreamchaser aims to showcase Australian content to the world

    Mumbai: In a bid to create local Australian content that can travel globally, former Nine Entertainment CEO Hugh Marks and Endemol Shine Australia co-founder Carl Fennessy have announced the launch of Dreamchaser.

     It is being positioned as being Australia’s first full-service production and distribution studio based in Sydney, Australia. Marks and Fennessy will serve as joint CEOs.

    The new studio will provide a home for Dreamchaser to partner with established and emerging creators to develop programming slates, cultivate distinctive creative identities and bring the next generation of Australian stories to the world.

    Backed by global content studio Endeavor Content, Dreamchaser will establish a collection of creative partnerships across the scripted, factual and entertainment genres under one portfolio, with a focus on driving global projects out of the Australian market.

    Marks and Fennessy said, “We’re seeing an explosion of global demand for premium content from new and traditional television platforms that shows no sign of slowing. At the same time Australian creatives are at the forefront of many of the biggest shows in the world. There has never been a greater opportunity for global content to be developed and sold from this market. With Endeavor Content’s strategic partnership, Dreamchaser will be a unique home for our creative partners to realise all of their ambitions and for content commissioners to have confidence that Dreamchaser will be the Australian studio where those ambitions can be delivered,”

    Endeavor Content’s Co-CEOs Chris Rice and Graham Taylor said, “We are excited for Hugh and Carl to bring their combined industry expertise to launch Dreamchaser, harnessing Australia’s flourishing creative and production communities.”

    “With Dreamchaser, Australia solidifies its standing as a major global destination for best-in-class content, bringing next-level storytelling from new and established voices from the continent to export there and to the world beyond.”

    Joining Marks and Fennessy are a management team including COO Sara Horn, CFO Megan Rees-Williams and head development Monique Keller.

    Marks and Fennessy added, “We’re grateful to the amazing and highly experienced team that have agreed to go on this journey with us. “Their expertise and proven track record will help achieve Dreamchaser’s ambition of taking Australian creatives and their stories to the world.”

    In the coming months, Dreamchaser will announce a number of new projects, as well as first-look and multi-title picture deals with Australian creatives.

  • Zee TV challenges gender stereotypes in its new show

    Zee TV challenges gender stereotypes in its new show

    Mumbai: The portrayal of women on the small screen has always been a subject of intense debate. Some draw inspiration from the society, where women are often told to prioritise their marriage over their careers, or relegate their careers when it comes to making a choice.

    Zee TV is hoping to challenge some of these stereotypes in its fiction show – “Iss Mod Se Jaate Hain.” The show is an attempt to make audiences reconsider their approach towards women achieving more than their male counterparts, according to the channel.

    The story is told from the eyes of Paragi Parashar, the female protagonist who along with her love interest Sanjay Pathak, is preparing for her UPSC exam. While both of them are extremely motivated towards their joint goal of becoming IAS officers, the show captures the dynamics between the two families after Paragi clears her exam with flying colours and Sanjay doesn’t.

    The show is set to air every Monday – Saturday at 6:30 p.m, starting 6 December.

    Zee TV Business head Aparna Bhosle said, “It is a dramatic love story that presents an interesting scenario where the girl is a step ahead of the boy in terms of career accomplishments. Our show captures the diverse reactions the couple faces from both sides of the family and the impact it will have on their relationship.”

    “Iss Mod Se Jaate Hain” will feature actress Akshita Mudgal who will be portraying the role of Paragi, a smart, witty, and studious girl. On the other hand, the role of Sanjay will be played by none other than Hitesh Bharadwaj.

    “Our last association with Zee TV was the gloriously successful ‘Zindagi Ki Mahek,’ so now we’re excited to present audiences with the new show,” said producer Saurabh Tewari from Parin Multimedia. “The story touches upon a problematic social construct where a man is free to prioritise his career, but a woman is often told to focus on her marriage and not over-achieve, lest she should end up making her husband insecure and risk jeopardising her marriage. We would be happy if the show manages to make viewers introspect and reconsider their views on gender equality.”

