Tag: Pritish Nandy

  • Remembering Pritish Nandy – the  poet, journalist, filmmaker, painter and a humanist

    Remembering Pritish Nandy – the poet, journalist, filmmaker, painter and a humanist

    MUMBAI: Around two years and eight months ago, the following post appeared on Pritish Nandy’s timeline on social media.

    “You relax on a plane, even if you don’t know the pilot. You relax on a ship even if you don’t know the captain. You relax on a bus even if you don’t know the driver. Why don’t you relax in life knowing that the universe is in control?”

    To which Pritish  responded. 

    Loved this post by @malini_ramani Perhaps I am trying to tell myself this as well. I have lived my whole life chasing stress. Stress brought forth poetry. Stress inspired my journalism. Stress informs all my creative work. Yet I yearn to relax, to switch off and go on a long vacation. Someday perhaps… when life expects less from me.”

    Pritish Nandy did realise his dream to go for a vacation five months later after that post when he got a chance to travel through Italy. He roamed the streets of Rome like a commoner, visited Harry’s Bar, soaked in the sights, the Vatican, appreciating and admiring art and the sculpting finesse of Michaelangelo’s David and the unknown Pieta. He looked relaxed and like he was having a good time. But the trip was relatively short and his thoughts kept him busy and they were probably racing a hundred a dozen through that vast and deep mind of his.

    And that’s exactly how Pritish Nandy lived his life:  busy.  He kept himself busy, as a poet in his younger days in Calcutta, a city he fled from around 40 years ago for the city of dreams. He published his own works and translated the works of other great poets – altogether more than 40 of them.  

    In Mumbai, he kept himself pre-occupied as publishing director of Bennett Coleman & Co between 1982-91 working on all its magazines but he got the most known for what he did as the editor of The Illustrated Weekly, which he transformed into a publication that stood out and made every one stand up too. Whether they were authors or politicians or  painters or film stars or beauty queens or musicians.

    Pritish Nandy in Italy

    President Gen Zia ul Haq invited him to his residence in Pakistan and gave him an explosive interview just a short while before he was assassinated. Then he and Rajat Sharma secretly recorded an off the record interview with the godman Chandraswami in London, which led to political explosions in India. Actress Neena Gupta  never forgave him for picking up Masaba Gupta’s birth certificate and identifying Viv Richards as the father of their love child. 

    Pritish did a stint with the Observer of Politics & Business, which was Reliance Industries’ Anil Ambani’s attempt at getting into media with his father Dhirubhai’s blessings. It floundered soon, despite first Prem Shankar Jha’s initial editorial guidance and then Pritish’s but it gave him an impetus to launch his own company which he set up in the offices of OBP, if I remember correctly.

    Thus Pritish Nandy Communications (PNC) was born. Which then again kep him busy as it went on to make television shows for Doordarshan, Zee TV, Star and Sony. Among them were current affairs shows, business chat shows, comedies, daily entertainment bulletins, Marathi dramas, Hindi dramas. Some of these he hosted himself. 

    From television PNC transitioned to films making some memorable titles like Jhankar Beats,  Kaante, Sur, Hazaaron Khwaishein Aisi., Pyaar ke side effects, Chameli and  Mastizaade. Some of the biggest names worked with him Amitabh Bachchan, Juhi Chawla, Sanjay Dutt, Kareena Kapoor, Aishwarya Rai in his films.
     
    And then of course came the era of streaming.  That got him busy again, it got his creative juices flowing. He, along with his daughters Rangita and Ishita, ploughed right in. Their first original approved by Prime Video Four More Shots Please was among the top shows of the year, in terms of viewership. It also went to get nominated for an international Emmy, which pleased Pritish no end.  Of course, what gave him a lot of pride was that his was amongst the first few production companies to be listed on the stock exchanges, way back in 2000.  And that the company was celebrating 25 years of its listing in 2025.

