Tag: Pritish Nandy Communications

  • Remembering Pritish Nandy – the  poet, journalist, filmmaker, painter and a humanist

    Remembering Pritish Nandy – the poet, journalist, filmmaker, painter and a humanist

    MUMBAI: Around two years and eight months ago, the following post appeared on Pritish Nandy’s timeline on social media.

    “You relax on a plane, even if you don’t know the pilot. You relax on a ship even if you don’t know the captain. You relax on a bus even if you don’t know the driver. Why don’t you relax in life knowing that the universe is in control?”

    To which Pritish  responded. 

    Loved this post by @malini_ramani Perhaps I am trying to tell myself this as well. I have lived my whole life chasing stress. Stress brought forth poetry. Stress inspired my journalism. Stress informs all my creative work. Yet I yearn to relax, to switch off and go on a long vacation. Someday perhaps… when life expects less from me.”

    Pritish Nandy did realise his dream to go for a vacation five months later after that post when he got a chance to travel through Italy. He roamed the streets of Rome like a commoner, visited Harry’s Bar, soaked in the sights, the Vatican, appreciating and admiring art and the sculpting finesse of Michaelangelo’s David and the unknown Pieta. He looked relaxed and like he was having a good time. But the trip was relatively short and his thoughts kept him busy and they were probably racing a hundred a dozen through that vast and deep mind of his.

    And that’s exactly how Pritish Nandy lived his life:  busy.  He kept himself busy, as a poet in his younger days in Calcutta, a city he fled from around 40 years ago for the city of dreams. He published his own works and translated the works of other great poets – altogether more than 40 of them.  

    In Mumbai, he kept himself pre-occupied as publishing director of Bennett Coleman & Co between 1982-91 working on all its magazines but he got the most known for what he did as the editor of The Illustrated Weekly, which he transformed into a publication that stood out and made every one stand up too. Whether they were authors or politicians or  painters or film stars or beauty queens or musicians.

    Pritish Nandy in Italy

    President Gen Zia ul Haq invited him to his residence in Pakistan and gave him an explosive interview just a short while before he was assassinated. Then he and Rajat Sharma secretly recorded an off the record interview with the godman Chandraswami in London, which led to political explosions in India. Actress Neena Gupta  never forgave him for picking up Masaba Gupta’s birth certificate and identifying Viv Richards as the father of their love child. 

    Pritish did a stint with the Observer of Politics & Business, which was Reliance Industries’ Anil Ambani’s attempt at getting into media with his father Dhirubhai’s blessings. It floundered soon, despite first Prem Shankar Jha’s initial editorial guidance and then Pritish’s but it gave him an impetus to launch his own company which he set up in the offices of OBP, if I remember correctly.

    Thus Pritish Nandy Communications (PNC) was born. Which then again kep him busy as it went on to make television shows for Doordarshan, Zee TV, Star and Sony. Among them were current affairs shows, business chat shows, comedies, daily entertainment bulletins, Marathi dramas, Hindi dramas. Some of these he hosted himself. 

    From television PNC transitioned to films making some memorable titles like Jhankar Beats,  Kaante, Sur, Hazaaron Khwaishein Aisi., Pyaar ke side effects, Chameli and  Mastizaade. Some of the biggest names worked with him Amitabh Bachchan, Juhi Chawla, Sanjay Dutt, Kareena Kapoor, Aishwarya Rai in his films.
     
    And then of course came the era of streaming.  That got him busy again, it got his creative juices flowing. He, along with his daughters Rangita and Ishita, ploughed right in. Their first original approved by Prime Video Four More Shots Please was among the top shows of the year, in terms of viewership. It also went to get nominated for an international Emmy, which pleased Pritish no end.  Of course, what gave him a lot of pride was that his was amongst the first few production companies to be listed on the stock exchanges, way back in 2000.  And that the company was celebrating 25 years of its listing in 2025.

    Pritish got recognition very early at the age of 26 when he was given the Padma Shri. And he did hobnob with the powers that be. Indira Gandhi the then prime minister came to the release of his book of poems Lonesong Street and appreciated his work. This was much before he became a power house courtesy his journalistic endeavors.
    Pritish with his Pet

    He  has been a recipient of many awards: the EM Forster Literary Award, the Unesco Asia Pacific Heritage Award, the International Association Award from the Humane Society of the United States, the Friends of Liberation War Honour from Bangladesh, and hundreds  of award nominations for the films PNC has produced, from all over the world.