  • No top programme, advertiser and brand data for week 13: BARC India

    No top programme, advertiser and brand data for week 13: BARC India

    MUMBAI: Broadcast Audience Research Council of India (BARC) will not be able to make available data on top programmes, top advertisers and top brands for week 13. The ratings agency has informed that due to the ongoing COVID-19 situation, partners’ operations are disrupted and so it can’t make information available for the week starting 28 March up to 3 April.

    On its website, BARC India says, “BARC India is committed to weekly data release and will be releasing viewership data as scheduled on Thursday, 9 April 2020 at 1 pm. However, partners' operations have got disrupted and data for top programs, top advertisers and top brands are unavailable and hence will not be released for week 13.”

    It further adds, “We sincerely regret the inconvenience caused and thank you for your support and wish you safety, good health and peace of mind.”

    Other viewership data has been made available.

  • Limited punitive action taken against 31 TV channels in 11 years

    Limited punitive action taken against 31 TV channels in 11 years

    NEW DELHI: As many as 31 TV channels were asked to stop transmission for specific period of time ranging from one day to 60 days including news channel for 30 days between 2005 and 2016.

    Minister of State for Information and Broadcasting Ministry Rajyavardhan Rathore told the Parliament that 22 private television channels including one channel for three different programmes and another for two programmes were asked to suspend transmission for duration ranging from one day to 30 days for telecasting content in violation of the Programme Code during the last three years and the current year.

    This included 14 in 2013, one in 2014, four in 2015, and three in 2016 (till November), Rathore said.

    The three in the current year are — NDTV India and Care World India with one violation each, and News Time Assam for three violations. The orders relating to NDTV and Care World India have been challenged in the courts of law. Earlier, in 2014, Manoranjan TV was punished twice.

    The channels punished in 2014 and 2015 are — Enterr 10, Zing, Mahua, SS TV, AXN, FTV, Movies OK, Comedy Central, Zoom TV, ABN Andhra Jyoti, UTV Bindass, WB, NTV, Big CBS Love, Jai Hind, Al Jazeera, and Satlon News.

    Action is taken against TV channels whenever any violation of the Programme and Advertising Codes is noticed or brought to the notice of the Ministry. The Ministry generally issues warnings or advisories to comply with the Codes or asks the channels to run an apology scroll on their channel.

    But, Rathore said the channels are occasionally taken off air temporarily for a limited period depending on the gravity of the violation.

  • Limited punitive action taken against 31 TV channels in 11 years

    Limited punitive action taken against 31 TV channels in 11 years

    NEW DELHI: As many as 31 TV channels were asked to stop transmission for specific period of time ranging from one day to 60 days including news channel for 30 days between 2005 and 2016.

    Minister of State for Information and Broadcasting Ministry Rajyavardhan Rathore told the Parliament that 22 private television channels including one channel for three different programmes and another for two programmes were asked to suspend transmission for duration ranging from one day to 30 days for telecasting content in violation of the Programme Code during the last three years and the current year.

    This included 14 in 2013, one in 2014, four in 2015, and three in 2016 (till November), Rathore said.

    The three in the current year are — NDTV India and Care World India with one violation each, and News Time Assam for three violations. The orders relating to NDTV and Care World India have been challenged in the courts of law. Earlier, in 2014, Manoranjan TV was punished twice.

    The channels punished in 2014 and 2015 are — Enterr 10, Zing, Mahua, SS TV, AXN, FTV, Movies OK, Comedy Central, Zoom TV, ABN Andhra Jyoti, UTV Bindass, WB, NTV, Big CBS Love, Jai Hind, Al Jazeera, and Satlon News.

    Action is taken against TV channels whenever any violation of the Programme and Advertising Codes is noticed or brought to the notice of the Ministry. The Ministry generally issues warnings or advisories to comply with the Codes or asks the channels to run an apology scroll on their channel.

    But, Rathore said the channels are occasionally taken off air temporarily for a limited period depending on the gravity of the violation.

  • Big RTL Thrill presents Driven to extremes

    Big RTL Thrill presents Driven to extremes

    MUMBAI: To set adrenaline rushing of its target audience, Big RTL Thrill, a male entertainment destination on television, this December will be premiering Driven to Extremes.