    Pritish got recognition very early at the age of 26 when he was given the Padma Shri. And he did hobnob with the powers that be. Indira Gandhi the then prime minister came to the release of his book of poems Lonesong Street and appreciated his work. This was much before he became a power house courtesy his journalistic endeavors.
    Pritish with his Pet

    He  has been a recipient of many awards: the EM Forster Literary Award, the Unesco Asia Pacific Heritage Award, the International Association Award from the Humane Society of the United States, the Friends of Liberation War Honour from Bangladesh, and hundreds  of award nominations for the films PNC has produced, from all over the world.

    A lot has been written about Pritish’s  caring for animals and how he along with Maneka Gandhi set up People for Animals much before its time. For him his pets were his children. His caring for strays on the street led him to strike a friendship with Ratan Tata who also shared with him his love for animals. In fact, so close was their friendship that Ratan Tata also picked up a chunk of  PNC shares from the open  stock market.

    Pritish was elected to the Rajya Sabha on a Shiv Sena ticket in 1998 from Maharashtra with the support  from both Sena and the BJP members without either of them knowing it.

    His pen shall write no more. Nor will his brush make the strokes on canvas. Pritish Nandy wielded both strongly. As a poet. As an editor. As a painter. As the script doctor or writer of the shows or flms that he gave his creative inputs for. With his passing away following a cardiac arrest, all that has been silenced.  He breathed his last on 8 January 2025 at the age of 73 at his south Mumbai residence, leaving behind his  two daughters who he doted on – Ishita and Rangita – his son Kushan, his pets and many a stray on the streets of Mumbai. 

    (Even as this piece is being written another Bennett, Coleman & Co legend Bhaskar Das continues to be critical in a Mumbai hospital. His family is counting down the days as the doctors have given up, surrendered to the cancer that has spread and ravaged his body)

  • ‘Four More Shots Please!’ Season 2 raises the bar

    ‘Four More Shots Please!’ Season 2 raises the bar

    MUMBAI: Take four beautiful Indian women from the upper class of society who are thick friends. Have them dressed and made up like they are walking the ramp, and at other times have them in the buff, frolicking with various paramours. Follow their romantic and sexual escapades. And of course give them this propensity for quaffing alcohol shots and an inane ability to get their hearts broken again and again, without any lessons being learnt at all.

    So what have you got?

    Amazon Prime Video’s Four More Shots Please (FMSP) Season 1.

    Now put in a lot more heart. Continue with their excessive horniness. Add on layers and growth arcs to their characters. Inject a progressive narrative, while focusing on their strengths and weakness, their successes and their failings, into the script. Make them believable. And this time you have got Four More Shots Please Season 2.

    Clearly in its new edition, the chick digital original series is a leap over the first one. Whether it’s writer Devika Bhagat who has put together a lot more soul into each of the four protagonists – Anjana , Damini, Siddhi and  Umang Singh – or Nupur Asthana (remember Hip Hip Hooray) who has helmed the 10 episodes, the Pritish Nandy-produced, Ishita-and-Rangita Nandy-show-run series is definitely an improvement over season 1.

    The locations and art direction are of course lavish; attention to detail in the sets is remarkable. The Truck Bar appears once again and is almost a character, a prominent host to many more tequila shot drinking and secret sharing sessions. The costumes and the styling are clearly tops.

    During FMSP 2, viewers will discover how Siddhi Patel (Maanvi Gagroo) unearths her true calling as a standup comic, that she has a libido which she has to quench and that she is no longer a rich spoilt girl but is now a woman in her own right. Umang Singh (Gurbani) and Samara Kapoor (Lisa Ray) will understand they cannot live without each other and also the true meaning of love. Damini (Sayani Gupta) will go boldly where she has never gone before in her writing as well as her relationship with Aamir Warsi (Milind Soman) and Jeh (Prateik Babbar). Anjana (Kirti Kulhari) will find the going tough in her law firm, strike out on her own, have affairs and finally land up in a soup and feeling guilty as hell.