    A lot has been written about Pritish’s  caring for animals and how he along with Maneka Gandhi set up People for Animals much before its time. For him his pets were his children. His caring for strays on the street led him to strike a friendship with Ratan Tata who also shared with him his love for animals. In fact, so close was their friendship that Ratan Tata also picked up a chunk of  PNC shares from the open  stock market.

    Pritish was elected to the Rajya Sabha on a Shiv Sena ticket in 1998 from Maharashtra with the support  from both Sena and the BJP members without either of them knowing it.

    His pen shall write no more. Nor will his brush make the strokes on canvas. Pritish Nandy wielded both strongly. As a poet. As an editor. As a painter. As the script doctor or writer of the shows or flms that he gave his creative inputs for. With his passing away following a cardiac arrest, all that has been silenced.  He breathed his last on 8 January 2025 at the age of 73 at his south Mumbai residence, leaving behind his  two daughters who he doted on – Ishita and Rangita – his son Kushan, his pets and many a stray on the streets of Mumbai. 

    (Even as this piece is being written another Bennett, Coleman & Co legend Bhaskar Das continues to be critical in a Mumbai hospital. His family is counting down the days as the doctors have given up, surrendered to the cancer that has spread and ravaged his body)

  • Pritish Nandy Communications to produce series for Amazon Prime

    Pritish Nandy Communications to produce series for Amazon Prime

    MUMBAI: Last week saw the high profile launch of Amazon’s Prime Video service in Mumbai. The video on demand OTT platform announced a slew of tieups with different production houses which would be rolling out original content for it.

    Now Pritish Nandy Communications has informed the Bombay stock exchange that it is partnering with Amazon Prime Video. The company said that it would be developing a 10-12 part series for Amazon Prime titled 4 More Shots Please. The series is being penned by Meenakshi Reddy Madhavan while it has been created by Rangita Pritish Nandy. Its digital wing is headed by Ishita Pritish Nandy.

    This could come as a shot in the arm for the company which earlier this year reported a loss of Rs 70 lakh on an income of Rs 24 lakh in the quarter ended 30 September 2016.

  • Pritish Nandy Communications to produce series for Amazon Prime

    Pritish Nandy Communications to produce series for Amazon Prime

    MUMBAI: Last week saw the high profile launch of Amazon’s Prime Video service in Mumbai. The video on demand OTT platform announced a slew of tieups with different production houses which would be rolling out original content for it.

    Now Pritish Nandy Communications has informed the Bombay stock exchange that it is partnering with Amazon Prime Video. The company said that it would be developing a 10-12 part series for Amazon Prime titled 4 More Shots Please. The series is being penned by Meenakshi Reddy Madhavan while it has been created by Rangita Pritish Nandy. Its digital wing is headed by Ishita Pritish Nandy.

    This could come as a shot in the arm for the company which earlier this year reported a loss of Rs 70 lakh on an income of Rs 24 lakh in the quarter ended 30 September 2016.

  • Panorama & Pen buy theatrical distribution rights of PNC’s ‘Mastizaade’

    Panorama & Pen buy theatrical distribution rights of PNC’s ‘Mastizaade’

    MUMBAI: Panorama Studios and Pen Movies have acquired the all India rights of theatrical distribution of Pritish Nandy Communications’ upcoming films Mastizaade

     

    The film stars Sunny Leone, Tusshar Kapoor and has a special appearance by Ritesh Deshmukh. It has been directed by Milap Zaveri. 

     

    Panorama Studios has recently distributed films like Pyaar Ka Punchnama 2Gabbar Is Back, Aloneand Singham Returns. The company has produced films like Special 26, Drishyam and the Pyaar Ka Punchnama franchise.

     

    Panorama Studios managing director Abhishek Pathak said, “2015 has been a great year for us at the box office. Acquiring Mastizaade for all India theatrical distribution is going to be great start for us in 2016.”

     

    Pen Movies managing director Dhaval Gada added, “We are very happy to be associated with this film. It is a sure shot box office success and I am sure that Sunny Leone will make a big brand of Mastizaade, which till date would be her biggest.”

  • PNC Productions is now PNC Digital

    PNC Productions is now PNC Digital

    MUMBAI: Pritish Nandy Communications’ (PNC) subsidiary PNC Productions has been renamed as PNC Digital. With this, the company will define its business objectives. The information was revealed through a statement submitted to the BSE. 

     

    With this, PNC Digital will focus on emerging digital opportunities in the media and entertainment space. It will also explore the possibility of creating and acquiring digital products either by cash or equity, or a combination of both, that can exploit new markets that are opening up for film and television content.