     

    The three-part programme, available in dual feeds of Hindi and English, will be aired on the 1, 8 and 15 of December and will see Hollywood celebrities like Tom Hardy, Henry Cavill and Adrien Brody along with a motor sport professional, pitting two specially-built vehicles against three of the most difficult roads on earth.

     

    The company said in a statement, “We are extremely pleased to bring Driven to Extremes to the Indian audiences. This show has been critically acclaimed the world over and also has a great fan following, owing the participating celebrities. With the adventurous premise, high drama and excitement quotient, Driven to Extremes comprises of all the aspects that male viewers look for in a great TV show and we are confident that it will resonate well with our audiences and advertisers alike.”

  • I&B Ministry dictates channels to follow the programme code

    I&B Ministry dictates channels to follow the programme code

    NEW DELHI: Taking umbrage at constant comparisons of the speech of Prime Minister Manmohan Singh on Independence Day to that of other political leaders, the Information and Broadcasting Ministry today advised all News and Current Affairs TV Channels to follow the provisions of the Programme and Advertising Codes ‘scrupulously’.

     

    An advisory issued by the Ministry also said it was necessary to keep ‘the significance of the solemn days like Independence Day, etc. in view while carrying the speech of the Prime Minister and the President of India’.

     

    The Ministry said any further violation of the provisions of the Programme/Advertising Code would attract penal provisions stipulated in Section 20 of the Cable Television Networks (Regulation) Act 1995 and the terms and conditions of uplinking and downlinking guidelines.

     

    The advisory was issued in exercise of powers under Uplinking/Downlinking Guidelines issued by it, the terms of permission granted to the Channel to uplink or downlink TV Channels and under Section 20 of the Act.

     

    The Ministry said that the ‘telecast of this kind of programme on a day when the entire nation was celebrating its 67th Independence Day is highly objectionable. The Prime Minister spoke from the Ramparts of the Red Fort as the Prime Minister of the country and not as a leader of a political party.’

     

    ‘Therefore, on such a solemn day to put him in an artificial competition with anyone is not appropriate. On Independence Day when the Prime Minister addresses the nation and the country is united in the emotions of national integrity, patriotism and national fervor, the attempt by certain TV channels to denigrate the status of the Prime Minister can best be described as sensational against all norms of ethical journalism.’

     

    The Ministry pointed out that under Section 5 of the Act read with Rule 6 (1Xa) & (i) of the Cable Television Networks Rules 1994 as amended from time to time, ‘no programme can be transmitted/retransmitted on any Cable Service which contains anything offending against good taste or decency; and criticises, maligns or slanders any individual in person or certain groups, segments of social, public and moral life of the country.’

     

    It added that according to the basic conditions/obligations of permission/approval for
    Uplinking/Downlinking of TV Channels in India, the channels are bound to follow the Programme Code and Advertising Code as prescribed under the Act and rules framed there under.

  • BBC introduces documentary shows for UK kids

    BBC introduces documentary shows for UK kids

    MUMBAI: UK pubcaster the BBC has announced that its children’s programme Newsround, which it says is still the only dedicated daily news service for children in the UK, is to screen Newsround Investigates.

    This is a half-hour documentarie series and takes an in-depth look at issues affecting children’s lives. It kicks off next month.

    Newsround Investigates is a half-hour documentary format for children on BBC One and, for the first time in its 34-year history, the award-winning programme has been extended to 30 minutes.

    In the first programme, Lizo Mzimba and leading criminologist David Wilson take a look at the alarming scale of arson attacks committed by schoolchildren.

    This documentary talks to some of the youngsters who commit arson, looks at some of the reasons why they do it and examines the consequences of their actions.

    Every year, around 90,000 children in England and Wales are affected by arson. Every week, there are around 20 fires in schools and most of them are started by children with some connection to the school.

    School fires traditionally happen when schools are empty, particularly in the summer holidays. But increasing numbers of these fires are now occurring in school hours.

    Newsround Investigates speaks to children whose schools have been burnt down, children who have been injured in fires and children who have deliberately started fires.

    It also visits various anti-arson schemes across the country, such as the first-ever fire fighter embedded in a school.

    The show also questions why less than 200 schools in England and Wales have sprinkler systems when the problem of fires in schools is so great.