    The series begins with three of the friends in India flying out to meet a hysterical Siddhi in Turkey after being incommunicado with each other for three to four months and follows the individual progress in their lives thereafter.

    The performances are laudatory and all the four ladies get a chance to stand out living up to what the roles demand of them. They grow on you and you begin to relate to them, you like them – maybe more so because they sail into uncharted waters, despite the fact that they are bubbling over with doubt and fear. It’s not just about their secret and not-so-secret sexual dalliances, but also about their personal choices.  It’s not feminism for the sake of feminism; it is truly about human or woman empowerment and self-esteem. They are vulnerable, and yet brave.

    And all four of them – including Lisa Ray – become the character, or the character becomes them.  Ditto for the male support cast, which includes Milind and Prateik. Real-life couple Fahad Samar and Simone Singh have short but important brief roles, and they leave a mark as Siddhi’s parents. Neil Bhoopalam as Anjana’s former husband; Prabal Panjabi as Siddhi's  painful interest; Sameer Kochchar as the brash lying successful lawyer with a roving eye, complete the notable cast.

    Nupur, Devika and dialogue writer Ishita Moitra have also pushed the limits. Yes indeed lesbians do kiss like heterosexuals do, then why not show it openly and be true to what that relationship brings with it? And yes, modern Indian women do swear and utter profanities between themselves or when they are pushed to the wall by chauvinists, so why not show them doing so? And women have their hormonal swings and periods so why not celebrate and flaunt it? Both men and women fart so why not have them portray it on screen as well?

    FMSP 2.0 is a portrayal of the modern-day independent, not-so-independent and dependent Indian woman and their interplay in the society we live. And it's been done so that it is believable; while walking the fine line between kitsch and what is right. Yes, there are some clichéd moments –as well as dialogues which at times make you cringe – but have we not a lot of that in successful series emerging internationally, even Hollywood? You also often times wonder and go oh no, why can’t the complex characters of these women be simpler? Why can’t they learn and take the right decisions and not walk right into danger?

    The show is packaged well, and is brightly lit, colourful and a good breeze through. In this time of COVID-19 lockdown, if you want to be entertained (without using too much of your rational and thinking faculties) by the antics of gorgeous-looking-and-dressed-to-the-T-yet-flawed women, do navigate your remote to Amazon Prime Video’s FMSP s.2.

    Show: Four More Shots Please Season 2
    Platform:
    Prime Video
    Cast: Kirti Kulhari, Sayani Gupta, Baani J or Gurbaani, Maanvi Gagroo, Lisa Ray, Milind Soman, Jiya Lakhiani, Neil Bhoopalam, Prateik Babbar, Ankur Rathee, Simone Singh, Amrita Puri, Rajeev Siddhartha, Sameer Kochchar, Shibani Dandekar, Prabal Panjabi.
    Director: Nupur Asthana
    Written by: Devika Bhagat
    Dialogues: Ishita Moitra
    Show runners: Ishita and Rangita Pritish Nandy
    Producer: Pritish Nandy
    Editor: Antara Lahiri
    Cinematography: Neha Parti Matiyani
    Art Direction: Abhay Bhedasgaonkar
    Production Design: Parichit Paralkar
    Casting: Shubham Gaur & Trishaan
    Makeup: Reann Moradian
    Costume Design: Aastha Sharma, Shiraz Siddique and Sagar Tiroltkar
    Music: Mikey McCleary

  • Steps to encourage ease of doing film business under way

    NEW DELHI: Information and broadcasting secretary Ajay Mittal has said the Ministry has initiated a series of measures to promote ease of doing business and reiterated government’s commitment to work closely with the film industry.

    Mittal was speaking at a function where megastar Amitabh Bachchan inaugurated the new office premise of the Central Board of Film Certification (CBFC) in Mumbai yesterday.

    A number for film personalities including former CBFC Chairman Anupam Kher, Ramesh Sippy, Raveena Tandon, Sonu Sood, Pritish Nandy, Manmohan Shetty, Gajendra Chauhan, Kiran Shantaram, Mukesh Sharma were among those present.