     

    “The digital market for entertainment products has been the fastest growing segment in the past three years and it is the intent of Pritish Nandy Communications to seek and be a larger player in this space through the focused attention that PNC Digital can give it,” the statement said.  

     

    It can be noted that the net profit of Pritish Nandy Communications reported was Rs 4.65 crore in the quarter ended March 2014 as against net loss of Rs 0.42 crore during the previous quarter ended March 2013. For the full year, net profit reported was Rs 4.55 crore in the year ended March 2014 as against net loss of Rs 5.41 crore during the same period last year.

     

    Pritish Nandy Communications is the marker of popular films such as Jhankaar Beats, Chameli, Ankahee and Pyaar ke side effects.

  • Farhan Akhtar turns jingle writer in ‘Shaadi Ke Side/Effects’

    Farhan Akhtar turns jingle writer in ‘Shaadi Ke Side/Effects’

    MUMBAI: Time and again Farhan Akhtar has caught the fancy of many fans interested in poetry with lyrical lines on the social networking sites. However, in his upcoming film, Shaadi Ke Side/Effects the actor-director-producer plays a struggling musician Sid who takes up the job of a jingle writer-composer to pay his bills.

     

    However, since Farhan loves music and his guitar, the role was special to Farhan and thus he gave a spin to the featured jingles.

     

    Director Saket Chaudhary and the brand team of Skore condoms, an in-film sponsor in Shaadi Ke Side/Effects whose jingle Farhan’s character in the film was supposed to sing in the film, were in for a pleasant surprise when Farhan added his own lines to the jingle. He included the line – ‘I love my mother-in-law!’ referring to Rati Agnihotri who plays Vidya’s mother in the film.

     

    While this part has now been edited out of the film, Producer Rangita Pritish Nandy says: “Watch out for it in the gag-reel at the end of the film!”

     

    She adds: “This was massively funny while we were shooting! The whole unit cracked up and we almost kept it in the film as well but then decided against it. But watch out for it in the gag-reel at the end of the film which also features the reprised version Tauba Mein Pyaar Karke Pachtaya now re-christened Tauba Mein Vyaah Karke Pachtaya!”

     

    Shaadi Ke Side/Effects, produced by Balaji Motion Pictures and Pritish Nandy Communications, releases on February 28, 2014.

  • Shaadi Ke Side Effects trailer launched with Krissh 3

    Shaadi Ke Side Effects trailer launched with Krissh 3

    MUMBAI: While watching Krissh 3, the audiences may get a double treat as the first look trailer of Balaji Motion Pictures and Pritish Nandy Communications’ Shaadi Ke Side Effects will be attached with Krrish 3!

     

    The movie stars Farhan Akhtar and Vidya Balan and the theatrical trailer of the film, directed by Saket Chaudhary ,was screened amid a packed house yesterday, with audience laughing off their seats, courtesy an innovative “Battle of the Sexes” themed event. The highlight being a spirited debate between the leads of the shaadicom (aka shaadi comedy) Farhan Akhtar and Vidya Balan who play Sid and Trisha in the film.

     

    Balaji CEO Alpana Mishra, says, “To have the trailer of our film Shaadi Ke Side Effects attached to one of the most anticipated films of the year, Krrish 3 is fantastic. With Krrish 3’s massive release of 4000 plus screens we are sure to garner major eyeballs and reach the widest audience.”

     

    Talking about the film, producer Pritish Nandy says, “My belief is that Shaadi Ke Side Effects has the ability to be 2014’s most exciting film. It is wild, wicked and wonderfully entertaining. Mars VS Venus at its best.”

    The film will release worldwide on February 28, 2014.

  • Manic Monday: Media scrips join Sensex free fall

    Manic Monday: Media scrips join Sensex free fall

    MUMBAI: It was truly a Manic Monday for Dalal Street. For the second time in the indices’ history (the first being on 17 May, 2004), trading was suspended at the BSE this morning. The Sensex fell by a whopping 1111.70 points in the morning trade below 10,000 to settle at 9,826.91.

    However, it recovered substantially to close at 10,482 down 457 points. The NSE Nifty, on the other hand, closed at 3081 down 166 points. Media stocks, like the predominant market sentiment, were on a downslide.

    In order to avoid pandemonium in the market, Sebi chief M Damodaran asked people not to go by rumours but to take informed decisions. According to him, Sebi was in touch with the RBI and there were no liquidity problems.