    CBFC, which had been functioning from the Bharat Bhavan in the White House Complex on Walkeshwar Road since 1950s, was facing severe space constraint against drastic increase in work load.

    Mumbai, being the centre of the Hindi, Marathi, Bhojpuri and Punjabi film industry, accounts for nearly 60% of all certification work of CBFC. During 2015-16, it certified over 11,000 films of various duration including 787 Indian feature films and 690 foreign films for theatrical release in India.

    Faced with an acute space constraint, lack of parking facility for visitors, CBFC moved a proposal for allocation of space in the Films Division Complex for a modern, digitally enabled office. It may be recalled that the online film certification system of CBFC was launched by Information & Broadcasting Minister M Venkaiah Naidu in New Delhi last week.

    Ramesh Sippy welcomed the online film certification system saying it would facilitate quicker certification of films.

    The Civil Construction Wing of Prasar Bharati has refurbished the new office, which houses the chambers of the Chairman, CEO as well as the Mumbai Regional Office. CBFC, besides its own preview facilities, can now utilize additional preview theatres of Films Division as well to quicken the process of film certification.

    The Films Division Complex now houses the offices of Films Division, Children’s Film Society of India, CBFC and also the upcoming National Museum of Indian Cinema, which is expected to promote synergy among different institutions of the I &B Ministry.

  • 57 cities, 65k unique viewers, 40 hours of live streaming.

    57 cities, 65k unique viewers, 40 hours of live streaming.

    MUMBAI: Ogle, India’s largest premium on-demand streaming platform growing, successfully partner with the Lakme Fashion Week/Winter Festive 2015 as the official ‘Live Streaming Partners’. With more than 65k viewers across 57 cities and 24 countries glued onto their connected devices, this was a definite success story for the platform and establishes their leadership in the premium space.

     

    Here are the 5 fascinating factors that made Ogle- LFW Live Streaming a successful collaboration:

     

       1.    ‘Front Row Experience at your Convenience’ :Providing millions of people with direct and live access to the exclusive contents of the Lakme Fashion Week,Ogle thrivingly delivered ‘The Front Row’ kind of an experience through the user’s connected devices. The live streaming gave viewers the access to watch exclusive on-stage and back stage happenings, watching their favourite bollywood celebrities walking the ramp or walking down the red carpet, and also to watch the interviews of their favorite designers and models. The Ogle-LFW ‘Live Streaming Partnership’, redefined fashion altogether.

     

      2.  Not in your city, yet in your city: For all the fashion enthusiasts all over India who missed out on physically attending the Mumbai Lakme Fashion Week, Ogle made sure you are not disappointed! Exclusive live streaming of the entire event and other behind the scenes footage and interviews, anyone from any part of the country could witness the Lakme Fashion Week Winter Festive 2015 happening in Mumbai live through any connected device.

     

      3.   Increase in viewership: The live streaming attracted people from more than 50+ cities in India, who otherwise would not have access to the Fashion Week. It was the best platform offered for people across the nation and led to a drastic increase in the viewership of the prime event. The approximated number of viewers through the Ogle link was more than 60k.

     

      4.   A buffer free experience: Ogle streams almost buffer free at bandwidths as low as 0.5mbps making streaming in India a realistic and stressfree experience. Expanding this experience beyond just movies and shows, Ogle tied up with Lakme Fashion Week and live streamed the entire event and other activities at high visual quality and without any disturbances for anybody in the country and not just their subscribers.

     

      5.   Traction for the prime event through social media: Ogle’s social media efforts toward Lakme Fashion Week across Facebook, Twitter and Instagram have reached out, in total, to almost two million users. Over the course of a week, the dedicated hashtag #OgleLFW was circulated to over one million unique users online, in conjuction with Ogle’s meticulous live coverage of Lakme Fashion Week that served to further enhance their social inlfuence. Narendra Kumar, SapnaBhavnani, Ritu Kumar and other prominent designers and Lakme Fashion Week attendees were engaged, significantly expanding Ogle’s digital presence to include new audiences.

     

    Sharing his views, Chairperson, Ogle Technologies Group Pritish Nandy says,“Ogle’s association with Lakme Fashion Week has been a great initiative both from a brand and messaging standpoint.Standing for providing curated cult content, Ogle was able to provide real time packaging of content that was accessed across the nation. We are committed to this partnership and will only growfrom strength to strength in the coming months.”

     

    IMG Reliance Head Fashion Saket Dhankar said, “Lakmé Fashion Week has always been at the forefront of innovation and we continued the trend this season with our live streaming partners Ogle. LFW Winter/Festive 2015 was streamed live through 6 different cameras, capturing exciting on-ramp and behind the scenes action from the Main Show Area, Jabong Stage, Red Carpet, Model Line-up area, the Celebrity room and other areas across the venue. We are delighted to have Ogle on board as our long term partners and hope to continue creating exciting content for fashion fans across the world.”

  • Supreme Court scraps ‘draconian’ Section 66A of IT Act

    Supreme Court scraps ‘draconian’ Section 66A of IT Act

    MUMBAI: In a landmark judgement the Indian Supreme Court today scrapped the ‘draconian’ Section 66A of the IT Act, which provides the power to arrest a person for posting allegedly offensive content online.

     

    The court ruled that the controversial Section 66A of the Information Technology Act was unconstitutional.

     

    The move comes in the wake of multiple arrests that have been made over the last year of citizens for posting their personal views on social media websites like Facebook and Twitter. The latest was the arrest of a teenager from Bareilly, Uttar Pradesh last week. The Class 12 student was arrested and sent to jail for a Facebook post about senior Uttar Pradesh minister Azam Khan.

     

    The order was delivered by a two-judge bench of the Supreme Court on petitions filed by civil rights groups and a law student, who argued that Section 66A violated people’s fundamental right to freedom of speech and expression. In the judgment, the Supreme Court said, “There is a difference between discussion, advocacy and incitement. Discussion and advocacy, no matter how annoying, is allowed.”

     

    The Supreme Court’s move has been lauded by members of the film and media fraternity online, who took to Twitter to express their views on the verdict.

     

    Journalist turned filmmaker Pritish Nandy tweeted, “Section 66A of the IT Act, the noxious, draconian law has been struck down by the Supreme Court. Restores our faith in democracy. What an achievement! @karunanundy #66A, the black act goes.”

     

    Director Madhur Bhandarkar said, “Landmark judgement by Hon Supreme Court as it strikes down Sec 66A of IT Act. Freedom of thought & expression rightly upheld in a democracy.”

     

    Filmmaker Shekhar Kapur added, “As Supreme Court has quashed #Sec66A, its time for every1 to realise growing power of #socialmedia… a powerful tool 2 be used responsibly.”

     

    Actress Suchitra Krishnamurty tweeted, “Yippee #Sec66A has been scrapped. So our freedom of speech is back. Can we have a law to scrap/challenge bans imposed by Govt too?”

     

    Journalist Sagarika Ghosh expressed her views by tweeting this, “Now that #Sec66A gone, in same spirit will GOI apologise to Priya Pillai, allow Wendy Doniger, un-ban books, stop calling media anti-national?”

     

    India Today consulting editor Rajdeep Sardesai tweeted, “The only exception to free speech must remain hate speech and incitement to violence. Defamation/slander as per common law. #Sec66A”

     

  • Yes Foundation organises social film movement

    Yes Foundation organises social film movement

    MUMBAI: Yes Foundation, the social development arm of Yes Bank, is giving the public an opportunity to select the winners of India’s largest social film movement – YES! I am the CHANGE.  

     

    The top 50 short film entries have been shortlisted and will now compete for the Indian social filmmaking challenge 2014. The five minute long films represent the true spirit of positive social change and touched on social topics including education, women’s safety, women empowerment, animal care and responsible citizenship.