    Among the entertainment and media stocks, one company that managed to beat the heat on the bourses was Times Group company Entertainment Network India Ltd (ENIL), which operates the Radio Mirchi brand. The company’s stocks opened at Rs 239.85 and closed higher at Rs 241.10, thus registering a marginal gain of 0.63 per cent.

    The biggest loser today was Prannoy Roy’s NDTV Ltd. The stocks of NDTV opened at Rs 220 today and closed at Rs 190, weaker by 13.64 per cent. Mid-Day Multimedia, on the other hand, recorded a drop of 11.82 per cent and closed at Rs 61.15 (previous close Rs 69.35).

    Pritish Nandy Communications shed 10.14 per cent to close at Rs 45.65 from its previous close of Rs 50.80. Hinduja TMT; which on Friday 19 May took the deepest plunge, going down by Rs 48.30 to close at Rs Rs 701.75; today dropped 3.10 per cent to close at Rs 680.

    Sahara One Media and Entertainment Ltd and BAG Films both shed around eight per cent in today’s bloodbath. TV Today Network was weaker by 7.76 per cent to close at Rs 81.45 at the end of the day’s trade. K Sera Sera also lost 7.45 per cent and ended the day at Rs 36.05. Television Eighteen shed 5.18 per cent (down Rs 32.95 from yesterday closing at Rs 603.20).

    Company
    Last Traded Price
    Previous close
    Change
    Per cent change
    Adlabs Films
    Rs 267.30
    Rs 271.45
    Rs -4.15
    -1.53
    BAG Films
    Rs 9.63
    Rs 10.54
    Rs -0.91
    -8.63
    Balaji Telefilms
    Rs 139.95
    Rs 147.00
    Rs -7.05
    -4.80
    Cinevistaas
    Rs 21.45
    Rs 22.55
    Rs -1.10
    -4.88
    ENIL
    Rs 241.10
    Rs 239.60
    Rs 1.50
    0.63
    ETC Networks
    Rs 37.65
    Rs 38.50
    Rs -0.85
    -2.21
    Galaxy Ent
    Rs 251.15
    Rs 260.95
    Rs -9.80
    -3.76
    Gemini Comm
    Rs 420.00
    Rs 433.30
    Rs -13.30
    -3.07
    Hinduja TMT
    Rs 680.00
    Rs 701.75
    Rs -21.75
    -3.10
    Jain Studios
    Rs 27.60
    Rs 29.00
    Rs -1.40
    -4.83
    K Sera Sera
    Rs 36.05
    Rs 38.95
    Rs -2.90
    -7.45
    Mid-Day Multimedia
    Rs 61.15
    Rs 69.35
    Rs -8.20
    -11.82
    Mukta Arts
    Rs 42.95
    Rs 45.20
    Rs -2.25
    -4.98
    NDTV Ltd
    Rs 190.00
    Rs 220.00
    Rs -30.00
    -13.64
    Pritish Nandy
    Rs 45.65
    Rs 50.80
    Rs -5.15
    -10.14
    Sahara One Media
    Rs 324.00
    Rs 354.00
    Rs -30.00
    -8.47
    Saregama
    Rs 241.65
    Rs 254.05
    Rs -12.40
    -4.88
    Sun TV
    Rs 1159.55
    Rs 1192.35
    Rs -32.80
    -2.75
    TV Eighteen
    Rs 603.20
    Rs 636.15
    Rs -32.95
    5.18
    TV Today
    Rs 81.45
    Rs 88.30
    Rs -6.85
    -7.76
    UTV
    Rs 176.00
    Rs 183.55
    Rs -7.55
    -4.11
    Zee Telefilms
    Rs 228.20
    Rs 229.60
    Rs -1.40
    -0.61

    In the vicinity of the one – five per cent loss incurred by companies were the likes of Mukta Arts (-4.98 per cent), Cinevistaas (-4.88 per cent), Saregama (-4.88 per cent), Balaji Telefilms (-4.80 per cent), Jain Studios (-4.83 per cent), UTV (-4.11 per cent), Sun TV (-2.75 per cent), ETC Networks (-2.21 per cent), Adlabs Films (-1.53 per cent).

    Media major Zee Telefilms had a relatively quiet day at the bourses, closing at Rs 228.20 down a minimal -0.61 per cent from yesterday’s last traded price of Rs 229.60. On the Nifty, meanwhile, Zee ended the day at Rs 227.40, down 1.22 per cent from yesterday’s close of Rs 230.20.

    The big question on every market punter’s mind at the moment seems of course to be just how low will low go. When will the “market correction” bottom out is something no one seems to be able to hazard a guess on currently.