     

    The main aim of this campaign is to spread mass awareness about social causes through the thought provoking films made by youth participants. Over 72,000 viewers have already participated and voted for the popular choice awards. The public can watch the films Yes Foundation India’s YouTube channel and vote for their favourite film. The film with the largest number of likes will be adjudged the winner. Voting ends on 31 January 2015. 

     

    The top three winners of the YES! I am the CHANGE popular choice awards will receive prizes worth Rs 25,000, Rs 15,000 and Rs 10,000 respectively.

     

    This programme is mentored by eminent filmmakers and educationists including Shoojit Sircar, Vikramaditya Motwane, Rakeysh Omprakash Mehra, Pritish Nandy, Guneet Monga, Kailash Surendranath, Dr. Indu Shahani, Dr. Nagesh Rao and Nina Lath amongst others.

  • Pritish Nandy’s Ogle to be India’s Netflix

    Pritish Nandy’s Ogle to be India’s Netflix

    MUMBAI: Backed by Pritish  Nandy Communications’ digital arm, PNC Digital, Ogle, an upcoming digital platform, promises to bring an array of international and national content to Indian viewers.

     

    From streaming international television shows, Hollywood to Bollywood movies, it also promises to bring international TV shows within 24 hours of them being aired.

     

    According to media reports, Pritish Nandy hopes to give users in India a service similar to that provided overseas by Netflix Inc., Hulu.com and Amazon.com’s Instant Video. It will bring content to viewers irrespective of the device. It can be used on televisions, PCs, tablets and smartphones.

     

    Consumers can access Ogle through any device through a browser or an app. If it’s a Smart TV, the app can be downloaded onto the TV. Otherwise, the company will provide a set-top box to display the content on a traditional TV.

     

    Launching on 22 September Ogle will offer multiple plans to subscribers. The basic plan that offers unlimited access to Ogle’s services on five pre-registered devices, is priced at Rs 500 per month and an additional Rs 1,000 per month (taxes additional) will provide free unlimited access to stream content, as per the reports. Another plan offered is a Rs 1,500 per month plan that also offers a 2 Mbps broadband connection without any limit in addition to the benefits of the Rs 1,000 per month plan.

     

    Ogle promises to carry over 150 international television shows (all seasons) as well as over 500 English movies. It has already lined up Indian content as well as a large library of music from India and across the world to add in the coming months after launch. The company plans to add more genres including concerts, sporting events and probably also become a distribution channel for content that regular distributors are not interested to distribute.

     

    Ogle was acquired by PNC Digital in July from its developer Harshawardhan Sabale, who now leads the business as chief executive of PNC Digital.

  • PNC Productions is now PNC Digital

    PNC Productions is now PNC Digital

    MUMBAI: Pritish Nandy Communications’ (PNC) subsidiary PNC Productions has been renamed as PNC Digital. With this, the company will define its business objectives. The information was revealed through a statement submitted to the BSE. 

     

    With this, PNC Digital will focus on emerging digital opportunities in the media and entertainment space. It will also explore the possibility of creating and acquiring digital products either by cash or equity, or a combination of both, that can exploit new markets that are opening up for film and television content.

     

    “The digital market for entertainment products has been the fastest growing segment in the past three years and it is the intent of Pritish Nandy Communications to seek and be a larger player in this space through the focused attention that PNC Digital can give it,” the statement said.  

     

    It can be noted that the net profit of Pritish Nandy Communications reported was Rs 4.65 crore in the quarter ended March 2014 as against net loss of Rs 0.42 crore during the previous quarter ended March 2013. For the full year, net profit reported was Rs 4.55 crore in the year ended March 2014 as against net loss of Rs 5.41 crore during the same period last year.

     

    Pritish Nandy Communications is the marker of popular films such as Jhankaar Beats, Chameli, Ankahee and Pyaar ke side effects.

  • ‘Shaadi Ke Side Effects’: A Yawn Fest

    ‘Shaadi Ke Side Effects’: A Yawn Fest

    MUMBAI: A sequel to director’s earlier film, Pyaar Ke Side Effects (2006), Shaadi Ke Side Effects deals with the post marriage equations between an urban couple, their ups and downs and their attempts to finally strike a balance in their married life. The names of the lead characters are carried forward though the faces have changed. Though posed as a comedy on two very independent people trying to adjust with each other, it is not really that. It crams in a lot of situations and issues in what could have been an outright laugh riot.

    Farhan Akhtar and Vidya Balan tie the knot even though her widowed mother, Rati Agnihotri, does not really approve of Vidya’s choice. Because, while Vidya is a well-placed executive, Farhan is a struggling singer waiting to cut his first album and, till that happens, making some living out of composing jingles. Considering all that, the couple lives a lavish life. They have devised some role playing games which is supposed to keep their marriage interesting and Farhan also believes in saying sorry to his wife either way, whether he is wrong or she is. One of the games they play is, they check into a hotel and land up in its bar. They pretend to be total strangers who have become friends over a few drinks and have decided to go to bed together.

    Their ecstatic romantic life leads to the inevitable. Vidya is pregnant. Neither one of the two is ready to start a family. While Farhan wants to do it after his career is launched, Vidya is shortly due for a promotion. While Vidya develops this sudden urge for motherhood, Farhan’s answer is no. It is while Vidya is on the operation table with an abortion due shortly that Farhan meets a father of quadruplets. They are the result of delaying parenthood and opting for other fertility methods, he learns. His decision is made and he wants the child too. The abortion process is terminated. To be fair to his wife, Farhan tries to undergo similar experiences that a pregnant woman would go through. The idea is to add some fun to the goings-on.

    Producers: Ekta Kapoor, Shobha Kapoor, Pritish Nandy, Rangita Nandy.

    Director: Saket Chaudhary.

    Cast: Farhan Akhtar, Vidya Balan, Ram Kapoor, Gautami Kapoor, Vir Das, Purab Kohli, Rati Agnihotri.

    Between the two, it is romance but when the couple becomes a family, role-playing and saying sorry stops being effective. Farhan tries his best to be helpful in tending to the child but Vidya’s maternal instincts always get the better of him. She knows why the child is crying, when it is feeling hungry, warm or cold. Farhan is no more the centre of attention to Vidya, he is marginalised while not being allowed to participate in parenting.

    Farhan approaches Vidya’s brother-in-law, Ram Kapoor, a man he never thought much of. But he has watched Ram doting on his wife and kid. The couple is lovey-dovey with Ram taking the lead all the time. He wants to know how Ram manages this. Ram has his little secret on which Farhan tumbles accidently! He is advised by Ram to follow the same formula as him. He starts doing what, they say, ‘all men do’. Tolerable so far, the film loses it purpose and goes on an abstract track. With its age-old marital discord theme, its attempts to be contemporary but ends up creating a mess.

    Scripting is rather ad hoc as it slips into flash-forward or flashback at whim. This includes a romantic song in flashback after the couple is married which does not quite interest a viewer. As a result of the script, the director has no hold on the proceedings and the film keeps meandering even as attempts at some light moments also fail. The film has some good songs in Tauba main vyaah karke pachtaya…, Bawla sa sapna, Desi romance… and Harry is not a brahmachari. However, these songs make for better listening on the audio track than they do in the film. Dialogue shows some sparks of wry humour in parts. 

    Yet, the main problem is with the film’s length, with two characters hogging most of the footage, it carries on for 145 minutes. This shortcoming shows as the film goes on to become unbearable in the second half. Vidya performs well as expected; but she is fast going out of shape to be appealing. Farhan is his usual casual self. Ram Kapoor is good in a brief role. Vir Das is loud. While Rati Agnihotri, Purab Kohli and Gautami Kapoor are okay in support, Ila Arun’s character looks forced.

    Shaadi Ke Side Effects has had a poor opening response despite much promotion; its reports won’t help further its prospects any more.